Would Be Even Better If Nana Is Killed By Someone She Trusted. Would Be Nicely Ironic

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Would serve her right

Chapter 14: Sacrifice at the Docks

Arthur’s mind raced, his breath coming in ragged gasps as he pounded the worn pathway leading away from the deceptively cheerful gymnasium. The distant, tinny music of the leaving party faded behind him, replaced by the frantic thudding of his own heart and the lonely sigh of the wind whistling through the island’s sparse, salt-stunted trees. He had to calculate where Rentaro would take Michiru, where Nana, in her desperate pursuit, would inevitably follow. The boat docks – isolated, exposed, offering few escape routes and an abundance of shadowy hiding places – loomed large and ominous in his mind as the most logical, and therefore most horrifying, stage for the unfolding confrontation.

He sprinted towards the harbour, his unfamiliar teenage legs burning with the unaccustomed exertion, his phone clutched tightly in his hand, though he had no time for the laborious process of translation now. The air grew colder, tasting of salt and damp, decaying wood as he neared the coast.

He arrived, breathless and his chest aching, just as the scene at the end of the longest, most dilapidated pier reached its horrifying crescendo. Silhouetted against the dull, bruised pewter of the overcast evening sky, Rentaro Tsurumigawa’s spectral form – a shimmering, translucent duplicate of his arrogant human self – had Michiru Inukai cornered against the rotting railings. Razor-sharp, crystalline projectiles, like shards of malevolent ice, hovered menacingly in the air around him, glinting faintly in the dim light. Michiru was crying, her small body trembling, her face a mask of pure terror, but even so, she seemed to be trying to shield herself, a tiny, defiant figure against a monstrous, ethereal threat.

Nana Hiiragi stood between them, a fierce, protective tigress in a party dress. Her usual neat pink pigtails were askew, her clothes torn in several places, and a dark bruise was blooming on her cheekbone, but her violet eyes blazed with a desperate, almost feral fury Arthur had never witnessed in her before – not the cold, calculating fury of an assassin about to make a kill, but something raw, deeply personal, and utterly protective. She was intercepting Rentaro’s psychic attacks, her own movements preternaturally quick and agile, dodging and weaving, but she was clearly outmatched, her physical efforts largely ineffective against the intangible, relentlessly attacking projection that could still, somehow, inflict real harm upon her.

“You won’t touch her, Tsurumigawa!” Nana snarled, her voice hoarse and strained as she narrowly dodged a volley of shimmering blades that sliced through the air where she’d been a split second before. One of the shards grazed her arm, drawing a thin line of blood.

“She ruined everything!” Rentaro’s projected voice was a distorted, inhuman screech, filled with venom and thwarted rage. “She deserves to die for her meddling! And you too, Class Rep, for getting in my way!”

Just as Rentaro’s astral form lunged forward with a particularly vicious-looking ethereal spear, its crystalline point aimed directly at Michiru’s heart, Nana, with a desperate cry, shoved Michiru violently aside. The smaller girl stumbled, falling hard onto the rough wooden planks of the pier. The spectral weapon, impossibly, plunged deep into Nana’s side. Nana gasped, a choked, pain-filled, liquid sound, her eyes flying wide with shock and disbelief. She stumbled, her hand instinctively going to the phantom wound in her side, though no spectral blood flowed from the astral injury, the devastating impact on her life force, her very essence, was terrifyingly apparent. Her face began to pale with an alarming rapidity.

At that exact, critical moment, Rentaro Tsurumigawa’s shimmering projection flickered violently, like a faulty hologram. It let out a final, agonized, drawn-out shriek that seemed to tear through the very air, then dissolved into nothingness, vanishing as if it had never been. Kyouya. Kyouya Onodera had found him. He had found Rentaro’s hidden, vulnerable physical body and neutralized the threat. Arthur let out a shaky, almost sob-like breath of relief for that small, vital mercy, but his gaze was fixed, horrified, on Nana, who was collapsing slowly to her knees, her face now a ghastly, waxy white.

Michiru scrambled to Nana’s side, her face streaked with tears and grime, her voice a desperate, broken wail. “Nana-chan! Nana-chan, no! Please, no!”

Arthur finally reached them, his chest heaving, his own terror a cold, hard knot in his stomach. He saw the life visibly draining from Nana’s eyes, the way her body was becoming limp. He saw the way Michiru was looking at her – a dawning, terrible understanding mixed with a desperate, almost fanatical resolve. He knew, with a sudden, sickening certainty, what Michiru was going to do. Her healing Talent… he remembered the whispers, the theories about its ultimate, desperate application. It could, some said, even bring back the recently departed, but only at the ultimate cost: the user’s own life force.

“Michiru, no!” Arthur yelled, the words tearing from him in raw, desperate, unthinking English, forgetting the phone, forgetting the language barrier, forgetting everything but the impending, pointless tragedy unfolding before his eyes. He lunged forward, his hands outstretched, trying to pull her away from Nana’s rapidly cooling body. “Don’t do it! You’ll die! It’s not worth it!”

But Michiru was lost in her grief, her loyalty, her terrible, loving determination. She barely seemed to register his presence, his frantic, foreign words. Shaking her head, her cloud of fluffy white hair matted with tears and sea spray, she gently, almost absently, pushed his restraining hands away. “She saved me, Tanaka-kun,” she whispered, her voice trembling but resolute, her gaze fixed on Nana’s still face. “She saved my life. I have to… I have to save her. It’s the only way.”

Ignoring Arthur’s renewed, frantic pleas, Michiru pressed her small, trembling hands against Nana’s still form, over the place where the spectral spear had struck. A soft, ethereal white light began to glow around her, emanating from her palms, then engulfing both her and Nana. The light intensified, pulsing with a gentle, almost heartbreaking rhythm, bathing the grim, windswept scene in its otherworldly luminescence. Michiru’s small body began to tremble violently, her face contorting in an agony Arthur could only imagine, but her hands remained firmly fixed on Nana, a conduit for the impossible. The light flared, becoming blindingly bright for a single, eternal moment, then, with a soft, final sigh that seemed to carry all the sorrow of the world, it receded, vanishing as quickly as it had appeared.

Michiru Inukai crumpled to the rough wooden planks of the pier, a small, still heap, her vibrant life force utterly extinguished.

A heartbeat later, Nana Hiiragi gasped, a ragged, shuddering intake of breath, her eyes flying open. She sat up slowly, looking around in dazed, profound confusion, her hand going to her side, where only moments before a fatal wound had been. Then, her gaze fell upon Michiru’s still, lifeless form beside her. Understanding, followed by a wave of raw, uncomprehending anguish, crashed over her. A sob, harsh, broken, and utterly devoid of artifice, tore from Nana’s throat – a sound so full of genuine, unadulterated pain, so unlike anything Arthur had ever heard from her, that it momentarily stunned him into silence. This wasn't the calculated grief she’d so expertly feigned for her previous victims; this was real, shattering, soul-deep sorrow.

Arthur stepped forward, his own face a grim mask, his earlier panic replaced by a cold, weary, and profound anger. He raised his phone, his fingers deliberately, almost violently, typing out his words.

“Well, Hiiragi,” his translated voice stated, flat and devoid of any inflection, cutting through Nana’s ragged, heartbroken sobs. She looked up at him, her face streaked with tears, her violet eyes wide with a mixture of confusion, grief, and dawning horror. “It seems you finally got what you wanted. Another Talent eliminated from this island.” Nana stared at him, her mouth opening and closing, but no words came out. “You should be rejoicing, shouldn’t you?” Arthur pressed, his voice, even through the phone, laced with a cruel, cutting sarcasm. “Or,” he paused, letting the words sink in, twisting the knife, “are some Talents worth more than others, after all?”

Nana flinched as if he had physically struck her. She looked from Arthur’s cold, accusing face back to Michiru’s peaceful, lifeless body, and a look of dawning, unutterable horror began to mix with her grief.

“I’m taking her,” Arthur’s phone continued, his voice now unwavering, filled with a cold, hard resolve. “Tsuruoka and his damned Committee won’t get their hands on her for experimentation.” He saw Nana’s eyes widen almost imperceptibly at the casual, knowing mention of Tsuruoka’s name. Yes, she knew now that he knew. The game had changed. “She deserves to be treated with dignity in death, Hiiragi, not carved up like some lab specimen for your masters to study.”

He knelt beside Michiru, his own heart aching with a profound, unexpected sorrow for this gentle, brave girl he had barely known, yet had come to care for. “You killing Tachibana… the time traveler… that was your worst, most senseless act. You couldn’t even let a dying boy like Hoshino live out what little time he had left in peace.” He looked directly at Nana, who had stopped crying now, her expression a frozen mask of shock, confusion, and a dawning, terrible guilt. “There were times, Hiiragi, so many times, I was sorely tempted to stop you permanently. To end your murderous spree myself. For Michiru’s sake, for Nanao’s, for my own damn principles, I refrained.”

He paused, then added, his voice, even through the phone’s impersonal synthesizer, laced with a profound, weary sorrow, “She deserved so much better than you. Better than any of us on this cursed island.”

Without another word, Arthur gently, carefully, scooped Michiru Inukai’s small, impossibly light, lifeless body into his arms. He stood, turned his back on the stunned, grieving, and utterly shattered Nana Hiiragi, and began the slow, heavy walk back towards the distant, uncaring lights of the school buildings. He left Nana alone on the windswept pier with the accusing ghost of her actions, the devastating weight of Michiru’s sacrifice, and the first, agonizing, unwelcome taste of genuine, heartbreaking loss. He didn’t look back. He couldn’t.

Nana is an evil little bitch

Nana Hiiragi

Of course the hate for her is well deserved.

First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.

Yes, she would be hated just as much if Nana was male (probably more so).

It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.

In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).

Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.

The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.

In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.

I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.

Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).

I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.

Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).

Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.

And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).

Hopefully she will pay some sort of price for her actions.

Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.

In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).

.

Nana Hiiragi

Of course the hate for her is well deserved.

First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.

Yes, she would be hated just as much if Nana was male (probably more so).

It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.

In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).

Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.

The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.

In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.

I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.

Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).

I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.

Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).

Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.

And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).

Hopefully she will pay some sort of price for her actions.

Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.

In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).

.

Chapter 25: Tsuruoka's Monsters

In the chaotic, fear-drenched aftermath of Nana Hiiragi’s public unmasking and the subsequent savage beating by her terrified peers, a semblance of grim, heavily enforced order was slowly, painfully restored on the island by the few remaining, deeply shaken teachers and a grimly determined, stone-faced Kyouya Onodera. Nana, battered, bruised, and her spirit utterly shattered, was confined to the stark, unwelcoming island infirmary under the constant, wary guard of two stern-faced school orderlies. Her future, everyone assumed, would involve mainland authorities and a lengthy prison sentence, if not worse.

Akari Hozumi, the quiet, intense catalyst for this brutal upheaval, meticulously compiled her damning findings – detailed witness statements elicited with her unnerving, truth-compelling Talent, her own chillingly precise forensic reconstructions of multiple murder scenes, and the fragmented, tearful, partial confession Nana herself had made amidst the chaos by the lake. As soon as the next heavily guarded transport to the mainland was available, Akari, clutching her meticulously organized dossier of irrefutable evidence, departed the island, her expression one of grim, unwavering satisfaction. She presented everything to a Detective Maeda at the nearest mainland police precinct, a man whose calm, reassuring professionalism and apparent dedication to justice she found commendable. She was entirely unaware, of course, that Detective Maeda’s calm professionalism was bought and paid for, his primary loyalty sworn not to the law, but to the shadowy, all-powerful Commander Tsuruoka. Maeda assured Akari Hozumi that the matter would be investigated with the utmost thoroughness and urgency, then, as soon as she had departed, he promptly contacted Tsuruoka, who listened to the report with cold, silent interest. For the moment, Tsuruoka decided, it was best to let the official police investigation stall, to become mired in bureaucratic delays. He preferred to deal with his now dangerously rogue asset, Nana Hiiragi, personally, and far more… creatively.

A few disorienting days later, Nana, still nursing her extensive physical injuries and her profoundly fractured spirit, was abruptly, unceremoniously removed from the island infirmary by a team of silent, black-clad Committee agents. She was transported, not to a mainland hospital or a secure police detention facility as she had expected, but back to the cold, sterile, and deeply foreboding confines of Commander Tsuruoka’s isolated military base.

The debriefing, when it came after hours of being left alone in a featureless, windowless interrogation room, was a masterclass in psychological torture. Tsuruoka didn’t bother with pretenses, with veiled threats or subtle manipulations this time. He flayed Nana’s psyche with cold, surgical precision, recounting in meticulous, agonizing detail the horrific circumstances of her parents' tragic deaths, subtly, cruelly twisting the known facts to imply her own childish culpability, her inherent monstrosity, her predisposition to violence. He spoke with chilling calm of her myriad failures on the island, her rapidly declining kill rate, her inexplicable and operationally disastrous sentimentality towards certain targets, her ultimate, unforgivable betrayal of the Committee’s trust by allowing herself to be so comprehensively, so humiliatingly, exposed.

“But perhaps,” Tsuruoka said at last, his voice a silken, venomous whisper that seemed to slither into the deepest recesses of her mind, “you simply lack the proper, fundamental motivation, Hiiragi. Perhaps you’ve forgotten what it is we are truly, desperately fighting against in this shadow war.” He stood, his movements precise and economical. “Come with me. It is long past time for a… refresher course. A practical lesson in the true nature of our enemy.”

Flanked by two heavily armed, impassive guards whose faces she didn’t recognize, Nana, her body aching, her mind reeling, was escorted out of the interrogation room and down a long, blindingly white, sterile passageway deep within the bowels of the facility. The air was cold, recycled, smelling faintly of strong antiseptic and something else, something metallic and vaguely unsettling. As they passed a series of heavy, unmarked steel doors, one was inexplicably, fractionally ajar. Through the narrow gap, Nana caught a fleeting, disorienting glimpse of a figure inside a dimly lit observation room – a pale-faced man with stark white hair, his features indistinct in the gloom, who seemed entirely out of place amongst the banks of complex monitoring equipment. The man’s eyes, cold and piercing, met hers for a single, unnerving, unforgettable split second, a look of unreadable, almost alien intensity, before he slowly, deliberately, closed the door, plunging the room back into darkness. “Eyes front, Hiiragi! Maintain your composure!” Tsuruoka barked sharply from ahead, his voice echoing in the sterile corridor. Nana didn’t know it, couldn’t possibly have known it, but she had just seen Jin Tachibana – or rather, Kyouya Onodera’s sister, Rin, in her male disguise, a fellow prisoner or perhaps even an unwilling operative within Tsuruoka’s monstrous machine.

They arrived at a heavy, reinforced steel door at the end of the long corridor. Tsuruoka paused, then, with a faint, almost anticipatory smile, he opened it, revealing another vast, white, sterile room. In its exact centre, illuminated by harsh, shadowless overhead lights, stood a large, heavily barred cage, constructed of thick, gleaming metal alloys. Inside, a creature of impossible, nightmarish geometry writhed and pulsed, its form shifting and coalescing in ways that defied sanity and the known laws of physics. It was an abomination, vaguely, disturbingly humanoid in its basic outline, but utterly, terrifyingly alien in its execution, a living воплощение of a madman’s darkest fever dream.

“This, Nana,” Tsuruoka said, his voice resonating with a strange, almost proprietary pride as he ushered her and the two guards into the room, the heavy door hissing shut behind them with a sound of absolute finality. “This is what we’re fighting against. This is the true face of our enemy.” “What… what is it?” Nana whispered, her voice trembling, her eyes fixed in horrified fascination on the grotesque, shifting entity in the cage. “The Enemy of Humanity,” Tsuruoka replied, his tone matter-of-fact. Just then, the monster in the cage stirred, its multi-jointed, chitinous limbs twitching, and a horrifying, guttural, stuttering voice, like stones grinding together, echoed in the stark, white room: “H…help… me… Please…” Tsuruoka’s face tightened in a brief spasm of annoyance. He gave a curt, almost imperceptible nod to one of the guards, then gestured dismissively for Nana and the other guard to follow him out. As they exited the room, Nana heard faint, high-pitched, almost childlike screeching from within, abruptly, sickeningly, cut short. The door hissed shut behind them, sealing the horror within.

Tsuruoka, his composure perfectly restored, led them to another identical steel door, further down the echoing corridor. He pushed it open without ceremony. Inside this second room, the immediate, overwhelming stench of stale blood, chemical disinfectants, and visceral decay made Nana gag and her stomach heave. Another reinforced cage stood in the centre, containing a different, though equally grotesque and pitiable, monster. But this room was far worse than the first. It was a charnel house. The corpses of several uniformed Committee guards lay strewn haphazardly across the tiled floor, their bodies mangled, their weapons discarded. And lining the walls, stacked three deep, were rows upon rows of ominous, filled black body bags.

Tsuruoka, seemingly oblivious to the carnage and the stench, strode purposefully over to one of the body bags on the nearest stack and, with a theatrical flourish, unzipped it. Nana’s breath caught in her throat, a strangled, horrified gasp. Inside, lay the lifeless, greyish-white, waxy form of Etsuko, one of the female bullies Nana had so clinically, so callously, poisoned with tainted contact lenses during her first year on the island. Her eyes were wide, staring, her expression frozen in a silent scream of terror.

“I believe you know this girl, Hiiragi?” Tsuruoka stated, his voice cold, almost conversational. Wide-eyed with a dawning, sickening horror, Nana could only nod, backing away instinctively. The remaining guard, his face impassive, grabbed her arm in an iron grip, forcing her closer to the horrifying display. “A very… creative and deniable method of elimination, this one,” Tsuruoka mused, tapping the body bag thoughtfully. “A clear victory for you at the time, Hiiragi, a demonstration of your early potential. Though your operational record has, I must say, slipped quite considerably since then.” He gestured to Etsuko’s corpse. “Now, touch the body.” Nana recoiled, trying to pull her arm free, but the guard tightened his brutal grip, his fingers digging into her flesh, forcing her reluctant hand onto Etsuko’s cold, unnervingly clammy skin. Nana snatched her hand back as if burned, a small, choked cry escaping her lips. “Still warm, isn’t she?” Tsuruoka said, a predatory, almost gleeful smile playing on his lips. “That’s because, you see, whatever arcane, unfortunate force creates a person’s Talent also keeps them… lingering, their essence tethered, even when they appear quite dead to our conventional, unenlightened eyes. And eventually…” He gestured dramatically towards the gibbering, miserable monster currently confined in the cage. “…that is what they invariably become. No matter how many times you ‘kill’ them, Hiiragi, no matter how thoroughly you believe you have extinguished their lives, they just won’t truly, permanently die. They transform.” He strode over and casually kicked another body bag, then another, some of them showing clear evidence of multiple, massive gunshot wounds, others bearing the marks of even more esoteric, violent ends. “And yet, their bodies, their core temperature, remains inexplicably, unnaturally warm. This, my dear Nana, is the true, horrifying nature of our enemy. This is what we’re truly up against. And you, Nana,” his voice hardened, “you have failed. Badly. Profoundly. Perhaps The Committee no longer has any use for you. Perhaps it’s time you were… discarded. Like your unfortunate, less effective predecessors.”

He walked calmly towards the reinforced steel door. “Perhaps a more… direct lesson is required for you to fully appreciate the stakes.” He opened the door. “Guard!” he barked. “Open the cage!” The remaining Committee guard, his face suddenly pale with stark, unconcealed terror, stammered, his voice cracking, “N-no, sir! I can’t! You know what will happen if… if that thing gets out unrestrained! It’s too dangerous!” Tsuruoka, his patience clearly, finally, at an end, his eyes glinting with cold, murderous displeasure, drew his sidearm with blinding speed and shot the disobedient guard through the head without a moment’s hesitation. The man crumpled to the floor in a heap, his eyes wide with surprise and sudden, terminal understanding. “That,” Tsuruoka said, his voice chillingly calm as he holstered his weapon, “is the inevitable price of failing The Committee, Hiiragi. A lesson you would do well to internalize.” With that, he raised his weapon again, aimed it carefully at the cage’s complex locking mechanism, and fired twice, shattering it. He then stepped swiftly out of the room, a grim, satisfied smile playing on his lips, and the heavy steel door slammed shut behind him, its locks engaging with a series of definitive, echoing thuds. Nana Hiiragi was trapped. Alone. With a monster.

The grotesque “Enemy of Humanity” in the now-open cage let out a deafening, ear-splitting screech, a sound that seemed to resonate with all the pain and madness in the universe. “THIS IS WHAT EVERYONE BECOMES!” it shrieked, its voice a horrifying, discordant chorus of countless suffering souls. “THIS IS YOUR FUTURE! OUR FUTURE!” And then, with terrifying speed and agility, it launched itself at Nana.

The fight was a desperate, brutal, almost primal struggle for survival in the bloody, gore-strewn charnel house Tsuruoka had so callously, so deliberately, created as her final, horrifying classroom. Nana, driven by a surge of pure, undiluted adrenaline and a fierce, unyielding will to live, used every ounce of her assassin’s training, her agility, her cunning, her sheer desperation. The creature was inhumanly strong, terrifyingly relentless, its attacks bizarre, unpredictable, and sickeningly violent. Finally, after what felt like an eternity of pain, fear, and brutal exertion, Nana, bleeding from numerous deep wounds, her body screaming in protest, managed to exploit a momentary weakness in the creature’s defense, using a jagged shard of metal she’d wrenched from the broken cage lock to deliver a decisive, severing blow to the monstrous entity’s primary neural cluster, or what she desperately hoped was its equivalent. It collapsed with a final, gurgling shriek, its unnatural form dissolving into a viscous, rapidly evaporating ichor.

Exhausted beyond measure, bleeding freely from numerous wounds, but astonishingly, miraculously alive, Nana frantically, desperately searched for an escape route from the horrifying, sealed room. Her eyes, wild with adrenaline and a dawning, desperate hope, fell upon a small, almost hidden maintenance hatch set high in one of the walls. With the last of her strength, she managed to reach it, pry it open, and narrowly, miraculously, bypassed a series of sophisticated security measures within the narrow, suffocating crawlspace beyond. Somehow, running on sheer, unadulterated will, she managed to flee the nightmarish facility. She emerged, hours later, into the indifferent, sprawling anonymity of the vast, uncaring city, a wounded, traumatized, and hunted fugitive, her illusions shattered, her understanding of the world, of Talents, of good and evil, irrevocably, horrifically, and permanently altered.

Back on the distant, isolated island, life – or what passed for it in the wake of Nana’s dramatic exposure and removal – continued in a state of uneasy, fearful chaos. Arthur Ainsworth watched the fallout, the fear and anger amongst the surviving students slowly, inevitably giving way to a confused, rudderless, and deeply pervasive anxiety. He was entirely unaware of Nana’s current, even more horrific ordeal at the hands of Commander Tsuruoka, entirely unaware that she was now on the run, her entire worldview, her very sanity, demolished. He only knew that Nana Hiiragi, the island’s most prolific, most dangerous, and most enigmatic killer, was gone, and the future, for himself and for everyone else trapped in this terrible, unending game, was now more uncertain, more perilous, and more terrifying than ever before.

Chapter 15: The Long Watch

The aftermath of the horrific confrontation at the docks was, with chilling Committee efficiency, unsettlingly, almost surreally, muted across the wider school. News of Rentaro Tsurumigawa’s sudden, immediate, and permanent “expulsion” for “egregious and violent misbehaviour that endangered fellow students” spread like a carefully managed wildfire, a conveniently sanitized and deliberately vague narrative disseminated by a pale-faced, visibly shaken Mr. Saito and the other grim-lipped, tight-faced teachers. It was designed, Arthur knew with a cold certainty, to mask the true, terrifying violence of that awful evening and prevent any semblance of mass panic just as the students were on the cusp of departing for the long-awaited, much-needed term break.

Nana Hiiragi, it was quietly, almost confidentially, announced, had suffered a “severe emotional shock” from her “brave and selfless intervention” in the Rentaro incident and was under strict, isolated medical care in the school infirmary, strictly forbidden any visitors for her own well-being. Of Michiru Inukai, there was initially no official word, a heavy, pregnant silence that was, in itself, deeply, profoundly ominous. Then, just hours before the first ferry was due to depart, a sombre, almost funereal Mr. Saito informed the assembled students during a hastily called morning assembly that Michiru-san had, with tragic, heartbreaking suddenness, succumbed to a rare, aggressive, and previously entirely undiagnosed latent medical condition. Her passing, he’d said, his voice thick with carefully feigned sorrow and his eyes not quite meeting those of his students, had been peaceful. A suitable memorial service, he’d assured them, would be held at the start of the next term to honour her gentle spirit.

Arthur listened to the carefully constructed, insidious lies with a cold, contemptuous, almost murderous anger churning in his gut. He knew the truth. He knew, with a sickening certainty, that the Committee, through the school’s puppet authorities, would desperately want Michiru’s body. A Talent user who had performed such an unprecedented, almost unbelievable act of resurrection, sacrificing her own life to restore another’s, was an invaluable, unique research specimen. They would want to study her, to dissect her, to understand the profound, terrifying nature of her ultimate sacrifice, perhaps even to weaponize it. He would not allow it.

While the other students – a volatile mixture of genuinely relieved, superficially excited, and still deeply, palpably unnerved – bustled about the dormitories packing their bags, their chatter a jarring counterpoint to Arthur’s grim resolve, he moved with a singular, almost predatory purpose. He had already, under the cover of the pre-dawn darkness, retrieved Michiru’s impossibly light, still form from the cold slab in the school’s small, under-equipped morgue where she had been temporarily, disrespectfully placed. He’d carefully, reverently wrapped her in a clean, new sheet he’d "requisitioned" from the infirmary linen closet when no one was looking. Carrying her small, precious burden, he walked with a steady, determined gait through the increasingly deserted school corridors, a sombre, solitary spectre of grief and defiance amidst the fading echoes of youthful excitement and hurried departures. No one questioned him; no one tried to stop him. Perhaps it was the stark, unapproachable, almost dangerous grief etched on his face, a silent, potent warning against any form of intrusion. Or perhaps, more likely, in the frantic, institutional rush to vacate the cursed island, the lone, grim-faced boy carrying what looked like a peacefully sleeping, sheet-shrouded classmate was simply an oddity too inconvenient, too unsettling, too difficult to address or explain away.

He took Michiru to her own small, now entirely empty dormitory room. It was neat, almost clinically tidy, and already stripped of most personal belongings, her former roommate having clearly departed on the earliest available transport, eager to escape the island’s oppressive atmosphere. The silence in the room was profound, heavy as a shroud, broken only by Arthur’s own ragged, hitching breathing and the distant, mournful cry of the first ferry horn sounding its departure from the docks, a sound that seemed to echo his own internal desolation. This strange, suspended May, he thought with a fleeting, dislocated sense of temporal confusion – so different from any May he’d ever known back in England, a time usually of burgeoning hope, of lengthening, sunlit days, not this… this cold, grey, empty waiting.

Gently, with an almost reverent tenderness that felt alien yet entirely natural to his grieving heart, he laid Michiru on her narrow, bare mattress. Her white, fluffy hair, usually so vibrant and full of innocent life, seemed dull and lifeless against the stark, utilitarian pillow. Arthur found a washcloth and a basin of clean water from the thankfully still-functional communal bathroom and, with a gentleness that surprised even himself, began to clean the lingering traces of grime and sea spray from her pale face and small, delicate hands. It felt like a vital, final act of profound respect, a small, silent, defiant rebellion against the island’s casual, brutal disregard for its young, vulnerable charges. He straightened her simple school uniform, which he’d managed to keep relatively clean, and smoothed her soft hair back from her forehead. He wanted her to look at peace, to be accorded a dignity in death that this island, and the monsters who controlled it, so readily, so callously, stole from the living.

Then, the long, solitary, and uncertain watch began.

The final ferry horn blared in the distance, a mournful, fading cry signalling the departure of the last contingent of students and the few remaining skeletal staff. From Michiru’s small, heavily curtained window, Arthur could see the vessel pulling away from the pier, growing smaller and smaller until it was just an indistinct, insignificant speck on the vast, indifferent grey horizon. He was alone now. Utterly, terrifyingly, and in a strange way, almost peacefully alone, on an island saturated with unspoken secrets, spilt blood, and the sorrowful ghosts of lost innocence, with only the silent, still form of a girl who had so bravely, so selflessly, sacrificed her own precious life for her damaged, deeply undeserving friend.

He pulled the room’s single, uncomfortable wooden chair beside Michiru’s bed and sat, the silence in the room, in the entire deserted dormitory wing, in the whole silent, echoing school, pressing in on him, vast, profound, and suffocating. He knew the Committee would eventually realize Michiru’s body was missing from their cold storage. They would search. But he also knew something else, a strange, chilling piece of information gleaned from his fragmented anime memories, a detail about the Committee's own twisted beliefs regarding extraordinary Talents. They believed, or at least theorized, that a Talent as potent as Michiru’s, one capable of true resurrection, might possess a residual capacity for self-regeneration, even after apparent death. It was probably, Arthur thought with a cynical twist of his lips, the only vaguely true or insightful thing the Committee had ever inadvertently revealed about the true nature of Talents amidst their mountain of lies and manipulative propaganda.

The critical, terrifying unknown, however, was the timescale. If such a regeneration were even possible – and Arthur clung to this thought with a desperate, almost ferocious tenacity, fueled by the unnatural coolness that still eman మనed from Michiru’s body, a bizarre stasis that defied normal decomposition – how long would it take? Days? Weeks? Months? Or, God forbid, years? He didn’t know. Nobody did. But he made a silent, solemn vow to the still, silent girl before him, a vow that resonated in the deepest chambers of his weary, grief-stricken soul. He would tend to Michiru. He would watch over her. For as long as it took. He would not abandon her. He would not let her become just another experiment for Tsuruoka’s butchers. And more than that, a new, chilling fear took root: he would not see Michiru, if she did somehow return and was left alone, terrified, and uncontrolled, eventually transform into one of those monstrous “Enemies of Humanity” he knew were a horrifying potential endpoint for unchecked or traumatized Talents. That, he vowed, he would prevent at any cost.

In that profound, echoing emptiness, he found himself talking to her, his voice low, hesitant at first, then spilling out in a quiet, rambling stream of his native English, a stark, intimate contrast to the stilted, carefully translated Japanese he was forced to use with the living.

“It’s Arthur, you know,” he murmured, his gaze fixed on her pale, still face, so achingly young. “My real name. Arthur Ainsworth. From Crawley, down in Sussex. You wouldn’t know it, of course. Terribly dull place, Crawley. Grey skies, mostly. Nothing like this… this Technicolor, blood-soaked madhouse.” He spoke of his mundane, unfulfilling job as an accounts clerk, his quiet, amicable but ultimately failed marriage to a woman who had deserved better than his own hesitant apathy, the soul-crushing, quiet desperation of his previous, unlamented life, a life that now seemed like a distant, almost unimaginable, sepia-toned, irrelevant dream. “Funny, isn’t it, Michiru?” he continued, a dry, humourless, almost painful chuckle escaping his lips. “I used to think my life back there was utterly pointless, completely devoid of any real meaning or purpose. Now… now I’m here, trapped in this waking nightmare, and I’m failing on a truly epic, spectacular, almost biblical scale.”

He told her about his impossible, inexplicable predicament, his fragmented, cursed foreknowledge gleaned from a garish, violent television show his teenage nephew had been briefly, inexplicably obsessed with some years ago. “I knew… I knew so much of this horror was going to happen. Nanao, Habu, Hoshino… even you, in a way, though not like this. Never, ever like this.” A wave of profound, helpless, suffocating guilt washed over him, so potent it almost choked the words in his throat. “I tried to stop you, Michiru. With Nana. I really did. I shouted until my voice was raw. But you were so… so damned determined. So brave. Far braver than I could ever be.” His voice cracked, and for a long time, he simply sat in the silence, the only sound his own ragged, unsteady breathing.

Hours bled into days, an eternity of dim light and profound, echoing silence, marked only by the slow crawl of the sun across the dusty, curtained window. He ate sparingly from the dwindling tins of forgotten, non-perishable emergency supplies he managed to pilfer from the deserted school kitchens, his phone, its battery now carefully, obsessively conserved, his only companion for checking the slow, agonizing passage of time. He slept in fitful, nightmare-plagued starts in the uncomfortable wooden chair beside her bed, or sometimes, when the exhaustion became too much to bear, curled up on the cold, unforgiving floor at her feet, waking with a jolt, the oppressive, unnatural silence always the first thing to greet him, a constant, unwelcome, terrifying reminder of his utter, profound isolation.

As the first long, silent, grief-haunted week of the term break drew to its close, Arthur Ainsworth sat his solitary, unwavering vigil, a self-appointed, grief-stricken, and increasingly desperate guardian in a silent, empty, and deeply cursed school. He watched over a brave, gentle, and selfless girl who embodied a purity and unconditional love that this island, and the dark, malevolent forces that controlled its destiny, seemed hell-bent on eradicating from existence. He was adrift, his own future an utter, terrifying, featureless unknown, his only certainty the profound, crushing weight of the recent, tragic past and the silent, solemn promise he’d made to protect Michiru’s final, precious rest, and her even more precious, if improbable, potential return.