Bob Dylan and George Harrison having some fun in the studio.
George Harrison in A Hard Day's Night (1964) Directed by Richard Lester
excited for the Let It Be remaster coming out soon so we can see john and george singing “You’ve Really Got a Hold on Me” to each other in HD
I got my copy of I Me Mine to check if George wrote "but it's all over now, baby blue" in the handwritten lyrics for When We Was Fab or that was added later on studio. and THIS was how i found out that he actually had written "but it's alright ma, it's life only" in the handwritten lyrics. He took away a bob dylan reference to put another bob dylan reference. Fangirl behavior
George playing i threw it all away during the get back sessions before bob released the song is so crazy to me. His vocals were barely audible. Do you think thst when nashville skyline came out they were like "hey george this song on bob's new album kinda sound like something you did some months ago"
Bob & George + yellow flowers 🌼
George Harrison and welsh singer Mary Hopkin - cca 1969
Teenagers >:)
Rollin’ Rain and Hard Thunder - A Compilation Film by Swingin’ Pig from Swingin’ Pig (alternate account) on Vimeo.
PLEASE READ:
Here it is. I spent about a month editing this video together. I ripped the footage from a bootlegged tape of “Renaldo & Clara,” a 1978 film that was edited by Howard Alk and Bob Dylan himself. Some snippets are from Martin Scorsese’s incredible Netflix documentary “Rolling Thunder Revue: A Bob Dylan Story.” If you’d like to see “A Hard Rain’s A-Gonna Fall” and “One More Cup of Coffee” (both of which are in this compilation) in 4K quality, do yourself a favor and watch it. There are other incredible performances in it that weren’t in “Renaldo & Clara.”
Anyway, as I was saying, this footage is from a source tape and some of the best quality versions that are available at the moment. Someday these performances will be rescanned, restored and released, but for now, this is what I have to work with visually. I did my best to correct the faded colors, correct the lighting, and sharpen the image a bit, but please realize that this was recorded from a television broadcast in the 1970s, and unaltered since then, so the images won’t be perfect.
The audio is a different story, luckily. It took a long time to do, but I successfully overdubbed all of the original low-quality audio (it had a lot of hiss and was broadcasted in mono) with the soundboard recordings released on the Rolling Thunder Boxset. This took longer than I had expected because the footage and audio were sped up in the bootleg tape. But I eventually calculated the difference in speed and was able to synchronize them.
So, please enjoy this labor of love! Below is somewhat of a setlist and some of my personal thoughts on “standout” performances in this video.
CHAPTERS: 0:07 - It Ain’t Me, Babe 5:26 - It Takes A Lot to Laugh, It Takes a Train to Cry [Excellent, rocking version] 8:32 - Fascinating historical commentary by David Blue 9:20 - A Hard Rain’s A-Gonna Fall [released on YouTube and on Netflix’s “Rolling Thunder Revue” documentary] 14:15 - Romance in Durango 19:05 - Isis [Incredible performance, superior to the one in the documentary. His voice is sheer power and cuts like a knife. I dare say it’s Dylan’s best-filmed performance of the tour. The way he moves his arms and hands makes you feel like you’re looking into another dimension] 24:20 - Never Let Me Go [feat. Joan Baez] 27:05 - Interesting footage of the revue visiting Niagra Falls 27:32 - One More Cup of Coffee (Valley Below) [released on YouTube and on Netflix’s “Rolling Thunder Revue” documentary] 31:35 - Sara [Gorgeous version with some beautiful footage I edited together in the beginning. The verse starting at 34:54 has incredible enunciation] 36:21 - Just Like a Woman [This is my favorite version of the song. Just watch listen to the whole thing, uninterrupted. It’s just phenomenal. The bridge (“It was raining from the first”) is some of the strongest singing I’ve ever heard from Dylan and then in the subsequent verse, he abruptly drops into this sweet tone. Just phenomenal] 40:32 - Knockin’ On Heaven’s Door [Beautiful version, superior to the one released in the Netflix documentary. The instrumental at 42:56 gives me chills] 44:35 - An emotional and cathartic ending.
Enjoy this gem while you can!
The Beatles Reveal Themselves!
While on a recent visit to France, the Fab Four were collared to fill in a special questionnaire based on questions asked by Marcel Proust, a famous French author who died at the beginning of this century. During Proust’s lifetime filling in the questionnaire became a craze among French people, for your answers are supposed to reveal your true character.
On the following pages we’ve reproduced each Beatle answer – in their own handwriting – just as they wrote them. And on page 56 you can read just what was revealed in their character.
Unfortunately, although John also filled in his questionnaire, his answers were unprintable!
- Rave magazine (October 1965) [x] [x]
Miss O'Dell: Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan and Eric Clapton / Romeo and Juliet; Dire Straights / If Not For You; George Harrison and Bob Dylan / George Harrison for Creem magazine; 1987 / Tom Petty for Rolling Stone; 2002 / Romeo and Juliet; Dire Straights / Bob Dylan for Rolling Stone; 2001