Who Is Your Favorite Male Protagonist And Why Is It Percy Jackson?

taking off a mask to reveal what lies beneath as a romantic gesture is overdone, and besides i want to see the romantic or even platonic potential of protecting someone's identity beneath the mask, without any expectation of ever being allowed to see what's under it. picking it up and holding it gently to their face when it's knocked off and they're in danger of being exposed, without trying to catch a glimpse of what they "really" look like under there. throwing yourself in front of them to hide them from view while they put themselves back together without taking advantage or looking back to see what you're protecting. learning to read them by body language, tone of voice, and behaviour so well that you never need to see their face to feel like you know and understand them.

i want you carnally *shoves a knife into your abdomen*

plot feeling a little empty in the middle? here’s some food for thought.

actions have consequences. things that your characters do inevitably can affect other people around them. what might they have done in the past that could come back and serve as an obstacle? or, maybe, what could they do now that could possibly raise the stakes just a little bit more?

subplots! be mindful of the subplots you’re adding - but sometimes it might be a good idea to include one if your plot is feeling a little bit empty. not only can it tie back into the overarching struggle, but it could also serve as a way to explore one of your characters or points further.

character exploration. get to know your characters a little bit better! let your readers find out something new. connecting and understanding the people within your story is important if you want your readers to grow attached to them.

world exploration. similar to the previous point, with the addition of creating a greater sense of familiarity of the circumstances that your story is taking place in. remember that nobody else knows the world of your wip as well as you do - illustrate it even further so everyone else can grasp it even better.

let your characters bond! maybe there’s a lull in the plot. if your characters have the chance to take a breather and get to know the people around them, let them! it might help flesh out or even realistically advance their relationships with each other.

Advice on Writing Banter

1. Don’t prolong the humor

As a reader, you’ve most likely seen this happen before. It happens when an author takes it upon themselves to make absolutely sure you understand that a character said something funny. This breaks the widely accepted First Commandment of Humor: if you have to explain a joke, said joke loses some of its humor. (Unless explaining the joke would make the scene funnier, etc. in which case you should keep that in! There's always more than one exception to a rule.) When this happens, the scene often slows down--way too much--and the humor quickly fades into annoyance for the reader. Yeah, the joke was fun at first, but it’s pretty much fulfilled its maximum humor.

How can you avoid this? As a reader, remember that you never want the author to patronize you. As a writer, just trust your readers. Tell a joke and just let it stand. Trust that the reader will notice. Don’t drag it out longer than necessary: that kills all the pacing and humor of the scene.

2. Diversify the delivery

Everyone has their own way of telling jokes and reacting to jokes told by others. Some people tell jokes with a deadpan, almost serious delivery. Others can barely get through a joke without laughing to the point of tears. Whatever the case may be, no two people will be the same!

Another way to write good banter is to mix up the types of humor present.  For example, if one of your characters responds to everything with a sarcastic quip, don’t make the rest of your characters aggressively caustic towards one another. 

Also, try mixing up what forms of comedy each character uses. Have a character laugh exclusively at bad puns and nothing else. Maybe another character takes themself way too seriously and refuses to find any humor in ridiculous situations. Or maybe a character can’t tell a knock-knock joke to save their life. Plus, a bonus of diversifying the comedy you use in your banter is that it’s a great way to flesh out your characters!

3. Pacing

The best way to create natural dialogue is make sure it sounds natural, and one way to check that is to look at the pacing. If the banter sounds stilted and awkward, no one is going to laugh. As you read it, listen for awkward pauses or lulls in the dialogue that might slow it down. Sometimes, you should ask yourself: do the responses sound realistic? Because let’s be honest: when you’re bantering with someone, you usually don’t have much time to think of very clever and specific comebacks on the spot. (Actually, I usually find that I come up with said comebacks hours later, when it’s way too late to use them.) I choose to only apply this rule to awkward or forced-sounding dialogue, though. As a banter lover, I never limit myself in writing banter! If I don't like how it sounds later, I can always cut it. I encourage you to do the same. If writing banter makes you happy, then write as much as you want and don't let me tell you what to do!

4. Tone

True banter should always be lighthearted or mischievous, but it should never be malicious or one-sided. There’s a thin line between bantering and bickering, in my opinion. Banter is a teasing, fun, and lighthearted argument between people. Bickering is banter but with often malicious undertones, and it may be one-sided. 

For example, Banter would not be Character A pointing out all of Character B’s flaws. Banter would be A “criticizing” B clearly as a joke, and B defending themselves good-naturedly!

characters whose philosophy is “if i cannot be wanted, i will be needed and if i cannot be needed, let me be used until there’s nothing left of me.” thank you for everyone’s attention. falls off stage and dies

Forget the search history, if you really want to know a writer you should check their notes app...a writer's unhibited mind can be a frightening place.

The moment a character realises they've been betrayed vs the moment a character realises they're going to betray someone, fight!

a new concept: idiot academia

where u have book smarts but have absolutely no common sense

About My Side WIP

Intro

By now, most of you have probably know that that I’ve been planning a new book, and I’m happy to finally introduce it to everyone as my side WIP! It explores a lot of themes and topics that are very close to my heart. I hope to be more open about this WIP, and I’m very excited to share it!

Putting this much info about my WIP online is a huge admission and gesture of trust, but I trust you guys. I hope you’ll continue to prove that my trust is not unfounded.

Basics

Title: Pawn

Main character: Alice Lee

Age group: Middle-Grade/YA

Genre: Fairy-tale retelling of Alice In Wonderland / Alice Through the Looking Glass, fantasy

Elevator pitch: The Chronicles of Narnia meets Legendborn in this Asian Alice retelling

Synopsis:

As children, Alice Lee and her older sister Evie created Meer, an imaginary world where they would finally belong. But as the two sisters grew older, they grew apart--in both emotion and imagination.

Four years after she first abandoned the fantasy land of Meer, Alice’s life forever changes in a horrible accident that leaves her injured and Evie dead. She has no memory of what happened that night, and she fears that there’s something more to the truth. Now, one month after the incident, she still doesn't remember her past.

But her past hasn't forgotten her. When she encounters an old friend from Meer, Alice discovers that the imaginary world of her childhood is very real—and in trouble. The Red Queen and the White Queen who ruled the land all those years ago are suddenly and brutally enforcing their reign. Her old friend is part of the rebellion that fights back against them--and he suspects that Evie’s death was no accident.

Hoping to find answers about her sister’s death and her own scars, Alice soon finds herself involved in a deadly game where the Red Queen and the White Queen control the chess pieces. One wrong move will cost Alice the board and any chance at reclaiming Meer. Will she ever be more than a pawn in a game? Or will she play straight into her enemy’s hands?

Inspiration

I’ve always wanted to write a retelling, but there were so many stories to choose from. In the end, though, there was really only one I could begin with, and that was Alice in Wonderland.

Lewis Carroll's Alice consistently expresses a confusion about her own identity and a stubborn adherence to logic, despite her travels being distinctly illogical. She clings to her old self in a world where she's someone new--someone other. I often write Asian heroines, and it wasn’t too hard for me to make the connection between that and identity of the self. 

How do others define us, how do we break free of those definitions, and how do we define ourselves? Those are some of the big questions in my WIP. It’s set both in the real world and in a fantasy world, so it gives me more room to explore modern issues.

That’s not the only thing I want to do in this book, though. Alice just appeals to me as a stubborn, practical heroine who’s very set in her ways until her circumstances change completely. I found myself asking questions of the original story: What if Alice’s sister had found Wonderland first and introduced it to her? What if Alice rejected it? What if it changed, completely and irrevocably? And what if Alice was then forced to return and face her past?

This is a very personal WIP, due to the topics and questions it incorporates. Honestly, it’s a very indulgent story, but it’s one that I enjoy a lot. I hope to share more about it and my process in the future. Thank you for reading!

dystopias are getting too real and utopias feel too improbable. i propose a third kind of escape: a world that’s just okay