Susanna And The Elders, Tintoretto 1555 - 1556 Oil On Canvas 146 Cm × 194 Cm  Kunsthistorisches Museum,

Susanna And The Elders, Tintoretto 1555 - 1556 Oil On Canvas 146 Cm × 194 Cm  Kunsthistorisches Museum,

Susanna and the Elders, Tintoretto 1555 - 1556 oil on canvas 146 cm × 194 cm  Kunsthistorisches Museum, Vienna

More Posts from Temple-of-bullets and Others

6 years ago
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)
The Battleship Potemkin (Sergei Eisenstein,1925)

The Battleship Potemkin (Sergei Eisenstein,1925)

1 year ago

reblog if the first musical you listened to was not Hamilton

6 years ago
Ryuichi Sakamoto as Capt. Yonoi In MERRY CHRISTMAS, MR. LAWRENCE (1983) Dir. Nagisa Oshima
Ryuichi Sakamoto as Capt. Yonoi In MERRY CHRISTMAS, MR. LAWRENCE (1983) Dir. Nagisa Oshima

Ryuichi Sakamoto as Capt. Yonoi in MERRY CHRISTMAS, MR. LAWRENCE (1983) dir. Nagisa Oshima

2 years ago
Hannibal 2x10 - “Naka-Choko”
Hannibal 2x10 - “Naka-Choko”
Hannibal 2x10 - “Naka-Choko”
Hannibal 2x10 - “Naka-Choko”
Hannibal 2x10 - “Naka-Choko”
Hannibal 2x10 - “Naka-Choko”

Hannibal 2x10 - “Naka-Choko”

6 years ago
The Wilton Diptych (detail), Unknown Master, 1395

The Wilton Diptych (detail), Unknown Master, 1395

6 years ago
~“There Is No Other Man I Know Who Could Have Achieved What Lawrence Did. As For Taking Undue Credit
~“There Is No Other Man I Know Who Could Have Achieved What Lawrence Did. As For Taking Undue Credit

~“There is no other man I know who could have achieved what Lawrence did. As for taking undue credit for himself, my own personal experience with Lawrence is that he was utterly unconcerned whether any kudos was awarded him or not. “~  

Edmund Allenby, commander of the Egyptian Expeditionary Force to Lowell Thomas.

6 years ago
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia
Behind The Scenes Of Lawrence Of Arabia

Behind the scenes of Lawrence of Arabia

4 months ago

Hunger is obviously a major theme in Hannibal—it’s literally the cannibal show—but the difference in how that’s portrayed with Hannigram is intriguing.

Hannibal was starving for connection before he had Will, and then everything changed for him. As Bedelia tells Will, “Did he daily feel a stab of hunger, and find nourishment at the very sight of you? Yes.” Hannibal’s hunger is sated by so much as the sight of Will. A mere look at him is enough to satisfy him.

But Will is different. Rather than being sated by his connection with Hannibal, it is the very thing that makes him hungry. There’s a frame in the Italy chapter that makes it look like he’s trapped in a starvation cage. In the script for his sailing scene, he’s literally described to look hungry:

Hunger Is Obviously A Major Theme In Hannibal—it’s Literally The Cannibal Show—but The Difference
Hunger Is Obviously A Major Theme In Hannibal—it’s Literally The Cannibal Show—but The Difference

Both Hannibal and Will have a possessive, obsessive, all-consuming love for one another, but it affects them quite differently. Hannibal is nourished by the very sight of Will, but for Will, no amount of the profound attention he experiences from Hannibal can fully sate his hunger—it’s a high he can’t help but chase. It fuels his pathological need to return to Hannibal again and again, no matter how self-destructive it is. I think this is why Will is more outwardly possessive of Hannibal than Hannibal is of Will. Hannibal wants Will to be his; Will wants Hannibal to be no one else’s. Both forms of possession, but Will’s is more jealous because of the way he experiences Hannibal’s attention. It’s a high, it’s a hunger—it’s a need, not a want.

5 years ago
Good Omens + Oscar Wilde 2/?
Good Omens + Oscar Wilde 2/?

Good Omens + Oscar Wilde 2/?

“I don’t want to go to heaven. None of my friends are there.”

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temple-of-bullets - God is dead!
God is dead!

They will crown another.

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