April, 1935 Journals Of Anais Nin 1934-1939  [volume 2]

April, 1935 Journals Of Anais Nin 1934-1939  [volume 2]
April, 1935 Journals Of Anais Nin 1934-1939  [volume 2]

April, 1935 Journals of Anais Nin 1934-1939  [volume 2]

More Posts from Undeniablearrival and Others

2 months ago
Nikos Kazantzakis, From A Letter Featured In The Selected Letters Of Nikos Kazantzakis

Nikos Kazantzakis, from a letter featured in The Selected Letters of Nikos Kazantzakis

2 months ago
Martha Gellhorn, From A Letter To David Gurewitsch Featured In The Selected Letters Of Martha Gellhorn

Martha Gellhorn, from a letter to David Gurewitsch featured in The Selected Letters of Martha Gellhorn

3 months ago
text id: Be near me now,
My tormenter, my love, be near me—

Be Near Me, Faiz Ahmed Faiz

3 months ago
Natalie Díaz, From "American Arithmetic", Postcolonial Love Poem

Natalie Díaz, from "American Arithmetic", Postcolonial Love Poem

3 months ago
Daphne Du Maurier, From Rebecca

Daphne du Maurier, from Rebecca

Text ID: A dreamer, I walked enchanted, and nothing held me back.

3 months ago
Banana Yoshimoto, From Her Novel Titled "The Premonition," Originally Published In 2015

Banana Yoshimoto, from her novel titled "The Premonition," originally published in 2015

3 months ago
God, give us a long winter / and quiet music, and patient mouths, / and a little pride—before / our age ends. / Give us astonishment / and a flame, high, bright.

Adam Zagajewski, “A Flame,” trans. Renata Gorczynski and Clare Cavanaugh

3 months ago
Selkie's "en Pointe Sofia" Dress From Their Degas Ballerina-inspired Collection .

selkie's "en pointe sofia" dress from their degas ballerina-inspired collection .

3 months ago
Robert Eggers, From The Original Nosferatsu Script (2016)

Robert Eggers, from the original Nosferatsu script (2016)

Text ID: I have sought a creature from the depths. An Eve that remembers her Eden. You are such a one.

3 months ago
KMD: What has collaboration made possible within your practice as an individual poet? Relatedly, in what ways has collaborating transformed or deepened your engagement with the lyric?

MD: I’ve tried to work that way in my own poems ever since, letting the language move and unfold and not try to be in control all the time. Not that I ever felt that I was a so-called Maker. In fact, I have an allergy about that. I don’t think poetry is holy. If anything, collaborating with my brother has made me more receptive to outside influences of all kinds, from the language itself, or a passing conversation outside my kitchen window, an ad on the radio, anything at all could make its way into a poem and help it sing.

Michael Dickman, "‘It’s all so strange, writing poems’: A Conversation with Michael Dickman,” curated by Kristina Marie Darling, Tupelo Quarterly (2018) [ID in ALT]

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undeniablearrival - literary dreams
literary dreams

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