How Many Human Sacrifices Did The Aztec Make, Really?

I got stung twice by the same wasp today, because the class I was observing for training danced on its field for an hour.

i love twitter. why does this have 4.9K likes

The Southern Raiders were never looking for Katara

This is one of my favorite theories behind atla and I wanted to share my own breakdown of it. 

SO the raids on the SWT began in 40 AG. They continued until each and every waterbender from the Southern Water Tribe had been captured. (Note: captured) 

Worth noting is that Hama refers to herself as the last waterbender of the Southern Water Tribe. 

Here’s where the conspiracy gets juicy. Hama was the only one who managed to escape. She created bloodbending to get out of the prison. And she says herself that she’s the only one who escaped. This could be for one of two reasons: 

All of the other prisoners had already succumb to the conditions or been killed 

The remaining waterbender prisoners were murdered after Hama’s escape

The second option is more plausible. Hama displayed a dangerous, powerful, unknown form of waterbending and overtook a Fire Nation guard’s body. She had him unlock her cell and fled. If there were remaining waterbenders in the prison they would have been killed out of fear once Hama escaped. 

They Fire Nation couldn’t risk anyone else in their prison possessing this power. So they were all murdered because of Hama’s escape. 

Look at Hama’s reaction to hearing that the raids continued. A kind of casual “oh, you poor things.” Hama knew that the raids continued because she escaped. All of the waterbenders had already been caught! The only waterbender of the Southern Water Tribe that was known at that time to be free or alive was Hama. 

And she knew better than to return to her home, where they were sure to come looking for her. She stayed and hid right under their noses because she knew they were going to tear the world apart trying to track her down. She was too dangerous. 

When Yon Rha comes to the Southern Water Tribe in 94 AG Katara is still a child. Their tribe has been in shambles for years at this point. Katara is the tribe’s last hope and they’re a tiny tribe at that point in time. Do you honestly think that word of a child waterbender would have made way to the Fire Nation? 

Do you think that the Water Tribe would ever release that information willingly? I don’t. I think that the Southern Raiders had no idea that another waterbender had been born into the Southern Water Tribe. 

Why else would Yon Rha have accepted that an adult was the waterbender he was looking for? The intel didn’t say that a new waterbender was born, the intel said that there’s one waterbender left. The Fire Nation already knows about the last waterbender of the SWT. She escaped. And they’re still trying to find her. 

The Fire Nation is adamant about finding the last waterbender because they’re looking for Hama. Hama, who can control people’s bodies. Hama, who managed to escape a high-security Fire Nation prison without any water. Hama, the only waterbender to best the Fire Nation. And the only one left. 

Kya offers herself up as prisoner to Yon Rha. Because she knows that the past raids meant that the Southern Raiders took the waterbenders prisoner. But that has changed. 

Why would their procedure have changed? Why did they stop taking waterbenders as prisoners? Because of Hama. They stopped taking waterbenders prisoner after Hama’s escape. 

Tl;dr the Southern Raiders were never looking for Katara, they were looking for Hama. 

Hi. I like your blog title! And I have a question: What was Isis like in actual Egyptian mythology? What sort of cool things did she do?

Heheheh thank you!

Isis was a pretty badass bitch. Although she was first and foremost a protective goddess associated with mourning, who sustained and protected the deceased, she quickly gained prominence as a goddess of cosmic associations and a powerful user of heka.

Her heka is central to much of Egyptian myth. It was that which restored Osiris to his complete form - sans actual penis, but with a shiny new gold one - and which made it possible to conceive Horus. She and her heka are invoked a lot in medicine. It would also help the deceased in the afterlife, whether commoner or royal. 

Isis was definitely the most powerful of the gods when it came to heka. She’s the only one ever shown as a match for Re - most specifically in the story of Re’s secret name, where she creates a snake from some mud and Re’s own spit, which almost kills him. She did that because she wanted to know his secret name, and basically blackmailed Re to divulge it in exchange for a cure. 

In other mythological traditions she shapeshifted into e.g. an old lady, or a pretty young thing, in order to get what she wanted. For example, when Seth refused to give up the throne of Egypt in favour of Horus, she turned herself into a beautiful young woman and tricked him into admitting that if a man’s son is alive, the son should get his father’s due, rather than anyone else. She is also one of the goddesses who assumes the role of the vengeful Eye of Re.

Basically, Isis takes no prisoners and isn’t above making a pest of herself to get what she needs or wants.

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

Feedback culture is dead, long live feedback culture!

AO3, fanfiction, and comments: the system isn’t working. 

Fic authors have a problem with feedback – or rather, with the lack of it. Fanfiction has a notoriously low ratio of comments to hits, and many of us have expressed our frustration that we can get a hundred, two hundred, five hundred, even a thousand views on our stories, but only a handful of readers will leave kudos, let alone comments.   

Unfortunately, this only gets worse for long, multi-chapter stories (aka, the longfics we know, love, and would sell our souls in a second if it meant an update), which also happen to be the stories that authors need the most support to continue and complete. Law of diminishing returns, y’all, and it sucks. 

We’re not here to guilt you into leaving comments. We want to address the problem by changing the format, and we need your help to do it. 

The goal is to increase the amount of feedback authors get from readers, especially on stories with multiple chapters, and to make it easier for everyone to show how much we love fics. We’re opening a discussion with ao3 to figure out how/if any of these options can be implemented, but first we need options to present! 

Some of our current ideas: 

Ability to leave a form of kudos on every chapter, instead of only once on the entire story: this lets authors know that you’re here and you’re reading their updates, so their hard work isn’t getting tossed into the internet void. 

Comment templates: suggested comments that can be customized or posted as-is. Many of us draw a blank or get nervous when we try to think of a comment, so having pre-made options will both increase the total level of feedback and serve as practice, making it easier to leave more in-depth comments in the future. 

Upvoting/leaving kudos on comments themselves: positive reinforcement makes giving feedback more fun and rewarding, and it lets the author know that readers are present and agreeing with other comments, even if they don’t leave one themselves. 

We’ll contact AO3 to discuss the possibility of adding any of these as native features, and if that won’t work, we’re looking into creating and sharing a user script. 

 What you can do to help: 

 As a reader, what would you like to have? What would you be most likely to use? New ideas, opinions on ideas that are listed here, they’re all good. 

As a creator, how would you feel about each of these options? Can you think of other ways of receiving or encouraging feedback? 

Pros and cons of these (note: our thoughts on this are discussed in this google doc) 

GET THE WORD OUT! Reblog this post, send it to your friends, link to it from your stories. We need as much input and support as possible to get this off the ground. 

Feedback makes for happy authors. Happy authors make for more stories. Let’s keep this part of fandom alive! 

More details about our thoughts, discussions, and ideas can be found in this google doc.

Literally no one:

Not a single soul:

Male authors:

♪  Who d'you think you’re kidding 

He’s the earth and heaven to you 

Try to keep it hidden, 

Honey we can see right through you   ♪

This is probably weird to ask, so here it goes. Where there ever any heroes of Egypt like Herakles, Bilgamesh/Gilgamesh, Arjuna, or Jamshid? I noticed that I have never really heard of any heroic epics out of Egypt and I was curious as be to why that may be.

Culturally, heroic epics simply weren’t a genre within Egyptian literary tradition. I think the closest you can come to such a “hero” within the Egyptian body of literary works, is the character of a magician, like Djedi or Si-Osire, or Isis herself.

There are for example the Demotic stories with protagonist Setne Khamwas (based on the fourth son of Ramses II, Khwaemwaset). Setne Khwamwas has two adventures: one in which he finds the Book of Thoth in the tomb of a prince called Neferkaptah, and another in which he meets a magician from the time of Thutmose III, aforementioned Si-Osire. Of course since these are Demotic texts, they’re very late in Egyptian history. The copies we have are from Ptolemaeic and Roman Egypt respectively.

Then there’s the Westcar papyrus, which is a Middle Kingdom text that includes a few “miracles” the 4th Dynasty magician Djedi performed during the reign of king Khufu. This text wasn’t meant as an heroic epic either; rather, it’s one in a tradition of programmatic texts. They reflect the outlook of the class and time in which they were created, but they are also literary works.

But like almost all Egyptian literature, the subjects of these works are either fully mortal (think the protagonists from The Eloquent Peasant, Sinuhe, The Shipwrecked Sailor), fully divine (e.g. the giant snake on the island of the shipwrecked sailor, the two brothers in Tale of the Two Brothers), or the spirit of a deceased person (Neferkaptah in Setne Khamwas). And like most Egyptian literature, there’s a greater lesson to be learnt from the narrative. E.g. in the Shipwrecked Sailor, the sailor admonishes the official he serves to speak the truth of what happened, and The Eloquent Peasant imparts on the reader the importance of good speech.

Mera Cross-stitch update 02/10/2020 ----- 50 - 55% done!

The weather and lighting has been horrendous for the past week, so I had to muck around with a filter, but this is pretty representative of the actual colours.