Sight
tall trees with thick canopies of leaves
alternating light coming in through the moving leafs of the trees
ground covered with a mix of grass, ferns, and fallen leaves
wildflowers adding splashes of colour
animals like deer, boars, squirrels, birds
insects like butterflies and bees add movement and life to the scene
Hearing
the air is filled with the melodious songs of birds
gentle rustling of leaves as the wind moves through the trees
constant hum and buzz of insects
the soft crunch of leaves, twigs, and soil while walking through the forest
Touch
the spongy feel and the soft coolness of moss
the rough texture of tree bark
the cooler temperature in the forest
with a gentle breeze that can be felt on your skin
Smell
the smell of fresh grass
the rich, earthy smell of soil and decaying leaves
the scent of fresh leaves, pine needles, and blooming flowers
the smell of the clean, slightly damp scent of water and wet earth from a nearby stream or pond
Taste
the clean taste of fresh air
the taste of sweet and tangy wildberries
the taste of self-picked mushrooms
the taste of edible wildflowers
the taste of a variety of nuts
the taste of wild greens
More: How to create an atmosphere
As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.
Hyperventilating — sucking in air but never feeling like it’s enough
Chest tightens — feels like a weight or hands pressing down
Limbs shaking violently, knees buckling
Complete loss of muscle control — collapsing or unable to stand
Cold sweat soaking through clothes
Heart hammering so hard they feel it in their throat or head
Tunnel vision — the world narrowing down to one terrifying focal point
Ringing in the ears or sudden deafness, like the world drops away
Dizziness / feeling faint / vision blurring
Dry mouth — unable to speak or even scream
Screaming / sobbing / gasping — involuntary vocal outbursts
Panic run — bolting without thinking, tripping over everything
Clawing at their own skin / chest / throat — like trying to escape their body
Begging / pleading out loud even if no one’s there
Repeating words or phrases — “No, no, no” / “This isn’t happening”
Hiding instinctively — diving under tables, closets, or corners
Desperate grabbing — reaching for someone, anything solid
Loss of bladder or bowel control (for extreme terror)
Total mental shutdown — frozen, slack-jawed, staring blankly
Memory blackout — later can’t recall what happened during the worst moment
bingewatching will never come close to bingereading. there is nothing like blocking out the entire Earth for ten hours to read a book in one sitting no food no water no shower no bra and emerging at the end with no idea what time it is or where you are, a dried-up prune that's sensitive to light and loud noises because you've been in your room in the dark reading by the glow of a single LED. it's like coming back after a three-month vacation in another dimension and now you have to go downstairs and make dinner. absolutely transcendental
Intro : It's just a clickbait title to talk about theory and side techniques - before actually practicing, of course.
LINGUISTIC ISN'T GRAMMAR - AND IT'S BETTER TO KNOW ABOUT BOTH. It's useful for writing impactful dialogue and giving your characters depth. Your characters' language should (ideally) take into account: their social position (rich or poor), the locality (local expressions?) and sometimes their age (different cultural references). And this is best transcribed with linguistic knowledge. In short: linguistics is descriptive, grammar is prescriptive.
The areas of linguistic analysis are syntax (rules governing the structure of sentences), semantics (meaning), morphology (structure of words), phonetics (speech sounds and equivalent gestures in sign languages), phonology (the abstract sound system of a particular language, and analogous systems of sign languages), and pragmatics (how the context of use contributes to meaning). (Linguistics, Wikipedia)
Literary theory isn't as boring as it sounds. Learn more about internal criteria of the text (figure of speech, style, aesthetic...) and external criteria of the text (the author's persona and responsability, the role of the reader and what is left to interpretation...). I refer you to the French Wikipedia page, which you can translate directly via your browser in case you need more information. (Make sure you translate the page not switch language, because the content isn't the same).
Listening to Youtube Video about the analysis of film sequences and/or scenario. Remember when I told you to read historical fiction to learn how to describe a castle properly ? Same vibe.
Novel adaptations of movies. = when the movie exists before the book, and not the other way around. e.g : The Shape of Water ; Pan's Labyrinth. In line with tip n°3, it allows us to see how emotions, scenes and descriptions have been translated into writing - and thus to better visualize concepts that may have been abstract.
Read books about authors' writing experiences. e.g : Stephen King, On Writing: A Memoir of the Craft. Everyone's different, but they can provide some insightful tips not only on the act of writing itself, but on the environment conducive to writing, planning… Comparing completely different authors' experience could also be fun (this video of King and Martin is actually one of my fav)
Ah and many thanks for your ❤ and reblogs on my latest post ! UwU
money is such an underrated accessibility option.
like people want to think any disabled person who is after money is morally suspect some way, because they're not asking for "treatments" or "accommodations" like a lot of our issues can be fixed way more easily with money. can't drive? paying for a taxi is often one of the more accessible alternatives. can't cook? you can pay more to have prepared food delivered to you. food restrictions? that food straight up costs more money. can't clean? you can pay for someone to do that. house inaccessible? having (lots) of money can help with that, you get the gist.
having money won't make us abled. it also won't stop our symptoms from being distressing, painful, or debilitating. but there's a huge gap in experience between the average poor disabled person and someone who's actually wealthy. you can buy your way out of some of the difficult situations most disabled people are left to rot in. wanting money, needing money, asking for money is pretty natural when it's such a useful tool. why get so weird about disabled people wanting money like i'm pretty sure everyone wants money anyway
When fear, dread, or guilt gets sickening—literally—your character is consumed with a gut-clenching feeling that something is very, very wrong. Here's how to write that emotion using more than the classic "bile rose to the back of their throat".
This isn’t just about discomfort. It’s about a complete rebellion happening inside their body.
Their stomach twists like a knot that keeps pulling tighter
A cold sweat beads on their neck, their palms, their spine
Their insides feel sludgy, like everything they’ve eaten is suddenly unwelcome
They double over, not from pain, but because sitting still feels impossible
Vomiting isn’t just a stomach reaction—it’s the whole body.
Their mouth goes dry, and then too wet
Their jaw tightens, trying to contain it
A sudden heat blooms in their chest and face, overwhelming
The back of their throat burns—not bile, but the threat of it
Breathing becomes a conscious effort: in, out, shallow, sharp
Nausea doesn’t always need a physical cause. Tie it to emotion for more impact:
Fear: The kind that’s silent and wide-eyed. They’re frozen, too sick to speak.
Guilt: Their hands are cold, but their face is flushed. Every memory plays like a film reel behind their eyes.
Shock: Something just snapped inside. Their body registered it before their brain did.
Don’t just describe the nausea—show them reacting to it.
They press a fist to their mouth, pretending it’s a cough
Their knees weaken, and they lean on a wall, pretending it’s just fatigue
They excuse themselves quietly, then collapse in a bathroom stall
They swallow, again and again, like that’ll keep everything down
Even if they don’t actually throw up, the aftermath sticks.
A sour taste that won’t leave their mouth.
A pulsing headache
A body that feels hollowed out, shaky, untrustworthy
The shame of nearly losing control in front of someone else
A character feeling like vomiting is vulnerable. It's real. It’s raw. It means they’re overwhelmed in a way they can’t hide. And that makes them relatable. You don’t need melodrama—you need truth. Capture that moment where the world spins, and they don’t know if it’s panic or flu or fear, but all they want is to get out of their own body for a second.
Don't just write the bile. Write the breakdown.
All men
Francium (elemental)
Torpedoe radio guidance/navigation systems
Dishwasher
GPS
Wi-fi
Structure of the Milky Way
Kevlar
The Earth's inner core
Aciclovir - an antiviral drug used for the treatment of herpes simplex virus infections, chickenpox, and shingles
Azathioprine - an Immunosuppressive drug used in rheumatoid arthritis, Crohn's disease, ulcerative colitis, and in kidney transplants to prevent rejection
Flossie Wong-Staal was the first scientist to clone HIV and map its genes.
Pyrimethamine was initially developed by Nobel Prize winning scientist Gertrude Elion as a treatment for malaria.
Disposable diapers
Child carriers
Vaccine for whooping cough
The galaxy rotation problem - important to the discovery of dark matter
Radio astronomy - Type I and Type III solar radio bursts
That stars are primarily composed of hydrogen and helium
The new outer arm of the Milky Way - In 2004, astrophysicist and radio astronomer Naomi McClure-Griffiths identified a new spiral arm of the Milky Way galaxy
Radiation
Radon (elemental)
Kinetic energy
Heavy elements in cosmic radiation
Beta particles are electrons
Nuclear shell
Astatine (elemental)
Nuclear fission - helped in the creation of nuclear weapons
Rhenium (elemental)
Seaborgium (elemental)
Polonium and radium (elemental)
Scotchgard
Structure of vitamin B12
Carbon Dioxide
Bioorthogonal chemistry - the concept of the bioorthogonal reaction has enabled the study of biomolecules such as glycans, proteins, and lipids.
Central heating
Square-bottomed paper bag
Correction fluid (white-out)
House solar heating
Wrinkle-free fiber
Windshield wipers
Car heater
Airplane mufflers
Underwater telescopes for warships
Written computer program
Written (programming) language
Chocolate chip cookies
Pizza saver
Mint chocolate chip ice cream
DNA structure
Sex chromosomes
Lactic acid cycle
Transporsable elements
Gap genes
Myers - Briggs Type Indicator
choosing to allocate spoons to hanging out and having a good time at the cost of perfectly completing all your work is not a failing it is in fact an act of survival. “too sick to work = too sick to play” is in fact ableist bullshit that you don’t have to buy into. and the fact that leisure time is treated like a privilege is a fucking travesty
Use sticky notes to write down and organize major plot points
When inspiration for an idea strikes, write it down every single time. You never know if you might need that idea, and if you don’t write it, you will forget it.
Write the dialogue first. That way, you have a set up for a scene, but don’t have to focus too hard on narration.
Write your story by scene by scene. This way, you can focus on a scene at a time instead of an entire story. This does not mean you should stop focusing on writing a story
Remember to eat and drink
When you get stuck, stir up some conflicts.
Get The Emotion Thesaurus by Angela Ackerman and Becca Puglisi. It’s a guide for nearly every emotion you can write
Use a notebook and write by hand. I know it sounds awful (and for some, it might be awful) but writing with a pen and paper is drastically different than writing on a laptop, and this can make it so much easier
Remember to have a social life. Friends are important for your well-being (and possibly your wip)
Your outline is there to guide you through your story. But if your story disagrees with your outline, derail from the outline and come back to it when/if you get back on track
If you don’t get back on track, either continue with the story and hope you don’t get stuck, or tweak your outline
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
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