about kowloon generic romance (kgr) first episode i have to say it's a bit disappointing... i think one of the best parts of the manga is that yes, the characters talk about the nostalgia, but you can feel it radiating from the pages too!! and at least this episode I don't think the anime got the vibe lol
and i do understand the decision to put everything until the picture reveal into the first episode, bc everything before is kind of an introduction so everything was a bit rushed and a lot was cut, but there are so moments i do miss (╥﹏╥) i hope the rest of the season does go slower and takes the time that's necessary to build the suspense, confusion and ROMANCE!!! (in the "love" way and the literal romance way)
SO TRUE, it has to be someone else involved!! after all sigma exists bc they were written in the book, but they stole the page from taneda.
except DoA wrote sigmas existence like "3 years ago this person appeared..." and etc. but that doesn't make sense because fyodor found sigma¿
and i don't know if this makes any sense, srry
Does anyone else kind of feel like there might be a secret third person pulling strings within the decay of angels? Because I kind of get that feeling sometimes. I have absolutely no basis for this tho.
But like Fukuchi and Fyodor are the only members who seem invested in it. Nikolai and Sigma are essentially Fyodor’s plus ones. And does Bram literally even count as a member? I mean that seriously. Like, he doesn’t want to be there, and he’s literally being used as a weapon. A secret weapon up until this point. Why, if it was known that there were five members, would they count the vampire on a stick that Fukuchi enslaved and like keeps hidden in his office or something? What if someone else is the actual last member? Like maybe that’s how Agatha Christie will finally be plot relevant. But more likely it’ll be the guy who wrote the Decay of Angels.
I just feel like we’re missing something there, but I might just be imagining things.
if in the new timeline in the manga there are no school mysteries then that means that the creation of the mysteries is related to the death of the twins? or is it to the pit god?
4. Aoi and Akane, continue.
Aoi is very similar to Hanako in her secretive, insecure and stubborn character. She is a cheerful introvert, it is difficult for her to reveal her secrets and vulnerabilities to others, she is inclined to solve problems by "giving up everything, all or nothing". Akane is open, straightforward, confident and goal-oriented, even if he has to work hard, he is not afraid of it.
Although I compare Aoi with Hanako here, and Akane with Tsukasa, there is a moment where they switch roles. When Akane strangles Aoi and says that he hates her.
After all, it is her fault that everything turned out this way, and since he is her close person, he has the right to say such things to her. This is just pointing out flaws, right? "I've known you since childhood." In this situation, it is as if Aoi is to blame.
Now let's return to the first parallel. "Do you love me at least a little? Are you sure you love me?"
You have to really drag words of love out of these two (Aoi and Amane), because you're not sure about it because of their behavior, huh. (Hello, Nene on the far shore.)
So, how does this relate to Yugi?
The twins were very close, but that's obvious. Amane was a shy boy, and Tsukasa was easier to get along with people, and Amane remained in his shadow.
They lived an ordinary life until that fateful day - Tsukasa sacrifices himself for Amane. He makes a contract with a supernatural in exchange for the life of a loved one, and becomes half supernatural himself.
Tsukasa is also very traumatized by what happened. He is fixated on Amane and wants to know more about his brother for the aforementioned reason.
The boy who returned to Amane was a slightly different person. He acted differently, and distance began to form between them, tension in the family grew (especially considering the behavior of his mother) and at one point Amane was brought to a state in which he believed that a good solution to the problems would be to kill his brother and himself.
Amane also says how he hates Tsukasa, and that it was as if he was guilty. "If you weren't a fake, everything would be different," as if Tsukasa was to blame for the current situation. (Compare with "if you hadn't closed yourself off and lied, everything would have been different, it's your fault that we're breaking up, Aoi." Akane, on the other hand, was not to blame for anything, although he was the one who scared Aoi with his behavior and he's the one strangling her now. Amane killed Tsukasa, but Tsukasa was also the one to blame, yeah.)
It's worth noting the differences between Yugi's story and others.
1. Kou and Mitsuba. There's a difference in who Mitsuba is and who Tsukasa is, and why one is more "real" than the other. I'll leave a link to my analysis of the nature of these two.
2. Hakubo and Sumire. Hakubo eventually realizes that he didn't appreciate Sumire, while Amane is far from it. Also, Hakubo is an autistic demon, while Amane is much more human by birth, even if he also shows autistic traits, it is in his nature to cope with it better. But in the end, he behaves much better than a horned demon with low empathy, although he talks a lot about feelings and guilt, that is, Amane understands this concept, but in a purely human cruelty continues to push Tsukasa away from himself.
3. Aoi and Akane. There is a certain difference in the behavior of Akane and Tsukasa. Tsukasa is much more independent from Amane personally, although he builds his goals on him (!). He is able to act separately and show interest in other people and things, and not all of his motivation is built entirely on Amane, he has purely personal motives, which Akane never had, concentrating only on Aoi. Also, words of hatred are thrown here by Akane and Amane, and not Aoi and Tsukasa, although these two probably have something to complain about in the behavior of a loved one, they continue to tolerate it, and even if they speak out, then much more gently, not throwing around the words "I hate" so easily in relation to someone who is dear to them.
Thus, if we collect into one whole everything that goes under the line "what does Yugi have to do with it", then we will get their integral story, in which there are almost no unknown moments, only Amane's motivation for murder is not yet entirely clear, but only because we do not know it, and I am sure that when they show it to us, it will definitely parallel with something already written, because Yugi's story runs like a red thread through the entire manga and is reflected in all secondary conflicts.
Parts 1 and 2
maybe the reason why i love tbhk so much isn't bc of the potential for theory discussion, the horror themes, the doomed lovers, the doomed by the narrative character, the queercoding of mitsukou, metaphor of cannibalism as love, identity issues (mitsuba), the yokai/spirits stories and their contrast with humans, the mystery, the romance, the art or any of the other things i like...
the reason i just became obsessed with this series is all of the above, yes. but more importantly is the siblings going through the horrors™ (and i think that's the reason why fmab is still my favourite animanga of all time. for me there is nothing more angsty than siblings)
crying
something about how the night changes or something
the apothecary diaries does such a great job of portraying how traumatizing it can be to be a victim of pedophilia and grooming, instead of romanticizing it like a lot of anime series do. it is disturbing, it makes audience uncomfortable and disgusted — which is how we must feel about pedophilia. you're not supposed to feel comfortable because it's 'normalized' or 'just fiction'; you're supposed to feel disgusted.
the creator didn't make anshi 'fall in love' with the previous emperor or develop a stockholm syndrome — instead, she took her revenge in the same way he hurt her and other girls, which he deserved. her anger, hatred and disgust towards him are rightly justified and realistic for a victim of pedophilia.
the older palace lady (who might or might not be a ghost) told the girls abt her story as a victim of the previous emperor at the ghost story gathering:
whether or not she was a ghost, she wanted her story to be heard, of how much the victims suffered at the hands of the previous emperor. they were imprisoned for the rest of their lives in the same place that ruined their lives. telling her story might be the only way for her to find peace within herself.
an abuser may die but the trauma he leaves on his victims will last forever. it does not go away.
it's even presented as a horror story because there's nothing more terrifying than SA.
(i may have missed a few points but im keeping this brief. thank you for reading my essay!)
what if mori let dazai go at the end of dark era bc he wanted him to find something to protect?
Dazai didn’t care about yokohama, but with the years apart from the mafia and surrounded by the ADA he has started to care and he likes to help people now. I think it’s said in one of the antologies, but also there’s this quote in DA that i love bc it shows this. I don’t know how it is in english, but in the spanish translation it says that dazai had a face full of determination and duty (is the moment just before shibusawa stabbed him.
So mori knowing he can’t make dazai care through manipulation bc he is /too/ smart, he used his betrayal for this. Dazai will find reasons to protect yokohama and now he can really be the asset always wanted him to be.
This has been a most worthwhile evening 🍽
(The rest is under the readmore!)
reviews something something the only place where i'm not a hater @/myotsune on twt
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