The Suffering Never Ends

Character Traits & Quirks (For Writers)

Peace and blessings upon everyone!

I hope life's treating you well. I’m Esmeray and I welcome you to this post on my blog Dear Esmeray.

Ever wondered what makes your OC truly unforgettable? I believe it is the character traits. Character traits are what bring a character to life, or else you just have a flat, one-dimensional everyman as your OC. So today I'll be sharing with you a list of character traits that I compiled to help you develop better OCs.

Positive Traits:

Agreeable

Brave

Caring

Cheerful

Confident

Cooperative

Creative

Dedicated

Devotion

Diligent

Disciplined

Dutiful

Easygoing

Efficient

Fairness

Forgiveness

Friendly

Funny

Generous

Hard-Working

Honest

Honorable

Humble

Kind

Leadership

Love of learning

Loyal

Passionate

Persuasive

Prudent

Principled

Punctual

Reasonable

Reliable

Respectful

Responsible

Self-regulation

Social Intelligence

Supportive

Trust-worthy

Well-mannered

Witty

Wise

Neutral Traits & Quirks:

Raises Eyebrows

Blinks rapidly

Avoids eye contact

Maintains eye contact

Blinks rapidly

Slouches

Stares off into the distance

Shrugs often

Touches their scars or wounds often

Chews lips

Paces around

Smiles a lot

Rarely smiles

Gestures with hands while speaking

Often is distracted

Hums

Negative Traits:

Absentminded

Abusive

Acts superior

Alcoholic

Aggressive

Always plays the victim

Aimless

Apathetic

Arrogant

Argumentive

Avoids their problems

Bossy

Blunt

Boring

Careless

Can't take criticism

Can't take a joke

Clumsy

Conceited

Controlling

Cunning

Childish

Cruel

Deceptive

Defiant

Demanding

Disloyal

Dishonest

Dramatic

Dependent

Disorganized

Disrespectful

Distracted easy

Extravagant

Envious

Forgetful

Greedy

Holds grudges

Makes up excuses for everything

Has a reason for why nothing is ever their fault

No accountability

Hostile

Hypopocrite

Immature

Impatient

Impractical

Impressionable

Impulsive

Insensitive

Irresponsible

Not a team player

Incompetent

Irritable

Inconsiderate

Indulgent

Insecure

Jealous

Know-It-All

Lazy

Liar

Loud

Manipulative

Makes everything about them

Makes everything a joke

Their way or the highway

Mean

Meddlesome

Messy

Naive

Nosy

Obnoxious

Obbssesive

Offended easily

Overdramatic

Overreacts

Patronizing

Power-hungry

Pretentious

Rebellious

Reckless

Rude

Sarcastic

Selfish

Sensitive

Stingy

Sexist

Spoiled

Stubborn

Superstitious

Talks over others/interrupts

Too loyal

Too forgiving

Undependable

Unreliable

Unsympathetic

Unorganized

Unreasonable

Violent

Weak

Remember, there are no one-dimensional characters in real life, and there shouldn't be in your stories either. The possibilities for your characters are endless – so get creative and have fun writing!

With Love, Esmeray ♡

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Character developement

- Create a detailed backstory: Develop a rich and layered backstory for your character, including their upbringing, past experiences, and significant events that have shaped them. This will provide a foundation for their personality and motivations.

- Define core traits: Identify a few core personality traits that define your character. Consider both positive and negative traits to make them more well-rounded and realistic.

- Give them strengths and weaknesses: No character is perfect. Give your character a mix of strengths and weaknesses to make them relatable and interesting. These flaws can create internal conflicts and opportunities for growth.

- Establish goals and motivations: Determine what drives your character. What are their goals, desires, or ambitions? Understanding their motivations will help shape their actions and decisions throughout the story.

- Create relationships: Develop meaningful relationships for your character with other characters in the story. This includes friends, family, romantic partners, and even adversaries. Consider how these relationships influence and shape your character's development.

- Show internal conflict: Explore the internal struggles and dilemmas your character faces. This could be conflicting emotions, difficult choices, or battling their own fears and insecurities. Internal conflict adds depth and complexity to their development.

- Allow for growth and change: Characters should evolve throughout the story. Consider a character arc that takes your character from a starting point to a transformed state by the end. Give them challenges and experiences that allow them to learn, grow, and change over time.

- Use dialogue effectively: Craft dialogue that reflects your character's unique voice, speech patterns, and personality traits. Dialogue can reveal their emotions, beliefs, and thought processes, providing insights into their character.

- Show, don't tell: Instead of explicitly telling readers about your character's traits, show them through their actions, choices, and interactions with others. This allows readers to form their own opinions and connections with the character.

- Continuously refine and develop: Characters are not static entities. As you write, remain open to new ideas and opportunities for character development. Allow your characters to surprise you and evolve beyond your initial plans.

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writing quiet characters

He looked at him. He looked at him in a different way. Blinked. He tilted his head. He looked at him sideways. Under his lashes. In a unique kind of tilt. In a violent sort of way. He stared at him in a kind of way you haven’t read about before. He sighed. He looked away. He looked at a different away. He stared. Considered. Pondered. He was silent but it was interesting, somehow. It was a questioning sort of silence. Puzzled. He was still. He went even more still. He was barely breathing. He was dead with anticipation. He tensed. He relaxed minutely. The seconds ticked by, silently. He waited. He narrowed his eyes. His eyes widened. He followed you with them. His eyes. He did something that was nothing but filled the required beat of a line. He

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Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

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Describing Facial Expressions

-> feel free to edit and adjust pronouns as you see fit.

Eyes and Eyebrows:

His eyes widened

Her eyes went round

Their eyes narrowed

His eyes lit up

Her eyes darted

They squinted

He blinked

Her eyes twinkled with...

Their eyes gleamed with...

His eyes flashed with...

Her eyes burned with...

Their eyes blazed with...

- glowed in his eyes

The corners of her eyes crinkled

They rolled their eyes

He winked

Tears filled her eyes

Their eyes welled with tears

His eyes swam with tears

Tears flooded her eyes

Tears shimmered in their eyes

Tears shone in his eyes

Her eyes were glossy

They were fighting back tears

Tears ran down his cheeks

She squeezed her eyes shut

Their lashes fluttered

She batted her lashes

His brows knitted

Their forehead creased

She furrowed her brows

A line appeared between his brows

Their brows drew together

She raised a brow

His eyebrows rose

They lifted a brow

She wagged her eyebrows

He gave them a once-over

They sized

Her eyes bore into them

He took in the sight of...

They glared

She peered

He gazed

They glanced

She stared

He scrutinized

They studied

She gaped

He observed

They surveyed

She gawked

He leered

Their pupils dilated

Nose:

Her nose crinkled

His nose wrinkled

They sneered

Her nostrils glared

He stuck his nose up

They sniffed

She sniffled

He scrunched his nose

Mouth:

She smiled

He smirked

They grinned

She simpered

He beamed

Their mouth curved into a smile

The corners of his mouth turned up

The corner of her mouth quirked up

A corner of their mouth lifted

Her mouth twitched

He gave a half-smile

They gave a lopsided grin

His mouth twisted

She plastered a smile on her face

They forced a smile

He faked a smile

Her smile faded

Their smile slipped

He pursed his lips

She pouted

Their mouth snapped shut

His mouth set in a hard line

Their lips were pressed into a thin line

She pressed her lips together

They bit their lip

He drew his lower lip between his teeth

She chewed on her bottom lip

Their jaw set

His jaw clenched

Their jaw tightened

A muscle in her jaw twitched

He ground his jaw

They snarled

Her lips drew back in a snarl

His mouth fell open

Their jaw dropped

Her jaw went slack

He gritted his teeth

They gnashed their teeth

Her lower lip trembled

His lower lip quivered

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Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

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Monster of the Week: A Writer’s Guide to Vampires!

The Basics: Vampires From Around the World 

Almost every culture has its vampires, and they go way beyond Dracula and Nosferatu. 

There are obviously too many to include in one post, so here are a few especially unique vamps to get you inspired and interested in learning more! 

The Penanggalan, Malaysia - Literally meaning ‘to detach,’ the Penanggalan is an exclusively (apparently) female creature. 

By day, she masquerades as a normal woman (and let’s be real, don’t we all.)  But by night, her head detaches from her body and floats around, entrails hanging like tentacles – which they nightmarishly use to entangle their victims – and preys on pregnant woman and babies.  Lovely. 

Creepily, the Penanggalan gravitates towards day jobs such as midwifery, so she can get closer to her prospective prey. 

The Manananggal, Philippines - Much like the Penanggalan, the Manananggal has an unfortunate habit of detaching parts of her body to fly around.  Described as an “ugly, hideous woman” (mood), the Manananggal can detatch her whole-ass torso to fly around like a bat. 

Like the Penanggalan, she preys on pregnant woman and unborn babies, with, creepily, her incredibly long tongue.  Some, however, prefer to seduce and prey on men – preferable, to be honest – in which case they appear young and beautiful.

The Upir, Eastern Europe - Ukrainian, Belarusian, Russian, Romanian, and Czech cultures all have mythos around this abnormally bloodthirsty vampire.  Not only do upirs drink the blood of their victims, but they bath and sleep in it.  They eat the flesh of their victims as well, and are especially partial to the heart.  In a uniquely sadistic detail, the Upir is thought to consume the children of a family and then the parents. 

The Alukah, Judaism - Literally meaning “horse-leach,” the Alukah is one of the earliest vampires, originating in the Bible.  

A fixture of Jewish folklore, and sometimes described as a demon or witch, the Alukah is unique in the fact that she is not undead but a living, shapeshifting being (according to the description in Sefer Hasidim.)

She can fly by unfurling her long hair, making her one of the most fabulous vampires in any canon. 

The Brahmaparusha, India - This nightmarishly extra vampire will drink the drained blood of its victims from a skull (which it carries around at all times), before noshing on their brains and wearing their intestines as necklaces and crowns.  Worst of all, this vampire has an unusually ravenous appetite, and consumes several victims per night.  

The Callicantzaros, Greece - In Greece, children born between Christmas and Twelfth Night were thought to be bad luck (?) and susceptible to vampirism.  The Callicantzaros was considered to be egregiously unpleasant, equipped with devilish talons with which to tear victims to shreds.  Their first victims, post-transformation, were supposed to be their own siblings.

Unfortunately, this led to a degree of mistreatment and hostility towards children born during this period, as parents watched for signs of their progeny’s prospective vampirism.  In order to ensure that they didn’t become Callicantzaros, the children’s feet were dangled above a fire, like a reverse Achilles.

Vampire weaknesses: 

Garlic - This one’s not just particular to Western mythos.  Southeast and far Eastern vamps like the Manananggal are also vulnerable to garlic. 

Salt - The Manananggal is vulnerable to salt, as are vampires from most cultures in which salt is considered holy or purifying. 

Silver - A holy metal.  The origin of the “vampires can’t see themselves in mirrors” myth is because it used to be a component in mirror-making. 

Vinegar - Again with the Manananggal. 

Daggers/stakes/sharp objects - Especially through the vampire’s heart.  In many cultures, burning the heart is also advisable.  Be careful, though: sometimes, staking an upir will only bring them back to life stronger. 

Dismemberment and fire - Most vamps are susceptible to this, including the Penanggalan.  The only sure way to kill an upir is to decapitate them and burn the remains. 

Counting - Much like the Count of Sesame Street, vamps can’t resist counting things.  If you scatter some small, countable objects on the ground, the vampire will have to stop and count each one. 

The tails of stingrays - in the case of the Manananggal. 

Sunlight - Obviously.  Though not universal, this pops up in vampire mythology around the world, including the Manananggal. 

Detachment - when the Penanggalan and Manananggal detach their heads and torsos, their discarded torsos and lower bodies are vulnerable.  In the case of the Manananggal, sprinkling the discarded legs with garlic and salt.  The Mananggal will not be able to return to its lower body, and will perish with the rising sun. 

Starvation - The Alukah can be starved if she’s prevented from eating for long enough. 

Stupidity - In the case of the Penanggalan.  If you turn the Penanggalan’s body upside down, she’ll re-attach backwards.  I’m not sure what the purpose of this is, except the exhilaration of punking a vampire and making them walk around on their hands all day like a jackass.

Protection: 

Thorns around windows - Thorns will keep the Penanggalan from harassing you or your unborn children. 

Strings of garlic - Just make sure SOME IDIOT doesn’t take them down (RIP Lucy from Dracula.)

Pots of uncooked rice, ash, or salt - Repellent to the Manananggal.

Running away and hiding - Basically the only method of recourse against the Brahmaparasha.

Eating bread infused with an upir’s blood - Sounds kinky, to be honest. 

Stay on sacred ground - I.e. graveyards and churches.  Just be sure you’re not trying to avoid the kind of vampire that dwells in graveyards if you go for the latter.

Holy water, crucifixes, silver, et cetera - Anything sacred or holy.  Varies based on culture.

Imbibing the ash of a supposed vampire’s burnt heart - I’m not even going to joke about this one, since people actually did this during the vampire scare of New England (my homeland.)  I learned about it from a book about local vampire encounters at the Newport Public Library at age twelve, and it scarred me.

Dangle your baby above a fire - Actually, no, PLEASE don’t do that.  But that’s what seventeenth century Greeks did to prevent their kids from turning into Callicantzaros. 

Age of consent laws - Specifically for Edward from Twilight.

Don’t get a welcoming mat - Counts as inviting them in.  Duh.

Ways to Become A Vampire:*

*Ask your doctor if becoming a vampire is right for you.

Biting - Obviously.  Though if you read Dracula and early accounts of vampirism, it was more of a slowly progressing illness than a sudden transformation.

Reject Christianity - In the case of upirs.  More specifically, the church buried non-believers outside of graveyards, leading them to rise as servants of the Devil.  Honestly, I feel like the church kind of brought that on themselves. 

Be born between Christmas and Twelfth Night - At least if you’re in seventeenth century Greece.  

Be influenced by the Devil while dying - Another version of the Upir origin.

Be a demon possessing a corpse - One prospective explanation for the Brahmaparusha.

Making a pact to obtain eternal youth and beauty that involves not eating meat for 40 days and then breaking it like some kind of an IDIOT - One version of the Penanggalan origin myth.  I shouldn’t judge, my self-control isn’t great either.

Get startled by a man while meditating in a bath and jerk your head so hard that it flies off and at the interloper in fury - Another prospective version of the Pennangalan origin. Relatable, honestly. 

Be so bitter and jealous of couples that you go on an insane killing spree of pregnant woman and get publicly executed by being ripped in two - The Pennangalan, again.  She makes the Kardashians look tame. 

Chanting an incantation, anointing yourself with oil, and purchasing a black chick - In the case of the Manananggal.  The black chick reportedly lives inside the Manananggal, eating its innards while also acting as its life source.  Honestly, after all the drama of the Penanggalan’s origins, this seems reasonable.

Other Sources

Video Essays: 

The Power of the Vampire Myth - A superb sociological dive into the cultural significance of vampires. From the post WWI antisemitism of Nosferatu to their ability to subvert the Hays Code, vampires tend to reflect the shadows of every society. 

Dracula: A Brief History of Eternity 

CREEPIEST Vampire Legends from Around the World 

Vampires: Folklore, Fantasy, and Fact

How did Dracula become the world’s most famous vampire?

Vlad the Impaler: The Real Life Dracula

Influential Vampire Fiction:*

*That I’ve read/seen so far.

Dracula - Duh.  The greatest adaptation of which is, obviously, Dracula: Dead and Loving it.  

Nosferatu - It’s good to be aware of its antisemetic overtones, but it’s still revolutionary at evoking dread.

Varney the Vampire - A penny dreadful series that helped popularize vampires in Victorian England.  It gets bonus points for sounding like a children’s show. 

Camilla - The ORIGINAL lesbian vampire, predating Dracula by decades.  Became an adorable webseries and movie, which I recommend even more than the original novel.

‘Salem’s Lot - Serves as a study of what makes vampires scary in the modern era.   

Underworld - Aside from serving as a badass alternative in the Twilight era, it merits inclusion exclusively for causing my Sapphic awakening at age twelve.

What We Do In the Shadows - Has a unique understanding of the cultural significance of vampires, and why they appeal to societal misfits.  Also has vampire “children” who eat p*dophiles. 

Vampires in the Lemon Grove - The titular story is one of the most unique interpretations of vampires that I’ve seen in the modern era.  Beautiful language that evokes a powerful emotional response.

Twilight - Exclusively because it gave us Rosemary clocking shop in a wedding gown.  And the baseball scene.

Nonfiction:

The Encyclopedia of Vampires, Werewolves, and Other Monsters

From Demons to Dracula: The Creation of the Modern Vampire Myth

Vampires and Vampirism: Legends from Around the World

New Orleans Vampires: History and Legend

Mummies, Cannibals, and Vampires: The History of Corpse Medicine

A History of Vampires in New England 

Happy Halloween, and happy writing, everybody! 

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Vampires & Vampire Fact Database

While I have I’ve written fiction about werewolves and studied werewolf folklore and pop culture for my entire life both passionately and professionally, they are not the only monsters I study. I also study all other kinds of mythology and folklore, and vampires take perhaps second place only to werewolves. All my sources are thoroughly checked by myself and others, and I take very seriously sharing only accurate information about any and all folklore and myth, as well as from popular culture.

I also do vampire facts! Currently, werewolf/vampire/other folklore facts are on hold from their regular schedule while I compile and publish a fully coherent, fully sourced book entitled Werewolf Facts: A Guidebook to Folklore vs Pop Culture! Give me a follow to stay up to date with all the latest news. There may also be a book on vampire facts in the future!

Still, every now and then, I post a new bit of info about the folklore of vampires. You’ll find those under both the Folklore tag and the Vampire Fact tag. You can also check my Vampires tag for other vampire-related things, including asks and reblogs.

The following is a convenient database of all the vampire facts I’ve written, for easy reference.

Vampire Fact Database

Etymology - The history and meaning behind the word “vampire.”

What IS a vampire? - What exactly is a vampire, anyway, and how do you define one? How does folklore define one? Are there different kinds?

Fangs - Did vampires have fangs in folklore? Where did the fang thing even come from? The answer might surprise you.

Animal Associations - Are vampires really associated with things like bats or wolves - or anything else?

Sunlight - Did vampires in folklore actually burn up in the sunlight?

Weaknesses - Vampire weaknesses in folklore and how that stacks up to the most commonly seen ones in pop culture.

Becoming a Vampire - A comparison of how people “became” vampires in pop culture versus how that happens in folklore - all the most common ones, at least.

Intelligence - How smart are vampires in folklore, anyway?

Can vampirism be cured? - Is it possible in folklore to actually cure someone of being a vampire?

Vampire Hunters - Was there such a thing as “vampire hunters” in folklore?

Physical Appearance - What did vampires look like in folklore?

How to Identify a Vampire - How could you tell if someone was a vampire, anyway?

The Importance of Dracula - How important was Dracula to all vampire concepts?

Association with Disease - Were vampires in folklore actually associated with disease?

Please note I will continually be updating this list as more vampire facts are posted, so be sure to come visit my page again for any new additions!

Other helpful vampire info, tips, and more:

(coming soon!)

I also write fiction, and much of it includes or focuses on various kind of folklore and mythology and monsters, especially my medieval fantasy universe, Wulfgard. For more info, take a look at my Writing List!

I also have a Patreon, where I would love your support (and you get goodies for it!). I also have a Twitter.

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Writing Body Language

How to Improve your writing

This is something that happens every day in your life. A shift of your eyebrow in skepticism, or the way your lip may twitch to a half smile cause you’re trying not to laugh. These behaviors are vital for writing in character, because not only do the allow you to visually see what is happening but it is also reaffirming whatever emotion your character is showing.

So why should you write it?

Much of human communication is non-verbal which means you need to also translate this non-verbal reaction in a post. It allows you to greatly enhance the emotions of another character and always another person to ‘visually’ see how they feel in a post. Most of all, this will add depth and volume to your post to make it feel more real. IT will make your character feel like a human instead of just another fictional person you look at from above.

Below you will find a list different type of emotions and what sort of body language can be exhibited to them.

Three ways to accent an action.

When writing about emotions, there are different ways to verbally write them out. Each one is unique in their own way, allowing you to show more about the emotion.

Emphasize the Emotion. But doing this, you are expressing both the emotion and the body language. We’ll use a simple example. It’s short and simple yet you can sense he is happy. John felt so happy that he was humming a tune while walking down the hall.

Complicate the Emotion. Sometimes, even when you are feeling one emotion, deep down rooted underneath the facade of it all, there is actually an underlining emotion they feel. This is something you have to truly express otherwise no one will know. John felt so happy that he was humming a tune while walking down the hall. However, it was obvious by the way his nose crinkled that he was disgusted by the actions beforehand. Instead, John covered it up by appearing pleased today.

Contradict the Emotion. This is a little different than complicate. Contradicting means that you are claiming one thing when in fact its the other. In many ways, this has a variety of uses, from inner depth of the truth to what you see in person, or someone creating a wall. It could be considered a lie, but when is anything that easy? John felt so happy that he was humming a tune while walking down the hall. In truth, once he was in the classroom, his shoulders slumped and a pout crossed his lips when no one was around, showing just how displeased he was with the situation.

Remember that you do not always have to contradict or complicate anything. Sometimes all you need to do is emphasize and that will be just fine. You don’t always have to have an underlining complicated for an emotion to make it more enhanced.

Do be afraid to use the Thesaurus to also improve an emotion. Such things as “happy” is a nice emotional word, but think of how much more powerful it is when you heard some is “overjoyed” or “content.” She how these emotions matched up with a body language can give two different styles of happiness? Mix and match to find what works best for your character at the time.

More In Depth Information

What I’ve stated above is more of a simplistic overview. IF you truly want to improve yourself, go to this

LINK HERE

To see just how much body language can reveal about a person. You will find things such as how a person lies, how the eyes reaction, the positioning of a person in personal space, mouth, and head body language and so much more.

Use these resources to greatly increase the reactions of your character to another and create a more life-like world.

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Body language cheat sheet for writers

As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:

Facial Expressions:

* Raised eyebrows: Surprise, disbelief, or curiosity.

* Furrowed brow: Concentration, confusion, or frustration.

* Smiling: Happiness, amusement, or friendliness.

* Frowning: Disapproval, sadness, or concern.

* Lip biting: Nervousness, anticipation, or tension.

Eye Movements:

* Eye contact: Confidence, interest, or honesty.

* Avoiding eye contact: Shyness, guilt, or deception.

* Narrowed eyes: Suspicion, skepticism, or concentration.

* Wide eyes: Shock, fear, or surprise.

* Rolling eyes: Exasperation, annoyance, or disbelief.

Gestures:

* Crossing arms: Defensiveness, disagreement, or discomfort.

* Nervous fidgeting: Anxiety, restlessness, or impatience.

* Pointing: Assertiveness, emphasis, or accusation.

* Open palms: Honesty, openness, or sincerity.

* Hand on chin: Deep thought, contemplation, or evaluation.

Posture and Movement:

* Slumped shoulders: Defeat, sadness, or fatigue.

* Upright posture: Confidence, attentiveness, or authority.

* Pacing: Restlessness, agitation, or contemplation.

* Tapping foot: Impatience, annoyance, or frustration.

* Leaning in: Interest, engagement, or curiosity.

Touch:

* Hugging: Affection, comfort, or warmth.

* Handshake: Greeting, introduction, or agreement.

* Patting on the back: Encouragement, praise, or camaraderie.

* Clenched fists: Anger, determination, or frustration.

* Brushing hair behind the ear: Nervousness, coyness, or flirtation.

Mirroring:

* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.

Nodding:

* A subtle nod can convey agreement, understanding, or encouragement.

Crossed legs:

* Crossed legs can indicate relaxation or a casual, nonchalant attitude.

Tapping fingers:

* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.

Hand on the chest:

* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.

- Tilting the head:

* Tilting the head to the side can suggest curiosity, attentiveness, or interest.

Rubbing the temples:

* Rubbing the temples can indicate stress, fatigue, or a headache.

Chin stroking:

* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.

Arms crossed behind the back:

* This posture can indicate authority, confidence, or a composed demeanor.

Tilted body posture:

* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.

Biting nails:

* Nail-biting can reveal anxiety, nervousness, or tension.

Foot tapping:

* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.

Squinting:

* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.

Shifting weight from foot to foot:

* Shifting weight can imply discomfort, unease, or anticipation.

Covering the mouth while speaking:

* This gesture can indicate hesitation, embarrassment, or the desire to hide something.

Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.

Happy writing!

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