Chapter 12: Jin, The Cat, And A Phone's Secret

Chapter 20: Holiday Unease

As the turbulent second school year drew to its uneasy, hunger-tinged close, marked by Commandant Ide’s increasingly brutal regime within the internment camp rather than a traditional school break, the announcement of the term break and the departure of most students brought a tense, almost desperate kind of relief to those not deemed high-priority detainees. The ferries arrived, grimly efficient transports now, ready to carry the bulk of the student body back to the mainland, away from the island’s oppressive atmosphere of fear and scarcity, at least for a few precious weeks. The Committee, it seemed, was rotating its "assets."

Arthur Ainsworth, once again, found himself in the strange position of choosing to stay on the nearly deserted island. This time, however, his decision was not born of a lonely vigil over a lifeless body, but out of a complex, unspoken necessity. Michiru Inukai, though much recovered from her miraculous, near-death experience and subsequent regeneration, was still not deemed "fit for mainland reintegration" by the island's skeletal medical staff, who were themselves Committee operatives. She opted to remain, finding a quiet solace in the island’s sudden emptiness and, Arthur suspected with a complicated mix of protectiveness and trepidation, feeling a continued sense of fragile security in his and, surprisingly, Nana Hiiragi’s proximity.

Nana Hiiragi’s situation was, as always, more precarious and externally dictated. Just days before the scheduled departure of the main student body, she received a terse, undeniable summons – not a polite request, but a clear, unambiguous order delivered via a new, untampered Committee phone that had been “provided” to her. Commander Tsuruoka required her presence on the mainland. Immediately. Her face was a mask of grim resignation when she informed a worried Michiru and, by extension, a deeply suspicious Arthur. Despite her profound emotional turmoil, her shattered faith in the Committee, and the fragile, unspoken shift in her relationship with Michiru and even Arthur, she was still tethered by invisible, unbreakable chains to her handler.

Her reluctant departure left Arthur and Michiru in a strange, almost surreal state of quietude on the nearly empty island. The oppressive atmosphere of fear lifted slightly, replaced by a vast, echoing stillness. Arthur found himself falling into an unexpected role: caregiver, companion, and reluctant guardian to the gently recovering Michiru. They took slow, careful walks along the less treacherous coastal paths, Michiru’s laughter, when it occasionally, shyly surfaced, a sound as precious and rare as a blooming desert flower. He would listen, often for hours, as she spoke of her simple hopes for a peaceful future, her quiet joy in the small beauties of the island’s resilient nature – the wildflowers pushing through cracks in the concrete, the intricate patterns of lichen on the ancient stones. He, in turn, shared carefully edited, heavily censored fragments of his old life in England, tales of rainy afternoons, lukewarm tea, and the quiet, predictable rhythm of an existence that now felt like it belonged to another man, in another lifetime. A strange, almost domestic peace settled over them, a fragile bubble of normalcy in the heart of a deeply abnormal world, though the underlying tension, the knowledge of Tsuruoka’s ever-present shadow and Nana’s uncertain fate, was a constant, unspoken hum beneath the surface.

Nana’s meeting with Tsuruoka took place, not in a conventional office, but deep within the cold, sterile, and windowless confines of his isolated military base on the mainland. Standing before him in his severe, impeccably pressed uniform, his face an unreadable mask of polite inquiry, Nana found a sliver of her old defiance, a spark of the new, desperate courage born of her recent traumas. “I can’t keep doing this, Commander,” she stated, her voice surprisingly steady, though her hands were clenched tightly at her sides. “The killing… some of them… many of them… they’re not all enemies. They’re just… children. Scared children.”

Tsuruoka regarded her with an unblinking, reptilian gaze, his lips curved in a faint, almost imperceptible smile that did not reach his cold eyes. He seemed entirely unphased by her hesitant rebellion. “Your newfound sentimentality is a significant weakness, Hiiragi,” he said, his voice dangerously soft, each word a carefully polished stone dropped into a deep, dark well. “The mission parameters are clear, precise, and unchanged. Your personal feelings, your… moral discomforts… are entirely irrelevant to their successful execution. Or have you perhaps forgotten the severe consequences of… significant underperformance?” The veiled threat, unspoken but utterly potent, hung heavy in the sterile, climate-controlled air.

It was then that Tsuruoka, with a casual, almost dismissive gesture, introduced Mai. She was a young girl, perhaps twelve or thirteen, with enormous, sorrowful brown eyes that seemed to absorb all the light in the room, and an almost palpable air of profound, recent grief and bewildered vulnerability. Tsuruoka explained, with a distinct, chilling lack of compassion, that Mai’s beloved grandmother, her sole guardian, had recently passed away, leaving her a modest but, for some, tempting inheritance, and that Mai was now… tragically adrift, alone, and susceptible. He then instructed Nana, his voice regaining its usual crisp, commanding tone, to train the girl. “Make her efficient, Hiiragi. Make her focused. Like you used to be, before your… unfortunate decline in operational standards.”

Over the following emotionally fraught days, Nana found herself in the bizarre, almost surreal position of playing reluctant mentor to the silent, grieving child. It was a horrifying parody of her own indoctrination. She soon discovered, through Mai’s innocent, tearful, almost incoherent confessions during their stilted “training” sessions, that the girl was being systematically, cruelly conned out of her small inheritance by a manipulative, older girl – a former, expelled student from the island academy, Nana learned with a jolt of cold recognition – whom Mai had unfortunately encountered in her grief-stricken vulnerability. A protective instinct, fierce, unexpected, and deeply unwelcome to Nana’s Committee programming, rose within her. This young, heartbroken, traumatized girl was a victim, not a weapon to be callously sharpened and then discarded for the Committee’s bloody, inscrutable purposes.

Nana made a difficult, dangerous decision, one that was a direct act of insubordination, however carefully she planned to conceal it. She meticulously tracked down the con artist, a cynical, remorseless young woman living comfortably and extravagantly off Mai’s stolen money in a flashy city apartment. The confrontation was brief, brutal, the killing clinical, a chilling, unwelcome echo of Nana’s past lethal efficiency. But this time, Nana knew with a strange, defiant clarity, the motive was not blind obedience, not fear, but a twisted, desperate form of protection. She had eliminated a predator to save a lamb, even if it meant dirtying her own hands further.

When she next faced Tsuruoka, her face was a carefully composed mask of dutiful obedience. “Mai’s initial field training is complete, Commander,” she reported, her voice betraying none of her internal turmoil. “She… successfully neutralized the target who was financially exploiting her. Showed surprising initiative and a commendable lack of hesitation.”

Tsuruoka’s thin lips curved into that familiar, chillingly knowing smile. Whether he truly believed her, or simply chose to accept the satisfactory outcome regardless of the details, was impossible for Nana to tell. “Excellent, Hiiragi,” he said smoothly. “It seems your own… recent operational slump… hasn’t entirely dulled your invaluable training abilities. You are to return to the island school for the start of the new term. There are… new students arriving. And new directives.” Mai, he informed her with casual indifference, would be assigned her own separate “mission” shortly. Nana felt a sharp pang of guilt and fear, wondering what terrible fate awaited the young girl she had tried, in her own compromised, desperate way, to shield from the Committee’s insatiable maw.

During one particularly brutal, psychologically invasive debriefing session with Tsuruoka, where he relentlessly dissected her recent performance on the island – her failure to eliminate more designated targets, her inexplicable emotional volatility, her new, unwelcome tendency towards independent thought – Nana found herself deflecting, almost instinctively. Seeking to shift his critical, penetrating focus, or perhaps genuinely perplexed and troubled by Arthur’s continued, disruptive presence in her life, she mentioned him. “There’s a student, Commander,” she said, her voice carefully neutral. “Tanaka Kenji. He has a… a very strange and unusually specific Talent for predicting future events. He’s… unpredictable. Disruptive. He seems to know things he shouldn’t, things he couldn’t possibly know.”

Tsuruoka’s usually impassive expression flickered with a spark of genuine, predatory interest. A student who could accurately predict the future? That was a variable of immense potential value, or considerable potential threat, that he hadn’t fully accounted for. He made a silent, mental note: Kenji Tanaka. This boy might indeed require further, more direct investigation. His file would be moved to a higher priority.

Back on the nearly deserted island, Arthur Ainsworth and Michiru Inukai continued their quiet, fragile existence, unaware of the dangerous ripples their actions, and Arthur’s mere existence, were creating in the wider, unseen world. Arthur found a strange, almost domestic rhythm in caring for Michiru, in their shared solitude. He read to her from the few English books he’d found in the school’s dusty, forgotten library annex, his voice a low murmur in the stillness. She, in turn, tried to teach him simple Japanese phrases, her gentle laughter at his clumsy pronunciation a rare, welcome sound. It was a temporary, precarious peace, an eye in the storm. Yet, beneath the surface calm, the knowledge of Tsuruoka, the omnipresent Committee, and Nana’s uncertain, perilous fate lingered, a constant, unspoken promise of storms yet to come. And unknown to Arthur, his name, Kenji Tanaka – or perhaps even Arthur Ainsworth – had just landed with a quiet thud on the desk of a very dangerous, very interested man.

Would serve her right

Chapter 11: The Time Traveler's End

The brutal, efficient murders of the two bullies, Etsuko and Marika, served as a chilling punctuation mark in the ongoing, silent reign of terror orchestrated by Nana Hiiragi. While those killings might have been, in part, opportunistic or driven by a cold, strategic desire to protect her new “project,” Michiru Inukai, Arthur knew that Nana was also methodically working her way through the list of Talents provided by her shadowy handler, Tsuruoka. She was identifying and neutralizing those individuals whose abilities were deemed a significant future threat to the Committee’s unseen agenda.

One such individual, whose very existence posed a direct and intolerable risk to Nana’s operational secrecy, was Yuusuke Tachibana. Tachibana was a boisterous, somewhat arrogant, and often loudmouthed boy whose Talent was one of the most potentially disruptive on the island: he could, with a visible shimmer and a slight dizzying effect on nearby observers, travel through time. His ability wasn’t precise or grand; he couldn’t leap years into the past or future. Rather, he experienced short, often uncontrolled, and disorienting bursts into the very near past, usually just a few seconds or, at most, a couple of minutes. He’d often use it in a showy, almost juvenile way – replaying a dropped catch in a ball game to make a spectacular save, or “predicting” the next card to be turned over in a casual game by having already seen it a moment before. But Nana, with her assassin’s mindset, would undoubtedly see the immense danger in such an ability. Someone who could potentially witness her committing a murder, or preparing a trap, and then rewind time, however briefly, to expose her or warn her victim, was an unacceptable variable.

Arthur watched with a growing sense of dread as Nana subtly began to engage Tachibana in conversation over several days. Her questions were always light, posed with an air of innocent, almost girlish curiosity, expertly probing the nature, range, and limitations of his unique Talent. Tachibana, clearly flattered by the attention from the pretty and popular class representative, boasted openly and carelessly about his abilities, demonstrating them with small, unnecessary temporal skips, entirely oblivious to the predatory intelligence gathering happening behind Nana’s bright, encouraging smile and wide violet eyes.

Knowing Tachibana’s grim fate from the anime – a lonely, silent death by drowning in the island’s picturesque, deceptively tranquil lake – Arthur felt a particular, gnawing urgency. Tachibana, for all his casual arrogance and showboating, wasn’t malicious. His Talent, while potentially problematic for a clandestine operative like Nana, hadn’t been used to harm anyone. He was simply a boy with an extraordinary, poorly understood gift, who was about to pay the ultimate price for it.

Arthur sought out Tachibana during a relatively quiet free period, finding him by the lake’s edge, cheerfully and rather inexpertly skipping flat stones across its placid, sun-dappled surface. The water was a deep, inviting blue, its stillness belying the cold darkness that lay beneath.

“Tachibana-san,” Arthur began, his phone held ready, the synthesized Japanese voice emerging into the peaceful lakeside air. He gestured vaguely towards the shimmering water. “A word of caution, if I may. From one wielder of a… perception-altering Talent to another.” He paused, trying to imbue his next words with a suitable gravity. “My own Talent… it sometimes shows me ripples, disturbances in the flow of things, especially around those with powerful or unusual abilities. Your ability, Tachibana-san… it creates such significant ripples. Be wary of still waters today. Very wary indeed. Still waters can be… deceptive.” He tried to inject a note of ominous foreboding into the translated warning, hoping to pierce through Tachibana’s characteristic self-assurance.

Tachibana laughed, a loud, confident, dismissive sound that sent a flock of small birds scattering from the nearby trees. “Ripples? Disturbances? Still waters? Don’t you worry your strange little head about me, Tanaka-kun,” he said, with an arrogant grin, not even bothering to look away from his stone-skipping. “If I see any hint of trouble, I’ll just pop back a few minutes and avoid it altogether! That’s the great thing about my Talent, isn’t it? I’m practically untouchable.” He selected another flat stone and, with a flick of his wrist, sent it skittering across the lake’s surface, supremely self-assured and clearly unconcerned by Arthur’s cryptic, unsolicited pronouncement.

Arthur sighed internally, a wave of helpless frustration washing over him. He’d tried. He’d delivered the warning as clearly and as ominously as he could without revealing his true knowledge. But Tachibana’s overconfidence in his own ability was an impenetrable shield against any form of caution.

A day later, Yuusuke Tachibana was officially reported missing by a “concerned” Mr. Saito after he failed to appear for morning classes.

Nana Hiiragi, naturally, was at the forefront of the students feigning distress and organizing impromptu search parties that, Arthur noted with a grim certainty, conspicuously and deliberately avoided any thorough search of the lake area or its immediate surroundings. He knew, with a chilling clarity, what had happened. Nana would have lured Tachibana to the lake, perhaps under the pretext of wanting to see his fascinating Talent in action in a “safe, open space where no one would be accidentally affected by his temporal shifts.” Then, at a moment when he was vulnerable, perhaps mid-skip, disoriented, or simply distracted by her deceptive charm, she would have incapacitated him – a swift blow to the head, perhaps, or a poisoned needle if she wanted to be certain – and then, with cold, brutal efficiency, drowned him in the cold, unforgiving waters of the lake. A silent, lonely end, leaving no immediate trace, no struggling victim to rewind time and raise an alarm.

The true, macabre horror of her plan, however, came a little later that same day. Arthur observed Nana in a quiet, intense conversation with Sorano Aijima, a timid, easily intimidated girl whose Talent was cryokinesis – the ability to freeze water and lower temperatures significantly in her immediate vicinity. He didn’t need to hear their hushed words, or see the fear in Sorano’s eyes as Nana spoke with that terrifyingly sweet smile, to understand the purpose of their interaction. Nana was coercing her, using a mixture of charm, subtle threats, and the authority of her position as class representative.

That evening, a sudden, unseasonable, and highly localized cold snap seemed to settle over the lake. By the next morning, a significant portion of its surface was frozen solid, a glittering, unnaturally smooth sheet of ice under the pale, indifferent winter sun.

Some of the more adventurous and less thoughtful students, thrilled by the unexpected novelty, somehow managed to procure a motley collection of old ice skates – where from, on this isolated island, Arthur couldn’t begin to imagine. Soon, they were gliding, laughing, and performing clumsy pirouettes across the frozen expanse, their cheerful shouts echoing across the water, entirely oblivious to the horrifying fact that they were dancing on Yuusuke Tachibana’s watery, icy grave. Nana Hiiragi watched them from the lake’s edge, a small, almost imperceptible, chillingly satisfied smile playing on her lips. The evidence of her crime was now sealed away, perfectly preserved, at least until the spring thaw, by which time she would likely be long gone, or other events would have overtaken this one.

Arthur felt a particular, visceral coldness towards this murder. Hoshino, at least, had been dying anyway, his life already tragically curtailed. The bullies had been actively cruel, inviting retribution in their own small way. Habu had been a blackmailer, practically signing his own death warrant with his foolish arrogance. But Tachibana… Tachibana had been guilty of nothing more than possessing a powerful, potentially disruptive Talent and a naive, boyish trust in a pretty, pink-haired girl. Nana hadn’t even allowed him the dignity of a swift, forgotten end, instead encasing him in an icy tomb, his final resting place a spectacle for the unknowing, a grotesque parody of winter fun.

He stood by the edge of the frozen lake, the cheerful, carefree shouts of the skaters grating on his nerves like nails on a chalkboard. His phone felt heavy and useless in his pocket. What good were his warnings, his fragmented knowledge, if they were so easily dismissed, so effortlessly circumvented by arrogance or naivety? He was failing, again and again, in his self-appointed, impossible mission. Each death was another heavy stone added to the crushing weight on his conscience, another name on a list he was powerless to shorten. The vibrant, living world of the island, with its sunlit paths and whispering bamboo groves, felt increasingly like a meticulously crafted, beautiful stage for Nana Hiiragi’s deadly, unending performances, and he, one of the few who knew the horrifying script, could only watch in mute, impotent despair as the body count continued to rise.

Chapter 4: The Vote and Early Manipulations

The lunchtime encounter with Nana Hiiragi left Arthur feeling raw and exposed. Her ability to mask her true nature behind such a dazzling facade of innocent charm was profoundly unsettling. He knew, with a certainty that settled like a stone in his gut, that she had filed away every detail of his fabricated “vision,” and would be dissecting it for any hint of threat or exploitable weakness. His decision to put himself forward for class representative now felt even more reckless, but also, paradoxically, more necessary. He needed to understand how she operated in a position of influence, however minor.

The day and a half leading up to the vote was an uncomfortable lesson in social dynamics for Arthur. The other serious contender, Inori Tamaki, the sharp-eyed girl with the severe ponytail, campaigned with earnest efficiency. She spoke logically about her organizational skills, her desire for a fair and well-run class, and her commitment to representing student concerns to the teachers. She garnered a respectable amount of quiet support from the more studious and pragmatic members of the class.

Then there was Nana Hiiragi. She didn’t so much “campaign” as weave a subtle, irresistible web of charm. She seemed to be everywhere at once, a whirlwind of perfectly pitched compliments and thoughtful gestures. She learned names with astonishing speed, remembered trivial details about classmates’ hobbies – a favorite manga series here, a struggling subject there – and offered to help with homework (though Arthur, watching closely, noticed she often then subtly delegated the actual work to other admirers). When she spoke to someone, she made them feel like they were, for that moment, the most important, most interesting person in the room. Her promises for her tenure as class representative were vague but universally appealing – a more fun, more inclusive class environment, more activities, a stronger sense of unity. It was a masterful performance, and Arthur, watching her, felt a kind of horrified admiration. She was a natural politician, a born manipulator wrapped in a veneer of utterly adorable sincerity.

Arthur’s own “campaign,” by stark contrast, was a masterclass in awkwardness. He made no speeches, offered no grand promises. His efforts consisted mostly of him standing near groups of students during breaks, occasionally offering a stilted, phone-translated comment if directly addressed, or a clumsy nod if someone caught his eye. He’d initially entertained the idea of trying to rally some support, perhaps making a vague, unsettling promise about using his “Chrono-Empathic Glimpse” for the vague benefit of the class’s future, but the words felt hollow, dangerous, and far too likely to backfire. His primary reason for even putting his name forward remained largely internal: to observe Nana more closely as she vied for influence, and perhaps, in some small, almost imperceptible way, to signal to Nanao Nakajima – who seemed to shrink visibly whenever the topic of leadership arose – that not everyone who sought a position of authority was an overwhelming force of charisma. He’d hoped his own unlikely, ill-equipped candidacy might make Nanao feel slightly less isolated in his timidity.

Nana, naturally, with her acute social antennae, noticed his continued, if quiet, presence in the running. During a break between classes, as Arthur was trying to decipher a particularly complex kanji in his textbook, she approached his desk, her expression one of perfectly crafted, almost sisterly concern.

“Tanaka-kun,” she began, her voice soft and melodious, “I was just thinking… are you absolutely sure you want the burden of being class representative? It really does take up so much time, you know, with meetings and organizing things. And there’s an awful lot of… well, social effort involved.” She tilted her head, her violet eyes wide with feigned sympathy. “With your communication being through your phone, it might be terribly stressful for you. I’d hate to see you overwhelmed.”

Arthur met her gaze for a moment, seeing the glint of calculation behind the concern. He looked down at his phone, typed a brief reply. “Responsibility is… sometimes necessary, Hiiragi-san,” the synthesized voice stated, deliberately opaque. He didn’t elaborate.

Nana’s smile didn’t falter, but he saw a new flicker of something – annoyance? Reassessment? – in her eyes. “Of course, Tanaka-kun,” she said smoothly, her voice still dripping with false sweetness. “Just looking out for a fellow new student.” She gave a little wave and flitted off to charm another group.

Over the next twenty-four hours, Arthur began to notice subtle shifts in how other students interacted with him. When he tried to join a conversation, even with his phone ready, one of the participants would suddenly remember an urgent task elsewhere. He overheard snippets – or rather, his phone, with its microphone active, caught stray Japanese phrases that it dutifully translated on his screen when he reviewed the ambient audio later: “Tanaka-kun is a bit… strange, isn’t he? Always so quiet, with that machine…” or “Can we really rely on someone who needs a phone to talk for him to speak for us?” and even, more pointedly, “I heard his ‘Talent’ makes him moody and unpredictable. What if he has a bad ‘glimpse’ about a class trip or something?”

The comments were always deniable, never directly attributable to Nana, but their timing was impeccable, their effect insidious. She was isolating him, not with overt aggression, but with carefully planted seeds of doubt and discomfort, painting him as an unreliable eccentric. It was unnervingly effective. He felt a knot of unease tighten in his stomach; he’d hoped to remain a minor curiosity, but her actions suggested she was already taking him more seriously, as a potential irritant, than he liked. This wasn't just about winning a symbolic vote for her; it was about ensuring no unpredictable elements, however minor, remained within her sphere of influence. She was methodically clearing the board.

Finally, the last period of the next day arrived. Mr. Saito, with his usual slightly flustered cheerfulness, produced a small, slotted wooden box. “Alright class,” he announced, rubbing his hands together. “Time to cast your votes for your new class representative! Please write the name of your chosen candidate clearly on the slip of paper I’ll provide, fold it once, and then come up to place it in the ballot box.”

Small slips of paper were distributed. Arthur stared at his for a moment. He had no illusions about his own chances, nor, if he was honest with himself, did he particularly want the job. His candidacy had served its quiet, observational purpose. He carefully wrote ‘Inori Tamaki’ in hesitant katakana, then folded the paper. As the students filed up row by row to deposit their votes, he watched Nana. She dropped her own slip into the box with a confident, radiant smile, even offering a cheerful little wave to Mr. Saito, who beamed back.

The counting was swift and public. Mr. Saito, with the surprisingly willing assistance of Inori Tamaki herself (a sign of her own good sportsmanship, Arthur thought, or perhaps a subtle power play by Saito to demonstrate impartiality), tallied the votes on the chalkboard. The chalk clicked with a steady rhythm.

The results were, to Arthur, hardly surprising, though the decisiveness was still a little startling. Inori Tamaki: 8 votes. Kenji Tanaka: 1 vote. (Arthur felt a small, inexplicable pang. He suspected, with a strange mixture of gratitude and embarrassment, that it was a pity vote from Nanao Nakajima, or perhaps even a mistake by someone else.) Nana Hiiragi: 21 votes. (The remaining students in their class of thirty).

“And the winner, by a very significant majority, is Hiiragi Nana-san!” Mr. Saito declared, leading a vigorous round of applause. “Congratulations, Hiiragi-san!”

Nana beamed, her eyes sparkling as she stood to accept the accolade, bowing graciously to the class. “Thank you, everyone! Thank you so much! I promise I’ll do my very best to represent you all and help make this a truly fantastic and memorable year for us all!” Her voice was full of earnest sincerity.

Arthur felt a strange cocktail of emotions. There was an undeniable surge of relief; the thought of actually having to perform the duties of class representative, with his profound communication handicap and utter lack of understanding of their school’s social labyrinth, was daunting. But beneath that relief was a profound, chilling sense of unease. Nana’s victory had been a foregone conclusion from the moment she’d entered the classroom, but the subtle, almost surgically precise way she had neutralized him as even a token competitor was a stark lesson. He had wanted to understand how she operated, and he’d received a masterclass in social engineering and covert manipulation. The downside was now glaringly clear: he was definitely, irrevocably on her radar, marked as someone who didn’t quite fit, someone who had, however ineptly and briefly, stood in the path of her ambition.

“And in other exciting news,” Mr. Saito continued, his voice full of oblivious good cheer after the applause for Nana had finally died down, “please do remember that at the end of this school year, we’ll be having our traditional leaving party for those students who might be moving on to other pursuits! It’s always a wonderful highlight of the academic calendar, a chance to celebrate our achievements together!”

Arthur almost snorted aloud, a bitter, mirthless sound he barely managed to suppress. A leaving party. The irony was a palpable, acrid taste in his mouth. There would be plenty of students “leaving” this island well before the end of the year, he knew with a sickening certainty, and their departures would be anything but voluntary or celebratory. He glanced at Nanao, who was looking at the newly elected Class Representative Hiiragi with an expression of timid, almost hero-worshipping admiration. Arthur’s jaw tightened. He might have lost this meaningless vote, but the real struggle, the one for Nanao’s life and the lives of so many others in this classroom, had barely begun. He had to be smarter, more careful, and somehow find a way to use his terrible, fragmented knowledge before it was too late. And Nana Hiiragi, now armed with a modicum of official power, would be watching his every move.

Chapter 32: A New Beginning, An Old Fight

The night chosen for their desperate gamble, their improbable escape, arrived cloaked in a maelstrom of furious, driving wind and torrential, sheeting rain. It was a late autumn storm, one of the worst in recent memory, that lashed the internment camp with a savage, almost sentient fury – perfect, chaotic cover for the desperate endeavour that was about to unfold. For weeks, Kenichi Tanaka, their quiet, nervous “Architect,” had been painstakingly, almost obsessively, working in the damp, freezing, and carefully concealed confines of a long-disused, partially collapsed storage shed at the far, neglected perimeter of the camp. Shielded by the sound-dampening Talent of a timid girl named Hana and by the watchful, rotating guard duty of Kyouya and a few other trusted inmates, Kenichi had been slowly, agonizingly coaxing their improbable, monstrous escape vehicle into existence from scavenged scrap metal, compacted earth, shattered concrete, and sheer, unyielding force of will.

It was a hideous, utilitarian creation, a testament to desperate ingenuity rather than engineering aesthetics – less a train or a conventional vehicle and more a heavily armored, multi-terrain articulated transport, its hull a patchwork of rusted plating and reinforced rubble. Arthur had privately, grimly, dubbed it the “Land Leviathan.” Its motive power was a complex, jury-rigged, and highly unstable system cobbled together by Kyouya and a handful of other resourceful Talents, relying on a dangerous combination of kinetic energy conversion, makeshift steam power, and Kenichi’s own ability to subtly manipulate its structural integrity for movement.

On Nana Hiiragi’s quiet, tense signal, relayed through a chain of trusted whispers just as the storm reached its terrifying zenith, the meticulously planned operation snapped into motion. Hana, her face pale with concentration and fear, extended her sound-dampening field to its absolute limit, creating a precious cone of relative silence around Kenichi’s makeshift workshop as the final, noisy, and dangerously volatile connections were made to the Leviathan’s power core. Another student, an older boy named Ren whose Talent allowed him to cause localized, temporary electronic interference, focused his abilities on the camp’s main perimeter fence sensors and the central guardhouse communication lines, hoping to buy them precious, crucial minutes of confusion and disarray at precisely the right moment.

Kyouya Onodera, leading a small, handpicked, and utterly determined team of their strongest and most disciplined allies, moved like avenging shadows through the howling wind and driving rain, their movements swift, silent, and deadly. They neutralized the few terrified, rain-lashed guards patrolling the designated breach point near Kenichi’s workshop with swift, brutal, non-lethal efficiency, adhering strictly to Nana’s unwavering directive for minimal violence against their captors, if at all possible. They used chokeholds, pressure points, and improvised restraints, leaving the guards bound and unconscious, but alive.

The rumbling, groaning emergence of the Land Leviathan from the collapsing remnants of the workshop was a moment of terrifying, breathtaking, almost suicidal audacity. Its massive, misshapen form, slick with rain and mud, seemed to absorb the dim, flickering emergency lights of the camp, a creature born of desperation and shadow. Nana, a small, rain-soaked figure of calm amidst the controlled, adrenaline-fueled chaos, her voice sharp and clear above the howl of the storm, directed the first wave of chosen prisoners – the old, the sick, the youngest children, along with those whose specific Talents would be most useful in the immediate aftermath – towards the vehicle’s hastily constructed, reinforced loading ramp. Arthur found himself, alongside a surprisingly resolute Michiru Inukai, helping to guide a small, terrified group of wide-eyed children, their faces pale with fear, towards the relative, if claustrophobic, safety of the Leviathan’s dark, cavernous, metallic hull.

Then came the breach. With a deafening, tortured groan of protesting, tortured metal and crumbling ferroconcrete, the Land Leviathan, with a stoic, grim-faced Kyouya wrestling with its crude, unresponsive controls, ploughed with terrifying, unstoppable force through the first electrified perimeter fence, then the second, and finally, with a cataclysmic roar, through the main camp wall itself. Alarms, shrill and panicked, finally began blaring belatedly across the entire compound, their desperate cries almost lost in the fury of the storm. Guards, confused and disoriented, emerged from their shelters, firing wildly, their bullets pinging harmlessly off the Leviathan’s thick, improvised armor or whining away into the storm-tossed darkness. The monstrous vehicle, shuddering and groaning under the strain, surged forward, a juggernaut of desperate hope, into the dark, unforgiving, and unknown wilderness beyond the camp’s rapidly receding, oppressive lights.

Not everyone made it. In the ensuing chaos of the breach, amidst the shouting of guards and the panicked scramble of prisoners, some were caught by Ide’s enraged security forces, their desperate bid for freedom ending in brutal recapture. Others, overcome by fear or confusion, hesitated too long and were left behind. But a significant number – well over a hundred desperate souls – rumbled away into the stormy, concealing night, leaving Commandant Ide to survey the smoking, gaping hole in his perimeter wall and the utter wreckage of his authority in a transport of impotent, murderous fury.

They travelled for what felt like an eternity, the Land Leviathan crashing and lurching through the dense, trackless forest, pushing its makeshift, Talent-powered engine to its absolute limits. Kyouya, his face a mask of grim concentration, wrestled with the controls, navigating by instinct and the occasional, shouted direction from Jin Tachibana, who seemed to possess an uncanny, almost preternatural knowledge of the surrounding, uncharted terrain. Finally, just as the first, watery, grey light of a stormy dawn began to filter through the dense canopy, the monstrous vehicle, with a final, shuddering, metallic sigh, ground to a halt deep within a remote, mist-shrouded mountain valley, its power core finally, irrevocably, depleted.

Exhausted, mud-caked, soaked to the bone, but undeniably, miraculously free, the escapees stumbled out into the cold, damp air, their faces a mixture of stunned disbelief, dawning elation, and a profound, soul-deep weariness. They had done it. Against all odds, against all reason, they were out.

In the difficult, uncertain days that followed, a fledgling, fragile resistance began to take shape in their secluded, temporary mountain hideout – a series of interconnected, damp caves hidden behind a waterfall that Jin had, with his usual uncanny foresight, led them to. Nana Hiiragi, Kyouya Onodera, Arthur Ainsworth, Michiru Inukai, and Jin Tachibana (who, as always, appeared and disappeared with unsettling, mysterious ease, often returning with vital supplies of scavenged food, medicine, or crucial intelligence about Committee movements in the region) formed the de facto core of its hesitant, informal leadership. There were disagreements, naturally; tensions born of fear, exhaustion, and conflicting personalities. The constant, gnawing fear of discovery, of Tsuruoka’s inevitable, relentless pursuit, was a shadow that hung over them all. But there was also, for the first time in what felt like an eternity, a shared, defiant purpose.

For Nana, that purpose had now crystallized into an unwavering, all-consuming obsession: find the absolute, unvarnished truth about her parents’ murders, expose Commander Tsuruoka for the monster he was, and then, with every fibre of her being, dedicate herself to dismantling the Committee’s entire rotten, bloodsoaked infrastructure. For Kyouya, it was simpler, yet no less profound: protect his rediscovered sister, Rin (Jin), and ensure that no one else ever had to endure the horrors he had witnessed, the pain he had suffered. For Michiru, it was a quiet, unwavering commitment to healing, to offering comfort, to nurturing the fragile sparks of hope in the hearts of her fellow survivors.

It was during one of their first, tentative strategy sessions, huddled around a smoky, sputtering fire in the largest of the damp caves, the sound of the nearby waterfall a constant, rushing counterpoint to their hushed voices, that Arthur Ainsworth decided it was time to unburden himself of his longest-held, most significant secret. He looked at the tired, determined faces around him – Nana, her expression now one of fierce, almost righteous resolve rather than haunted guilt; Kyouya, his stoic presence a silent, unshakeable bedrock for them all; Michiru, her gentle strength an unexpected, vital anchor in their storm-tossed existence; Jin, his enigmatic smile hinting at depths of knowledge and purpose still unknown.

“There’s something… something important you all need to understand about me,” Arthur began, his voice quiet but firm, his Japanese, learned through years of painful necessity and now constant, unavoidable immersion, surprisingly steady, though still carrying the unmistakable, softened consonants of his native English. He no longer had his phone, his crutch, his electronic voice; these words, this truth, had to be his own. “My Talent… the ‘Chrono-Empathic Glimpse,’ as I once called it… it was always a finite thing. A limited resource. Like a well that, through overuse, eventually, inevitably, runs dry.” He paused, meeting their expectant, curious eyes, one by one. “That well… it is dry now. Completely. I’ve seen too far, too often, peered too deeply into futures that were not mine to see. I can no longer glimpse what is to come. I am, for all intents and purposes, truly Talentless now.”

A profound silence fell over the small, firelit group, broken only by the crackle of the flames and the distant roar of the waterfall. Nana looked at him, a flicker of complex, unreadable understanding in her violet eyes – perhaps a memory of his earlier, pointed comment in that rainy alleyway about Talents not having a monopoly on wrongdoing. “From here on,” Arthur continued, a new, unfamiliar, almost liberating resolve hardening his own expression, “I have no special foresight, no prophetic warnings, to offer any of you. What I have left is simply what you all possess: whatever intuition remains, the sum of the experiences we’ve endured, the lessons we’ve learned, and whatever stubborn, foolish determination we can collectively muster. We’re all… flying blind in that respect now, I suppose.”

He looked down at his hands, these unfamiliar teenage hands of Kenji Tanaka, hands that had, in the course of his bizarre, unwilling journey, performed acts, witnessed horrors, that Arthur Ainsworth, the mundane accounts clerk from Crawley, could never have begun to imagine. He wondered, as he often did in these quiet, reflective moments, about his old life, his old world, the one he had been so violently, so inexplicably, torn from. Could he ever truly return? And even if it were somehow, miraculously possible, after everything he had seen, everything he had done, everything he had become… would he even want to? The question, vast and unanswerable, hung heavy and unspoken in the damp, cave air.

Nana was the first to break the silence, her voice surprisingly gentle. “Your ‘glimpses’ may be gone, Arthur-san,” she said, using his first name with a newfound, hesitant, almost shy respect, the Japanese honorific a quiet acknowledgment. “But your insight, your unique understanding of Tsuruoka, your… your perspective… that is still valuable. More valuable now, perhaps, than ever before. We all still have a role to play in what’s to come.”

Kyouya Onodera, his gaze fixed on the dancing flames, nodded once in silent, stoic agreement. “We fight with what we have,” he murmured, his voice a low rumble. “And with who we are.”

They began to strategize then, their voices gaining a new strength, a new conviction, in the flickering, uncertain firelight. They were a small, battered, and profoundly unlikely band of survivors, pitted against a powerful, ruthless, and deeply entrenched enemy. The fight ahead was uncertain, perilous, the odds overwhelmingly stacked against them. But as they spoke, as they planned, as they began to forge a new, shared path forward into that terrifying, unknown future, Arthur Ainsworth felt a strange, unfamiliar, almost forgotten sensation begin to stir within him. It wasn’t foresight. It wasn’t prescience. It was something far simpler, far more fundamental, and perhaps, in the end, far more powerful. It was hope.

Chapter 6: The Camera Fiend

With her meticulous initial plans for Nanao Nakajima temporarily, infuriatingly, thwarted by Arthur’s unsettlingly accurate (or so it seemed to Nanao, at least) premonitions, Nana Hiiragi was a coiled spring of suppressed frustration. Arthur knew her handler, the enigmatic and ruthless Tsuruoka, wouldn’t tolerate delays or failures indefinitely. The invisible pressure on her to perform, to meet her quotas, would be immense. This, Arthur suspected, made her even more dangerous, more volatile, more likely to lash out with cold precision if another complication, another unforeseen variable, arose.

That complication promptly presented itself in the unctuous form of Ryouta Habu. Habu was a lanky, sallow-skinned boy with greasy hair and a perpetually smug expression, rarely seen without a bulky, professional-looking camera slung around his neck. Arthur had already clocked him as a minor creep from his hazy anime memories – the sort of boy who used his proclaimed Talent, the ability to photograph events moments before they happened, for leering, voyeuristic purposes rather than anything noble. His photographs often focused on unflattering angles of female students, or "accidental" upskirt shots, all passed off with a knowing smirk as the unpredictable nature of his future-capturing lens.

The evening after Arthur’s third successful, if nerve-wracking, intervention to keep Nanao safe from Nana’s clutches, the students were gathered in the noisy, brightly lit canteen for their evening meal. Arthur, as had become his habit, was seated alone, trying to make himself as inconspicuous as possible while keeping a wary eye on Nana. He saw Habu, a predatory glint in his eyes, saunter over to Nana’s table, where she was picking at her food with a distinct lack of her usual cheerful appetite. He was clearly agitated about something.

Habu leaned in conspiratorially, a greasy lock of hair falling into his eyes, and with a theatrical flourish, showed Nana a photograph on his camera’s small digital display. Even from across the crowded, echoing room, Arthur could see Nana’s posture stiffen, her perpetually bright smile dimming for a dangerous fraction of a second before being quickly reasserted, albeit with a noticeable strain. He couldn’t hear the hushed, intense exchange over the din of the canteen, but he could guess its ugly nature. Later, through snippets of terrified, whispered gossip from students who had been seated closer, and by piecing together the grim fragments of his own foreknowledge, he confirmed the sordid details.

“Interesting shot, isn’t it, Hiiragi-san?” Habu had apparently leered, his voice a low, suggestive drawl. The photograph on his camera clearly showed Nana looking intently over the cliff edge where Nanao had nearly been lured just days before. It was a damning image, especially in light of Arthur’s public “prediction.” “I was up there myself, you see, testing out a new telephoto lens. A bit suspicious, you standing there all alone, Hiiragi-san, looking down like that, especially after our peculiar Tanaka-kun had that little ‘vision’ about Nakajima-kun taking a tumble. I think you were going to kill him. I think you were planning to push him.”

Nana, ever the consummate actress, had feigned wide-eyed, innocent confusion, her hand flying to her mouth in a gesture of shock. “Kill him? Nakajima-kun? Why on earth would I ever contemplate doing something so utterly horrible, Habu-kun?”

“Don’t play dumb with me, Hiiragi,” Habu had sneered, his confidence bolstered by her apparent dismay. “I know what I saw. Or rather, what I think you were about to do. It’s a very compelling photograph, don’t you think? The kind of thing that might make people ask… awkward questions.” He paused, letting his threat hang in the air. “Now, if you don’t want this rather incriminating picture, and my… very strong suspicions… shared with, say, Mr. Saito, or perhaps that nosy Onodera Kyouya, or even the entire class, then perhaps you could pay me a little visit tonight? My room. Number 207. We can discuss how to make this… misunderstanding… go away. Maybe you could start by giving a hardworking, stressed photographer a nice, long, relaxing back massage?” His leer intensified.

The sheer, idiotic audacity of it was breathtaking. Blackmailing a highly trained, deeply ruthless government assassin. Habu was either incredibly stupid, dangerously overconfident in the protection his Talent supposedly afforded him, or, most likely, a lethal combination of both. Arthur felt a familiar wave of helpless dread wash over him. He knew, with a sickening certainty, where this was heading. He couldn’t warn Habu; the boy was far too arrogant and would either dismiss him as the “weird Tanaka kid” or, worse, report his ‘meddling’ to Nana herself, further complicating Arthur’s already precarious position and possibly accelerating Habu’s demise. All he could do was watch, a silent, horrified spectator, as the grim pantomime unfolded.

Nana, trapped and seething internally but maintaining an outward composure of reluctant agreement, had acquiesced with a tight, saccharine smile. “Of course, Habu-kun. I’d be happy to come to your room and clear up this… unfortunate little misunderstanding. A massage sounds… lovely.”

Later that night, the inevitable occurred. Nana, her face a mask of calm but her eyes glinting with cold fury, visited Habu’s cluttered, untidy room. Arthur, lying awake in his own dorm, his ears straining for any unusual sounds, could only imagine the scene. He knew from the source material that Nana, while giving Habu a perfunctory, unwanted back massage, would be seriously contemplating snapping his neck then and there. She would refrain, however, her cold logic overriding her immediate anger. She needed more information about his Talent’s specifics – its range, its limitations, how far into the future it could truly see. Knowledge was power, and Nana always sought to maximize her power before striking.

Instead, as her fingers worked his tense shoulders, she would deliberately, with surgical precision, press a sensitive pressure point, just hard enough to cause a searing, unexpected jolt of pain. Habu, arrogant and foolish, would yelp, then snap, “You stupid girl! Watch what you’re doing! Be careful!” Nana, Arthur pictured, would then offer a profuse, deeply insincere apology, her eyes wide with feigned innocence, claiming it was a complete accident, that her hands had simply slipped. This calculated incident would not only test his reaction but also fuel her resolve to eliminate him swiftly and efficiently once she had the information she needed.

The next day, Nana approached Kyouya Onodera in the library, her face a carefully constructed mask of terror and distress. She clutched a photograph in her trembling hand – one Arthur knew she had expertly faked in the intervening hours. It depicted Nana herself, seemingly unconscious, tied up with rough-looking ropes, in a grimy, unfamiliar room, a faint bruise artfully applied to her cheek. “Onodera-kun!” she’d cried, her voice breaking with convincing panic. “I… I found this! Slipped under my door! I think… I think it’s my future! Someone is trying to kill me! Could it have been Habu-kun? He was acting so strangely towards me last night!”

It was a brilliant, if diabolical, move, Arthur acknowledged grimly. She was establishing a preemptive alibi with the school’s most persistent, logical investigator, painting herself as a potential victim, and simultaneously casting suspicion on Habu. Kyouya, though perpetually suspicious and likely sensing the theatricality of her performance, would have little choice but to take her claim seriously and investigate.

The actual murder happened later that same evening, or perhaps in the early, silent hours of the morning. Nana, having deduced the limitations of Habu’s precognitive camera – likely that it couldn’t photograph events too far into the future, or in areas he hadn’t physically scouted and focused on, or perhaps that it only showed potential futures he was actively trying to capture – would have cornered him in his room. Arthur didn’t know the exact method beyond strangulation, but he imagined it was quick, brutal, and terrifyingly efficient, Nana’s smaller stature no impediment to her lethal training.

The discovery of Ryouta Habu’s lifeless body the following morning, his camera lying broken beside him, sent a fresh wave of genuine panic and fear rippling through the already unsettled student population. Mr. Saito was visibly distraught, his attempts to calm the students increasingly futile. The other teachers were tight-lipped, their expressions grim. Nana, of course, played the part of the shocked and grieving classmate to absolute perfection, even “confiding” in a few tearful girls that Habu had been acting strangely and aggressively towards her, subtly planting the idea that he might have been a dangerous individual who had brought his grim fate upon himself.

Kyouya Onodera was, as expected, intensely, almost ferociously, investigating, his impassive face a mask for a keen, analytical intellect piecing together timelines and inconsistencies. He questioned Nana again, who recounted her faked photo and her “fear” of Habu, her performance flawless.

Arthur watched it all from the periphery, a knot of cold fury, frustration, and a growing, weary despair tightening in his chest. Another death. Another victim he couldn’t save without revealing his impossible knowledge and immediately making himself Nana’s next, and undoubtedly final, target. He hadn’t even liked Habu; the boy had been an unpleasant, sleazy individual. But did he deserve to be murdered, his life snuffed out so callously? The question was a bitter, unanswerable torment.

The weight of his foreknowledge, his terrible prescience, was becoming a crushing, unbearable burden. Each death he failed to prevent, each life Nana extinguished, chipped away at his already fragile psyche. He was an unwilling observer of a horror show he’d already seen the grisly highlights of, powerless to stop the actors from hitting their gruesome, predetermined marks. His phone translator, his only means of coherent expression, felt less like a lifeline and more like a cursed tool for documenting a tragedy in a language he was only beginning to comprehend on a visceral, soul-deep level. Nanao was safe, for now, but at what cost? And who, Arthur wondered with a chilling certainty, would be next on Nana Hiiragi’s ever-growing list?

Song about anime

Chapter 28: Justice, Parole, and a Ghost from the Past

Nana Hiiragi’s fragile, newfound resolve to confront Commander Tsuruoka, precariously bolstered by Jin Tachibana’s enigmatic counsel and Arthur Ainsworth’s devastating revelations, was tragically, almost laughably, short-lived. She had woefully underestimated the speed, the reach, and the utter ruthlessness of her former handler. Just a few desperate days after her clandestine, rain-swept meeting with Jin, as she was cautiously, almost timidly, trying to gather meager resources and formulate even the most rudimentary plan of action from the squalid sanctuary of her tiny, anonymous apartment, Tsuruoka made his decisive, inevitable move. He contacted Detective Maeda, the outwardly respectable police officer to whom the earnest, unsuspecting Akari Hozumi had so trustingly entrusted her meticulously compiled dossier of damning evidence against Nana.

“Maeda,” Tsuruoka’s voice was cold, devoid of inflection, and utterly decisive over the secure, encrypted line, “it is time to officially activate the Hiiragi case file. I want a full-scale, highly publicized manhunt. And I want her found. Quickly. Public interest in this matter is… considerable.”

The well-oiled machinery of the law, its gears greased and subtly guided by Tsuruoka’s pervasive, unseen influence, ground into motion with terrifying, unstoppable efficiency. Within hours, Nana Hiiragi’s face – a younger, more innocent-looking photograph taken from her old school records – was plastered across national news broadcasts, online forums, and police bulletins. She was branded “The Island Schoolgirl Killer,” a teenage monster who had preyed on her unsuspecting classmates. Her carefully constructed anonymity evaporated like morning mist under a harsh sun. The city, once a sprawling, indifferent refuge, transformed overnight into a vast, tightening net. Within days, her desperate attempts to change her appearance, to melt into the urban sprawl, proved futile. She was cornered in a crowded, brightly lit suburban shopping mall by an alert off-duty police officer who recognized her from a wanted poster. Her frantic, desperate attempt to flee, to lose herself in the throng of shoppers, was short-lived and brutally curtailed. Nana Hiiragi, the Committee’s former star assassin, the girl Tsuruoka had molded into a perfect weapon, was apprehended, her brief, flickering hope of confronting her tormentor on her own terms extinguished.

Her trial was a media sensation, a lurid, captivating spectacle that fed the public’s morbid fascination with youthful depravity. The damning evidence Akari Hozumi had so meticulously gathered was laid bare for all to see: chilling witness testimonies from former island students (their own traumas carefully managed and selectively presented by the prosecution), Akari’s own unnervingly precise forensic reconstructions of multiple murder scenes, and Nana’s own fragmented, tearful, partial confession made by the lake on the island. The prosecution, led by a sharp, ambitious young lawyer, painted Nana as a cold, calculating, remorseless serial killer, a monstrous aberration who had systematically preyed on her innocent, unsuspecting fellow students. The public outcry was immense, a wave of revulsion and fear. The death penalty seemed not just a possibility, but an almost foregone conclusion.

But Nana’s court-appointed lawyer, a tenacious, fiercely idealistic, and surprisingly skilled older woman named Haruka Ito, fought tirelessly, passionately, against the overwhelming tide. Ito, with a quiet dignity that often wrong-footed the more aggressive prosecution, argued for diminished responsibility. She meticulously detailed Nana’s brutal, isolated upbringing, her systematic indoctrination from a young, impressionable age, and the extreme, undeniable psychological manipulation she had endured at the hands of a shadowy, unaccountable government organization. She portrayed Nana not as an inherent monster, but as a tragic, deeply damaged victim, a child soldier psychologically tortured and molded into a weapon in a covert war she hadn’t understood, couldn’t possibly have comprehended. Nana herself, during the long, agonizing trial, remained mostly silent, a pale, hollow-eyed ghost in the defendant’s box, her demeanor one of profound numbness, punctuated by occasional, barely perceptible flickers of remorse and a deep, soul-crushing weariness. Haruka Ito’s defense was compelling, deeply unsettling to the public narrative. While it could not exonerate Nana of the terrible acts she had committed, it cast enough doubt on her sole, unmitigated culpability. The death sentence was, to the shock and outrage of many, commuted. Nana Hiiragi was instead sentenced to a lengthy, indeterminate prison term for multiple counts of culpable homicide. She disappeared into the unforgiving, anonymous depths of the penal system, her name forever synonymous with betrayal, youthful monstrosity, and the dark, hidden secrets of the nation’s clandestine operations.

Three years later, in the mild, cherry-blossom-scented spring of late 2028, Arthur Ainsworth was expertly wiping down a small, Formica-topped table in “The Corner Nook,” the bustling, unpretentious restaurant in a quiet, residential Tokyo suburb where he now worked as a waiter. He was surprisingly, almost guiltily, content. The mundane, predictable rhythm of the work – taking orders, delivering food, clearing tables, the easy, unforced banter with the regular patrons – was a soothing balm to his once-tormented soul. His Japanese, honed by years of daily immersion and supplemented by diligent attendance at informal language exchange meetups, was now reasonably fluent, his English accent a minor, charming novelty that amused the customers and his co-workers alike. He had even, cautiously, begun to make a few tentative friendships.

The island, Tsuruoka, Nana Hiiragi – they were ghosts that still haunted the periphery of his thoughts, their sharp edges softened by the healing balm of time and distance, but their presence, their impact, was undeniable. Annually, on the grim anniversary of his inexplicable, violent arrival on that cursed shore, he would make a quiet pilgrimage to a large, peaceful, and entirely anonymous public cemetery on the outskirts of the city. He didn’t know where Nana’s victims were truly buried, or if their families had even been allowed the dignity of a grave. So, he would choose a weathered, unnamed, forgotten headstone at random, lay a single, pure white chrysanthemum at its base, and talk to them, to Michiru, to Nanao, to Hoshino, to Tachibana, to Habu, even to the foolish, cruel bullies, Etsuko and Marika. He would speak to them in quiet English, recounting their small, stolen lives as he remembered them, acknowledging their needless deaths. It was his private penance, his way of remembering, of shouldering the small share of responsibility he felt for their fates.

The world outside the comforting, predictable routine of his quiet restaurant, however, was growing increasingly, palpably uneasy. News reports, both mainstream and from more fringe online sources, spoke with alarming frequency of rising anti-Talent sentiment across Japan, often fueled by isolated, sensationalized incidents of Talents losing control of their abilities or, more disturbingly, using their unique powers for overtly criminal, even terroristic, acts. Whispers, then more overt discussions, of government-run “Protective Custody and Assessment Centers” – internment camps, Arthur knew them to be, his blood running cold at the familiar, chilling euphemism – for individuals with “problematic” or “unstable” Talents were becoming more frequent, more insistent, presented as a necessary measure for public safety. The seeds of fear and division Tsuruoka and the Committee had so carefully, so cynically, sown over the years were now bearing bitter, poisonous fruit.

It was on a cool, clear spring evening, as Arthur was meticulously cashing up for the night, the familiar scent of soy sauce and grilled fish still lingering in the air, that Nana Hiiragi walked, not back into his life, but back into the turbulent, unforgiving life of the world at large. She had been paroled, her release from prison quiet, unpublicized, almost surreptitious – likely another of Tsuruoka’s intricate, inscrutable machinations, Arthur suspected. Her first act as a conditionally free woman, her gaunt face hardened by three years in the brutal, dehumanizing environment of prison, her eyes still burning with a desperate, unquenched need for truth and retribution, was not to seek anonymity or a fragile peace, but to confront her primary tormentor, the architect of her ruined life.

She found Commander Tsuruoka, as she somehow knew she would, in his heavily fortified, opulently appointed private office deep within the Committee’s impenetrable headquarters. He received her with a chillingly calm, almost paternally amused demeanor, as if her unexpected appearance was an entirely predictable, mildly entertaining diversion from his important work. Nana, older now, her youthful softness almost entirely erased, her voice raspy from disuse but her resolve like tempered steel, demanded answers – about her parents, about the Committee’s lies, about the true nature of the “Enemies of Humanity,” about everything.

Tsuruoka deflected her every accusation, her every anguished question, with infuriating, condescending ease, his words a masterclass in psychological manipulation, twisting reality, subtly shifting blame, painting Nana herself as the architect of her own misfortunes, a flawed, inherently unstable instrument who had inevitably, disappointingly, broken under pressure. He smirked, a slight, dismissive, utterly contemptuous expression that finally, irrevocably, shattered Nana’s fragile, prison-honed composure.

Consumed by years of suppressed, impotent rage, by the fresh, agonizing grief of her remembered, manipulated past, Nana lunged, not for Tsuruoka himself, but for the heavy, ornate, antique silver letter opener lying innocuously on his vast, polished mahogany desk – a poor, desperate substitute for a real weapon, but the only thing immediately at hand. She tried to stab him, to silence his maddening, condescending voice, to inflict even a fraction of the pain he had caused her. At the last possible second, Tsuruoka’s ever-present, stoic, and utterly loyal adjutant, a career military man who had served him faithfully for over two decades, threw himself in front of his boss with a shout of warning. The sharp, pointed steel of the letter opener plunged deep into the adjutant’s chest. He collapsed with a surprised, gurgling grunt, a dark, rapidly spreading stain blooming on the crisp white front of his uniform.

Tsuruoka looked down dispassionately at his dying, devoted aide, then back at Nana, who stood frozen, horrified, the bloody letter opener dropping with a clatter from her trembling, suddenly nerveless hand. A slow, cold, almost predatory smile spread across Tsuruoka’s face. “Is that all you’ve got, Hiiragi?” he taunted, his voice soft, laced with a chilling amusement. “Still so… predictably emotional. So very… disappointing.” Panic, raw and absolute, seized Nana. She had just killed again, this time an innocent man, a man who had tried to protect his monstrous boss, right in front of her nemesis, the man who held all the power. She turned and fled, stumbling from the opulent office, Tsuruoka’s derisive, mocking laughter echoing in her ears, a soundtrack to her renewed, now doubly damned, fugitive status.

Chapter 8: A Head in the Classroom

Arthur managed to slip back into the hushed, pre-dawn stillness of the dormitory just as the faintest hint of grey was outlining the window frames. He looked like something dredged from a nightmare – his clothes were torn, caked with mud, and stained with darker, more ominous patches he refused to identify. His face was smudged with dirt, his hair matted with sweat and grime, and a wild, haunted, almost feral look burned in his eyes. He moved with the stiff, jerky movements of someone pushed far beyond their physical and emotional limits.

He quickly, furtively, bundled the obscene canvas satchel, with its horrifying, weighty contents, into the dark recesses at the bottom of his rickety wardrobe, beneath a pile of seldom-used spare blankets. Then, he made his way to the communal showers. He scrubbed himself raw under the steaming water, trying to wash away the physical filth and the clinging, fetid odour of the night’s gruesome ordeal, but the mental contamination, the profound sense of self-loathing and violation, felt indelible. His hands, when he eventually managed to stop their violent trembling, still felt slick with an imaginary residue.

He skipped breakfast, the mere thought of food threatening to bring up the meagre contents of his stomach. He spent the early part of the morning in a dissociated daze, sitting rigidly on the edge of his bed, the image of Shinji’s lifeless, accusing eyes and the horrifying, sickening thud of rock against decaying bone replaying in an endless, torturous loop in his mind. He had to do this. He had to see this terrible, self-appointed task through. There was no turning back now. The die was cast.

The opportunity he’d been dreading, yet grimly anticipating, came during a long, unstructured free period before lunch. Most of the students were in the classroom, the usual low hum of chatter, the rustle of textbook pages, and the occasional burst of laughter filling the air with a deceptive sense of normalcy. Mr. Saito was at his desk at the front, spectacles perched on the end of his nose, diligently grading papers. Yūka Somezaki was present, huddled at her usual isolated desk near the back, looking even more pale and drawn than usual. She kept darting nervous, frightened glances towards Arthur, her hands twisting restlessly in her lap. She clearly hadn’t slept well after his ominous “warning” the previous day.

Arthur took a deep, steadying breath, the air feeling thick and heavy in his lungs. He retrieved the heavy canvas satchel from his room, its grim weight a palpable reminder of his night’s work. He walked to the front of the classroom, the satchel held carefully in front of him. The low hum of chatter gradually died down as students noticed him, their expressions shifting from indifference to curiosity, then to a dawning unease. He looked tired, dishevelled, and profoundly grim – a stark, unsettling contrast to his usual awkward, almost invisible demeanour. He placed his phone on a nearby empty desk, its screen lighting up.

“Yesterday,” his translated voice began, the synthesized Japanese tones cutting cleanly through the sudden, expectant silence, “I mentioned my growing concerns about the activities of the ‘Enemies of Humanity’ and their potential operations on the north side of this island. Last night, I took it upon myself to investigate those concerns further.”

He paused, letting the tension build, his gaze sweeping slowly across the room, taking in the rows of young, now apprehensive faces. He looked particularly tired, his eyes bloodshot, his posture radiating a bone-deep weariness that was entirely genuine.

“The encounter was… more harrowing than I could have possibly imagined,” he continued, his voice via the phone carefully measured, almost flat, which only served to heighten the underlying menace. “They are more dangerous, more depraved, than any of us can truly comprehend. It seems they may have found a new, terrifying weapon… or perhaps, a new, unholy method for creating their soldiers.” He let his gaze linger for a charged moment on Yūka Somezaki, whose eyes were now wide with a dawning, visceral horror. She looked like a trapped animal. “They may be… reanimating the dead. Or perhaps… the dead are their new weapon.”

A collective, sharp intake of breath, a series of stifled gasps, went through the classroom. Horrified whispers erupted, quickly shushed by the sheer gravity of his pronouncement. Mr. Saito looked up sharply from his papers, his expression morphing from mild irritation at the interruption to genuine alarm.

Arthur slowly began to walk down the central aisle between the rows of desks, the canvas satchel held carefully, almost reverently, in front of him. Students leaned away instinctively as he passed, a mixture of fear and morbid curiosity on their faces. He could feel Nana Hiiragi’s sharp, intensely analytical gaze on him, a silent, probing question in her eyes. Kyouya Onodera’s stare was equally intense, unblinking, his usual impassivity overlaid with a flicker of something that might have been cold, scientific interest. Arthur stopped when he reached Yūka Somezaki’s desk.

Her face was chalk-white, devoid of all colour, her breath coming in shallow, rapid, audible gasps. She looked like she was about to bolt, her eyes darting wildly between Arthur, the ominous bag, and the distant, unreachable sanctuary of the classroom door.

“I brought back… evidence,” Arthur’s phone announced into the suddenly tomb-like, suffocating silence of the room. With a deliberate, almost ceremonial movement, he lifted the heavy, cloth-covered satchel and placed it directly onto the polished surface of Yūka’s desk. The top of the bag was loosely tied with a drawstring, but a horrifyingly familiar, vaguely spherical shape, still partially obscured by the stained canvas, was sickeningly evident. A hint of dark, matted hair. The pale, obscene curve of a decaying forehead. The unmistakable, ghastly outline of a human head.

Yūka Somezaki stared at the bag, her eyes fixed, unblinking, on the dreadful shape within. A strangled, gurgling whimper escaped her lips. Her body began to tremble violently. Then, she let out a raw, piercing, animalistic scream that seemed to tear through the very fabric of the room, a sound of pure, unadulterated terror and shattered sanity. Her eyes rolled back in her head, and she slumped sideways, fainting dead away, her chair crashing to the floor with a deafening clatter.

The classroom exploded into utter chaos. Students shrieked, some scrambling back from their desks in blind panic, knocking over more chairs, their faces contorted in horror and disbelief. Mr. Saito rushed forward, his own face a mask of horrified disbelief and dawning anger. “Tanaka-kun! What is the meaning of this outrage? What have you done?!” he babbled, his voice cracking.

Kyouya Onodera was on his feet, not joining the general panic, but moving with a grim, purposeful stride towards Yūka’s desk, his eyes narrowed, fixed on the dreadful bag and its horrifying contents. Nana Hiiragi, however, remained seated, a preternatural calm amidst the pandemonium. Her knuckles were white where she gripped her pen, her gaze flitting with sharp, analytical intensity between the bag, the unconscious Yūka, and Arthur himself. A chillingly thoughtful, almost appraising expression settled on her face. Arthur had just thrown a live, decapitated grenade into her carefully managed hunting ground, and she was trying to understand the trajectory, the motive, the potential fallout.

The immediate aftermath was a blur of hysterical shouting, terrified crying, and Mr. Saito’s increasingly desperate, high-pitched attempts to restore some semblance of order. The dreadful bag and its horrifying contents were quickly, and with much trepidation, removed by a shaken, pale-faced Mr. Saito himself, who then had Yūka carried off to the school infirmary by two equally terrified older students. Arthur found himself being sternly interrogated by a visibly furious Mr. Saito and another grim-faced teacher in the corridor, his phone struggling to keep up with the barrage of angry questions and accusations. He stuck rigidly to his story: he had found the reanimated corpse, a clear and undeniable sign of the ‘Enemies of Humanity’ at work on their very doorstep. He was merely presenting irrefutable proof of a dangerous new threat. He was met with profound disbelief, horrified condemnation for his barbaric methods, and stern warnings about vigilante actions, but no one could deny the sheer, visceral horror of what he had unveiled. The image of that bag, that shape, would be seared into their minds for a long time.

Later that day, after the initial chaos had subsided into a sort of stunned, fearful quiet, Nana Hiiragi, driven by a potent mixture of cold suspicion, intellectual curiosity, and the pressing need to understand this new, unpredictable variable that Arthur Tanaka represented, visited Yūka in her dormitory room. Yūka had been discharged from the infirmary but was clearly in a state of profound psychological distress, sedated but still babbling incoherently about Shinji, about monsters with decaying faces, about heads in bags.

Nana, seeing an opportunity to probe Yūka’s shattered psyche and perhaps confirm her own suspicions about the girl’s true Talent, began her subtle, psychological torment. "The dead are restless, aren’t they, Somezaki-san," Nana might have said, her voice a soft, sympathetic, almost hypnotic coo, as she sat beside Yūka’s bed. "They whisper things to me sometimes, you know? Especially around those who are… close to them. They say… they say Shinji is lonely. They say you should join him. They even whisper… that you should kill me before I tell everyone your dark secrets."

This, Arthur surmised from his anime knowledge, was the point at which Nana would have feigned terror at her own “revelations,” fleeing dramatically into the nearby woods, deliberately goading a terrified and now highly suggestible Yūka into sending her reanimated servitors (likely lesser zombies she’d created from small animals or perhaps even older, forgotten human remains from the island’s lightless past) after her. Nana would have then easily evaded them, using the orchestrated chase to confirm Yūka’s necromantic Talent beyond any doubt. She would have then confronted the distraught Yūka, expecting to force a full confession about the arson that had killed the real Shinji, before delivering her own fatal, poisoned strike.

But things didn’t go exactly as Nana might have planned, or as Arthur had recalled from the source material. Arthur’s brutal, shockingly public display with Shinji’s severed head had already done irreparable damage to Yūka’s carefully constructed delusions. The foundation of her morbid obsession had been shattered. When Nana confronted her, after the feigned flight and the easily evaded pursuit of a few pathetic, shambling creatures, Yūka was already broken, a hollow shell of her former self. She confessed to the fire, yes, her words tumbling out in a torrent of guilt, self-loathing, and raw terror, but her confession was interspersed with horrified babbling about Shinji’s true, decaying face, the unimaginable horror in that canvas bag, the monstrousness of it all. She wasn't just confessing a crime; she was reliving a profound, sanity-shattering trauma.

Nana, poised to strike, her poisoned needle glinting faintly in the dim light of the dorm room, hesitated. Yūka was a wreck, utterly defeated, her spirit seemingly crushed beyond repair. There was no fight left in her, no defiance, only a raw, pathetic, abject misery. Killing her now felt… empty. Almost unsporting. This wasn’t the calculated elimination of a dangerous, hidden threat; it was like putting down a wounded, whimpering, already dying animal. Perhaps Tsuruoka wouldn’t even count this as a proper, satisfying kill, not with the target already so mentally and emotionally destroyed by another student’s grotesque actions. Nana, for reasons she couldn’t quite articulate, reasons that felt uncomfortably like a nascent, unwelcome flicker of pity or perhaps even a dawning, unsettling doubt about her own mission, slowly lowered her hand. She left Yūka Somezaki to her madness, a broken toy she no longer had any interest in.

Later that night, alone in her room, tormented by the fractured images of Arthur’s terrible evidence and Nana’s insidious whispers, Yūka Somezaki, in a final, desperate act of denial or a desperate plea for reassurance, tried one last time to summon Shinji. But the image Arthur had so brutally seared into her mind – the decaying, unrecognizable horror in that bag, the vacant eyes, the lolling jaw – had irrevocably tainted her Talent, her connection to her morbid fantasy. When Shinji’s ghostly form flickered into existence before her, it was no longer the romanticised, beloved boyfriend of her carefully nurtured delusions. It was a leering, putrescent corpse, its eyes vacant pits of horror, its flesh sloughing from its bones, its silent scream an echo of her own shattered sanity. She saw, for the first, horrifyingly clear time, what she had truly been embracing, what she had truly become.

The disgust, the self-loathing, the sheer, unadulterated terror, were overwhelming. With a choked, animalistic sob, Yūka screamed at the horrifying apparition, revoking the necromantic energies with a violence that shook her to her core, letting Shinji’s ghastly form dissolve into nothingness for the final, absolute time. She collapsed onto the cold floor, weeping, her body wracked with convulsions, and vowed, with every fibre of her broken being, never again to touch the cursed, defiling power of necromancy.

Arthur, unaware of the specific details of Nana’s subsequent interaction with Yūka, only knew that Yūka Somezaki remained alive, albeit a profoundly changed, withdrawn, and terrified shell of her former self. He had, through a horrifying, morally grey, and deeply traumatizing act, indirectly saved a life from Nana Hiiragi’s list. The cost to his own psyche, however, was mounting with every passing day. He was no hero; he was just a desperate, frightened man playing an increasingly deadly game with pieces of his own sanity, in a world that seemed determined to strip him of every last shred of his former self. And he knew, with a chilling certainty, that his actions had not gone unnoticed by the island's true predator.