What Is It About Capybaras That Attracts Groups Of Small Animals To Them? Its Not Just Mammals Either

I’m not really sure how script-writing works. Do writers leave certain reactions from characters out of the script in order to maintain mystery? Like on the script we don’t get to see much of Bellamy’s feelings/thoughts while walking towards Clarke since it’s mostly in her POV, but from Bob’s acting we can tell he’s really emotional. For scenes like that, when certain feelings aren’t yet canon, do writers purposely leave out any potential hints to them and tell the actors how to act it out?

Well, I’m not a script writer either, but I’ve been around a lot of actors, and I’ve studied it a little bit. The thing about plays or tv or movies? They’re a collaborative art.

As a novelist, I write the whole thing and then the reader finishes the story in their brain.

With a screen play. The writer writes the  basic scaffolding, the dialogue and the stage directions, then the director figures out the direction to go, then the actor adds in their humanity and artistry, the costumers and set designers create the world the characters go through, the cinematographer captures the best images to tell the story, the editor cuts it and puts it together to sculpt the story, the composer adds the music to give emotion to it all,

So. what you see is all those people working together to tell the story. Each artist puts their touch to create this larger world, and ALL of them contribute to the thoughts and feelings you have when you watch.

We see the actors faces and hear the writer’s words, but it all goes into it. If there’s something that they want the actors to act towards, I’m sure the show runner or director will talk to them about it. But there’s been a lot of emotion that we’ve seen on screen already, and the actors are building on all those character choices they’ve already made. For all we know, Bob’s already gotten the direction that Bellamy’s in love with Clarke. It didn’t have to be in that scene. It could have been another, or not in the stage directions at all, but spoken to him by JR or another director. The scripts aren’t for us at all. They are behind the scenes.

Just an annual reminder that you shouldn’t be relying on the first of January to reflect upon whether or not the circumstances you consent to are in your best interest. This is little more than a knee-jerk reaction to the cultural pressure to convey self-improvement; a vast majority of people posturing for social approval, rather than having their goals stemming from a sincere initiative to make change. So may this “New Year’s Resolution” be your last, as you acknowledge your ability to overcome procrastination, stagnancy, and monotony, as you desire, when you desire.

Folks, it’s time to evolve. That’s why we’re troubled. You know why our institutions are failing us, the church, the state, everything’s failing? It’s because, um – they’re no longer relevant. We’re supposed to keep evolving. Evolution did not end with us growing opposable thumbs. You do know that, right?

Bill Hicks (via aejphillips)

Definition of cosiness

hey remember when jane austen, a woman, referred to a character named richard as having “never done anything to entitle himself to more than the abbreviation of his name” in 1817. yeah me too.

Fred: We can never let anyone know that we got beat up by Ginny.

George: Agreed.

Fred: Take it to the grave?

George: To the grave.

Fred: This conversation never happened.

George: I don't even know who you are.

Fred: ...That's hurtful, you took it too far.

George: That's a weird thing for a stranger to say.

The Three Amigos winning the Academy Award for Best Director  2013 | Alfonso Cuarón for Gravity 2014 | Alejandro González Iñárritu for Birdman 2015 | Alejandro González Iñárritu for The Revenant 2017 | Guillermo del Toro for The Shape of Water

On the watchlist

The Handmaiden (2016) dir. Park Chan-wook

There is no such thing as originality. Our thoughts are influenced by other thoughts, our ideas are the sum of different pieces of other ideas.

Originality is just a puzzle arranged in an apparently different way.

Cinematography - Shot Size

Shot size is an important part of cinematography. It can show off a location, make a character seem small or powerful, highlight emotion or distance the audience. These shot sizes have basic definitions, but the specifics can vary from filmmaker to filmmaker. Below is a list of shot sizes, their general descriptions, abbreviations, alternate names, and effects.

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