is The Spirealm. I love it, love it, LOVE IT! Beware of being heavily spoiled ahead! What I was fond of: đIt's a nice story about finding love a true friend and a reason to live even if you are very lonely and abandoned by everyone, and it's full of tenderness and jokes. (Sometimes these jokes were so BL that I thought this drama should have been shot in Taiwan).
LQS: *whispers* I'm a dedicated materialist, I'm a dedicated materialist... RLZ: Yeah, yeah, I got it... RLZ: đ... RLZ: If you are a materialist, why don't you say it to her? LQS: ... LQS: I'm not a that dedicated materialist! RLZ: ... RLZ: RUN! The main heroes are going the whole way from this:
RLZ: If you are not capable of passing even your first trial, you are worthless. to this:
Calmly accompanying each other on their way to the doom. đ I love its lore and the detective part. As far as I watch cdramas, I try to avoid Chinese detectives because they are very fairytail-ish and don't allow you to participate mentally in the investigation. But it's not that case! (Who knew we would find real detective cases in a horror drama!). You can participate in investigation and even find out the truth before the main heroes will, and it's... pleasant. Btw, the mystical detective cases are so different in their levels of horror and mystics that you def will find something to please you even if you are a horror movies hater like me.
đ The horror stories were re-made for the adaptation in a very interesting way. Every monster is related to the inner pain of the main hero: they are betrayed, traumatized, abandoned by people they loved, just like him. So he feels pity and sorry for them and redeems them instead of killing. And, moreover, it makes impact throughout the whole story, on the main hero's 11th door as well on his relationship with his lover.
đSpeaking of traumatized monsters. The first time I ugly cried over this drama was a story of the 4th monster. The monster! Made me cry!
But of course it wasn't the last time I cried my eyes out. The secondary characters of this drama are lovable, too. And the lore mechanics makes the awaiting of death so unbearable painful... You physically can feel the huge weight of characters' despair when they know that they or their dearest will die in a few minutes and there is ABSOLUTELY nothing they can do about it. This level of pain is something else, indeed.
But the most painful scene, where I cried the hardest, was not a scene of someone's death, but a scene of interaction between the main hero and his mother. She told him not to show up again, because she has a new family now, and was about to throw his school dreams and memories into the dump. What kind of mother she is!!đĄ
đAnd the most important thing about this drama: all detective cases allow you to restore the main story, piece by piece. And this story is about bone-piercing loneliness. The main hero was bullied in school, abandoned by his family and betrayed (kind of) by his best friend. His life was meaningless before he met his partner, the only person who returned to him the reason to live. But he happened to be a monster made specifically for the main hero to accompany him to the 12th door, a virus that needed to get to the 12th level with the help of the main hero to destroy the game. But the main hero's kindness to other un-humans, his ability to understand their pain despite of who they are, melted even monster's heart and made him genuinely love the main hero. It's truly sad that the main hero refused the real world and spent all his years left to make the world of his dreams and to get his lover back, but it's a story about loneliness, so I can't blame him. In his place, I would do the same.
The first meet
and the last. And the last but not least: I adore the technical part of this drama! I love RLZ's costumes! They are classical yet not really standard, make him conspicuous and give a feeling to a viewer that he is someone special. That he is somehow ethereal.
But he is not the only one whose clothes are saying. The White Deer people have their own style as well, so you can understand almost immediately that the characters in strange and pretentious clothes are related. And the main villain's costumes tell a lot about his personality.
And the set designs! They were marvelous! They gave me a feeling of vastness, as if the characters really were in other, spacious worlds.
And the soundtrack! I love it! It's such a shame that iQIYI didn't publish BGM and OST officially. But I found some of the tracks on YouTube. My favorites are the soundtrack to the 4th case: æŁźć·-äœć here and the variations of the door theme: éš (ćć„) here and éš (éšäžéš) here. Love it and highly recommend! đ
Episodes 1-7 I LOVE how this story starts (because the beginning circles up with the end like Ouroboros)! The Girl breaks the Heavenly rules to save her beloved one and changes his fate, so he wouldn`t die from Devil`s shattered primordial spirit attack. Because of that she falls right into the arms (and onto the lips) of the Worst Monster in Three Realms. And CURES him.
She gathers his shattered in 7 pieces soul (it`s very Chinese thing, I often see in novels that immortal beings have 7 souls and 9 spirits or something like that), puts it back into his body and heals even those injuries that were caused by his father long before his "death". This beginning feels right. Their journey starts with curing and IS about curing each other in different ways.
Devil is allpowerful and fearsome but also feral and broken, so the only way for him to accept his chance to be cured is to put him into the situation when he is forced to behave in another, unfamiliar way. So there is a curse that helps him to understand feelings that he`s gonna be able to feel for the first time in 38 thousand years and prevents him from his standart way to solve problems (such as to kill the girl).
(Btw I LOVE how this show is accurate to the details: if she is injured, the same bruises we can see the whole day on her as on him.)
Forced to take care of Girl`s safety and mood, he (with the great killing intent) learns how to do nice things to others and to be empathic.
But he is not thrown out into the endless sea of feelings without lifebelt, Girl guides him, explains to him what`s going on with him (and he can`t even kill her for that, LOL). And some feelings he needs to learn by his own. (Later we will see that he is an exellent student and embraces his ability to feel and to love fully).
I like how entangled the most part of their relationship look like: he is forced to do nice things to Girl and in process starts to ask himself, why does she feel what she feels and why does he feel something about it. Why does he care if she is happy not to see him again ever in her life? Why does she blush when she speaks about her dream beloved? Why does she drink his flower soup when it tastes awful? We can see even tiny green sprouts of jelousy start to grow in his heart little by little (it`s not so much about romance, but about his warrior`s fame at first). Only by force he could begin to think about it and the curse helps him with that a lot.
On the other hand, Girl is very naĂŻve, she doesn`t understand that Devil is Devil indeed and that he forced to be nice to her, so she supposes that he really likes her. Her soul is injured too: she has been bullied by other fairies, she lives all alone, no one takes her words seriosly, she is quite ordinary, quite invisible. And Devil gives her (against his will at first) opportunity to feel how it is when someone cares. It could be wicked cheating of fate if Devil would not be so fluffy and soft in his soul. But he is. Episode 8 Episodes 9-13 Episodes 13-19 Episodes 20-26 Episodes 27-34
Since we know that LLâs redemption is not the point, and the main purpose of him being in this story is a̶ b̶r̶i̶g̶h̶t̶ ̶v̶i̶s̶u̶a̶l̶ ̶o̶f̶ ̶t̶h̶e̶ ̶f̶i̶n̶a̶l̶ ̶b̶a̶t̶t̶l̶e̶ a bunch of plot twists to be sacrificed, everything what happens next is pretty logical. After that conversation with ZYZâs boyfriend LL moves to the last two stages of acceptance: depression and, actually, acceptance. He got his answer to the question âwhy do you treat me like this?â but he canât turn back time and be of superior attitude as current ZYZâs boyfriend is, so he understands that he will never be able to get ZYZ back. And since he is insanely obsessed with ZYZ, losing hope to reunite means for him losing the meaning of his existence. So, he doesnât try to possess any other healthy body. He doesnât even try to find a remedy for the current one, or to notify ZYZâs squad that their friendâs body is dying in hope they will save Little Traitor (as far as he knows they can do literally impossible things). Of course they can! GJMâs sleeves are full of aces for them! He just waits for his body to die.
This scene in the cave is very beautiful yet meaningless. Li Lunâs lifeless and dark birthplace is now in intense blooming! Itâs so beautiful, it means⊠What is it supposed to mean?đ€·đ»ââïž There is no redemption, no reason to bloom if only sophoras arenât trees that bloom only before their death. The only thing that changed in LLâs mind is his acceptance, both of irreversibility of their break-up with ZYZ and of his inevitable death.
Then we have a super strange monologue, in which LL says that he has no place in this world and no home (But darling, why? In this drama there wasn't a single scene where LL was denied by someone except for ZYZ and his friends, they are not the whole world! He is still a part of demon society, no one can take it away from him!). Throughout the drama there was also no sign of him searching for his place in this world! Not a single scene about it! He just wanted to talk to his ex and thatâs it! Hearing him speaking of an absence of home while watching his home all over blossoming was really weird.
Although I found it very nice to see Li Lun treating Ao Ying well (Itâs so rare for villains, especially obsessed ones, to treat their servants well!), I didnât understand what this scene was for. To show us that LL is good now and is able to do good deeds? But I already had no doubt he is, because he saved those demons from the dungeon, and saved Great Wilderness centuries ago together with ZYZ, and all that jazz. He never treated Ao Ying bad in frame, so this scene doesnât work as a contrast to his previous behavior neither. Itâs here just to show us dying, miserable LL and to prepare us for feeling for him a little bit more while he will be sacrificed.
In the end of his monologue LL says that he is ready to die but wants to have a great stage to die on and someone to take with him into nothingness, and goes to⊠ZYZ! So, since he has no hope to get him back, he wants to die trying to take ZYZ with him, I suppose. Itâs so within his obsession plot line, although is hella pathetic.
But Ao Ying disturbs his plans and shows him what end should meet every obsessed person in a Chinese drama. She transfers the poison out of Little Traitorâs body into herself and dies for a person she was obsessed with. So now Li Lun knows what to do.
He passes out at the threshold of ZYZâs residence, and no one of the main characters uses this opportunity to pull his soul out of Little Traitorâs body! Not dying anymore, he talks to ZYZ again and says that he regrets they broke up and wants to return those times. And ZYZ says once more that LL should leave Little Traitorâs body and die. Why doesnât ZYZ say by this very conversation that he doesnât want Li Lun to die and has a way to keep his soul alive? Just because. LL is not convinced by ZYZâs generous offer, so he fights the whole bunch of ZYZâs friends, loses this fight and gets expelled from Little Traitorâs body. But SUDDENLY ZYZ asks his friends to spare LLâs life and to return his primordial spirit into his own sophora root that once was a love token between them. So LL could chill in his birthplace for a hundred years cultivating himself a new body and would stay alive. Why didnât ZYZ offer it to LL before, when LL asked him multiple times to spare him? đ€·đ»ââïž No idea!
LLâs behavior oddly swings from his willingness to die to his willingness to survive, but Ao Ying paved him the only way obsessed characters could follow, so if he canât be with ZYZ anyway, he dies saving him. His act of dying is the last part of break-up acceptance: he regifts exâs gift to his current boyfriend and symbolically hands him over the burden of caring about ZYZ. And lastly has a tantric threesome sex with both ZYZ and his new boyfriend.
"Zhao Yuanzhou, I can't bear seeing you this weak."
I discussed my unhappiness with LLâs plot with my fellow @i-selina and she voiced the thought that there is some sort of Chinese cultural pattern in dramas saying: âyour misery is your own weakness and a reason others will try to make you even more miserableâ. My cultural pattern says that one should be merciful to otherâs misery, thatâs why I would like to see Li Lunâs inner fracture get healed and his true redemption arch happen, letting him stay alive. But GJM didnât seem to bother even developing the main characters, so I shouldnât expect that much of him here. He was busy making FoF insanely beautiful. No one can be equally good at each aspect of cinematography. Still love Li Lun, though.
Here is Part 1 Here is Part 2 Here is Part 3
Once we watched russian movie âHe is a Dragonâ, so I drew this.
Wilhelm KotarbiĆski (1848 â 1921) "Angel of Sadness", "The Grave of a Suicide"
Mikhail Nesterov (1862-1942) "Myrrh-bearing Women"
Pavel Ryzhenko (1970-2014) "Sergiy"/ Sergey Andiyaka (1958-2024) "New Year's Night"
Giuseppe Benetti (1825-1914) "Piaggio Tomb" / an epitaph on a tombstone / William Story (1819 - 1895) "The Weeping Angel"
an epitaph on a tombstone / a tombstone of Alfred Schnittke, a composer. The symbol đ, fermata, means "to stop, to hold till the sound disappears", the long thick line in the music staff, semibreve, means "whole rest" and fff, forte fortissimo, means "super loud". So, since the creator of the music is no longer there, there is only an everlasting, deafeningly loud silence.
Horace Vernet (1789 - 1863) "Angel of Death"
BROTHER...WAKE UP...
E23 : My Journey to You | äșäč矜 (2023) dir.Edward Guo
Just rewatched Dark and I`m in love and in pain, pain, PAIN...
Beware of being heavily spoiled ahead.
The first painful question: would you save your father from sufferings, if it would mean for you to be erased from existence for good? (From this question on started my love for this show).
The second question: is it really wrong, to love someone you shouldn`t love? Will it cause the end of the world?
The desperate abduction. Oh, it was so beautiful!
The third question: will you really be happy with the truth about a time loop that you helped to build with your own hands, when you are able to see the whole picture?
At the end I felt sorry even for him. The fourth question: how does it feel, to try so hard to change your doom and save your loved ones, only to find out that you are the source of their most unbearable pain?
"You are a too good man. Always was. This world didn't deserve you." It's a story about an infinite pain of each and every character: Katharina, Ulrich, Claudia and H.G. Tannhaus, who loved their relatives too much; Hannah, who loved herself too much; Jonas, Mikkel, Martha, Hanno, Charlotte, Elisabeth, Peter, Egon and Helge, who fell victims of the time-travel paradox. It's funny that an insane love for a child launched this glitch in a matrix, a twisted love for a child kept it running and another insane love for a child put it all to the end. A circle closed. Poetic.
The fifth question: would you fix the error in a matrix by self-sacrifice, if it would delete you and half of your nearest and dearest from existence but ends the never-ending circle of pain for others?
"We match perfectly. Never believe in anything else."
"The light glitched, there was a loud crack and then everything went dark. And somehow the world came to an end. There was dark and the light never came again. I had such a peculiar feeling like it was for the best. Like it was finally over. Like one was finally free from everything. Nothing to wish. Nothing to be obliged to do. An eternal dark. No yesterday. No now. No tomorrow. Nothing."
Finally, I should say that I'm very grateful to Germans for this series. I watched it in original in order to train my German AND because it was a very-very interesting show. Even when I watched it for the second time. One time is surely not enough for understanding of the plot, trust me.
I agree with much of your critique on LBFAD. DFQC wasn't evil, he was tortured into being a weapon so I don't really get why he needed to suffer so much for redemption. I would have loved to see him use his newfound powers in the finale to demonstrate that he still remained the most powerful in three realms. Power of love so to speak.
I was annoyed by all the pointless suffering too. But perhaps DFQC needed to suffer and sacrifice to become worthy of glazefire? Like how he had to suffer to get hellfire in the first place? That's the only way I can stomach all the DFQC whump post ep 26. It serves no narrative purpose otherwise.
When I first watched the drama I was unhappy with the ending. I loved the early episodes and preferred badass, rational, logical DFQC over the version we got at the end. But then I realised that he wasn't invincible. That hellfire didn't really save him from imprisonment. Only Orchid could have saved and healed him so in a way his life was a gift given by her. That helped me to make peace with the ending.
Thank you for your comment, Nonnie! I think that you get the point of the meaning of the pointless sufferings as the way to get the power of a Hero. A Hero is not an usual person, so to get some unique abilities he needs to pay the highest price (that only hero can pay and is not availible for commoners). At the same time there is a certain pattern in european and american culture (in chinese it is not but LBDAF feels pretty western and is much suitable for american and european viewers) that a hero should be spotless and shining, and for those who missbehaved in the past (even if they admited their mistake and turned to the light side) there is no forgivness. Only atonement and death (or, in the very few situations, atonement only, but then a person should suffer A LOT and be at the brink of death (or die and ressurect later). For me Qingcang is fluffy and didn't deserve sufferings but in terms of heroism he was a bad guy at the beginning and should pay for that. It's an interesting conclusion about "his mighty power could not save him from dying 30 000 years ago". I didn't think about it in these terms but I also admired the beginning of the story which starts with saving a villain. Good attitudes go round and cause world saving, what a nice thought for a series!
"That porridge was not poisonous."
My journey to you äșäč矜 // Episode 13