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THROUGH A RAPIST’S EYES” (PLS TAKE TIME TO READ THIS. It may save a life, It may save your life.)

An Article from Neena Susan Thomas

“Through a rapist’s eyes. A group of rapists and date rapists in prison were interview…ed on what they look for in a potential victim and here are some interesting facts:

1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets.

2] The second thing men look for is clothing. They will look for women who’s clothing is easy to remove quickly. Many of them carry scissors around to cut clothing.

3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered.

4] The number one place women are abducted from / attacked at is grocery store parking lots.

5] Number two is office parking lots/garages.

6] Number three is public restrooms.

7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they don’t have to worry about getting caught.

8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isn’t worth it because it will be time-consuming.

9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands.

10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys you’re not worth it.

POINTS THAT WE SHOULD REMEMBER:

1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: can’t believe it is so cold out here, we’re in for a bad winter. Now that you’ve seen their faces and could identify them in a line- up, you lose appeal as a target.

2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said they’d leave a woman alone if she yelled or showed that she would not be afraid to fight back. Again, they are looking for an EASY target.

3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent.

4] If someone grabs you, you can’t beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh – HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts.

5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guy’s parts it is extremely painful. You might think that you’ll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and he’s out of there.

6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly.

7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, don’t dismiss it, go with your instincts. You may feel little silly at the time, but you’d feel much worse if the guy really was trouble.

FINALLY, PLEASE REMEMBER THESE AS WELL ….

1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it.

2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from you…. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION!

3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver won’t see you but everybody else will. This has saved lives.

4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DON’T DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.

5. A few notes about getting into your car in a parking lot, or parking garage:

a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) .

b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars.

c. Look at the car parked on the driver’s side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)

6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot).

7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN!

8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked “for help” into his vehicle or with his vehicle, which is when he abducted his next victim.

Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and it’s better safe than sorry.

If u have compassion reblog this post. ‘Helping hands are better than Praying Lips’ – give us your helping hand.

REBLOG THIS AND LET EVERY GIRL KNOW AT LEAST PEOPLE WILL KNOW WHATS GOING ON IN THIS WORLD. So please reblog this….Your one reblog can Help to spread this information.

THIS COULD ACTUALLY SAVE A LIFE.”

Collection

~ all images from Pinterest ~

via radiantsomatics

There's a huge difference between redemption and humanization. I feel like a lot of "redemption arcs" aren't actually redemption at all, they're just attempts to humanize the villain so that they seem multi-faceted, but people read them as "redemption arcs" and think that that is meant to justify all the evil they've done before and negate whatever made them a villain in the first place. I think true "redemption arcs" are actually kind of rare because true redemption would take making the villain acknowledge their crimes, reevaluate their actions, actively choose to do better, and then proceed to make amends and become a better person, and that would this take more time than most stories are allowed to give their characters.

I've also seen people argue that a character has to be poised for redemption from the jump for it to work because once a character does something "too bad", they can't be redeemed. I completely disagree because redemption isn't justification or forgiveness, so no matter how horrible a character's actions, they could choose to become better, but because a lot of people (including writers) think redemption means "erasing the character's flaws and making it so they did nothing wrong ever", a lot of attempted "redemption arcs" just end up erasing a character's entire history or justifying every evil thing they've ever done. And yeah, in these cases, the only way to make a character go from a villain to a perfect cinnamon roll with no flaws *is* to have been planning it from the beginning and make sure they never do anything that can't be explained away later.

TLDR: real redemption arcs require a lot of self-awareness, patience, and growth, which are things that are rarely actually allocated to villains, and that's why real redemption arcs almost never get executed. The reason people think redemption arcs are overdone is because there are so many attempts to either humanize a villain that get misconstrued as redemption or attempts to blatantly erase who a character was in the name of "redemption", which is really just poor character development.

Promises Three: Subtle Dreaming

Dark!Morpheus x (female)reader, fantasy/medieval AU, 18+

Master List

Dream of the Endless had been promised a bride.

Chapter track: Rainbow - The Temple of the King - Algal the Bard

It has been... a rough couple weeks. But I'm back! Hope you enjoy! Your comments and questions mean the world! Special thanks to all you lovely rebloggers! I'm still trying to figure out how to respond without essentially reposting half a dozen times, but I see you, you make my week!

Subtle Dreaming

A knock on the door disturbed her work. It was an hour past midnight, when all but the youngest servants and ardent lovers had retired to their beds with heads full of dreams, a time a wandering mice and cat’s work.

But she wasn’t surprised, even less when she opened the door of her windowless chamber to find a young lady in her nightdress, wrapped in a shawl with wary hope in her eyes and a candle in her hand. Alis Everard. The youngest of a large family, and the only child still unmarried – and a child she was, barely thirteen, and of all the reasons the bard hated the king of Meiren, summoning such young suitors for his Endless guest might be the greatest. Her face hadn’t quite lost childhood’s rounded cheeks, and the seams on her nightgown had recently been let out after a growth spurt.

“I see your father is impatient,” the bard said. Wrapped in her own shawl over her own nightgown, she felt more than ever the noble’s equal. After such a long life, she understood better than most how little rank protected one from life and how much a peasant’s child was like a queen’s. She was the girl’s elder by far, but she’d been young once, and what youth didn’t go sneaking down corridors in the dark during their first trip to court?

“He bid me seek your counsel. May I come in?”

Stepping back, she ushered the girl into her sparse little room. “Of course.”

Once the girl was through, she moved to close the door, but a slippered foot darted through the gap to block it. “Not so quicky!”

The foot neatly kicked the door back open as the bard released it, and a young woman – who was, at least, properly a woman – swept by in a dressing gown of satin and a riot of chestnut curls. “I enjoy midnight jaunts, but not being spied on one.”

The bard did her very best not to smile, but failed entirely. She knew this late guest as well. Eilwyn Alder. The third generation in her family the bard had befriended, and she sat next to little Alis on the bed with the casual grace of someone entitled to it.

“My grandmother sent me for your thoughts, though I’m sure she’ll collect them for herself tomorrow. But I am a dutiful granddaughter, so here I am.” She blinked doe eyes as the door finally fell shut, poised and perfect coquettish grace. “So, what news? Or will I lose my beauty sleep for nothing?”

Pulling out a stool from beneath her tiny desk, the bard said, “I haven’t spent an hour in his presence, and I’ve had a long ride, so forgive me if I haven’t yet taken the full measure of the king’s guest and his schemes.”

Alis wriggled on the bed, twisting her hands up in her shawl. Her eyes bounced between shadows, looking for threats like the Dream Lord’s nightmares might crawl out of the walls to exact vengeance for some imagined slight. Not that they couldn’t, but the bard assumed Lord Morpheus had better things to do with his time than torment one overwrought teenager who didn’t want to marry him.

“What if he eats his bride on the wedding night? Like the Lindworm?”

Eilwyn scoffed, and the bard donned a gentle smile, even if she couldn’t keep the laugher from her voice.

“He’s Endless, not a dragon.”

“What does that mean?”

“Means you’d be better off with a dragon.”

The child curled into the corner of the bed, sinking into the blankets with her shawl swallowing the lower half of her face. Looking for comfort where her companions’ mirth had failed. The bard reached over to pat her knee, taking the opportunity to change the subject. “Honestly dragons aren’t so bad. One of my patrons is a dragon, you know. I was attending my yearly visit to his lair when your great, worried, noble parents called for me.”

A whisper of a promised story lured Alis’s eyes away from visions of doom. She glanced at Eilwyn, like she’d confirm the tale. The older girl gladly took up the role of expert.

“Everyone knows that,” she sniffed.

“Is it…” Alis mulled over the idea, confusing herself with her own bevy of questions. “Is it a… nice dragon?”

“These days he is. But he wasn’t always.”

The hook snared Alis’s attention, and her posture softened, though she didn’t leave the corner of the little bed. In fact, she made herself more comfortable, settling like a kitten, and a stab of rage that anyone thought this little girl ought to be considered as a wife seared through the gathering strands of the bard’s story.

She took a blanket and settled it over the child as she began to speak, shielding her from a king’s machinations, a world too big for little hands, and prying eyes.

.O.O.O.

Dream of the Endless retired to the chambers the King set aside for his use, though he had little use for them at all. He would not sleep. He had no intention of entertaining in the parlor, or writing missives at the richly appointed desk. There was no book on the shelves he did not already possess, and he left the food prepared for him to grow cold and stale on the table.

He did sip the wine, and in the darkest hours he found his amusement in wandered the sleeping minds of the castle. Boredom drove him. Cruelty, even. Vengeance called for the king to atone for his wounded pride, and the decade since the human’s error only gave Dream time to image new and wondrous torments. He wanted to watch the king’s schemes crumble in the dread nightmares prowling the would-be suitors’ dreams. He enjoyed the seeds of hate planted in parents’ hearts, the doubt in subjects who’d been nothing but loyal until this gathering.

The king’s story would be a horror, a kind of tragedy that left wounds in his lands and subjects the turn of generations would not heal. These seven days would be the fuse, a prologue to terror and loss. A lesson none would soon forget, lest they bring such punishment on their own loves.

He drifted, savoring the fears he would shape to his own ends. Until words snared his attention. A half-heard tale of a dragon spinning through recent memories of a soft touch and a smile in the face of inescapable dread.

He found a young mind loosely tethered to the Dreaming, caught in the tides running between the conscious and subconscious, where words and images of the Waking cast strange reflections in the fading thoughts before sleep. She led him to a plain, simple room deep in the castle. A place for high-ranking members of staff, perhaps. Utilitarian and uninspiring. Not a place this noble child belonged. But she was not alone, and as she dozed, Dream borrowed her senses.

Voices. One he recognized. The bard the king so detested. He knew her as he knew all dreamers, and he sensed his sister’s touch upon her.

She spoke of him.

“He’s the Prince of Stories. A bride market is beneath him. This is how political unions for picky lords looking for pretty faces are arranged, not how one of the most powerful creatures to ever live seeks a partner,” the bard said.

She was not wrong, of course. The story weaver spied the loose strings in the tale, the ragged ends that did not match, though she had yet to understand the pattern he wove.

“Whatever he wants, it isn’t love or a warm body in his bed. There’s something else. I just have to figure out if that something is a danger to any of you.”

So, loyalty did grow in the king’s court. Just not to the monarch. Dream felt the peace the bard’s presence brought the dreamer half-snared in her sleep. A quiet, sure thing. The confidence children had in oak trees their parents and grandparents climbed when they were young.

The other voice in the room did not speak as a child. This one was old enough for caution, and it worried for the old oak as well as those who sheltered beneath.

“To us, I should think.”

Did the bard not fear him? Had she stood outside as the storyteller for so long she’d forgotten she could be part of them as well?

“Whatever happens, dear, I’ll survive it.” Her only worry was for those she perceived as in her care. The children of children she’d watched grow. A touch carried through the dreamer’s skin and into their subconscious, a kind voice leading her back to the Waking. “It isn’t time to sleep yet. You must return to your room…”

The fragile link collapsed, and the bridge between the servants’ quarters and the noble guest room dissolved.

Lord Morpheus, Dream of the Endless, sat in his darkened chambers in the court of a damned king, and thought as he sipped from his wine that he would enjoy seeing the bard at work. He must amuse himself for seven days, after all, until the time of the agreement ran out, and she was a surprising creature.

The most surprising he’d seen in some time.