On Charles And Love

The Barbie movie really said. Yes you will grow up and childhood wonder will vanish. Yes you will grow up and learn to hate yourself, your body, your awkwardness. Yes you will grow up and lose your confidence and certainty and sense of purpose. Yes you will grow up and the world will seem a bleaker, lonelier place every day, and society will seem bleaker and lonelier every day, and you won’t understand what went wrong in the span of just a few years, what took you from a happy and secure young girl to a sad, uncertain, scared grown woman.

And yet. You will learn to find beauty again. You will find joy in not having a purpose, in building a purpose for yourself. You will find beauty in connection, with the people and the world around you. You will learn to love signs of ageing as proof of a life well lived, of experience and happiness. You will take that little girl by the hand and tell her “I know, this isn’t what you thought it would be, but it’s real. Let me show you how beautiful it can be.”

So what are Will's flaws?

Is Will totally perfect in every way? Is he a jealous saboteur? Or a secret third option... neither. Let's discuss Will's flaws and nuances!

1. Emotional suppression

Will avoids his problems. He hates talking about both his emotional and physical danger because he doesn't want to be treated differently. From a young age, he was taught by Lonnie that he shouldn't express his emotions because that makes him "sensitive" and "weak." So now he likes to hide.

This emotional suppression causes his feelings to worsen over time. Once he finally lets it out, he explodes. Instead of healthy conversations, he says and does things that he'll probably regret later. He blows up at Mike, he yells at Jonathan, he destroys Castle Byers, he shows his hand (what about us?)

Will's avoidance doesn't only have consequences on him, but others. If he had told someone he was feeling the Mind Flayer earlier, they might've been able to save some of the Flayed. But he couldn't tell someone because that puts him in a place of emotional vulnerability. That's exactly why he waited until after he fought with the boys to mention the supernatural. He traded one vulnerable situation for another, allowing him to avoid opening up about his true feelings. It was a distraction.

This also doesn't let others to heal from their altercations. Both Lucas and Mike try to apologize to Will, but he brushes them off. Will thinks he doesn't deserve consideration. The walls he puts up forces others to hold onto their own guilt, leaving a sore spot in their relationship. We can see this soreness in Will and Mike's relationship in s4. They never healed from the rain fight. Well... not that Mike tried to apologize after the Mind Flayer debacle. Again, distraction on Will's part.

Will’s inability to handle change is also due to him bottling up his feelings. His trauma and suppression makes him stuck in the past. He doesn’t let himself move through each day where these emotions would be felt.

It's interesting how Will is deemed the emotional one when his sensitivity is actually a result of him keeping his emotions in. Once that dam is opened, it's hard for him to stop. He breaks, just as he fears.

2. Self-hatred

And all that emotional suppression leads to Will internalizing other people's view of him. Will's self-hatred stems from bullying and his father's abuse. He thinks he's to blame, that he's a mistake. As more people distance themselves from Will, he believes there's something wrong with him.

When he thinks he deserves mistreatment, his relationships crumble more. They're unable to reconcile. True forgiveness can't be achieved if he doesn't think he should be apologized to in the first place.

Will's hatred is the reason why he tried to sacrifice himself in s2 to save his friends. He doesn't think he deserves to be saved. This makes him an easy target for Vecna. It's very likely that Will's self-hatred will factor into his upcoming supernatural plot.

The more Will hates himself, the more he hides, the more he suppresses his emotions.

3. People pleaser

If Will is anything, he's a people pleaser. He's selfless. So much so that this is the first thing we find out about him. While admirable, it actually leads to more bad than good. His people pleasing tendency goes hand in hand with his emotional suppression. Will doesn't like to take up space and inconvenience other people.

Will's never ending effort to please others leads to him making assumptions. Wrong assumptions. Whether it be letting Max join them on Halloween or pushing Mike to give a love confession, Will tries his best to use his mediator role to give people what they want.

But he doesn't know what they want, does he? Will wanted to make Dustin and Lucas happy, but this created a rift with Mike. He thought Mike was itching to profess his love for El, but that wasn’t what either of them needed. In an attempt to help, he's making it worse.

He must be successful sometimes, though, because there's an expectation from his friends that he'll fulfill their needs at the flick of a wand. This vacancy from Will makes him a pushover. They think they can make fun of him and he'll just take it because that's what he does. When Will finally stands up for himself, they're shocked. That's out of character for him. It's like they want to say: “Why isn't he letting us be mean to him? :(”

Mike even expected Will to tell him that his own girlfriend was being bullied. Will's people pleasing explodes in his face. So now when he's unable to read their needs and fix it for them, he's to blame. Will takes on the weight of their problems too much. While it's good that they rely on him, there shouldn't be pressure for him to judge their every whim. But it's not exactly their fault because Will set the stage for this behavior.

Weirdly, Will's need to please others is the reason why he didn't call Mike. He thought Mike wanted nothing to do with him, so he didn't reach out. There he goes assuming things again! But Will was there, waiting for the rare occasion where Mike did want him. He went so far right that he ended up left.

Will's behavior towards El is also an instance of wrong assumptions. Will didn't like being treated differently in s2, so he assumed El would feel the same way. He used his own experiences to inform how he should treat others. Babying El would make her feel more ostracized. Instead, he offered emotional comfort, similar to the comfort he received, after the bullying. This doesn't really help her because she doesn't have the same emotional mechanics as Will.

So Will assumes things, pushes his own wants down, and lets people walk all over him all in the name of being pleasant.

4. Freeze, fly, fight. In that order!

When Will is scared, he freezes. This flaw is so significant that they talked about it textually multiple times. I'm not sure I would consider it a flaw since it has saved him more than it's harmed him, though.

The few times Will has decided to fight instead of freeze, he was kidnapped and possessed. Confrontation isn't an option for him. His body believes he'll be put directly in danger if he does anything but freeze/fly. Fight is only used as a last resort.

It only really enters flaw territory when it's an inconvenience. He froze during the sauna test, when El was being bullied, and when he should've shot the creature in the shed. Will is unable to help himself and others when he's scared.

When he snaps out of it, he cries and feels guilty for being so hesitant. He wishes he could do more but he can't. This wraps back around to his self-hatred.

5. Jealousy

When his best friend of 10 years that he's in love with starts to ditch him for some random girl, it's not shocking that there would be some jealousy! Will is the silent jealous type. His jealousy doesn't really manifest into resentment or outward action against the other person. Unlike a certain someone...

Will only shows it through rolling eyes, a snarky comment here or there, or an outburst at his most emotionally vulnerable. I mean, if Will really wanted to see El crash and burn, he could've kept his mouth shut the entire Rink-O-Mania day. Or he could've ignored her in the courtyard as she picks up the pieces of her project. But he didn't.

The worst we've seen Will's jealousy was during the rain fight. He called El stupid. There's no beating around the bush, he was in the wrong for that. But this came out of Will because his emotions were at an all time high. Why? Emotional suppression!

A lot of Will's snarky comments towards El are out of genuine confusion. He doesn't understand how El can have exactly what he wants, but she's willing to ruin it by lying. Unfortunately, he later learns that exact lesson. He's envious that she can do what Mike hates without major repercussions, while he's somehow blamed for her lies. And why does he get blamed? People pleaser expectations!

Will waited until a quiet moment to inform El of her mistakes. Will's goal isn't to humiliate El. He doesn't let his jealousy lead to resentment. Instead, he tried to (snarkily) lead her to make better decisions because it's not fair! It's not fair that she can have it all without working for it!

And now we're back at self-hatred. Some of his jealous moments make it bubble back up. He bends his painting, something he put his blood, sweat, and tears into, because he isn't enough for them. Their ideal day is without him. Will's art is an extension of himself. He's aiming his anger back at himself by hurting his art.

All of his flaws connect back to his low self-esteem in some way. This is why it's important for Will to receive and accept love in his life. A big part of his arc is self acceptance.

So there it is in all its glory! All of Will's main flaws in one post. What did we learn? Will suppresses his emotions, hates himself, pleases others to a fault, freezes, and is green with envy. And he wouldn't be Will without 'em!

stuck in space with ur arch nemesis who u make out with sometimes

this scene is to me what the roman empire is to men

Canon Remus was not a hardened orphan living in a group home. He was a chronically ill child raised by loving parents that were willing to FIGHT DUMBLEDORE to protect him. (Literally, Lyall DILF Lupin thought he was coming to take Remus away when Dumbledore personally delivered Remus' Hogwarts Letter)

So no, Remus was not a smooth-talking 7-ft-tall Casanova badass sex God with rippling muscles. He had zero friends before attending Hogwarts due to the fact that his loving parents kept him isolated out of fear that their son's Lycanthropy would be discovered, which would have ruined his life.

Canon Remus was most likely a timid, awkward, sheltered kid that was afraid of his own shadow because Hogwarts would be such an overwhelming experience for a little boy that has never interacted with another child in his LIFE and probably never even left his own home before. I imagine that books were his only connection to the outside world, which is why I can't stand the HC that he is completely illiterate when he first arrives at Hogwarts

tldr, Remus Lupin is the love of my life and is one of the few Marauders era characters with an actual backstory and personality, but this fandom just refuses to move on from a singular fic that completely rewrote everything about him.

And I'm not even going to start on how the Alpha Male-ification of Remus has also resulted in the complete assassination of Sirius' character for the sake of internalized heteronormativity that runs rampant in this fandom.

take life a little less seriously. learn a skill that isn’t resume-friendly. own your decisions without punishing yourself. both above average and average results are great; it’s good to do something at all. do many things, do many things badly. think about the big picture. the time is passing, regardless

dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.

there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...

i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears

this list is by no means complete or comprehensive!

and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)

found heaven by conan gray

the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).

2. like real people do by hozier

"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?

3. flaws by bastille

not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.

4. a pearl by mitski

you know it's gonna get intense if there's a mitski song in the mix.

the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".

5. fair by the amazing devil

this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.

the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.

6. work song by hozier

if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:

when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her

HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?

verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.

in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.

7. orpheus by vincent lima

i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.

8. francesca by hozier

(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.

as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.

the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.

"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.

the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.

to wrap it all up:

jayden, what were you cooking in there? what do you know??

These movies made me who I am

Hello, Dean.

You know when Castiel visits Dean in his dream? What if he does it in his true form?

there's just something about talking to a man, mentioning the Barbie movie. Because you talk about it, excited, and he says it's stupid, it's bullshit and then you ask him why and he just shrugs. Like have you seen it? no. Have you seen the trailer? no. Do you know what it's about? No. It doesn't matter, he is set on the fact it's bullshit becuase it's pink, it's girly, it's about dolls. Like suddenly you're a little girl again who tried to hate everything associated with girls and girlhood because it was stupid and ridiculed and you didn't want to be made fun of.