Merry Christmas / Happy Holidays :)

You wanna know what’s pretty messed up?

So there’s a mini, joke chapter at the end of Fullmetal Alchemist Volume 3 called “Flame vs. Fullmetal” –if you’ve watched FMA 03, you’ll remember they adopted aspects of this into the semi-joke episode, episode 13—Anyway, the premise is that people have started musing about the timeless question, “Who would win in a fight?” between Ed and Roy. And for the hell of it, Ed and Roy agree to an all-out alchemist battle to settle the matter.

Fast forward through the battle a bit, Ed’s lured Roy out with a decoy and seizes the opportunity to jump the Colonel from the smoke.

In classic Roy fashion though–

–he’s prepared. “You sliced up my right glove but psyche I’ve got a second one that does the exact same thing.”

And Ed’s toast. Rip Ed.

This whole sequence is pure humor, all jokes and snark and the satisfaction of watching Ed and Roy try to beat the shit out of each other. But something about it seemed…familiar. Something that finally clicked.

In this silly little sequence, Ed chose disarmament of his enemy over victory. He chose securing his position of power by using his automail weapon to slice through his enemy’s transmutation circle rather than actual violence. And his foolish trust in passively subduing a powerful opponent is what gets him well and truly burned.

And then, well there’s his fight against Kimblee. Chapter 76

Ed spent a long chunk of the lead-up to this battle arguing that he does not want to kill Kimblee. He gets into a fight with the Briggs soldiers about this, and they never quite convince him that Kimblee is better off murdered.

So when it comes down to a fight between the two of them, Ed chooses mercy. He chooses Kimblee’s life. He separated Kimblee from his philosopher’s stone, and slices out the transmutation circle on Kimblee’s palm.

And just when he’s let his guard down, convinced he’s passively won–

–Kimblee, rather than Roy this time, pulls out his trump card.

It’s…nigh identical. Ed sees an opening, uses it to disarm, then is taken by complete surprise that his opponent has a second transmutation circle…a second philosopher’s stone.

In Flame vs Fullmetal, Ed is just sort of…comically blown away. His weakness was exposed and his pride suffered for it. Against Kimblee. Well–

–he does not get away in tact.

And it hits as such a…dark piece of continuity. A trueness to this being Ed’s weakness, and a stark, cold, harsh reality in the fact that there are bigger, scarier things out there than Mustang, yet things just as manipulative, powerful, tactful. Things which will kill Ed at a moment’s notice, that do not deserve his mercy.

Ed lives, but he sacrifices his own life-force for it. He surrenders years off the end of his life to pull through. This is an unforgiving consequence shown to naivete. And the parallel exposed in a joke chapter from volume 3 is just…

…well, chilling.

I think about Azula shooters often and their common refrain of "if Azula hadn't had a mental breakdown, she would've won" and I'm here to tell you that no, she wouldn't have.

There is no universe in which Azula was winning that fight with Zuko (or Katara, for that matter).

Azula spent so much of Book 2 being built up as this deadly terrifying force against whom the heroes are badly outmatched that it can be difficult to catch exactly how quickly Zuko is advancing.

Back up a bit to Book One. For the fearsome exiled crown prince of the Fire Nation, Zuko's not that impressive a firebender. He's not bad by any stretch, and he's able to lay the untrained Sokka and Katara flat pretty easily. Then he gets in the ring with Aang, who is an airbending master, and the difference between a regular bender and a master becomes apparent when Aang literally puts his ass to bed:

People have attributed this to the fact that no one's fought an airbender in 100 years, but I think it's also worth noting that Aang (a 12 year old from a pacifist nation) has probably never fought anyone before. Like, ever. And yet the second Aang thinks "okay, I'll attack back", the fight's over.

Zuko's got the same genetic predisposition for firebending talent that Azula does, yet it never seems to manifest because of his mental blocks. At the beginning of the series, he's already so beat down that all he really has is conviction, pride, and anger, so even with training from Iroh (the firebending master, thank you very much), he struggles. Yet throughout Book 2, when he has no time to train because he's on the run, he actually seems to advance faster. The fact that his bending is literally tied to his character arc (as his morals become tangled and he has to fight off aforementioned mental blocks) is pretty brilliant. Like, by the time of the Crossroads of Destiny, Zuko getting his ass handed to him by Aang is a pretty consistent feature of the show--he just can't match wits with him.

Hell, at the beginning of the series, he and Iroh (again: the actual firebending master) launch a combined power surface-to-air attack...which Aang casually swats away into a nearby ice wall. Come the Crossroads of Destiny, however, and Zuko by himself launches this bigass fireball that blows through Aang's defenses.

Zuko advances so quickly that it's scary. That prodigious talent is in him even if it doesn't come through as cleanly as with Azula. Who, by the way, was busy about to get flattened by Katara some few dozen feet away, until Zuko took over and then effectively stalemated her himself.

All of this in retrospect makes it abundantly clear why Zuko's firebending seemed to skyrocket so much when he learned true firebending from the Sun Warriors: it was really the only thing left. He's hard a hard road learning how to fight waterbenders, earthbenders, and airbenders, and even if unconsciously, he's applying the philosophy Iroh taught him about augmenting his bending style with aspects of other styles (see also, the waterbending-like fire whips he uses in the above gif). Once he actually understands fire and how it works, he's got it mastered. Hence why any gap between him and Azula effectively disappears as soon as their next fight--before her friends have betrayed her and her stability goes out the window. There's no real sense of urgency to their fight at the Boiling Rock prison. True, Sokka's presence with the sword helps, but Zuko doesn't look remotely worried and he counters Azula's every attack perfectly.

All her life, Azula only ever learned fire. She was taught by the best people the fire nation can employ, so she knows all the cool tricks, but she's still poisoned by the corrupted firebending practiced in the modern ATLA timeline. Unlike Zuko, who managed to get the basics if nothing else from Iroh (fire comes from the breath, and can be used to survive as much as to kill), Azula has always used fire as a weapon and a means to hurt others. She has no true knowledge of the craft, meaning she's got the same weaknesses as Zhao, she's just better disciplined to the point she can make up for it.

Zuko's victory was a given considering Azula's complete loss of control by the time of Sozin's comet, but even had she been in a perfect mental state, she'd have lost, because in many ways Zuko is simply the better firebender.

And that's the truth of it.

if you are unable to donate financially to help palestine, you can donate your time by protesting, boycotting, and putting up posters!

if all you have is your device and internet access, you can put your clicks to good use on arab.org. they use the advertising revenue generated by your clicks to help good causes.

and i would urge those able to spare a few dollars to donate to one or more of the following organizations:

eSims for Gaza

Direct aid for Gaza

Care for Gaza

Women for Women International

Institute for Middle East Understanding

Medical Aid for Palestinians

Palestine Children Relief Fund

Muslim Aid USA

Palestinian American Medical Association

Urgent support for medical professionals in Gaza

Emergency Relief for Gaza

Anera

Taawon

To The Substitute Art Teacher - Jordan Bolton

new fun trend: take this quiz and tell me your score

Spoke to a gen z person the other night and apparently the young folks don't know about the very legal sites from which you can access public domain media (including Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde, and other Victorian gothic horror stories)?

Like this young person didn't even know about goddamn Gutenberg which is a SHAME. I linked to it and they went "aw yiss time to do a theft" and I was like "I mean yo ho ho and all that, sure, but. you know gutenberg is entirely legal, right?"

Anyway I'm gonna put this in a few Choice Tags (sorry dracula fans I DID mention it though so it's fair game) and then put some Cool Links in a reblog so this post will still show UP in said tags lmao.

something something pattern recognition

Spitfire Book 1: Reflection in Scales

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P1…

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