Dark Denim Was His Thing

From George’s handwritten lyrics to the Harrisong “All Things Must Pass.”

Q: “You once remarked that you were trying to write a Robbie Robertson kind of song with ‘All Things Must Pass.’” George Harrison: “‘The Weight’ was the one I admired, it had a religious and a country feeling to it, and I wanted that. You absorb, then you interpret, and it comes out nothing like the thing you’re imagining, but it gives you a starting point.” - Musician, November 1987

Q: “Where did the phrase ‘All Things Must Pass’ come from?” George Harrison: “I think I got it from Richard Alpert/Baba Ram Dass, but I’m not sure. When you read of philosophy or spiritual things, it’s a pretty widely used phrase. I wrote it after [the Band’s 1968] ‘Music From Big Pink’ album; when I heard that song in my head I always heard Levon Helm singing it!” - Billboard, 8 January 2001

“‘All Things Must Pass’ just shows the nature of the physical world. Everything is changing all the time. We get born and we die. But we are in this body, and we go through from birth to death. We stay the same — the soul is the same, but the body is changing. It’s the nature of… it’s called duality, and it just keeps changing. But everything passes except the essence of that, which is our soul.” - George Harrison, French TV interview, 26 August 1997 (x)

George Harrison’s purple jacket, worn when he and John were on the David Frost Programme September 27, 1967. Designer unknown.

My scan from “You Say You Want a Revolution? Records and Rebels 1966-70.” This was the catalogue from the Victoria & Albert Museum exhibition of the same name. Book edited by Victoria Broackes and Geoffrey Marsh.

The best bands are those where the stories about their break up sounds like a divorce

wake up my love--new George Harrison reaction GIF just dropped

John Lennon & Eleanor Bron during a press conference in Salzburg, Austria | 13 March 1965 (II)

Joan Baez & Bob Dylan, Newark, New Jersey, 1964 © Daniel Kramer.

JOAN BAEZ during THE ROLLING THUNDER REVUE TOUR

The thing about I'd have you anytime and behind that locked door is that both songs started with george trying to get to bob. He started I'd have you anytime with "let me in here, I know I've been here, let me into your heart" bc bob was distant in that trip to woodstock. Behind that locked door is an entire song with a similar idea but he also wants to show to bob that he is loved by everyone ("the love you are blessed with this/world is waiting for") and by george himself ("with only this short time/I'm gonna be here with you") and also how much george loves to listen to him ("and the tales you've told me/from the things that you saw/makes me want our your heart"). And then on the concert for bangladesh when bob goes there and play in the concert he is basically opening himself to that possibility, yknow??? And when George says "I'd like to bring an old friend of us all, Mr Bob Dylan" he is reinforcing those ideas he mentioned on behind that locked door, that Bob is loved by everyone, but he does it in a much bigger scale somehow

i want to cry. i threw it all away. fucking unreleased. he remembered it all from playing it with bob and listening to bob sing it to him . please. someone hold me