Summoned Part Three

'fairies dont exist' WRONG❗❗cyerce elegans

So I’ve had this scene from Cryptid Sightings stuck in my head since I read it. This guy deserves his smooches tbh

A Philosophy Behind Writer's Block: Valuing Despair

Unfortunately, it happened again where I went a little over a month without writing anything I was happy with. I would attempt to get some words down, remembering that even a little bit is progress; but, no matter what I did, everything just felt so dry and dull. Not only that, my stories felt like they were boring or just not worth it anymore. It was awful.

I tried everything that normally helped with getting over writer’s block. I’d try out different times to write, read other books for inspiration, focus on another hobby—still, it all felt like I was banging on a brick wall. That’s when I turned to my philosophy studies, as if there was some sort of deeper consciousness of an answer that would aid my issues.

Well, there was. The infamous Kierkegaardian Despair.

The Sickness unto Death

The Sickness unto Death is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus. A work of Christian existentialism, the book is about Kierkegaard’s concept of despair, which he equates with the Christian concept of sin, which he terms “the sin of despair.”

In Kierkegaard's work, despair arises from a fundamental disconnection from one’s true self and from God. He distinguishes between different forms of despair, including the despair of having a self and the despair of not wanting to be oneself.

Now, take what you will from the Christian existentialism part (I’m pagan, so I already had mixed opinions on many classic texts on God), but it doesn’t erase how the concept of despair can shed light on the underlying struggles that writers—at least, myself—may face.

It’s Never Just a Phase

Writer’s block can be seen as a manifestation of existential despair in which we feel disconnected from our creative essence or authentic self. This disconnection may stem from various sources, such as self-doubt, fear of failure, or a sense of alienation from one’s creative impulses. We may experience a profound sense of emptiness or meaninglessness, unable to access the inspiration and clarity needed to write.

Moreover, Kierkegaard’s notion of despair as a failure to align with one’s true self suggests that writer’s block may arise when our creative endeavors are driven by external motives or expectations rather than genuine inner inspiration. The pressure to produce work that meets societal standards or fulfills commercial demands can lead to a sense of existential disorientation and paralysis.

Don’t Just Overcome it. Value it.

If you resonate with Kierkegaard’s work, you will agree with his observation that we are always going to despair over something. It’s not about waiting for the tide to roll over or for the dry spell to ease up, but to examine our own self’s relation to what we are lamenting over. He writes:

“Despair is an aspect of the spirit, it has to do with the eternal in a person. But the eternal is something he cannot be rid of, not in all eternity… If there were nothing eternal in a man, he would simply be unable to despair… Having a self, being a self, is the greatest, the infinite, concession that has been made to man, but also eternity’s claim on him.”

Let’s break down the quote and explore how it can inform our approach to overcoming writer’s block:

Despair as an Aspect of the Spirit: Kierkegaard suggests that despair is not merely a psychological state but an aspect of the spirit, rooted in the eternal dimension of human existence. Kierkegaard’s conception of despair invites us to recognize the creative process as a site of existential tension and struggle.

Writer’s block is not merely a technical or practical obstacle to be overcome but a profound existential challenge that confronts us with the limitations of our finite selves and the aspirations of their creative spirit.

The Eternal in a Person: Kierkegaard asserts that despair is linked to the eternal within individuals, suggesting that it arises from a tension between the finite and the infinite aspects of human nature. The finite aspects encompass the temporal, material, and contingent dimensions of life, while the infinite aspects involve the eternal, transcendent, and spiritual dimensions. This tension is inherent in human consciousness and manifests in various forms of despair, such as the despair of weakness, the despair of defiance, and the despair of not willing to be oneself.

This tension between the finite and the infinite can be understood as the conflict between the limitations of our creative faculties and the boundless possibilities of imagination and expression. Writer’s block often emerges when the writer feels constrained by external pressures, self-doubt, or perfectionism, inhibiting their ability to access the infinite reservoir of creative inspiration within them.

Moreover, Kierkegaard’s concept of the finite and the infinite highlights the paradoxical nature of creativity. While the creative process involves the manipulation of finite materials—words, images, sounds—it also taps into something transcendent and ineffable, something that exceeds the boundaries of ordinary experience. Writer’s block can be seen as a manifestation of our struggle to bridge this gap between the finite and the infinite, to give form to the formless, and to articulate the inarticulable.

Having a Self as Eternity’s Claim: In Kierkegaard’s philosophy, the concept of “having a self” refers to the capacity for self-consciousness, self-reflection, and moral agency that distinguishes human beings from other creatures. It involves the awareness of one’s own existence as a distinct individual with thoughts, feelings, desires, and responsibilities. “Eternity’s claim” suggests that the existence of the self is not merely a temporal or transient phenomenon but is imbued with profound significance that extends beyond the confines of earthly life. The self, according to Kierkegaard, is intimately connected to the eternal dimension of human existence, reflecting the divine spark within each individual.

“Having a self as eternity’s claim” suggests that the act of creative expression is not merely a personal endeavor but is also a manifestation of the eternal striving for meaning and significance. Writers, as self-aware and self-conscious beings, bear a profound responsibility to give voice to their innermost thoughts and feelings, to explore the depths of human experience, and to contribute to the ongoing dialogue of humanity.

Embracing Existential Depth

So how do we value despair and overcome writer’s block in light of Kierkegaard’s insights? Writer’s block often extends beyond mere technical or practical challenges and can be rooted in deeper existential concerns. This involves grappling with questions of identity, purpose, and meaning in the creative process. By recognizing writer’s block as a reflection of these existential concerns, we can approach it as an opportunity for self-exploration and growth. Rather than viewing it solely as a barrier to productivity, we can use writer’s block as a catalyst for deeper introspection and self-discovery. This might involve journaling, meditation, or engaging in conversations with fellow writers or mentors to uncover underlying psychological or philosophical issues that may be contributing to the blockage. I have previously posted a blog on writing soliloquies. Embracing existential depth allows us to transform our struggles into sources of insight and inspiration, ultimately enriching our creative work.

There is a large aspect of accepting what you cannot control, another widely-known philosophical concept. Swimming against the current, after all, may prove to be more tiring than it’s worth. Instead, be kind to yourself and practice self-compassion during these moments. Understand that experiencing creative struggles is a normal part of the writing process and treat yourself with the same kindness and understanding you would offer to a friend facing similar challenges.

Seek social support. Reach out to fellow writers, friends, or mentors for support and encouragement. Sharing your struggles with others can help you gain perspective and feel less isolated in your creative journey, because, trust me, we have all been there.

Ensure that you are also setting realistic goals. All I would want to do was upkeep my 3k word/day momentum, but I would feel even worse about myself for being unable to do so. Break down your writing goals into smaller, more manageable tasks and set realistic deadlines for yourself. Celebrate small victories along the way to maintain motivation.

Finally, what has helped me the most, is to read widely. Immersing myself in diverse genres, styles, and voices provided so much insight into what I could be missing in my own work; or, it simply sparked my love of story-telling all over again.

Closing Words

Remember that writer’s block is a temporary obstacle that can be overcome with patience, persistence, and, apparently, a bit of philosophy. Where there is frustration, we will find insight.

A Small Act of Kindness

A DARK one-shot

Pairing: Dark!Morpheus x you, afab reader

Warnings: dark!Morpheus, obsessive behaviour, dark!Dream won't take 'no' for an answer, disturbing themes like kidnapping, imprisonment, isolation, etc, 18+ only!!

Inspired by this ask for @roguelov See: https://www.tumblr.com/roguelov/721739134130143232/this-isnt-smut-but-dream-has-strong-miette?source=share

Summary: You were at the cusp of making a life for yourself when you bought a loaf of bread for a stranger, who seemed a little bit too taken with such a nice gesture.

When you were a kid, everybody around you seemed to think you got a great life ahead of you. You kept hearing them comment how bright you were, how talented, how lucky your parents were to have such a behaved, wonderful child - and for a time, it got to your head.

Until life proved you weren't really any of those things.

It started creeping in when you went away to college. You had a taste of freedom, of zero expectations, and a glimpse of a world suddenly leagues beyond yourself. It was one class at first, then another, until you started dropping out of every class and left college altogether.

Many therapy sessions, and a couple of therapists later, you found out what it was called: burnout. It just so happened it plagued you a little early in life.

In retrospect, perhaps you could've tried harder - if you had just snoozed your alarm off a little less; if you had just grit your teeth and stomached your way through a few more algebra periods instead of sitting alone in that little corner of the library, reading whatever, hidden from a world you barely knew - perhaps it all would've been different.

Perhaps, you wouldn't be stuck in this small, glass cage floating in a vast chasm, in a place you hadn't thought existed even in your wildest dreams.

It was a day like any other, you supposed: the day you met him. You had to go to work, to a desk job that you actually liked, writing for a local food magazine. You were quite good at it too - it's a skill you had when you were quite young and had not had a chance to cultivate until late. Sure, you were barely making ends meet and had very little time to spare, what with taking a certificate course at a nearby university and recently moving out of your parents' house to rent your own little apartment, but you were feeling optimistic for the first time in a long while. Your boss just let it slip the other day that you were due for a well-deserved promotion soon. It was a slow process, but you were finally on your way to getting your life back together. You had a future you looked forward to.

Having already established your morning routine, you were on your way early to the office and decided to stop for coffee at this corner bakeshop you had once featured in one of your articles. The smell of freshly baked bread distracted you from a mental draft you were making for an article due tonight, so on impulse, you asked the cashier for a plain butter croissant at the counter. You looked to your right where the pastries were to see whether you wanted something else (the danishes looked scrumptious). You opened your mouth to ask the other lady behind the bread counter for a cherry danish, but her attention was already on the man beside you, clad in a thick, woollen black coat, collar upturned, his chiselled jaw clenched and his eyes narrowed ever-so-slightly at the question the lady posed for him.

"Uh, sir? I asked what you'd like to have?"

He tilted his head imperceptibly and for a moment, you thought he couldn't speak, until he opened those pursed lips, and finally, came out the most velvety, alluring voice you've ever heard: "I'd like some bread, please."

"Well, we've got quite a lot of them," the lady replied slowly as if she was trying her best not to be snarky at the stranger. "Might I recommend the baguette? It's fresh out of the oven."

The man nodded curtly as the lady picked the steaming bread from the basket display using a pair of tongs and placed it inside a brown paper bag.

"That'll be one twenty-five, sir."

The man made no move to shuffle in his pockets for money. In fact, he stayed still, stiff as a board, staring at the lady behind the counter who was getting rather irritated at his dawdling, probably keeping her from attending to the growing line of other customers waiting to get their breakfast. Perhaps, he didn't have money? Perhaps, just like your first few weeks out of your parents' house, he was struggling and he had no one else to depend on?

"I-I'll pay for it."

You didn't know what it really was that compelled you to say it - maybe it was that draft you were itching to get to, maybe you found empathy in his situation, whatever it was - at that time, you had no regrets. Seemingly surprised by the gesture, the man in the black coat, with his dishevelled hair and his pale countenance, stared at you intensely through those long eyelashes of his, and for a few moments, you held his gaze.

His eyes. They were a nice shade of ocean blue. They were the most beautiful pair of eyes you had ever seen.

You would later discover they could bleed to depthless black - ruthless, vindictive, inhuman.

The cashier handed you your change and your croissant, effectively breaking the spell the stranger beside you had on you. The cherry danish all but ignored, you flashed the man a small smile and headed out of the bakeshop, going about your merry way to the office with nothing but that article in mind.

And for the next two weeks, you had already put the rather bizarre incident (man) behind you, having been assigned to another place to visit and write about.

The man, however, never forgot.

The place you had been assigned to, called the New Inn, actually belonged to a professor in your university. You've had quite a lot of fun in his classes, so this was a gig you were pretty excited about.

It was a little over five in the afternoon when you stepped inside Professor Gadling's pub. He was already there in the corner booth, grading several essays. He put them aside as you arrived and asked a waiter to bring you both coffee. You were in the process of bringing out your digital recorder for the interview when you heard a voice so familiar it sent shivers down your spine.

"Hob."

Completely taken by surprise, you dropped the recorder to the floor, and it landed just a few inches from a pair of black boots. You tried to reach for it, but a pale, bony hand picked it up and wordlessly handed it to you. You looked up, only to get lost in a pair of ocean-blue eyes focused entirely on you.

It was the stranger from the bakeshop.

You took the recorder, muttering a flustered 'thank you,' before Professor Gadling greeted him like an old friend. He then introduced you to the stranger, who oddly enough just stared at you the entire time.

"She's interviewing me for the pub. I'll be featured in a magazine, can you believe it?" Professor Gadling said to the stranger who stepped inside the booth, intending to take the empty seat directly across from you. Turning to you, he stated, "This is my friend -"

"You may call me Morpheus." The man interrupted, a ghost of a smile visible on his usually blank features. "It is a pleasure to finally meet you."

It was unnerving the way he held your gaze without blinking, but perhaps it was just your imagination - after all, you hadn't had anything to eat since that leftover Chinese noodles this morning.

“Pleasure’s all mine,” was all you could come up with.

You were grateful when the waiter arrived with two cups of coffee and a dessert platter, and the interview with the professor went well and without interruptions. You both had so much fun, you ended up having dinner and drinks at the pub, and while it struck you odd that your third, silent companion did not partake in any single morsel of the food, by the time the evening ended at half-past ten, you had enough material for your article and were in great spirits. You thanked him for being such a gracious host and politely bid your farewell, as you were anxious to get a headstart on the draft.

The three of you simultaneously got to your feet - Professor Gadling to walk you outside, and the odd man named Morpheus trailing behind.

"Do come by again, my dear, and good luck with the article. I know you'd do a fantastic job." The professor said as he waved farewell outside the pub. He turned to Morpheus, who stood just a few feet away, watching the interaction, and gestured to him inside - presumably for them to continue their conversation - but as soon as you waved goodbye, he made a beeline for you, stopping just a few inches away and towering over you.

Too close, you thought. Wait, were his eyes twinkling? It must’ve been the streetlamp, the lights outside were pretty dim.

"I would like to accompany you on your walk home."

His words threw you off because they were so unexpected. He had no reason to do so, after all. Shyly, you beamed at him and replied, "I'd appreciate it, Morpheus, but I wouldn't like to impose...weren't you meeting with the professor?"

Professor Gadling, who apparently was in earshot of your conversation, waved you away.

"No, it's fine, dear. Besides, a young lady such as yourself shouldn't be walking alone at night. I'll see you some other time, my friend," he added, winking at Morpheus, who just tilted his chin in reply.

The professor had a point. You lived nearby, that was true, but the streets weren't safe on a Friday night, especially at this hour. You chewed on the insides of your cheek, nervous at the fact that you have not had anyone walk you home in a long while.

It's just a walk home. It couldn't be that bad, could it?

"Okay."

You would come to regret your response.

***

Inwardly, Morpheus rejoiced at the thought of you lowering your guard with him. He motioned with a hand to let you lead the way, not that he needed it - in two weeks after your fateful encounter at the bakeshop he had gotten to know every little detail he needed to know about you, including where you lived, of course. He had seen the little apartment himself when you were out at work, and while it irked him that you had to live in such a humble abode, he knew through your dreams that you had filled the apartment with love and considered it your sanctuary. It wouldn't matter once he took you home to his kingdom as his lover - for you, he'd craft an entire palace carved in precious stones in the blink of an eye, and it would be your sanctuary, just as much as this tiny home.

He did a fine job, too, of luring you into the place his centuries-old friend now owned. It took him only one dream, planted during your boss’s deepest slumber, for you to get sent right where Morpheus wanted you to be. All this planning and you were right there, with him, just as the fates would have it.

He had to ask you tonight. He has waited long enough.

***

You were just a few blocks away from your apartment building when you finally gained the courage to break the awkward silence between you two.

"Thank you for walking me home," you said quietly as you eyed him sideways. Your eyes widened at the sight that greeted you: he had a genuine, warm smile on his face you'd never seen on him before, and if his demeanour is anything to go by, you knew this was a rarity.

He looked like a prince, even with his hair sticking out in all directions.

"It is I who should be thanking you for your kindness to me at that establishment," he spoke with conviction. "I have not forgotten."

Surprised, but overall glad that he remembered, you matched his expression as best you can and replied, "You're welcome."

Nothing was ever exchanged until you reached your apartment door, but he seemed to draw closer to you, your shoulders almost touching.

Your hand was already at the keys to the doorknob when you asked him if he wanted to come in.

"For tea, perhaps?" You added. "I couldn't help but notice you didn’t eat at dinner, so…”

It was a last-minute decision, seeing as he was kind enough to ensure you got home safely. He could do with a few biscuits, too, in your opinion, judging by his pallor and his refusal to eat anything at the pub.

There it was again - that captivating smile, but behind it, you see a flash of something else entirely. It was gone even before you could fully take it in, so you shrugged inwardly. The hallway’s lighting has always been too dark to see a damn thing.

“You need not concern yourself over me, I am much stronger than I look,” he said in a light, teasing tone. “However, your effort would be appreciated.”

“Oh, it’s no problem!” You waved him off and pushed the door open to your home. “I just hope you don’t mind tea without milk, I haven’t done any grocery shopping yet…”

Morpheus followed you inside, closing the door behind him, as you went off to your room to drop your bag on the bed and set up your laptop on your work desk. As soon as you got out of your room, you found him with his back to you, rummaging through the copies of the magazine you wrote for.

“Nothing interesting in those, I’m afraid. Still, not bad for a would-be writer, don’t you think?”

Chuckling to yourself, you made your way to the tiny kitchen to put the electric kettle to boil, then rummaged through the cupboards for a mug you were saving for when you had guests over. Not that you’ve ever had any - so far, he was the first you’ve had since you moved in.

“‘A would-be writer?’”

The proximity of his voice startled you, seeing as you thought he had still been reading back in the living room. It’s admittedly only a few steps away, but you hadn’t heard him approach. He was at the kitchen doorway, casting a long shadow in the dimly lit space. You had forgotten to turn the lights on, but it didn’t seem to bother him.

“You give yourself very little credit for such riveting work,” he said as he closed the distance between you. The kettle had just turned off by itself, so you concentrated on pouring the boiling water on the mug and dropping a Ceylon tea bag inside. Leaning on the tiled counter, you watched the tea leaves bleed into the water, turning it to a lovely amber colour.

“I don’t know about that -”

Your sentence was cut short as you felt his fingertips subtly stroke your elbow, giving you goosebumps all over your arm.

He’d gotten so close…

Scooping up the mug with both hands, you turn around to hand him the mug, only to find yourself inches away from him you almost spill the hot liquid on his woollen coat.

“Your writing has soul. I should know: I have read every word you have ever written.”

Blinking up at him, you saw him dip his head closer to yours as his pale, warm hands enclosed around yours, still holding the tea.

You were trembling, it seemed, but he stilled it.

“Th-thank you," you whispered, unable to avert your gaze from those piercing blue eyes that seemed to pin you to place, as was his tall, imposing form enclosing you between him and the kitchen counter. He was so close you could feel the heat emanating from him. "That means so much to me.”

Or was it the heat from your cheeks you felt?

Seemingly oblivious to your increasingly flustered state, Morpheus made a deliberate move to extricate the cup of tea from your grasp so he could set it back down behind you (it was probably already over-brewed, you thought), while you try to compose yourself and ignore his fingers softly grazing your knuckles. You didn't have much time, however, because the next thing you knew was those same hands cupping your cheeks and his soft lips brushing over yours in a chaste kiss that stole your breath completely.

You felt him release his hold on you, perhaps to observe your reaction. Perhaps, you could’ve pushed him away right there and then; screamed at him for touching you and thrown him out of your home; but you couldn’t summon your limbs to respond. He took your momentary lapse of judgement to crash his lips on yours once more - it was a more heated, more insistent kiss, and as if to seal you to him, his hands travelled to your back to encase you in an embrace and pushed you further into the counter.

This was wrong.

It was all your instincts could tell you. So you heeded them and pushed against the lapel of his coat with all your strength. It was like pushing against a wall, but you managed to wriggle free from his grasp, so you made an effort to put as much distance between you and him as your tiny kitchen would allow. You glanced immediately at his face to gauge his expression, and to your utter shock, his eyes had gone entirely black. One blink, and it was blue once more, maybe even a tad regretful.

It’s the lighting in this damn kitchen, you assured yourself.

“I understand I may have been too forward,” he began, “But I assure you, my intentions are pure. I have waited for this since our fateful meeting.” He took slow steps towards you, and unconsciously you backed away until your back hit the fridge. There was nowhere else to back into. He halted as soon as he sensed your guard up.

“Morpheus, it was just a loaf of bread, really…”

Morpheus’s eyes softened visibly at your words and simply continued, “And by that selfless act, you have saved me in more ways than you could ever understand. I have held you in my heart since, my precious little saviour.”

“I-I'm sure it's nothing...” you stammered.

“Allow me the honour of courting you, and in turn, you shall know of my gratitude, and my love, until the end of my days.”

Your heart sank at his declaration. Somehow, you knew in your heart he meant every word he said. You couldn’t have this, not when everything in your life was just starting to fall into place. You put on the kindest smile you could muster and spoke slowly as you chose the right words, hoping he wouldn’t be too downcast with what you were about to say to him.

“I'm sure you're a wonderful man, Morpheus. I just…I don't think I can make that commitment right now. I mean, I just met you, and all I know about you is that you’re Professor Gadling’s friend.”

“That can be rectified.”

You let out a sigh. This was going to be difficult, but you really didn’t like the idea of egging him on. “I know that, but…I don’t think I have time for that, you know?”

“How so?” he asked in a low voice, tilting his head slightly.

“It's been a struggle just to get to where I am today… I have my work, which I love, and for the first time in my life, I feel like I'm doing something right and…one wrong move could make me lose my footing. I’m sorry.”

Morpheus seemed unconvinced, taking a few steps forward to close that gap between you. “You need not worry yourself over such trivial matters. I know what you dream of. I can give you the recognition you deserve, the stability you crave and more… Come with me and I can show you.”

He offered an outstretched hand, urging you to take it. But if you were being honest, you just wanted to crawl into bed, the draft be damned. Exhaustion was starting to creep up on you.

“‘Come with you…?’ I'm sorry, please don't take this the wrong way, I'm sure you mean well…but-but-th-this isn't really a good time for this…” you stammered as you crossed your arms to make a point, which you hoped he’d finally take. “I think I'd like to be alone now, please. I-I have that…thing I want to finish, and it's getting late…I’m sorry, Morpheus. I really am.”

Morpheus’s hand lowered steadily, but all the softness he had in his expression was gone without a trace, replaced with cold, hard eyes and furrowed brows. The warmth you have loved your apartment for all but disappeared, replaced with a clammy air that seemed to come from…from him.

“You have no idea what you've just turned away…nor who I am, and what I can do,” came Morpheus’s voice, lowered to an unrecognisable timbre. “I will give you this final chance to amend your answer, my little saviour.”

“E-excuse me?” you said, fighting the urge to run away from him and hide. This was your home, you had no reason to. Who the hell was he to threaten you in your own home? “I'd like you to leave, please, or I'm calling the police…”

He was only a few feet away from you now, and the wind somehow grew stronger, you could feel its rough caress on your skin.

Sand.

The light in your kitchen turned on without a warning, and your eyes widened at the sight of the man you had so carelessly allowed into your home:

A dangerous man - now a being transforming right before you - with chilling black eyes, a heavy flurry of sand circling him, and waves of black smoke emanating from his growing form…

Paralyzed in utter fear, your heart pounding in your ears, all you could do was hold on to the fridge as you watched him approach your cowering form on the floor. Gone was that princely face you shared a gentle kiss with, replaced by a bony, skeletal mask with hollow cheekbones, his mouth contorted in a snarl that revealed razor-sharp fangs.

His voice echoed as he spoke, raspy and deafening:

“I am quite disappointed in you, my precious saviour. No matter: I am not unmerciful.” A pale hand, now with blackened, sharpened nails, made an appearance before you. “Take my hand, my beloved, and I shall forgive your error.”

In your terrified state, all you could muster was an adamant shake of your head.

This can’t be real. It couldn’t be.

“I’m dreaming, I'm-I’m dreaming this, this can’t be real, you’re no-not real…” hunched on the floor, hugging your legs, you muttered to yourself.

“Very well,” he thundered. “You have made your choice. ”

You would later discover just how real dreams could be, and that they weren’t that much different from the nightmares.

***

Morpheus released a small sigh as he watched you in your spherical compartment, deep in troubled slumber. He had not meant to frighten you that much with his nightmarish form. Admittedly, he could’ve done a much better job with reeling himself in, but the pain of your rejection felt to him like a thousand daggers being plunged into his heart. All he wanted was for you to be happy with him. He could’ve given you everything he had seen you dream of - he still could, but not before he heard from your sweet lips an admittance of your guilt, and a vow never to spurn him again. 

He held the tiny sphere that contained your form in his palm and drew it closer to his face to get a better look at you. He had fashioned you a dress that brought out the colour of your eyes and soul: you looked ravishing, even in imprisonment. In his mind, he had played the memory of the kiss you had shared with him in your home a thousand times over. You were intoxicating, and the thought of kissing you again and finally marking your skin cemented his decision of keeping you in this space he crafted in his kingdom. You needed time to consider his proposal, that was to be expected. He would allow you the time you needed. All he had to do was assure you of your safety and well-being, seeing as scaring you even further might prolong his wait.

He knew you would wake soon, and he would explain his actions when you do. You would have no reason to refuse him, then.

***

You woke with a start, rubbing the sleep off your eyes, just to sit up and think.

You had lost count of the number of days you had spent in your glass enclosure, and there was nothing much to do except to observe your surroundings - nothing but a vast space, where distant stars glittered in the black tapestry that was space, with a single source of light in sight, like the sun, only that it offered no warmth. That, and to ruminate on the events that led you to this situation.

You remembered when you first came to, locked in this glorified cage. You still thought you were dreaming then, so you did everything you could to try waking yourself up, only none of it worked. That was when he appeared.

Dream of the Endless, he had called himself. The King of Dreams and Ruler of the Nightmare Realm.

He claimed to rule the place he had taken you to, which he called the Dreaming. He had then explained that everything humanity (‘your kind,’ you recalled him saying) had ever dreamed of in its sleep was as real as everything it sees, hears, and feels in its waking hours and that he presided over them since the first living creature dreamed, and will do so until the end of all life.

He had revealed that he had watched over you, your dreams and your waking hours, since your first meeting, and that he had not meant to scare you, only that he wished for you to accept his advances.

That was the first of his many attempts to get you to say ‘yes.’

He would ask in many ways: a long walk in this garden he called the Fiddler’s Green; a sumptuous dinner in one of his many grand halls; an adventurous tryst in one of the humans’ dreams. He had promised that if you agreed to be courted by him and be with him, he would take you out of your enclosure and release you, allow you to roam his kingdom as his lover, forever wanting nothing and lavishing in all the riches and trinkets he could offer.

From then, you knew you would never be allowed back into the life you had worked so hard to build, humble as it may have been.

At first, your response to his attempts of coaxing you into a relationship with him was a string of incoherent curses and screaming. After a while, they were plain ignored - his face would remain blank every time, if not a tad disappointed, or hurt.

You didn’t care.

But you were also lying if you said it hadn’t worn out your resolve. This day was one of them.

You missed food. Not that you were ever hungry - he had removed hunger from you in your imprisonment. He had given you the gift of dreamless sleep as well, but in your time alone with nothing to do except wake and sleep, you’d give almost anything to have dreams again. You had no other company except him and the vast, endless space beyond your cage that he had conjured for you. You being sealed away from everything was driving you closer to insanity every day, and that was his design: to make you desperate enough to submit to his will.

Without warning, your hair stood at the back of your neck, your senses on high alert.

Dream of the Endless had arrived.

“My precious little saviour,” he greeted in that deep, velvety voice you had grown to hate and find comfort in at the same time. “I have come for you.”

Your captor had a warm smile on his regal features, one that didn’t match his true intentions. You stared at him with a blank expression and let his greeting go unanswered.

“Will you join me for a walk in my garden?”

He kept his eye contact with you as he waited for your response. It unnerved you to no end, the way he held your gaze with those ocean-blue eyes of his, knowing a single ‘no’ from you would instantly turn it to the black ones you have known to fear. When you opened your mouth to speak, it actually hurt your throat - you hadn’t spoken in a long time.

“Will you be locking me up again, after?”

He grinned at you and tilted his head slightly. “If you behave and do as I say, I will not.”

Only a single tear that escaped from your eye betrayed that gnawing feeling of defeat in your gut. Finally swallowing whatever pride you had left, you made a decision.

“Yes.”

You should never have bought him that damned loaf of bread.

***

Just a little one-shot I wanted to write to get myself out of a writing rut I've been stuck with wanting Comatose to be perfect it stressed me out too much :// I will still work on it, I promise! I just need to get this out the way to get my writing mojo back :D

Also, what do you think of making this a two-shot with SMUTTY goodness?? hmmm the thots, they plague meeeee

Thank you for reading!!!! Please engage and all that it's really appreciate iiiit

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There is an epic adventure coming up … are you ready to join an icleandic camper van adventure...#coastlines #winter #coast #roadtrip #planetearth #iceland

There's a huge difference between redemption and humanization. I feel like a lot of "redemption arcs" aren't actually redemption at all, they're just attempts to humanize the villain so that they seem multi-faceted, but people read them as "redemption arcs" and think that that is meant to justify all the evil they've done before and negate whatever made them a villain in the first place. I think true "redemption arcs" are actually kind of rare because true redemption would take making the villain acknowledge their crimes, reevaluate their actions, actively choose to do better, and then proceed to make amends and become a better person, and that would this take more time than most stories are allowed to give their characters.

I've also seen people argue that a character has to be poised for redemption from the jump for it to work because once a character does something "too bad", they can't be redeemed. I completely disagree because redemption isn't justification or forgiveness, so no matter how horrible a character's actions, they could choose to become better, but because a lot of people (including writers) think redemption means "erasing the character's flaws and making it so they did nothing wrong ever", a lot of attempted "redemption arcs" just end up erasing a character's entire history or justifying every evil thing they've ever done. And yeah, in these cases, the only way to make a character go from a villain to a perfect cinnamon roll with no flaws *is* to have been planning it from the beginning and make sure they never do anything that can't be explained away later.

TLDR: real redemption arcs require a lot of self-awareness, patience, and growth, which are things that are rarely actually allocated to villains, and that's why real redemption arcs almost never get executed. The reason people think redemption arcs are overdone is because there are so many attempts to either humanize a villain that get misconstrued as redemption or attempts to blatantly erase who a character was in the name of "redemption", which is really just poor character development.

new ask meme! anonymously assign me a vibe