Jojo's Bizarre Analog Adventure

As requested, the private message relayed to B on 14/03.

GUYS. DID YOU KNOW YOU CAN WRITE CHOOSE YOUR OWN ADVENTURE FICS ON AO3

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Even if you're not the target demographic, please share for any of your friends who may be.

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if you’re craving chocolate muffins after the olympic muffin man videos, jordan the stallion on tiktok has the recipe for you

One thing I really love whenever I see it in fic is Phoenix having suburban drama with the parents at Trucy's school. Because he is exactly that kind of petty bitch. Somewhere in japanifonia there is a woman called Deborah who has been engaging with Phoenix in more intense psychological warfare than he ever had with Kristoph.

When Edgeworth finally moves in everyone expects it to stop because people tend to think of him as being Phoenix's handler but in reality he just makes it infinitely worse because Edgeworth is even fucking more of a petty bitch except he's also a complete fucking snob who knows exactly how to cut them in the exact way that hurts. Phoenix will insult their parenting style, Edgeworth will insult their wine pairing, do you understand what I'm getting at?

once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.

and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.

ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter

so i’ve been rewatching sk8: the infinity and someone must have noticed this by now already but miya and langa feel like foils of one another???

I mean, super talented skateboarders who got into it to have fun with friends, but ended up surpassing them and driving them away through a mixture of their single-minded dedication and their friends’ insecurity???

It just makes me  f e e l  things, y’know?