WHEN SANITY IS NOT HOME

Zhou Shen did another photoshoot for the Mid-Autumn Moon Festival performance. It’s one of his Serious Photoshoots.

https://m.weibo.cn/detail/4812237040521729

And always the huge white sneakers.

Stars of Chaos 杀破狼 Vol 1, Notes 6

By Priest. English translation by 7 Seas.

Notes on culture and translation decisions.

Pages 288 - 414.

More under the cut.

长庚低声道：“让开。”

Chang Geng doesn’t shout. He lowered his voice and politely warned the people around him (that he was going to stab them if they didn’t) “Move aside.”

Definitely check the Glossary for 江湖 Jianghu. It’s the foundation of an entire genre of story, very nearly of the entire Chinese culture.

Gu Yun is never careless! And he also doesn’t care what you think of him.

Hmmm. Self-deluding people of limited education and even less critical thinking skill. Never seen one before.

姐姐。Big sister. Polite way for teenager to refer to a young lady.

Yao Zhen knows that Gu Yun’s version of the story will get him into trouble. Shen Yi must be glad that at least it’s not him having to fabricate Gu Yun’s story this time!

No French warning. Just a 小心 = “Careful!” as he attacked.

“功夫扎实，主要看自己肯下多大工夫，功夫厉害，主要是战场上生死一线的情况多了，谁教都一样。”

It’s hard to translate. The first and second half of the argument match perfectly, and we’re talking about a topic for which English doesn’t really have the vocabulary.

扎实 = solid, strong.

厉害 = intense, amazing, devastating (in a good way).

Stars of Chaos - All The Notes List

All The Seven Seas Books Masterlist

Help I can’t get over this show and this DAZZLING SMILE ™ 😢✨💗

every day people tell me that the untamed is good, i’ve seen the first episode, stop gaslighting me

MDZS Volume 4 Annotations

Part 7, pages 236 - 266

More little clarifications and one little rant.

(Lan Wangji wouldn’t use that many words if he could help it :)

More below the cut.

Hold on. I appreciate the beautiful illustration, but you’re illustrating to me that Wen Qing, a trained doctor fully prepared to do a 30+ hour surgery, decided to just lay her patient out on the ground in the open? No tent, no table, no water? No reliable light source?

And where in the world is Jiang Cheng!?!?

My new reading list! So far, I’ve got 杀破狼 done.

hunxi’s danmei awards 2.0! (aka 2022 edition)

Featuring the return of some categories such as:

Best Worldbuilding

Best Interrogation of Themes (aka the “Rent-Free Award”)

Best Moment That Wrecked Me (aka the Knifiest Award)

Best Beleaguered Side Character Award

Best Unreliable Narrator

As well as never-before-seen categories like:

Best Himbo

Most Brilliant Moment of Backstabbery

Most Ambitious Scope

Most Heartwrenching Line Delivery in an Audiodrama

…and more!

This year’s candidates in the running:

《小蘑菇》 Xiao Mo Gu by 一十四洲 Yi Shi Si Zhou

《不小心救了江湖公敌》 Bu Xiao Xin Jiule Jianghu Gong Di by 六木乔 Liu Muqiao (有声漫画 audiomanhua season 1)

《无双》 Wu Shuang by 梦溪石 Meng Xishi

《问鹿三千》 Wen Lu San Qian by 光合积木 Voicegem, 吼浪文化 Houlang Studio, and 斗木獬编剧工作室 Doumuxie Screenwriting Studio

《师弟还不杀我灭口》 Shidi Hai Bu Sha Wo Mie Kou by 子鹿 Zi Lu

《默读》 Mo Du by priest

《督主有病》 Du Zhu You Bing by 杨溯 Yang Su

《海中爵》 Hai Zhong Jue by 七药 Qi Yao

《哏儿》 Gen’er by 南北逐风 Nan Bei Zhu Feng

《杀破狼》 Sha Po Lang by priest

《金牌助理之弯弯没想到》 Jin Pai Zhu Li zhi Wan Wan Mei Xiang Dao by (nominally) 非天夜翔 Fei Tian Ye Xiang and (mostly) 传奇火箭队 The Legendary Rocket Team

(unmarked spoilers, including but not limited to these titles, under the cut. for introductions of these titles, click here. for last year’s danmei awards, click here)

Keep reading

Astronomy I-

(We’re taking a calculus final. The TA is a well-known Lord of the Rings fan, and we’ve had running LotR jokes all semester.)

TA: “Okay, guys, everyone look at me. We’ve been over the rules, but just in case: no notes, pencil your answers in on the scantron sheet, and graphing calculators only – no more ‘can I just used my cell phone’ nonsense.”

Student: “[TA's name], my calculator batteries just died! What should I do?”

TA: “Here, I’ve got a big box of spares.”

Student: *struggling* “I can’t get this packaging open…”

Student 2: “Here, I’ve got a pocket knife.”

TA: “And I’ve got a pair of scissors if you need them.”

Student 3: *from the back of the room* “OR MY AXE!”

(Everyone starts laughing.)

TA: “The only axes allowed on the exam are in the graph section.”

(Everyone groans.)

TA: “Oh, come on, you’re in a math class. Deal with the math jokes.”

(The professor enters with a stack of exams. With him are two exam proctors.)

Professor: “Tolkien jokes already, [TA's name]?”

TA: “Hey, I didn’t start it.”

(The professor starts handing stacks of exams to the TA and proctors.)

Professor: “But I’m about to finish it. [TA], take these exams down the left flank. [Proctor 1], follow the desks down the center. [Proctor 2], take your exams right, along the wall.”

(At this point, many of the students have realized where this is going: Theoden’s lines from ‘Return of the King.’)

Professor: “Forth, and fear no problems! Solve! Solve, students of calculus! Points shall be taken, scores shall be splintered! A pencil day! A red-ink day! Until three thirty!”

(The professor pulls out a pencil, holding it out like a sword, and runs down the first row holding it out. Students hold up their pencils, hitting his as he passes.)

Professor: “Solve now! Solve now! Solve to good grades and the class ending! MAAATH!”

Entire Class: “MAAATH!”

Professor: “MAAAAATH!”

Entire Class: “MAAAAAATH!”

Professor: “Forth, exam-takers!”

(The entire class rises to their feet and gives him a standing ovation. A week later, we get an email from the professor.)

Professor: *at the end of the email* “PS: I appreciate all of you who wrote in their evaluations that I was the one professor to rule them all, but the best one yet was the student who called me ‘Mathrandir.’”

You have questions! We might have answers.

What is this collection?

As Maria puts it: this collection is a critical look at some of the things that we, the editors, think have made CQL such a hit around the world. Of course, part of that success comes from the webnovel MDZS and the show CQL themselves—we love the characters, the mystery, and the drama, who doesn’t?! However, the authors in our book also look at topics like translating danmei (both officially and unofficially), adapting danmei for new audiences, and interacting with fandoms and fanworks. The larger argument of the book is that all of these things played a huge role in CQL’s visibility and success, and we wanted to start making those moving pieces visible, especially for audiences who mainly watched CQL in translation.

You keep using the word “academic”—what does that mean, exactly? 

Maria: Ok, not to get pedantic here, but this actually touches on some things that I’m really excited about for the book. Traditionally, academic work is written by people who have a deep expertise in the subject (signified by having a PhD and doing specific kinds of research), and then the work itself is peer-reviewed (i.e., sent to other experts in the field for them to evaluate whether it’s sound, original, and interesting enough to publish, without knowing who wrote it). And both of these things are true about our book—our authors have deep knowledge and the book was peer reviewed—but also. We specifically asked for chapters from younger scholars and from fans who also have deep knowledge about topics that academia doesn’t always know or value enough, and we include an interview from the fan-translator K. who did the Exiled Rebels translation. So the hope is that: this book is academic, and also—more!

Who are you? 

Yue studies adaptation, fantasy, and popular culture texts using a feminist lens. She wrote an early, influential article about danmei adaptations and also has a book about feminist adaptations of Chinese fantasy.

Maria studies fanworks, contemporary fantasy, and genre literature. She’s scrambling to finish her dissertation right now.

How were the chapter spotlights chosen?

Voluntarily! The concept of a small social media promo was kicked around by some of the contributors and those interested in the idea filled out a short interview with what they wanted to share. We'll be posting about 2 introductions and 2 spotlights a day for the next week or so!

Are you making any money off of royalties from this book? 

LOL not even remotely

Where can I find this book? 

You can find our listing on Peter Lang’s website here. As for other retailers, a quick search should turn us up!  

How can I access this book if I cannot buy it from Peter Lang / [book retailer of choice]?

As collection editors and contributors who signed a legal agreement with Peter Lang, we have granted Peter Lang exclusive right and license to edit, adapt, publish, reproduce, distribute, display, and store our contributions, and we must cooperate fully with the Publisher if the Publisher believes a third party is infringing or is likely to infringe copyright in the contribution. 

That being said, these are academic papers, which means that contributors may make copies of the contribution for classroom teaching use! (These copies may not be included in course pack material for onward sale by libraries and institutions). Of course, any linking, collection or aggregation of chapters from the same volume is strictly prohibited.

(FAQ may be updated periodically!) (all posts on Catching Chen Qing Ling)

THE UNTAMED SUMMARIZED