FROM MIKE MCCARTNEY’S EARLY LIVERPOOL
“George was determined to have some pictures inside his brand new car (here next to the Police Training College round the corner from Forthlin Road). I told him that it was a good idea but that it was very dark. So he said, “Bring your flash!” I protested, “But it’s raining.” George replied, “Well, bring your umbrella!”
He wrote "and i'm so glad (that you're my love)" BTW. If you even care
George Harrison at the SAS Royal Hotel in Copenhagen, Denmark | June 1964 © Harry Benson
um. george snoopy and bob woodstock peace and love on planet earth.............inspired by this post
JOHN LENNON and GEORGE HARRISON during recording sessions for the "IMAGINE" album
“The musicians crowded around center stage for final bows, cheers washed up in waves from the audience, and even Dylan was swept up in the euphoria. Backstage, Dylan picked George up and squeezed him. ‘God,’ Dylan said, ‘if only we’d done *three* shows.’”
— Joshua M. Greene on the Concert for Bangladesh, Here Comes the Sun: The Spiritual and Musical Journey of George Harrison
In July [1971], the music press gave reports of the many people George was assembling for the concert. It was rumoured that his friend Dylan might even turn up, but Terry [Doran] told me George was having slight problems with Bob. Dylan had not performed for quite a while. Now George was asking him to make his 'comeback' in the hardest of all performing situations: at Madison Square Gardens with a bunch of musicians he had never played with before. One day during rehearsals, Dylan apparently got uptight and said he just couldn't do it; he was too nervous. George went wild: "You're nervous! What, are you crazy? I've never performed without the other three. At least you're used to performing on your own!" Dylan then explained that the concert was becoming a hassle. Again, George went wild. "I'm the one trying to put it together. All you have to do is sing!" Dylan walked out of the rehearsals. (He was not seen again by George, or anyone else, until the night of the concert. George didn't know if he was coming or not. So when the time allotted for Dylan came in the concert, live and on stage, George looked into the stage wings. There was Dylan, ready to come on. George still didn't know he was going to perform until Dylan started to stroll on stage. Dylan was a major hit, possibly the limelight of the show. It did Dylan good, too. He had regained his confidence and returned to the road for a tour shortly after the concert.)
Waiting for the Beatles: An Apple Scruff's Story, Carol Bedford (1984)
Not used lyrics for i'd have you anytime are insane
"All that i can say is not enough/it comforts me to know we're so much in love" "(without a doubt)"
"Let me hear you" "let me say it to you"
"I've got a song" "it isn't long"(? I think?) "Let me play it to you"
And of course whatever the hell "and i'm so glad that you're my love" is supposed to mean
This is just my 2 cents, but I think the way Get Back is framed as Paul being the only one who cared is incorrect.
It's not that George didn't care. He was in good spirits at the start, offered songs, offered suggestions to make the songs as good as they could be, etc. The others weren't interested.
At one point George mentions Magical Mystery Tour, and I think that's significant. George decided to stay silent and let things play out when MMT was being filmed, and it turned out to be a bit of a disaster. It was like he could see Get Back was going to end the same way unless he spoke up. He was determined to prevent The Beatles from repeating a mistake.
To me, that's the opposite of not caring.
And look what happened as a result. The Beatles did change course, and the Get Back sessions became monumentally better.
Paul said once that George was the one who always got them out of doing things none of them actually wanted to do because he wasn't afraid to put his foot down, and this was one of those cases imo. It might not make him the most popular with fans, but George saved the band a lot of grief by being that person.
Miss O'Dell: Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan and Eric Clapton / Romeo and Juliet; Dire Straights / If Not For You; George Harrison and Bob Dylan / George Harrison for Creem magazine; 1987 / Tom Petty for Rolling Stone; 2002 / Romeo and Juliet; Dire Straights / Bob Dylan for Rolling Stone; 2001
The First U.S. Visit (1964)