Bowynn Gods: Ehrlik

My Prayer to the Chappa Kii

O Great Chappa Kii, Behemoths of Stone and Guardian of Peaks, I lift my voice to thee—mighty spirits dwelling from the shimmering foothills to the towering heights. Your monumental presence watches over the realm of earth, as steadfast as the mountains themselves, lending strength to those who tread upon your sacred ground. O Chappa, titans forged of rock and resilience, grant me your protection as I journey through the hills and valleys. When lost amidst the wild, let your guiding spirit illuminate my path, leading me towards safety and clarity. With your immense power, may I find courage in the face of adversity, standing tall like the mountains that cradle your essence. In reverence, I recognize the balance you hold between creation and retribution. O Mountain Guardians, may I embrace the harmony of the earth, honoring your realm with care and respect. Let my hands build, not destroy; let my presence nurture, not diminish. As you watch over the land, may I learn to walk gently upon it.

Grant me the blessings of your wisdom, O Chappa, for you know the ancient secrets woven into the fabric of your stone. Bestow upon me your strength, fortitude, and understanding, that I may navigate life’s challenges with the grace of the mountains. With a humble heart, I offer tribute to you: stones gathered from the rivers, flowers that bloom at your feet, and simple songs sung in your honor. May these offerings please the Chappa, whispering my dedication to your guardianship. In return, I seek your watchful gaze upon my journey. So shall it be, with reverence and gratitude, sung within the sacred echoes of the mountains, in the name of the Chappa Kii, eternal guardians of the earth.

Syember

BOWYNN GODS: PANU

Panu (Pah-new)  Goddess of Gemcrafting. She is the daughter of Brea and Unthar and the sister of Vella. When it comes to gems, glass and lapidary work, no deity or mortal can compare. She is the goddess that creates fashions gems from the ground and bestows them with special magic powers that can be used in healing and metaphysical properties. She is the patroness of lapidaries and jewelers.

     Being a goddess with such gifts Panu often stayed in the halls of Alaway or walked the earth blessing the ground with her creations. But the sacred stories tell that one day she wandered a forest and came upon a grand hut of stonework with many chimneys. Curious, she walked inside and came upon the god Kalen hard at work carving gifts for the Akua and mortal man. Scared she hid and watched the god as he continued his work. Finally, she was spied by one of the giants that help out. Kalen turned and saw the goddess and fell instantly in love with her beauty. For days on end the two would meet at the hut. He would work in wood, and she would inlay the finish product with stones as she saw fit. When they stopped, they would kiss, and this would make the hearths blow 10 times as hot. After weeks of this passion, Kalen wed Panu in a most glorious wedding ceremony. Their wedding cart was created by their own hands of wood and gems. Together they still work along with Gondor and his bride Vella.

     Panu is a goddess described to be of raven black hair and eyes that change and glimmer like the gems she creates. Her clothes are said to be of simple make, being she is a god on crafts and earthly. The material is claimed to be of a purplish hue with green embroidery and edging. She is depicted as a young woman, matching with Kalen’s age range. She is one of the few goddesses that do not have a totem animal.

     Sacred to Panu are all gemstones, glass and lapidary tools; small hammers, files, chisels and such.

A Deeper look into the Goddess Abbennaea

The character of Abbennaea embodies profound symbolism through her connection to purity, transformation, and balance between offerings and the divine. The number seven, representing the sacredness of her teachings and the seven acceptable offerings, resonates with various esoteric traditions where seven often signifies completion and wholeness. The act of cleansing and purifying altars can be seen as a mathematical interplay of addition (incorporating good offerings) and subtraction (removing ill-intended gifts), suggesting a duality intrinsic to her role as both a nurturer and curator of spiritual exchanges. Additionally, her association with elements like incense, which transforms material into ephemeral essence, mirrors alchemical processes and the idea of transmutation of life energies, underscoring the significance of intention behind offerings. The portrayal of her as a protector against the darker aspects of sacrifice (blood offerings) emphasizes a moral dualism inherent in spiritual practices, reflecting an underlying mathematical balance between life energy and its appropriate channeling.

Abbennaea's attributes suggest layers of hidden meaning that extend beyond surface interpretation. Her role as a "purifier" can symbolize the importance of intention and authenticity in spiritual practices, indicating that the quality of offerings impacts the overall harmony within the divine realm and by extension, the human experience. The imagery of deep red hair may signify passion, vitality, and even the life force, linking her to the cyclical nature of creation and destruction. The duality of her form—taking the shape of a bird or butterfly—hints at transformation and transcendence, characteristics that encourage spiritual growth and evolution. Furthermore, her title as the messenger and "chamber-maid" of Alaway suggests a deep interconnectedness between the divine and the earthly; she acts as a bridge between realms, highlighting the necessity of nurturing relationships between humanity and the divine. This underscores a possible hidden teaching: true devotion requires not just ritual, but also care, mindfulness, and a commitment to purity of intention in the offerings we present to the universe. Ultimately, Abbennaea serves as an archetype for balance and renewal, inviting followers to embrace a holistic approach to spirituality that honors both craft and consciousness.

Abbennaea’s role as a goddess associated with offerings and purification can be interpreted through various scientific lenses, particularly in anthropology and psychology. Her emphasis on acceptable offerings aligns with the concept of reciprocity found in many cultures, suggesting an evolutionary basis for human relationships with the divine, where mutual exchange fosters community and social cohesion. This reciprocal relationship mirrors the ecological balance observed in nature, where organisms depend on each other for survival, highlighting a broader interconnectedness that could be seen as symbolic of ecosystems where each element plays a crucial part in sustaining life.

Scientifically, her act of purging ill intentions from offerings can be likened to the principles of homeostasis found in biological systems, where balance and purity are essential for health and function. This aspect of her character underscores the significance of mental and emotional clarity—something supported in psychology, where intentions and emotional states are shown to affect interpersonal relationships and environments. Add to this the very science of the art of making of incense, which is an exact science and act of pleasure all on its own. The time used to make these floral and woodland blends is used as a time to connect with Abbennaea.

Furthermore, Abbennaea’s frequent association with incense may have a deeper, physiological implication; the act of burning incense has been shown to have both calming and meditative effects on humans, promoting a sense of well-being that could reflect her nurturing qualities. The transformation of offerings into “that which is good for all beings” can parallel the biochemical processes where substances are metabolized for benefit, emphasizing a transmutation of energy from material offerings into spiritual sustenance. At the core of Abbennaea's mythology lies a tapestry of scientific truths about interconnectedness, the importance of purity and intention, and the profound psychological impact of rituals—all of which resonate with the laws of nature and human experience.

My Prayer to Daekk, Lord of Fortune

O Daekk, Glorious Child of Wealth and Fortune, I stand before you, seeking the embrace of your bountiful gifts. You, who dwell in the splendid chambers of Alaway, amidst treasures adorned with lapis and gold, I beckon your innocent spirit to grace my path. With your golden locks and amber eyes, you embody joy and prosperity, guiding us through the currents of abundance. O Divine Infant, transformed by the wisdom of Anhur, grant me the clarity to see beyond mere appearances and superficial riches. Let your laughter ring out amidst the clinking coins and flowing grains as you dispense blessings to all, untainted by bias or pride. May the warmth of your spirit fill the hearts of those in need, that they may also know the sweet taste of fortune's favor.

In humble reverence, I lay before you offerings of coins, fragrant incense, and the sweet milk of the sacred herd. As the mice serve as symbols of fortune, I send forth votive gifts in their likeness, invoking your protection over my endeavors. With these offerings, I present play money inscribed with my deepest prayers, to be buried within the earth alongside a seed, so that as the plant sprouts, so too may my fortunes flourish. O Daekk, from your heavenly cradle, nurture my ambitions and aspirations like the rich soil of Alaway that bears fruit in due season. May I not only seek abundance for myself but take inspiration from your benevolence to share with others in need. Let my hands be open to receive and my heart expansive enough to give freely. As I summon your playful spirit, I pledge to judge not by wealth nor appearance but to celebrate the diverse paths of prosperity in my life. O Daekk, Eternal Child of Alaway, may your blessings flow unceasingly into my heart, guiding my actions and illuminating the lives of those around me. So shall it be, in reverence and love for Daekk, the generous spirit of wealth and sustenance, forever illuminating our lives with abundance.

Syember!

Bowynn Gods: Ikarro

Ikarro  (Ih-kar-ro) The Milky Way. The bridge that lead the gods to earth at the beginning of time. The bridge was removed after the creatrix goddess Brea descended to earth and became trapped there. The Ikarro is a divine symbol of where there was chaos and sadness, balance and happiness will come. 

Bowynn Gods: The Maukol

Maukol  (Maw-khol)  The Maukol are the diminutive Kii (spirits) of the autumn harvest. Small in size, they will travel with the goddesses Kora and Deanna and bring the fruits of the land to ripen and the leaves to change their color. The Maukoll are said to have autumn-colored wings that are in the shape of tree leaves. These Kii hold a great importance and in the autumn images of them are made and hung from wreaths and garlands and about the home. It is a hope that these images will draw the Maukol to their homes and grant abundance of harvest and a gentle autumn.

Bowynn Gods: Issen

The giant Issen with farmers and animals working the land

Issen (Eye-sen)  Ancient giant god of the old age created by Brea and her siblings. Issen was the older god who ruled over the warmth of summer. One of the older gods, he traveled the world, with his family. His home was in the south and he would appear in the summer as a mammoth of golden fur, bringing with him the summer weather.

      Even though Issen’s attributes were diminished but the coming of the Akua, He is still a most respected god. He is said to now work with the goddess Tarna, the summer goddess, following before her in mammoth form, clearing a path for the goddess to travel. Bowynn folk will often lay blame on Issen if the summer becomes too hot. Issen’s home is the summer-lands of the south. There he has is own lodge that he built himself. Later the lodge was given to Tarna and the god Saphon. It is said that the lodge is massive in size, made of brown wood and logs, sitting on a green hill, overlooking the forested lands. Despite his diminished attributes, Issen is still widely prayed too, in hopes that the summer season is not harsh, and he will ward off forest fires.

      In his immortal form, Issen is seen as an older god, fully bearded and long hair flowing down his back. His hair itself is brownish tainted with white. Issenn is known to always be wearing a heavy brown hide on his back and his clothing is of brown and golden leathers. In his hands are seen a staff and horn. It is with this horn that he blows on, issuing in the summer season. When not in this form, he is a magnificent golden mammoth. Sacred gifts to Issen are incense and votive mammoth images. Like all of the old giants, his totem was the mammoth.

QUESTIONS & ANSWERS: Language

QUESTION: I have seen you using various words in your posts that you address as being Bowynn. Is there an actual language?

ANSWER: Yes we have a language we have been using since the formation of the tradition. the Bowynn dictionary is around 25,000 (I stopped counting decades ago) words. It's has come to the point where it is a first language for some of use and a second language for others. Some words in the dictionary have no English counterpart.

QUESTION & ANSWER: Maenna

QUESTION: I saw your Bio on the goddess Maenna. It gave me chills in that she sounds like the Egyptian Goddess and concept of Maat. May there be a connection of the two? I ask because I have become interested in Maenna since I read your article.

ANSWER: Knowing of Maat very well I can say that, yes, there is somewhat of a connection. Maenna is the divine version of Bia. Balance and Order. We pray to Maenna to make sure there is an order when bad, evil and discourse become over inflated. So yes, we as the children of the gods must make sure balance is attained.

Hello! I stumbled across your blog and I’ve never heard of Bowynn. Tried doing some research and can’t seem to come up with anything. I’m hoping if you could tell me where Bowynn comes from I could get a lead, if you don’t mind :)

In short, the Bowynn tradition is tradition that was started by very close friends and I back in the 1980's back on Long Island NY. The information gathered and comprised here comes from endless hours, days, years and decades of meditation, vigils and prayers. Not to mention several encounters of divine intervention. The tradition has become much more than just a faith as time progressed but in general, it is indeed and faith-based religion.

In the far past we had tried to bring it up in various groups and sites but we were always knocked down by someone "Oh you stole this from a roleplaying game." and other junk. So, after a while, we just kept it on the quiet. For no other reason than to avoid ridicule. So no, you will not find much at all about it on the internet. Though I know there is some old art and articles that were stolen from old postings on places like Facebook, Deviantart and SpellsofMagic being spread about over the years by non Bowynn.

So, at this point, the only place to get information is here on my/our page. I hope that helps. Thanks for the inquiry.