New Fic Announcement!

Big Bang Announcement!

Here's the promised fantasy hurt/comfort with Virgil and his found family. It's my big bang for the year from @tss-storytime with art from the amazing @pizza-box-raccoon here!

no no no you dont GET it. It's not about romance it's not about sex it's about DEVOTION. it's about LOVE. It's about chasing your other half to the ends of the earth to protect them from themselves. It's about wanting them to be happy. It's about stopping their self-destructive ways. It's about saving them from darkness, because you know they're capable of love. Because you've FELT that love and so you know it's there. It's about having faith until your dying breath. again it's about utter and true devotion and selfless love. Hello?? are you listening?? True, selfless love is about restoring their faith in humanity by being the example

Fanfic writers are like crows. If you give them treats (comments) they will bring you shiny things (fanfic)

Aaaaaahhhhh!!!! Ahhhh?? AAAAAAHHH!!!

More coherent thoughts under the cut cause DAMN

I already told you but you will hear it again: your art looks excatly like a high fantasy trilogy feels like. It got those adventure where you find friendship along the way vibes and I'm digging them so so hard.

This is so much amazing art and you even colored some pieces like ??? How did i deserve you. You captured the feel lf the story and the personality of the characters perfectly like look at that variety. Virgil ks big and strong but still looks so huggable, no idea how you managed it. Remus has the perfect amount of mishief and Janus is small and angry and just !!!! I'll cherish them forever. Thank you so so much

Also side note: that is one sexy tree and i'm not growing tired of repeating and you drew the best round chicken and for that alone you can have a kidney if you ever need one

It’s TSS Story Time!

Thanks to @the-princey-pie for sharing this beautiful story that I got to create art for. It’s been amazing fun.

You can read Summer Wine In Verdant Winters right here! Please go check it out!

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Big Bang Announcement!

Here's the promised fantasy hurt/comfort with Virgil and his found family. It's my big bang for the year from @tss-storytime with art from t

(More art under here, but be warned some pieces might show spoilers.)

Weiterlesen

I feel guilty wanting people to comment.I feel like if my work was good enough, they would :(

This is definitely a common feeling amongst authors, and I think part of it stems from our cultural view of artists/creators. 

We often hear writers say things like “I just had to write this” or “the characters were screaming at me” and that gives off the impression that writing is going to happen no matter what. Writers have to write. Artists have to draw. If creative people can’t let their creativity out, they go a bit nuts. 

The dissonant part of this is that, while creative people do have an innate drive for creation, they don’t have an innate drive to share that creativity. Needing to make something and needing to share it are two different things, serving two different purposes. Creating the work satisfies a part of you that has a story to tell or a vision to make real. Sharing that work is done in the hopes of satisfying a need for making a connection with people about that work. 

Wanting people to comment is a natural part of sharing your work with them, and nothing for you to feel guilty about. 

What readers don’t understand is that desire for a connection to them. For them, the connection is made by reading your work. From their perspective, you have made a connection. The problem is, from your perspective nothing has happened. You’ve posted your work and received nothing in response. It’s like walking up to someone with a big smile on your face and saying, “Hi! How’s it going?” and having them just stand there with no change in facial expression or body language, saying absolutely nothing. The connection only went one way. 

There are lots of reasons why people don’t comment on artistic works, and only 1 of them is not liking the work itself. 

You aren’t being needy, you’re being human.

This.

Top Tips for Clues, Red Herrings, and Breadcrumbs

One of the most important parts of writing MYSTERY is figuring out what to do with clues and red herrings - and how to use them effectively. Here’s some advice that’s never steered me wrong: 

Hide the real clue before the false ones! Most people, so by extent your readers and your sleuth, tend to focus on the last piece of information presented to them. A good strategy is to mention/show your real clue and then quickly shift focus. 

Do a clue cluster! Squeeze your real clue in among a whole pile of red herrings or other clues, effectively hiding it in plain sight. This works especially well with multiple suspect mysteries. 

Struggling to think of what a clue could be? Try this list: 

Physical objects: Letters, notes, tickets, emails, keepsakes, text messages, diaries, etc. 

Dialogue: voicemail recordings, overheard conversations, hearsay, gossip, rumours. All of these can hold grains of truth! 

Red herrings distract and confound your protagonist and your reader, so you should be careful not to overuse them. Well balanced, red herrings should lead your characters down false paths to create confusion, tension, and suspense.

Contradictions! Have characters claim they did so-and-so at such-and-such a time, but other characters have evidence that contradicts this.

Balance! Avoid a clue that’s so obvious it’s like a neon sign saying “Look at me, I’m a clue!” but don’t make it so obscure it’ll be missed entirely. A good clue should leave a reader saying “Damn, I should have noticed that” 

chat reminder to just write whatever the fuck you want. write that overused trope. write that obscure shit that no one will have heard of. just. do it. your writing is yours stop depriving it of that.

Hi, same anon here, wanted to thank you for the reply and also tell you that your writing is amazing, i enjoyed the story a lot it's one of my favorite anxceit stories I've ever read, I'm not sure if you already posted this story on ao3 or not but I'm pretty sure people on ao3 would appreciate it a lot :)

Aw I'm flattered that you like it! It's on ao3 but I still haven't added the last chapter (I should probably get to that oops). There's a link on the masterpost too if you want to show it some love on ao3 (no pressure, just a side note) <3

Years and years ago, I read a book on cryptography that I picked up because it looked interesting--and it was!

But there was a side anecdote in there that stayed with me for more general purposes.

The author was describing a cryptography class that they had taken back in college where the professor was demonstrating the process of "reversibility", which is a principle that most codes depend on. Specifically, it should be easy to encode, and very hard to decode without the key--it is hard to reverse the process.

So he had an example code that he used for his class to demonstrate this, a variation on the Book Code, where the encoded text would be a series of phone numbers.

The key to the code was that phone books are sorted alphabetically, so you could encode the text easily--picking phone numbers from the appropriate alphabetical sections to use ahead of time would be easy. But since phone books were sorted alphabetically, not numerically, it would be nearly impossible to reverse the code without exhaustively searching the phone book for each string of numbers and seeing what name it was tied to.

Nowadays, defeating this would be child's play, given computerized databases, but back in the 80s and 90s, this would have been a good code... at least, until one of the students raised their hand and asked, "Why not just call the phone numbers and ask who lives there?"

The professor apparently was dumbfounded.

He had never considered that question. As a result, his cipher, which seemed to be nearly unbreakable to him, had such an obvious flaw, because he was the sort of person who could never coldcall someone to ask that sort of thing!

In the crypto book, the author went on to use this story as an example of why security systems should not be tested by the designer (because of course the security system is ready for everything they thought of, by definition), but for me, as a writer, it stuck with me for a different reason.

It's worth talking out your story plot with other people just to see if there's a "Why not just call the phone numbers?" obvious plot hole that you've missed, because of your singular perspective as a person. Especially if you're writing the sort of plot where you have people trying to outsmart each other.