Armand + Head Tilt

saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!

said by someone who didn't watch the movie... ? i know what you are lmfaooo. only a certain ✋🏻 demographic would see a movie wherein a white man leads a hive minded lynch mob to rob a young black man of his autonomy and voice, and instead of engaging with any of the messages that are actually important, turn it into... slop

I never thought it could be done but somehow Sinners managed to make a story about two men that want to kill each other more homoerotic than death note.

Back home, Nana's band had hordes of fans. She was a local celebrity.

MIKA NAKASHIMA as NANA OSAKI NANA (2005) dir. Ohtani Kentaro

he's so fine icl

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no?? i'm queer and black. i assume ur white because why in your right mind would you ship a racist white colonizer with a young black man...??? like what??? it's not about you being queer, it's about the very racist and tone deaf undercurrent of this "ship".

I never thought it could be done but somehow Sinners managed to make a story about two men that want to kill each other more homoerotic than death note.

MICHAEL B. JORDAN as SMOKE

Sinners (2025) dir. Ryan Coogler

"unracist those motherfuckers" vs what is said about sammie's family's church... i know what you are. how about the themes of colonialism and abusive religion that remmick perpetuates. how about remmick's co-opting of black culture. how about remmick paying no regard to a young and gifted black man's autonomy because he wants his gift to serve him. "i want your stories, i want your music"— i do not think painting remmick as this kumbaya singing advocate of peace and equality was the message in this movie, but showing that racism is not just klansmen who say the hard r and lynch black people (which is essentially what remmick was doing as well). even the music he plays says this— the blending of cultures as sammy transcends time with his music, you see all sorts, but remmick is solely focused on white music, his irish heritage is his only focus in his music. "unracist those motherfuckers" no! he just made them a different form of racist! juxtaposition lol.

also michael b jordan as a blood-soaked sweating shirtless vampire thank u ryan coogler. thank u god.

the comparison of the Irish experience to the Black experience, finding out that Remmick comes from a time when the Irish were colonized... while still acknowledging that he was able to use that privilege to escape the vampire hunters... and the first thing he did was un-racist those fuckers in the home he ran in to.

and the absolute juxtaposition of Sammie escaping the vampire hivemind with his life, only to go back home to the church where he is expected to give up the music of his life to assimilate into his father's church

FUCK

Ryan fuckin Coogler the man that you are

i'm not going to shut the fuck up about this movie

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