Bob Dylan, Woodstock, Ny, 1967

“The musicians crowded around center stage for final bows, cheers washed up in waves from the audience, and even Dylan was swept up in the euphoria. Backstage, Dylan picked George up and squeezed him. ‘God,’ Dylan said, ‘if only we’d done *three* shows.’”

— Joshua M. Greene on the Concert for Bangladesh, Here Comes the Sun: The Spiritual and Musical Journey of George Harrison

JOHN LENNON and GEORGE HARRISON during recording sessions for the "IMAGINE" album

fashion legend since day one <3

Bob Dylan & Joan Baez, 1964 © Daniel Kramer.

This is just my 2 cents, but I think the way Get Back is framed as Paul being the only one who cared is incorrect.

It's not that George didn't care. He was in good spirits at the start, offered songs, offered suggestions to make the songs as good as they could be, etc. The others weren't interested.

At one point George mentions Magical Mystery Tour, and I think that's significant. George decided to stay silent and let things play out when MMT was being filmed, and it turned out to be a bit of a disaster. It was like he could see Get Back was going to end the same way unless he spoke up. He was determined to prevent The Beatles from repeating a mistake.

To me, that's the opposite of not caring.

And look what happened as a result. The Beatles did change course, and the Get Back sessions became monumentally better.

Paul said once that George was the one who always got them out of doing things none of them actually wanted to do because he wasn't afraid to put his foot down, and this was one of those cases imo. It might not make him the most popular with fans, but George saved the band a lot of grief by being that person.

“I’d Have You Anytime” by George Harrison and Bob Dylan

The Basement Tapes (Trailer, 2015)

here’s more !!

I love my beautiful emo gf

INT: Who are some contemporary artists you admire most?

George: There are so many, I'm madly in love with Smokey Robinson, from the old Miracles. When the Beatles first came here everybody was amazed that we all liked Tamla/Motown which was at that time a relatively new company. I like Smokey but just to try and pick one or two, Smokey Robinson is my favorite. I like Dickey Betts, there are a lot of guitar players – Ry Cooder I think is sensational and I hope Warner Bros. will try and sell a few more of his albums.

— George interviewed by Steven Rosen at Warner Bros. Records offices in Burbank, California (1974)

~

“Pure Smokey started out with nice chord changes. I’ve always liked Smokey Robinson and he’s probably one of the best songwriters around. He writes great lyrics and great melodies, and he is fantastic to see in concert, because one tends to forget how many good tunes he has written. He brought out an album called Pure Smokey, and I’ve met him once or twice.

Sometimes you get an idea and write a specific song, but other times – often – it turns itself into whatever it’s going to be – with the effort put into it – and it turned into Pure Smokey.

I’m trying to make the point – if I like someone I want to say ‘I like you’. I don’t want to die and then to think 'Oh I forgot to tell them I liked them’.

Throughout my lifetime I’d hesitate I’d feel some joy But before I showed my thanks It became too late

So this song turned into an all purpose thing of generally trying to show appreciation, and then to focus on my appreciation of Smokey.”

— George Harrison, I, Me, Mine (1980)

~

“Of all Tamla-Motown acts, George listened hardest to The Miracles, whose leader, Smokey Robinson had an ‘effortless butterfly of a voice**’ that he would never bring himself to criticize.”

— Alan Clayson, George Harrison (2001)

** “It’s hard to see the greats go, and I’m a big fan of so many kinds of rock and popular music, from Bob Marley to Cole Porter to Smokey Robinson to Hoagy Carmichael. I mean, I wrote ‘Pure Smokey’ on 33 1/3 as my little tribute to his brilliant songwriting and his effortless butterfly of a voice. The Beatles did Smokey’s ‘You Really Got A Hold On Me,’ and there was a song John did that was very much influenced by Smokey - ‘This Boy.’ If you listen to the middle eight of ‘This Boy,’ it was John trying to do Smokey. It suddenly occurs to me that there’s even a line on ‘When We Was Fab’ where I sing, ‘And you really got a hold on me.’”

— George Harrison interviewed for Musician Magazine (November 1987 Edition)

Bob & George + yellow flowers 🌼