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Larentalia of Ancient Rome was a day at the very end of the Saturnalia, around December 23, celebrated in honor of various Deities. Some attest it to the celebration of Acca Larentia, the mythical mother of Romulus and Remus equated with the great she-wolf Lupa, whereas some call it the day of the Lares, protective household Deities of the Roman era. Multiple Di Inferi such as the Lares, Di Manes, Di Penates, and such received due praise on Larentalia.

Known also as Parentalia, Larom, Lemuria, Mania, this sacred day has a long history and roots from the beliefs and customs that preceded the very formation of Rome.

Larentalia has a complicated history, much like most Roman holidays and festivals do. Some sources attest it to be the day when Acca Larentia was praised and worshipped, as she was believed to have raised Romulus and Remus as their adoptive mother. Some stories speak of Acca Larentia as a woman who happened to have a large fortune left after her wealthy Etruscan lover, Tarutilus, passed, and that she gave the money to the people of Rome. Some call her the wife of Faustulus, the shepherd who found Romulus and Remus in the she-wolf's burrow. Some call her a courtesan and the mistress of the great Hercules given to him in a game of dice.

The latter might be a contributing factor to why Acca Larentia got slowly merged with the imagery of a she-wolf Lupa who raised Romulus and Remus according to the old myth: the word for a courtesan (lupa) and the word for a she-wolf (lupa) are cognates. Her other name, Acca, might be compared to the Sanskrit "akka", which means "mother" and rightfully allows us to consider her Mater Larum, the Mother of the Lares whom Romulus and Remus became for Rome after their deaths. The festival to honor the Lares was called Larom and coincided with Larentalia. Some, like Ovid, also referred to it as Mania after a corresponding Sabine Goddess.

The name of Quirinus is tightly connected to the cult of the Lares. Initially, this is likely the name of an Ancient indigenous agricultural Deity of Roman and Etruscan peoples who later was merged with the deified Romulus to represent a giving, prosperous ruler of the Empire.

Quirinus is also one of the epithets of the God Mars, one of the most beloved and treasured among the Roman Gods. Mars Quirinus was the peaceful face of the God of War when He guarded the civillians. Maurus Servius Honoratus in his notes to the Aeneid wrote the following: Mars enim cum saevit Gradivus dicitur, cum tranquillus est Quirinus ("When He rampages, Mars is Gradivus, but when He is at peace, He is Quirinus"). Gods such as Janus and Jupiter were also given the epithet Quirinus. Thus, the very name, Quirinus, became strongly associated with the image of provision, protection, and stability, which explains why Romulus was attested this name as well.

Such a diverse variety of ways Quirinus can be interpreted is partially due to the variety of theories that were created at the time to explain Romulus' death. Some authors claimed him to have been taken by a thunderstorm, some that he was killed by the Senate in a manner much similar to the way Julius Caesar died. Some claim that Romulus and Quirinus are one and have been one. The pre-Romulean function of the Divinity remains much of a mystery, though some argue that He might have been a part of the triad alongside Jupiter and Mars, thus constituting the three most beloved Gods of the Roman Empire.

Quirinus thus has connection to three most important areas of the Roman life: agriculture, military, and the afterlife. This creates a very chthonic identity of the newly coined Divinity, which explains why Larentalia was the day of honoring the dead.

The cult of Quirinus has birthed the new religious rank within Rome, flamen Quirinalis, which coexisted with flamen Dialis and flamen Martialis and seemed to perform a major religious function within the cult and across the entirety of Rome.

Larentalia was celebrated at the place of the supposed tomb of Acca Larentia, the Velabrum located between the Capitoline Hill and the Palatine Hill, not a long way from the old city. There, pontiffs and flamen Quirinalis sacrificed to Di Manes. Di Manes were the souls of the deceased loved ones, connected to other indigenous Roman Deities such as Di Penates, Genii, and the Lares. The festival to honor the Manes and Acca Larentia included performance of parentatio, or funeral rites. The Latin name of the ritual is the reason why Larentalia is also sometimes called Parentalia.

As the Mother of Lares, Acca Larentia received offerings given to the guardian spirits under her protection. However, the holiday wasn't limited to just her and instead celebrated all the Lares.

The nature of the offerings varies depending on what time period and what author we refer to. For example, Macrobius says that at first, Di Manes, as they were among Di Inferi, received offerings in form of human sacrifice. However, according to him, this tradition did not last for long and, under Junius Brutus, was replaced. Starting from Brutus' times, human sacrifice was substituted with offerings of garlic and poppy. In the same book Macrobius also states that people would hang up woolen human-shaped figurines on the day of the Manes to ward off anything bad happening to the family. This, as well as the fact most rituals likely happened at night, points out that this day was devoted to the chthonic Deities.

Among other offerings during Larentalia were homemade cakes and pigs sacrificed for the Di Inferi. Some writers suggest that if during the Larentalia, any piece of food was to fall on the ground, from the moment of touching it the food became an offering to the Lares and was to be burned. A similar tradition is seen among the Greeks who also believed that food dropped on the ground belonged to the spirits dwelling in the house.

As a part of the Saturnalia, Larentalia was one of the holidays of passing when the old died out and allowed the coming of the new.

Note: Do not use the decor in this post. I made it myself, images not mine. Please, be respectful. This holiday mentions the souls of the dead.

Sources are in my pinned.

NYT article abt goncharov has comments like 'what is the purpose of this film's existence these kids are just lying' motherfucker how do you think our ancestors survived. how do you think folklore formed. culture. music. art. PURPOSE????? do you think everything must be commodified? sold? weighed to be valued? has the rot in your soul spread so far you cannot find value in anything not spoken in numbers??? it's FUN. THAT'S WHY. THE PURPOSE IS THE ACT, THE MESSAGE IS THE MEDIUM, THE SYMBOL IS THE STORY. it brings people joy for its mere existence and that IS the point. existence is its purpose alone

they say that long ago, before Prometheus's fire shone in the sun's absence, Helios left the side of man each night and fell into slumber beneath the waters of the sea. and when the night Mother took His place, cold grief wrapped the earth. the flowers hid and the animals disappeared, patiently awaiting their Father's return. all waking creatures followed in His footsteps—sleeping through Selene's darkness to dream of the mighty rays of life. when Eos came to give rise to the mighty sun, His tears of sorrow appeared on the grass and dripped from the highest trees. some say that He filled the streams and lakes as light spilled across the lands. the rise of Helios became a time of reunion known to mortals as mourning

this tale begins as Eos lifted Him from the sea once more. His tears swelled on the leaves and His rays called out to humanity. today, His children did not come. they hid within their homes, terrified of the malevolent whom took advantage of the night. the shadows wailed and writhed, keeping His humble children awake. now, they slept through the day in exhaustion.

devastated, Helios gazed upon His slumbering children, too tired to greet Him. each time He returned, the pastures remained unkept and the fields shriveled into dust. the day couldn't last forever, and humanity could not survive without cultivation under the sun. from divine kharis, He offered humans a hope to last through the night. as Helios fell from the sky, the last of His color collided with the frothing sea.

from the union of the radiant sun and the wine-dark ocean emerged a golden form. ripe from the sea foam and imbued with luminescence, it awoke the slumbering mortals. all who saw were beckoned by the flash, a beacon in the night, and crowded the shore where She lay. many names were uttered upon Her appearance—Amathousia, Anaduomenê, Melainis, Kallipugos, Ourania—as She lie in the sand with wafting waves kissing Her cheeks

Aphrodite, She called Herself—radiant divinity within mortal form. a Goddess given life from the love between the mortal and immortal. from Her kiss came the fertility of the sun and from Her skin the iridescence of the sea shone. Her touch harbored the purest of love while Her laughter was as contagious as the plague. She roamed the night, watching over the mortals whom Her father adored so dearly. She protected them in His absence, taught them the gifts He could not sew from afar. as Her story spread, She was beloved by all. Pandemos Aphrodite, She who loved the poorest of men and saved the most desperate souls

after many years, Her knees had became too brittle to travel and Her senses dulled with age. still, the masses lovingly stayed by Her side. when it came time for Her mortal form to expire, humanity fell to their knees and begged Helios to save Her. even so, Aphrodite was not afraid to die. She eased their weary minds, for even if She could not be with them anymore, She would live on within their hearts. Helios heard the cries of His people and extended down His hand, grateful to the Goddess. in a moment of excellence, a golden flash appeared, pulling Her soul from the jaws of Psychopompus

they say that Aphrodite did not die that day. though Her body had disappeared and Her light did not illuminate the night anymore, Her existence was poured into every living being. humanity did not weep at their loss. instead, they danced, kissed, and drank together. their hearts were full and their minds were clear, for glorious Aphrodite would never leave their side

— "The Birth of Aphrodite" Dionysianfreak, 2023

I started this story a long time ago, I'm so glad it's finally done ! I've wanted to write my own myths for a long time as I personally view them more as devotional stories that reflect personal associations and experiences.

this myth is a retelling of Aphrodite's birth. it's based on my upg that sunsets on the ocean are one of Aphrodite's most sacred places. this is because I see it as the union between the heavens and the sea, Aphrodite's abodes. i also wanted it to revolve around love that wasn't inherently romantic or sexual, but the pure love between the Divine and humanity. I hope you enjoy it and I hope it won't be my last <3

Khaire Aphrodite 🐚🫀✨🌹🌠

The Morrígan

“Thou hast no power against me," said Cúchulainn. "I have power indeed," said the woman; "it is at the guarding of thy death that I am; and I shall be," said she. The Cattle-Raid of Regamna, from the Yellow Book of Lecan

The Morrígan is depicted in the Irish cycles as a member of the Tuatha Dé Danann, the wife* of the Dagda, and a goddess ruling over the spheres of fate, death, war, and land. She is often associated with ravens, crows, and heifers, whose forms she takes.

Name & Epithets: Morrígan, Morrígu, Mórrígan (Middle Irish— “Great Queen”), Mór-Ríoghain (Modern Irish)

Role as a Goddess of War

The Morrígan is seen in the Cycles as bringing victory in war, or foretelling death in battle. In the Cath Mage Tuired, which describes how the Tuatha Dé Danann overthrew the tyrannical Fomorians, she proclaims the victory of the gods over their enemy and foretells the end of the world. In the Ulster Cycle, she is the sometimes-patron, sometimes-enemy of the hero Cúchulainn, whose death she prophesies after he offends her, and then reminded of his fate by taking the form of an old woman washing his bloodied clothes in a creek.

Role as a Sovereignty Goddess

Sovereignty goddesses in Irish tradition represent the land itself, and thus marriage to one creates a legitimate rule or guardianship over that land. In Early Medieval Ireland (and perhaps before), a king’s coronation would include a symbolic marriage to the land, thereby granting himself power and legitimacy. The Morrígan is one such sovereignty goddess, or at least perceived as one by the 12th Century, as the Book of Invasions names her the sister of Ériu, Banba, and Fódla, personifications of Ireland married to each of her three kings.

Role as a Triplicate Goddess

The Morrígan is inconsistently referred to as one of three or a combination of three figures. In the Mythological cycle, she is named as the sister of Badb (’crow’), a war goddess, and Macha, a land goddess. Together, they are called the three Morrígna. Macha is also the name of several other figures, and Badb appears barely distinguishable from the Morrígan. Whatever the case, the names appear less like the archetypal ‘Maiden, Mother, Crone’, and more like simply different aspects of the goddess given different titles, as is common in Irish religion.

*Marriage with the Dagda

The fact of her “marriage” with the Dagda is contentious but well-supported by the texts we have access to. One of her best-known stories from the Cath Mage Tuired is the Dagda’s pact with her before the battle against the Formorians. This part of the text is often mistranslated as the Dagda meeting her [for the first time] at a certain point in the year, when really a perhaps more accurate translation would be “On this day [near Samhain] the Dagda met her yearly.” Additionally, the “union” described between her and the Dagda does not appear to be purely sexual. The word used, ‘oentaith’ is difficult to translate but probably also refers to a general agreement/pact [dil.ie/33541], not unlike a modern marriage. Additionally, as a king of the Tuatha Dé Danann, a ceremonial marriage to a sovereignty and agricultural goddess such as the Morrígan would be appropriate for the Dagda and make sense to an early Irish audience.

My UPG with the Morrígan

Recommended reading + Sources

Cath Mage Tuired [Translation] [Original]

Book of Invasions

The Cattle-Raid of Regamna

Aphrodite

Content warning: Because of the deity being discussed in this post, there are talkings of sex and sexuality under the cut.

Who is Aphrodite?

Aphrodite is the Greek goddess of love, beauty, desire, passion, pleasure, sexuality, fertility, and procreation. She has many epithets, or titles, that relate her to other aspects as well.

Antheia - The blooming, Friend of flowers

Anadyomene - She who rose from the sea

Ambologera - Delayer of old age

Aphrogenea - Foam born

Apostrophia - Expeller of sinful desires

Areia - The warlike

Callipygos - Of the beautiful buttocks

Charidotes - Giver of joy

Elikoblepharus - She with fluttering eyelids

Eleemon - Merciful

Eratoplucamus - Lovely haired

Gamelia - She who resides over marriage

Morpho - The fair shaped, Of shapely form

Nicephorus - Bringer of victory

Ourania - Heavenly

Pandemos - Common to all people, Of all people

Panmorphilos - Lover of all shapes

Peitho - Persuasion

Pontia - Of the sea

Philomeides - Laughter loving

Philopaneia - Lover of all

These are just some of her many names. She has many more epithets, including newer ones applied through UPG and modern practice.

Aphrodite and the Moon

This section is entirely UPG

I associate Aphrodite with the moon, more specifically, the moon's cycle. I do not see her as *the* moon goddess, but rather as having an aspect of the moon. I see her as the cycle the moon follows. There’s a few factors that contribute to this UPG of mine.

The first being that the moon’s cycle and a woman’s cycle are roughly the same length in time. I guess here it’s important to note that I am female, and a part of my work with Aphrodite has been centered around that. 

The second is that the moon controls the tides. Aphrodite is considered a sea goddess. But my association goes a little deeper than that. I have always heavily associated the ocean and its movements with Aphrodite, beyond just her usual ‘risen from the sea’ aspect. I don’t see her as the personification of the sea, or *the* ocean deity, but as the movements of the ocean. The waves, the tides, the things washed up on the shore in the waves, the feeling of a wave pulling and pushing the water as you stand in it. \

I really began to understand this association when I started working with the moon phases, and learning about how to live and plan by them. A book I highly recommend to learn about this subject is Lunar Living by Kirsty Gallagher.

Offerings for Aphrodite.

Chocolate

Honey

Fresh Fruits

Cherries

Apples

Olive oil

Water

Apple juice

Wine, especially red

Teas infused with herbs associated with her

Or just any tea

Fruit and/or herb infused water

Roses

Jasmine

Myrtle

Cinnamon sticks*

Orchids*

Love letters (to yourself, or to someone else)

Jewelry

Seashells

Devotional Acts

Self care

Morning / night beauty routines

Write love letters to yourself or to someone else

Visit the ocean if possible

Practice gratitude

Practice self confidence

Listen to music that makes you feel confident

Listen to music that reminds you of Aphrodite

Practice self acceptance

Tell your loved ones you and appreciate them

An act of kindness toward a stranger

Give compliments to yourself or to someone else

Watch a romance movie

Read Sappho’s poetry

Read poetry about love, romance, or sexuality

Read poetry dedicated to her

Explore your sexuality

Learn about the important of practicing safe sex

Pleasure yourself

Read a romance novel 

Read an erotica novel

Care for your mental and physical self

Learn about the ocean

Read her myths

Read modern retellings of her myths

Write retellings of her myths

Write poetry or song dedicated to her

Practice cyclical living (by the moon phases)*

Practice sea focused witchcraft

Dance

Create a playlist dedicated to her

Meditate and ask her to be present

Other Aspects of Aphrodite

People often forget, especially with the more popular and well known deities, that they can have aspects most would view as negative. 

Aphrodite isn’t just the goddess of love and beauty. She also resides over the negative aspects of her associations. Jealousy, obsession, clinginess, heartbreak, self-centeredness, manipulation. 

 This isn’t to say that working with her will bring those things. You can work with her to get past these things or move them out of your life just as you would any other aspect of her. 

Anything in this post marked with the symbol * means that it is my own UPG

forget about touching grass, i need to touch THE SEA I NEED TO GO INTO THE WATER I NEED TO DIVE INTO THE SEA!!!!!!!!!!!!

Peaky Blinders Season 3 | Episode 2

Zeus is a wonderful God! (Aka he and his worshippers don't deserve hate, ever) I mostly worship him as Ktesios and Astrapaios but he's many things:

Zeus is a god of fate, of law and justice.

Zeus is a protecter, he is a king, he is a god of hospitality who protects fugitives, strangers and all who need it.

He is a just and fair God (even if we can't see it), he is the lightning, the thunder and the rain.

He is, many things but he is: The Good God