Norway | Kai Grossmann
with special focus on trans, indigenous, jewish, asian and/or disabled authors because these are groups she-who-must-not-be-named has been particularly shitty about!
note: i got the idea to do this from @queerpontmercy - hope you don’t mind! i’ve read most of these, and i’ve tried to organize them by subgenre. now go read!
Pet by Akwaeke Emezi. Young adult SFF written by a black nonbinary author, with a black trans girl main character.
Elatsoe by Darcie Little Badger. Young adult speculative fiction written by a Lipan Apache author. Main character is an asexual Lipan Apache teenager.
Girls of Paper and Fire by Natasha Ngan. First book in a YA fantasy series in an Asian-inspired setting by a mixed-race author of Malaysian descent, featuring a F/F romance.
Blanca & Roja by Anna-Marie McLemore. A young adult fantasy about two sisters in a cursed family, written by a Mexican-American nonbinary author.
Mongrels by Stephen Graham Jones. A contemporary, coming-of-age fantasy about a boy and his werewolf family, written by a Blackfeet Native American author.
The Empress of Salt and Fortune by Nghi Vo. First in a high fantasy novella series by an Asian-American author, featuring a queer cast including a nonbinary main character.
The Black Tides of Heaven (Tensorite Series) by JY (Neon) Yang. A fantasy novella series with nonbinary and lgbtq+ main characters, written by a nonbinary Singaporean author.
Upright Women Wanted by Sarah Gailey. Pulp Western science/ dystopian fiction novella with an all-queer cast, written by a nonbinary author.
The Golem & the Jinni by Helene Wecker. Historical fantasy combining elements of Jewish and Arab folk mythology by a Jewish author.
Spinning Silver by Naomi Novik. Fantasy by a Jewish author with Jewish main characters.
All the Birds in the Sky by Charlie Jane Anders. Fantasy about witches and scientists trying to save the world by a trans author.
Jade City by Fonda Lee. First in a fantasy series in an Asia-inspired setting written by an Asian-Canadian author.
Bone Universe trilogy by Fran Wilde. Fantasy trilogy featuring cast of disabled characters written by a disabled author.
Parable of the Sower (Earthseed series) by Octavia Butler. Science fiction / dystopian series written by a black disabled author.
Powerpuff Girls was actually a show about a group of small children crushing the patriarchy and no one will convince me otherwise
The greatest tragedy of Among Us is making friends and then accidentally disconnecting before you get to say goodbye
♪ Who d'you think you’re kidding
He’s the earth and heaven to you
Try to keep it hidden,
Honey we can see right through you ♪
“We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.”
- The Good Soldier, Ford Madox Ford
Mera Cross-stitch update 02/10/2020 ----- 50 - 55% done!
The weather and lighting has been horrendous for the past week, so I had to muck around with a filter, but this is pretty representative of the actual colours.
Ive been thinking lately about the Tony-deletes-his-brain arc from Iron Man (2008).
Steve is dead, the Registration Act is done, the Skrull invasion has put Osborn in power, and, thanks to Extremis, Tony is carrying the entire Registration database in his head. The logical and very Tony solution is to slowly delete his own brain by traveling the world and plugging into repulsor terminals he has stashed in various places. Each time, he loses chunks of his intellect and his memory and heads closer to total brain death. It’s the culmination of all his angst over Civil War and Steve’s death.
But one thing that really gets me is this scene in issue #17 when Tony is writing an email to Maria Hill:
Tony is thinking about Steve when there’s no particular reason to be thinking about Steve, which is very in character for him. But more importantly, he’s forgotten that Steve is dead.
It’s thing that destroyed him in the aftermath of the Civil War, the one thing he couldn’t live with, and he’s forgotten. There was no reason to put this in the scene, other than to highlight that.
I think this was exactly what Tony wanted, and the real reason why he didn’t just eat a gun or “throw himself into a volcano” as other characters suggested. Tony didn’t want to die. He wanted escape from the guilt and to and dull of his mind and lose his sense of self. And when he reboots, he gets to lose the entire year of memories he couldn’t handle. And it’s so, so in character because those are the same desires that made him alcoholic years earlier.
More than that, I think Tony knew exactly what he was doing when he put the database in his head. If things went wrong, really really wrong, he had a ready made escape. A planned loss of the worst of himself and the worst of his memories. (I’d also like to think that if Steve put these pieces together after he returned and Tony had lost a year, he’d be furious.)
So anyway, that’s my over-10-years-too-late extremely angsty analysis of post-Civil War Tony that no one asked for... carry on
When you realize your overpowered goody two shoes, co-worker laughs in the exact way that the mild manner, clumsy, loveable oaf Clark Kent you dated, fell in love with, and then dumped because you knew you could never tell a civilian much less a reporter about your villgantly night “job”. Resulting in ruining the best thing in your life.
Reviews of comics and books + a whole lot of fandom and eccentric stuff. MOD: Judith/24/BE/ Student-teacher and eclectic pagan.
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