Doctor Who Episodes ≡ 01x02: The End Of The World The End Of The Earth. Its Gone… We Were Too Busy

Random Prompt #131

“I hear you muttering under your breath. If you have something to say about me, you can say it to my face.”

“I think you’re beautiful.”

Anonymous asked for Eleventh Doctor + autumn colors 🍂

DOCTOR WHO | 6.04 ✧ The Doctor’s Wife

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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Showing 'Determination' in Writing

Jaw set firmly, lips pressed into a thin line.

Eyes focused intensely, not wavering.

Shoulders squared, standing tall and firm.

Fists clenched tightly.

Taking deep, steady breaths to maintain calm.

Saying, “I will do this” with conviction.

Pushing back sleeves as if preparing for action.

Marching forward with purposeful steps.

Ignoring distractions or interruptions.

Voice steady and unwavering.

Nodding to oneself as if reaffirming resolve.

Gritting teeth in concentration.

Placing hands on hips confidently.

Writing or speaking with clarity and precision.

Pounding a fist into an open palm.

Looking straight ahead, not letting gaze drift.

Tightening grip on tools or objects they’re working with.

Breaking tasks into manageable steps and tackling them one by one.

Keeping eyes on the goal, not looking back.

Saying, “Nothing will stop me” with steely determination.

your camera roll dating Pedro Pascal

What about me, what? Haven't you got backup? You must have a partner or something. Humans. We're stuck on the moon, running out of air, with Judoon and a bloodsucking criminal, and you're asking personal questions.

𝙸. ┄─ Toro Rosso, Carlos Sainz moodboard﹒🏎️

OC Questions on the Seven Forms of Love.

A little list of OC questions based on the seven types of love identified in Ancient Greek thought. Obviously this is a highly simplified presentation of some quite complex philosophical concepts from Classical History, intended more for the purposes of entertainment than education. I also left out Mania, which is arguably an eighth type of love (Obsessive), because I'm keeping it mostly positive in these tricky times!

Eros – Romantic, Passionate Love.

Is your OC romantic in the traditional sense? Do they enjoy giving or receiving gifts of flowers or confectionary? Or are there other courtship traditions from their culture of origin that are important to them?

How important is sex to them in a relationship? Do they see it as something essential to their happiness? Would they be able to remain in a monogamous relationship with someone they loved without sex?

How do they feel about public displays of romantic affection? Does it make them uncomfortable? How do they feel if a romantic partner kisses them in public?

Do they believe in love at first sight? Have they ever developed a crush or romantic (or erotic) fixation upon a stranger based on their appearance alone?

How closely is their opinion of their own beauty (or lack thereof) linked to their confidence? Do they see themselves as more or less worthy of love or sex based on how attractive they feel?

Philia – Affectionate, Platonic Love.

Does your OC have a Best Friend? If they do then how long have they known each other and how did they meet? If they don't then do they have a close group of friends they love equally? Or are they more of a loner?

Does your OC find it easy to make friends? Or are there barriers to them doing so? If so then are these due to issues of inclination, communication, or something else entirely?

What qualities does your OC most value in a friend? Loyalty? Shared sense of humour? Or something else?

Is your OC able to build close friendships with people very different from themselves? Perhaps in terms of culture, age or personality?

What is their most fervent wish for their best friend(s)? How far would they go to make it happen?

Storge – Unconditional, Familial Love.

Did your OC's parents love them unconditionally? If so then has this helped them feel confident as an adult? If not then how has this affected them? What were the conditions their family attached to their relationship?

Does your OC have children? If so then how fiercely do they love them? If they have more than one then do they love them all equally? If they do not have children then is this part of their future plans?

How far does parental approval (imagined or expressed) impact upon their current sense of self-worth? What might they sacrifice or attempt to achieve in order to ensure the approval of their parents?

Does your OC have any siblings? If so then did their parents have a favourite growing up? Has their relationship with their sibling changed in adulthood? If they don't have any siblings then do they perhaps feel they have missed out on an important relationship? Do they have any especially close friends who go some way towards filling that role?

Is your OC able to love without necessarily needing or expecting reciprocation or reward? Or are all their relationships to some extent transactional? Have they ever loved another person unconditionally, whether a child or another adult?

Agape – Selfless, Universal Love.

Does your OC wish to make the world a better place? How far do they see that as being their responsibility? What lengths would they go to in order to help achieve this?

Does your OC feel a spiritual connection to the world around them? Do they have a particular love for nature or living things?

To what extent does your OC believe in the value (or even existence) of true altruism? Do they see an unselfish concern for the welfare of others as being naïve or foolish? Or as a moral quality to which people should aspire?

Does your OC have a religious faith which emphasises the importance of a love for all people? If so then do they try to follow these teachings authentically? Or do they just pay lip-service to them? If not then do they follow a more martial or mercantile faith? Or none at all?

Does your OC find it easy to empathise with their enemies? Or do they see it as important to dehumanise them in order to combat them with sufficient determination?

Ludus – Playful, Flirtatious Love.

Does your OC have any particular favourite chat up lines? If not for themselves then perhaps ones they have suggested to a friend? How effective do these tend to be?

Is your OC particularly skilled at flirting? Have they had to practice this or does it just happen naturally?

How does your OC feel about one night stands? Have they ever enjoyed a night of passionate romance with a stranger? Is this something they are quite keen on recreationally? Or only something they might engage in under specific circumstances (such as the eve of a battle or after a difficult breakup)?

Who was your OC's first crush? How do they feel about it now?

What seduction techniques are most likely to be effective when it comes to your OC? Are there some things guaranteed to get them going? Or are they immune to such things?

Pragma – Committed, Long-Lasting Love.

Is your OC in a committed long-term relationship (or relationships)? If so then what has contributed to this relationship lasting so well? If they are not in such a relationship, then is this something that saddens them or which they regret?

What is the biggest challenge that your OC has had to overcome in a long-term relationship or friendship? What helped them get through this?

Are your OC's parents still together? To what degree do they look to their own parents as a model for their own ideal relationship?

After the initial fires of passion cool to some degree, what would keep your OC engaged in a relationship? Shared goals? Similar values? Or contented companionship?

What importance or value does your OC attach to marriage? Do they believe that it is important to make a public statement of commitment to another person (or persons)? Or are they more concerned about inheritance rights and security for their family? Or do they not see marriage as a necessary signifier of commitment and loyalty?

Philautia – Self Love.

Does your OC have a healthy sense of their own worth and value? Or do they see themselves as failing to live up to their original potential? Perhaps they are convinced of their own sinful or inadequate nature?

Does your OC believe that it is important to love themselves in the first instance? Perhaps in order to be able to give and receive love authentically? Or because they believe first and foremost in "looking after number one"?

Does your OC judge themselves by the same standards as they apply to others? Or are they sometimes hypocritical in condemning others for faults they also possess? Or perhaps they find it easier to forgive others for things that they cannot abide in themselves?

Which of your OC's qualities makes them the most proud? Do they think more people should be like them in this regard? Or do they quite like being rare in possessing it?

Has your OC always had the same opinion of themselves or has this changed over time? Have they learned to love themselves - perhaps with the help of others - as their journey progressed? Or have the consequences of their actions only served to erode their sense of self-worth?