Sade (1990)

Sade (1990)

Sade (1990)

More Posts from Thesilentparts and Others

thesilentparts
3 years ago
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Youtube
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thesilentparts
3 years ago
thesilentparts - Melancholia
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thesilentparts
4 years ago
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)

Persona (1966)

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Persona ingmar bergman
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thesilentparts
5 years ago
Marie Antoinette (2006) Dir. Sofia Coppola

Marie Antoinette (2006) dir. Sofia Coppola

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sofia coppola
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thesilentparts
4 years ago
Different Times Of Day
Different Times Of Day
Different Times Of Day
Different Times Of Day

Different times of day

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thesilentparts
3 years ago
 The Shape Of Water (2017) Dir. Guillermo Del Toro
 The Shape Of Water (2017) Dir. Guillermo Del Toro
 The Shape Of Water (2017) Dir. Guillermo Del Toro
 The Shape Of Water (2017) Dir. Guillermo Del Toro
 The Shape Of Water (2017) Dir. Guillermo Del Toro
 The Shape Of Water (2017) Dir. Guillermo Del Toro

 The Shape of Water (2017) dir. Guillermo del Toro

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thesilentparts
5 years ago
Call Me By Your Name (2017) // Dir. Luca Guadagnino
Call Me By Your Name (2017) // Dir. Luca Guadagnino
Call Me By Your Name (2017) // Dir. Luca Guadagnino

Call Me by Your Name (2017) // dir. Luca Guadagnino

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call me by your name luca guadagnino
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thesilentparts
3 years ago
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.

“Blanchett’s performance is utterly right. Her hauteur and elegance matched with fear and self-doubt. When I first saw Carol at Cannes this year, she reminded me of a predatory animal suddenly struck with a tranquilizer dart. On watching it again, what I noticed was Blanchett continually touching her face and stroking her hair as she speaks to Therese: a “poker tell” of desire.” 

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thesilentparts
5 years ago
thesilentparts - Melancholia
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lea seydoux
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thesilentparts
3 years ago
Robe à La Française Ca. 1770-75

Robe à la française ca. 1770-75

From Cora Ginsburg (auctioned 1998, now in the collection of the Metropolitan Museum of Art) 

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thesilentparts - Melancholia
thesilentparts
Melancholia

It tastes like ashes

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