ONE THING ABOUT GEORGE HARRISON IS HES GONNA DANCE WHILE PLAYING HIS GUITAR !!!

John Lennon, George Harrison, Cynthia Lennon, Pattie Boyd, Cilla Black and Twiggy at the opening of Apple Boutique, December 5, 1967, taken by Terry O'Neill. ㅡ From the book "THE BEATLES" by Terry O'Neill.

This is just my 2 cents, but I think the way Get Back is framed as Paul being the only one who cared is incorrect.

It's not that George didn't care. He was in good spirits at the start, offered songs, offered suggestions to make the songs as good as they could be, etc. The others weren't interested.

At one point George mentions Magical Mystery Tour, and I think that's significant. George decided to stay silent and let things play out when MMT was being filmed, and it turned out to be a bit of a disaster. It was like he could see Get Back was going to end the same way unless he spoke up. He was determined to prevent The Beatles from repeating a mistake.

To me, that's the opposite of not caring.

And look what happened as a result. The Beatles did change course, and the Get Back sessions became monumentally better.

Paul said once that George was the one who always got them out of doing things none of them actually wanted to do because he wasn't afraid to put his foot down, and this was one of those cases imo. It might not make him the most popular with fans, but George saved the band a lot of grief by being that person.

Why I’m obsessed with this scene from Get Back - Part 3:

A very human Paul McCartney being nervous and anxious about the progression of the project.

Paul’s only responding to John and discussing his worries with him and remains quiet while the others talk.

Several people trying to talk to John but his eyes constantly shift back to a silent Paul (of course the camera decides to zoom in on John’s face at that moment)

John’s attentiveness and trying to talk Paul through his worries.

George’s coat.

John Lennon & George Harrison backstage at the Liverpool Empire | 1963 © Philip Jones-Griffiths

"The highlight was the reading of letters from female fans that shocked the group. ‘How do they even know about this stuff!’ was one remark." - Philip Jones-Griffiths

George playing i threw it all away during the get back sessions before bob released the song is so crazy to me. His vocals were barely audible. Do you think thst when nashville skyline came out they were like "hey george this song on bob's new album kinda sound like something you did some months ago"

George Harrison remained an enigma to many people, even those who were close to him. For a man who lectured passionately about karma and the meaning of existence, he seemed self-protective and closed off. Witty when called upon, there were also moments when he could be quite boorish. Perhaps it was because he was only twenty years old when the Beatles became a global sensation. That might not seem particularly young in today’s world of social media fame, but at the time, it was uncharted territory for the kind of adulation he was experiencing.

It was also difficult living in the shadow of Paul and John. In the beginning, they were openly dismissive of him. Paul said he always thought of George as a little brother. At first, John pretended not to know his name and sardonically referred to him as “that kid’’. Ironically, one of George’s compositions, Something, became the most covered song in the Beatles catalogue.

This interview was conducted at George Harrison’s palatial home, Friar Park, in Henley-on-Thames, on November 5, 1980. George was gracious but cool. He made a pot of tea in the drafty, vast kitchen of his 120-room estate, and spent two hours lecturing about Transcendental Meditation and the details of a limited edition of his autobiography, I Me Mine, which is certainly how he must have felt getting out on his own.

In 2000, George was diagnosed with oropharyngeal cancer. George died on November 29, 2001, in the company of his wife, Olivia; his son, Dhani; musician Ravi Shankar; and Hare Krishna devotees who chanted verses from the Bhagavad Gita. He was 58 years old and left nearly $100 million in his will. George told Olivia that he didn’t want to be remembered for being a Beatle, he wanted to be remembered for being a good gardener.

‘It was a transcendental experience that was beyond the mind’

On taking LSD

LSD was just such a violent, big experience. Before it I was totally ignorant, and afterward I knew I was totally ignorant and I was now on my way to having some sort of knowledge. I related it to the childhood experience of Catholicism and going to church on a Sunday and seeing all that phoney baloney. The moment I’d taken LSD, it just made me laugh because I understood it inside, just in a flash. I understood what the whole concept of God or religion was just by seeing it. I could see it in the grass in the trees.

It was an absolute truth; like a light going ching. I took three very powerful trips — big, very important — and then it left me a bit unsure because I had to try and figure something out. By that time I had gotten into Indian music and spent time in India, [and] there was so much about it that felt like home to me. Not the surface that you see — all this poverty and the flies and the shit everywhere — [it] went beyond all that. Smells in the atmosphere and the people’s attitude and the music, the food, the religion, everything about it … home.

‘I’d hear his voice wailing at five in the morning’

On the death of Brian Jones of the Rolling Stones

I liked Brian a lot, and later on, I realised it was probably because we were both Pisces. We both had similar natures. He was also similar in that he had a Keith and a Mick, whereas I had a John and a Paul. We both had that problem of two mighty egos to deal with in order just to try and survive. I was very susceptible to dope, and Brian [Jones] was even more susceptible. He’d come [to my house], and I’d just hear his voice wailing at like five in the morning: “George, Geeooorrgggeeee.” So I’d wake up, see what was going on, and I’d look out the window, and he’d be all white and just shattered walking around the garden — just looking for somewhere to be.

I would always meet him at that time of day and just try to calm him down. And I saw him a lot before he died in that sort of circumstance. The last time I saw him, I think, was when I’d been in hospital to have my tonsils out and he came to see me in hospital and the next week he was gone. He was like all of them who kicked the bucket — it was sad because there were too many pressures, really. Not just the pressure of being famous and having the press hounding you day and night and young fans hounding you day and night. Plus the drugs hounding you day and night.

‘F*** it — I could do better than that’

On his childhood inspiration, Cliff Richard

I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold. I remember going to see Cliff Richard and thinking, f*** it — I could do better than that.

‘I think being Elvis was lonelier than being one of the Fab Four’

On fame — and Elvis Presley

We kept realising we were getting bigger and bigger until we all realised we couldn’t go anywhere —you couldn’t pick up a paper or turn on a radio or TV without seeing yourself. I mean, it became too much. We became trapped, and that’s why it had to end, is what I think … We were like monkeys in a cage. I think it was helped a bit by the fact that it was four of us, who shared the experience. I mean, there was more than four of us, there was Peter Brown and Brian Epstein, but there was only four of us who were actually the Fab Four — whereas Elvis had an entourage and maybe 15 guys, friends of his, but there was only one man having that experience of what it was like to be Elvis Presley. I think that was far lonelier than being one of the Fab Four because at least we could keep each other laughing or crying or whatever we did to each other. It was definitely an asset being in a group.

(source)

George Harrison during Robert Whitaker's Yesterday and Today photo session | 25 March 1966 © Leslie Bryce

Maybe i’m literally just fucking crazy but also it feels like a callback to idiot wind

“i woke up on the roadside” “i’ve been sleeping on the road” and then talks about what’s in his head . now obviously the going going gone line is more specific to the fact he’s been on tour for a year during the rolling thunder revue, but still.

and holy fucking shit the line about diamonds and rust. BEFORE it’s all diamonds and rust . he’s saying that he feels he can salvage their relationship and not leave it in this “diamonds and rust” memory, that they can still be friends and have some sort of nuance - but first, for joan’s own good, and bobs, joan has to let go. joan has to stop loving him. and he knows it too, and he’s saying the same to himself too.

the first time he sings this verse he’s more gentle. he also admits that he’s still in love with joan. literally just right then and there. he says i’m in love with you, but you have to understand that freeing yourself means letting go of me. the next time he just says “i’ve been telling you baby”, being a bit more mean and direct. he still calls her baby but it’s still way more like “come on just get over it”.

i think it can also connect to this line from winds of the old days about being set free -

this entire song is about bob, but this line directly references a hard rains a gonna fall. there’s so much analysis to be done of this line and how it’s about bob moving on from protest song and also how bob not only lies to all the reporters, but to his loved ones. “the sixties are over so set him free” means leaving that all behind, and i think yes she’s singing to bob but here she’s singing a bit to herself, saying that her and bob will never be together, it’s no longer the sixties so she needs to let their potential child go. and i think bob is directly responding to this: you want to be free, it’s you who needs to let go, not me. and this goes back to bob Not Taking Responsibility like in a simple twist of fate. i forgot if i yapped about it here but like when joan changed the lyrics to simple twist of fate, bob was originally just “i was born too late blame it on a simple twist of fate” but joan said basically i’m better than this, she adds “i was born too late to blame it on a simple twist of fate”, meaning i’m not just going to simply blame it on fate, i know what i’ve done and i’ve taken my own actions. and bob does the same thing here, he refuses to acknowledge that he also initiated shit with joan . and holy fucking shit this song is insane