The reason Goncharov (1973) is such a hit is because it allows Tumblr to unironically participate in its national sport:
just watched Big Hero 6 for the second time this week
forgot how great it was đ
I do not hate Eddie, so please do not take this in a bad way. This has less to do with Eddie, and more to do with the show and fandom hypocrisy.
It bothers me that Eddie is allowed to be a hero, but Billy is not. Billy held back a monster 100 times his size. He died a horrible, painful death in order to save everyone. Eddie died for no narrative reason. I am sorry to say that, but the real reason The Duffers killed Eddie was because they couldn't envision a future for Eddie.
Eddie is allowed to be a hero in this fandom. His death is allowed to be deeply emotional. He is not treated well by his peers who villainize him still, but that's not whose perspective is valued in the story and that's not how the fandom feels. Billy, though, is continually villainized by the narrative and by the fans for failing to cope with his abuse.
How am I supposed to feel deeply moved by any other death on this show when the fans mocked every scene of suffering Billy went through. People mock Billy's traumatic death and spam scenes of it because they think it's funny. So any sadness I am supposed to feel for anyone else is marred by this fandom's utter disregard for Billy.
Eddie's allowed to be dysfunctional, too. The same things Billy is treated as a sociopath for, Eddie can do and it's fun and quirky. I have a really hard time dealing with the fact that people love Eddie so much but then treat Billy so horrifically by laughing about him being abused or saying he deserved it or just condemning this teenager to death because there was no way he could get better.
All I hear when people say Billy was incapable of getting better is The Duffers essentially saying the same thing about Eddie. So even if you criticize them for how they handled Eddie's death, some of you are so unwilling to confront the way you think about traumatized and abused teenagers like Billy, too. It really sours my interactions with this fandom and makes me uncomfortable.
This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.
character: how was I created?
author: well, you see, when two characters love each other... the author decides love does not conquer all, thus one (or both) of those characters dies, is heavily injured or suffers greatly impacting traumatic experiences. Hence, a new character is created to fill the whole left in the hearts of the readers. This is how you came to be, dear character.Â
âEven dead they ignore you, huh?â
This is the second part. If you want to read the first part, the link is at the end. Sorry, it took me a while :,)
Warnings: character death, mental issues, grief, child neglect (?), disability (m/n is using crutches because of the injury he got from an accident in his younger years). Canon divergence ⌠? Regardless, Iâve changed things. also, the addition of Roy Harper ;)
âClose your eyes for a second, wonât you?â
M/n chuckles, âWhat do you want, Roy? Donât we have anything better to do?â He closes his eyes nonetheless. Wouldnât hear him say it out loud, but M/n will probably do anything if it was Roy who asked. Thatâs how the two of them are.
âJustâŚ,â there is some shuffling. What is that man doing? âJust bear with me for a sec.â
âFine, Iâll indulge you. But it better be worth it.â M/n added as more of a joke at the end. It wouldnât even matter if it was worth it or not, if Roy considered it so.
Roy sighs and touches M/nâs shoulder, slides his fingers down to his hand and holds it, squeezing it softly. Then the touch is no more and M/n is left feeling cold.
âYou can open your eyes now.â
âIâm married now, by the way.â
âWhat?!â Jason stands up in shock. He clears his throat because some heads turn his way. They are in a public place, after all. A dingy bar, but still public.
âYeah. Who wouldâve thought, huh?â Roy plays with a small lock of his hair as Jason sits back down. ďżź
âItâs⌠something.â Jason coughs.
Roy pushes his friend slightly, no ill intention there. Jason laughs that laugh of his that leaves Roy stunned. An almost fragile smile graces the redheadâs lips and he canât help the sigh that escapes him.
Jason swirls his drink, a low quality beer that doesnât even get the job done, but itâs cheap and itâs alcohol so whatever, âSheâs one lucky girl.â He looks straight at the queasy liquid and feels a lump forming in his throat. A tiny one, the one he gets from time to time, at the thought of what his life could have been. He canât even comfort himself with the idea of another Jason in another world living happily in his stead. He doesnât believe he is that lucky. Entertaining the thought only brings something close to nostalgia for what has never happened and⌠well, how would he even begin to explain?
He gets another push from Roy, one that pulls him out of his thoughts. âHey!â Jason exclaims.
âLook at you assuming!â Roy ruffles Jasonâs hair.
Jason pushes Royâs hands away from his freshly washed hair.
âWho ever said they were a girl? Iâll let you know that Iâm the lucky one to have my hubby.â Roy is presenting the most disgustingly precious heart eyes, almost making Jason visibly shudder.
Once Jason gets Roy off him he fixes his hair (not really doing much, but whatever) and downs the rest of his drink. He leaves some money on the table, nodding to the bartender (poor guy was trying to wipe away some stain that was probably never gonna leave that sorry excuse of a bar), who nods back.
âLetâs get out of this shithole.â
âUh-Uh, okay.â Roy quickly downs his apple juice, cringes, then leaves his own payment on the greasy table.
As they walk down the dark streets of Gotham, Jason looks at the smogged up sky, can almost see the clear moon if he squints.
âHowâs he like?â
Roy sighs dreamily, âMy lifeâs been pretty shitty after you âdiedâ, but he helped me get better. He is⌠I wouldnât know how to explain it, but there is no need for you to worry, Jason. Iâm finally at peace, I would say.â Jasonâs friend ends on a sadder note and Jason thinks that, perhaps, he thinks of it too, what could have been.
Jason clasps a hand on Royâs strong arm, âYouâre good. Thatâs what I need to know.â He smiles at the redhead who looks close to genuinely crying. Tears gather in the no longer childâs eyes too, but Jason doesnât let them fall. Memories are blurred, but some spring up now that he looks Roy in the eyes. If they hug it out and some tears slip, itâs for only them to know.
M/n cooks breakfast for Bruce, Tim and Alfred, as he does every now and again, whenever he stops by the manor. Roy doesnât complain and, of course, he joins, aiding his hubby with the help he needs. When Bruce tries to keep him at the door, Roy can always use the Iâm part of the family now argument.
Speaking of Roy, heâs been behaving strange as of lately. He comes in late and he leaves at the first sign of daylight. If he were anybody else, M/n would suspect cheating or growing back into old habits, but that simply isnât his Roy. M/n is pretty sure his husband will say something pretty soon. He always slips up. Canât keep a secret from M/n to save his life.
M/n picks up the plates, balancing them on one hand, the other holding onto his crutch for dear life, and takes six instead of five. He stares for the longest time at the extra plate, then places it back. With the five plates in hand, he heads towards the enormous table (it always seemed bigger than the world when he was younger, just like Bruce), stumbling here and there on the carpet (itâs not that the carpet isnât neatly placed every time, courtesy of Alfred, but handling everything with one hand is harder than youâd think), and sets it nicely. He has developed a sense of dexterity around the house, even with the setbacks. Alfred smiles proudly at him as the older man brings the pancakes from the kitchen.
âIâll go get the honey.â Dick and Alfred used to look at M/n with concern when he first started eating honey with his pancakes. After all, Jason expressly used to talk about how it was âultimately the only way he likes pancakesâ.
âItâs alright, I got it.â Bruce appears from the kitchen as well, making M/n jump.
âDonât just sneak up on people, dad!â
Bruce scratches the back of his head, âSorry, canât really turn the stealth mode off.â Tim snorts from his spot at the table. The brooding bat is trying to be better, M/n knows this. He canât help, however, the lingering loneliness he feels whenever he looks at his father too long. Itâs not something he can control, really. But dark thoughts must be kept at bay.
Roy makes his way into the room, hands wet from washing them. He walks to M/n and places a kiss on his husbandâs cheek, using the diversion as a chance to wipe his wet hands on M/nâs hoodie (that, actually, belongs to Roy). M/n gasps in faux shock, but Roy only laughs and pecks him on the lips.
âLove you.â Roy says cheerily, loud enough for the whole room to hear. Bruce clears his throat, eyes narrowed, hand squeezing on the honey jar.
âCareful not to break that, Master Bruce.â Alfred speaks with an amused glint in his eyes. âHow about we all get to the table? Master M/n has made us quite the nice breakfast.â Alfred ushers all of them in their respective places. All on one side of the big table. Bruce at the head, to his right Tim, to his left M/n. Roy is to the left of M/n, and Alfred to the right of Tim. M/n doesnât escape the images flashing before his mindâs eye: a boy in front of him, not Tim, and he talks like he has the whole world to fill with words and not nearly enough time. Right after, M/n couldnât bare to see the spot empty and when, two years later, Tim came and filled it himself, M/n couldnât bear to see it filled by somebody else. M/n swallows hard, yet the lump is still there, pressure in his chest growing steadily. It happens from time to time, the feeling of the world falling around him, the feeling of helplessness from within in regards to the falling. Tears sting his eyes, yet he doesnât let them fall. He tries to take a bite of his pancakes, oozed in honey, but they get stuck in his throat, choking him. He bends forward for the water glass in front of him. The cold liquid clears his throat and eases the constricted passage.
âDo you ever think of going back?â
Jason stares at the resting figure belonging to a life so far away. The sun is too bright and the flowers pale in comparison to the now man laying in the grass. The manor is as imposing as Jason remembers it â as if through a dream. Itâs unreal. And so is the sight of his brother. He looks almost⌠peaceful. It makes Jasonâs stomach churn and twist with he doesnât know what. Maybe itâs pain or some itch he canât scratch that goes as deep as his soul. Or maybe itâs longing? His hands shake (they always do, like what the fuck? canât he just do something without thinking heâs going to fucking burst? get destroyed more than he already is? what even is his fucking life. itâs not even a question anymore. there is no life left. there is nothing. he is nothing. just a pile of bones covered in flesh that shouldâve long rotten to dust) and he feels too little on the outside, too much on the inside. He wants to fucking scream! He wants to yell to RAGE AT THE WORLD AND AT THE NEANT and he wants to whisper about everything (about nothing at all) and he wants to have a vanishing act, finally catch up with his end. That is his brother! His brother? Ever since he was able to remember anything at all about his old life, M/n has been there, nagging and pocking and there always there (GOD IF YOU ARE REAL make his un-life make some sort of sense), being the brother he had never been seen as. Conversations that could have been. Conversations that never will be. Jasonâs mind is a scrambled mess of scorched and festered brain. He canât make up half the things he thinks. But, somehow, M/n shines through and it hurts.
He hasnât seen his home in what feels like an eternity. He has been, in fact, putting it off. It doesnât even feel like home, just a memory slowly melting into a void in his mind. Itâs no lie that Jason half expect his brain to drip out of his ears in his sleep at some point.
âItâs useless, pathetic even, to think of something I can never have. So, yes. I do. I am, in fact, quite useless and pathetic.â
M/n doesnât notice anything wrong at first, nothing out of common or eye catching. In fact, he would say he doesnât feel as much of the pressure as he usually does. The world is so big and, really, today it feels like he might be in it too. And it doesnât occur to him in this moment (perhaps it is that M/n stops it from occurring) that he hasnât been in it for far too long for that to be true.
Tears donâtâtears donât exist. They are not real as they fall down his cheeks and he moves his arm to try and stop them. He tries to keep the raptures of his soul from reaping further, he really tries. You have to believe him. M/n really tries to see the world as it is. He just canât stop himself from seeing it as it should be.
Because he should be here too, seeing the flowers bloom and the sun shining just right, happy and God without those lifeless eyes he sees in his dreams every night (yet in some of his dreams they are so full of life itâs overwhelming; in those dreams Jason is back and he is laughing again and M/n apologizes for everything and things are good; reality often disappoints).
He doesnât notice the figure creeping up on him, not with his trembling fingers rubbing at his eyes as he slowly and rustily sits up on the grass.
âGet it together, M/n. Itâs been over for too long, there is no going back.â M/n sighs his tears away, eventually wiping them with his shirt.
Itâs too quite in the garden, even with the occasional chirping of the birds or the buzzing of the busy bees, thus he hears the voice well enough to know itâs not the wind.
âWhatâs been over?â
M/nâ head snaps up so fast he gets a bit dizzy. The sun casts the man in front of his eyes in a gentle light, and he is so tall as he approaches that he casts M/n in a slight shadow. M/n stares at the man, confused. How did he get here?
âE-Excuse meâŚ?â M/n squints up at the man and can barely distinguish some of his features. Dark hair with a white streak that softens his face. âYouâre not supposed to be here.â
The man⌠smiles?
âYeah⌠Iâm not.â There is a certain nuance to his voice, a note of⌠sadness.
M/n doesnât no why, but he feels warm in the presence of this person, and itâs not just the sun, âDo I know you?â M/n asks before he can stop himself.
M/n have the chance to say anything more as the man slowly crouches to his eye level, a cace illuminated in the sun, blue eyes with specs of green.
Itâs immediate, instant and shatteringâ the recognition. It doesnât take anything more than looking into those eyes, the eyes he sees in his sleep, the eyes that haunt the corners of his mind and hide in the shadow of every memory.
M/n makes a sharp intake of breath, involuntary and too sudden. He doesnât what he is doing, his actions uncontrolled. He raises his hands to the cheeks of the man in front of him, the man who seems as stuck in place as M/n. M/n rubs softly at the skin, not sure if it belongs to the physical world.
ââŚJason?â His voice barely reaches a whisper, quite to his own ears. He smiles through the stinging in his eyes, then shakes his head, âNo⌠this is my dream⌠always my dream.â
There is conflict in his Jasonâs eyes, something M/n canât figure out, something heâll never know.
It is a dream because reality is never this kind. He spends moments staring at his Jasonâs features, taking them in, admiring the handsome face that could have been if the little boy from back then had been give a chance. When M/n speaks again, heâs already lived a thousand realities in his mind.
âWhy do I wake up every time? Itâs always better here, with you, than back there where everybody expects me to be realâŚâ A lone tear drips down M/nâs cheek. âYou are always quiet in my dreams. So strangeâŚâ
âWhatâs been over?â His Jason repeats, slightly startling him, and he looks at M/n with the same lack of resolve M/n feels. His Jason looks as close to the end as M/n feels. His Jason looks like a requiem to M/nâs final dream of life.
âI always try to tell you, but I never quite get the chance⌠How,â He looks deep into the apparitionâs eyes, the windows to his Jasonâs soul, âHow much I regret not listening to you.â
His Jason tenses under his hands. His eyes look conflicted again, shadowed by feelings M/n can hardly recognize as a reflection of his own soul. The man brings his hands up to M/nâs own and takes them away from his cheeks, envelops them in the soft skin that feels too real.
âYou just wanted me to listen to you, to hear you, right?â M/n tries to keep his smile on his face, but his muscles are heavy with grief and itâs too hard, âI couldnât see beyond the thought that you were there to replace me because I was defected.â He slips one of his hands from his Jasonâs. M/n place it at the back of the manâs neck, running his fingers through the fluffy hair there. His Jason latches his now free hand to M/nâs forearm, holding it tight.
âI miss you.â
Tears gather in Jasonâs eyes and his lower lip trembles. He hasnât cried in so long and, so sudden, he cries twice in a week. He tries to keep it in by biting his lower lip, but the sob, however muffled, still escapes the confines of his soul.
He wants to scream âIâm real! Iâm here, stop crying, please! You are my brother, even though I thought youâve hated me when I was alive!â But he canât bring himself to talk, he canât bring himself to say anything as more quiet sobs escape his bitten lips.
âYou feels so realâŚâ M/n looks up at him with bigger eyes than the world, with an inner peace one would only have in the happiest of dreams, pain seeping in at the edges. Is this a dream? It might be a dream. Jason always thinks heâll wake up to stare at the inside of a coffin, six feet under. âBut you always feel real. You always feel so real, and I always wish I werenât. Maybe if I werenât, youâd still be here.â A sob finally escapes his brotherâs lips as well, pain winning over. âMaybe, then, everything would be alright again⌠You know, for the longest time dad couldnât even look me in the eyes. You meant the world to him, you still do.â
Jason lets go of his lower lip and lets the sobs free, not able to hold back anymore. He feels like a child again. He didnât get to be a child, didnât get to cry and to be held and he feels rage because he wants it, he wants it so bad.
Jason wants to have the warmth of his childhood, not just some half assed memories of good for nothing parents who left him and closer memoriesâa big brother who has the biggest smile, another brother who looks at him like his world is smaller just for Jasonâs existence (not knowing that, to Jason, M/n was the one who made the world bigger), a butler who always knows what to say and a father who gives him something his real parents could never.
All the rage he felt, all the rage he kept inside himself for years after being brought back to a world that he no longer belonged in was being brought forth and he felt like a child. His dad never avenged him, his killer is still out there, but how can he hate the man that loved him so much Jason felt like the whole world was his? How can he possibly understand what that man thought and felt? His brother, whom Jason always thought hated him with everything in his soul, is here in front of him, talking about Jason like Jason is M/nâs entire world, like he wishes he was dead instead.
Why did Jason die? Why did Jason have to die?
The little boy in him, the little boy that cries and cries and hasnât stopped crying, needs Jason to let go of his rage. But how can he do that? How could he ever do that?
Jason looks down towards M/nâs hand that is still in his grasp and squeezes it to his cheek as Jason leans forward to M/nâs chest. He falls to the ground and, even with his body being larger than his brotherâs, he feels so small and on the verge breaking.
âWhy did I die?â M/n frees his arms and wraps them around Jasonâs shivering form. âWhy did I have to die?â Jason closes his eyes and feels the warmth of his brotherâs body. His body is rotting around him and the world doesnât feel real, but the brother who had never wanted him feels the realest anyone ever has.
Jason realizes M/n is shaking as well. âI donât know. Iâm sorry it had to be you,â M/n squeezes Jason tighter, leaning into him as if wanting to keep him away from the world. âIâm sorry. Iâm sorry it was you.â
Why is M/n talking like Jason isnât real? This is real life, right? If this is a dream and Jason has to wake up again after this, he doesnât think heâll live. He wonât make it.
âIâm real, M/n, please believe me, Iâm realâ Jason rubs his face into M/nâs shirt, staining it even more with his tears, âIâm real, Iâm real, please Iâm realâ Jason repeats it like a prayer, he is praying to the God that has abandoned him, praying because he wants it so badly to be real. Because he doesnât feel real. Not anymore.
âIâm scared that soon there might be nothing left for you to miss.â
@tkiesai
Part 1:
Why wonât you speak?
âAs I am standing over your dead, rotting body, I wonder: are you cold?â
Story: between Dick and Jason, Bruce adopts another hurt boy. M/n was around before Dick left, so he really considers him his older brother. When Jason comes around, M/n canât help but feel jealous. After all, M/n is weak. He canât be Robin.
Warnings and additional notes: M/n is using crutches to walk because of a car accident in which he took part at the age of twelve, the car accident that killed his parents. Bruce Wayne takes him under his wing, making sure he gets all the medical support he needs, making sure he is cared for. M/n is envious of Bruceâs soft spot for Jason. Major character death. Canon compliant⌠? There are things added by me, of course.
â. â
The large doors of the library open with a burst of uncharacteristic storm.
âWhen has Batman died and put you in charge.â Jasonâs shoes make an almost soundless approach in M/nâs direction.
M/n chuckles, âOh my, arenât you an opinionated little brat?â
Jasonâs tongue clicks. No. He ainât doing this shit. He takes a few more steps towards his tormentor.
â I am Robin.â He points towards his chest. âMe. Not you, M/n. I should be in charge, not you.â He might not be in his suit, but he is Robin. And not even this bastard could take that away from him.
âYeah, yeah. Listen here, you little asshole. You need to calm down. I donât like you getting in my face. You annoy me. â M/n rolls his eyes, and crosses his arms, leaning on the windowsill. The library is getting too crowded for the both of them. âWell, you donât really have a choice. Iâm older, more responsible. Donât you have to listen to me or something?â Jason locks eyes with his fake brother, watching the words fall from his lips like boredom in the wind.
âYouâre only two years older. Donât act superior just because youâve been here a little longer than me.â Jason wants to scoff, instead he draws back. Only to rethink his decision and bite. âEven so, I am Robin. And youâre just sickly prickly M/n. Nothing special there.â
There is a crack in M/nâs smile. Small, but noticeably there. Almost makes Jason regret it. Almost.
M/n scoffs, hiding the hurt, âYou need to calm down, little asshole. Itâs Alfred who holds the rule anyway. Donât even know why youâd think itâd be useless, little me.â M/n tilts his head tauntingly, picking up his crutches and making his way out of the library. âCongratulations though. Youâre pathetic.â
Jason rubs his eyes in exasperation. They will never get along. Never.
âMaster M/n, is everything alright?â M/n tries to calm himself, almost bumping into Alfred. He feels like heâs gonna burst, but he canât let the tears fall.
âOh, Alfred⌠Sorry. I didnât see you there.â M/n forces a smile. And he is sure it doesnât fool Alfred. The elder man always knows.
âItâs quite alright, Master M/n. My question stands, however. Is everything alright?â
M/n averts his eyes, âOf course.â He stumbles a bit with his crutches as he tries to pass Alfred.
âYou should try and get along with Master Jason. He is family. You two are family now, Master M/n.â
M/n doesnât even feel like protesting. This Jason boy came after Dick left, almost as if their father was trying to replace his oldest son. And M/n canât bear the thought of that. Of course he doesnât like Jason. Theyâll probably never get along.
âAlright then.â Alfred smiles and helps M/n down the stairs. âHow about some tea?â
M/n relaxes slightly in the comfort of Alfredâs warm arms, âThat sounds great, Alfred.â
Going down the stairs is becoming harder and harder for M/n. Itâs like his legs are becoming lazier and lazier, which is normal considering the doctors already informed them about the changes waiting to happen. M/n doesnât dwell on it most of the time. However, there are those moments of silence in which he canât help but want to hit his head with something or accidentally drop one of those candles onto his own clothes. Jason had caught him in one of those moments in the library earlier. M/n gets nastier in terms of behavior around then, and truly he doesnât have any interest in insulting Jason that much (just a little). The little prick just knows how to find his moments.
They get to the bottom of the stairs, but Alfred doesnât let go. The man really knows everything.
When Bruce gets home, things haven't necessarily changed in any way. Alfred meets Bruce in the foyer, as it usually is when Bruce comes back from business. And then there is Jason who runs ahead of his brother and forcefully throws himself at Bruce with all his young years and fire thrumming in his veins, like he owns the world and Bruce, as well, with it. The man once young boy himself remembers owning the world once, it was not bare then. Behind, with struggle unfit for a child, M/n staggers forth with his ebony crutches. Jason does not let go of his hugs easily, in fact he holds on as if Bruce would disappear if he ever dared to let go earlier than he should. Thus, the man lets his son hug him tight. Moments later, Jason reluctantly lets go, making way for his older brother, who visibly stumbles on an uprise in the carpet.
M/n yelps as one crutch gets caught in the crimson material. He falls in front of everyone's eyes, but is caught by Alfred who is nearer to him. Bruce wants to reach out, he would've reached out. Yes. If, just so, he were closer to his son. Alas, distance is great in between them.
They head into the living room where Jason tells Bruce all about his exploits around the manor and how Bruceâs bedroom is actually haunted when he isnât there. That gets a smile out of the man, rare as they are. His life has become increasingly livelier since Jason became part of the family. After all, the quiet of Dickâs departure was sadly difficult for one little M/n to fill, though the efforts were there. Bruce just⌠couldnât make himself meet his son halfway.
After dinner Alfred corners him in the emptiness of Bruceâs study (not his, his fatherâs study). The older man wears that look on his face, the one he shows only to Bruce and especially when he âs done something bad, like stealing a cookie when he was younger, or choosing to dress up as a bat.
âYou should talk to him more.â Alfred keeps his eyes on Bruce and the man once boy under that gaze doesnât know if he should look away or try to dominate the stare down. Itâs an automatic response, he reckons. It would never work on Alfred, either way.
âJason is fine, he talks to me now.â That gets another smile out of Bruce. He fears these days he is getting stiffer, body hardening with the darkness and the years. Maybe he is actually growing softer?
âItâs not Jason Iâm worried about, sir.â Alfred leans forward and places a tray with two cups and a teapot on it. It smells good, roses and camomile?
âM/n? Should I think thereâs something wrong with him?â Bruce raises an eyebrow.
âI donât know, sir. Should you not?â Alfred continues to look at him, almost as if his eyes harden. Itâs hard to tell, even with the batâs experience.
âIs something wrong with him?â Bruce takes a seat on his fatherâs old leather chair that was once black but now tints to brown. The chair sighs underneath him with tiredness becoming of age.
âWhy donât you ask him yourself, sir?â
Bruce would ask. He really would. He should⌠but itâs late. The boy probably sleeps already. âItâs late, Alfred. Some other time, perhaps?â
Alfred scrutinizes him, yet ends in a half concealed sigh. He wasnât going to tell his Bruce, the stubborn and with years worth of guild child he so much wished fulfillment to about how his son still stands at the dinner table, ashamed to ask for help and beating himself down over how he would never be good enough to help his father the way his younger brother does. No, Alfred shall deal with that himself, as he always does. Foolish master Bruce. He ends with a, âYou know best, sir.â
Bruce doesnât know best. Heâs never felt himself as holding the power of knowing whats and ifs and what ifs. The âwhat ifâ of the situation, it always arises at the time when his weakness fills him with the dread of what has been. What if heâd said âletâs stay for another movieâ the night his parents died. What if heâd spent more time trying to talk with Dick instead of arguing foolishly and towards nothing, like the boy wasnât the son he so cared for, like he hadnât been the only once. What if heâd listened to Alfred and talked with M/n more, mended the disruption between him and Jason. What if heâd protected Jason the way he shouldâve protected him, the way his soul screamed to keep the boy safe because how can you let someone else suffer when it is you who should have been? It should never have been Jason. Not his Jason. Not his boy. Not his hope and his dreams and the one he holds as if he were holding his younger self. Not the Jason who laughed so hard whenever something remotely funny came to light. Not the Jason who ran to the door to welcome Bruce, jumping into his arms with all his young years and fire thrumming in his veins, like he owns the world and Bruce, as well, with it. âWelcome home, dad.â Not⌠Not Jason. Not Jason, God, please, not him. Donât let it be like this, Bruceâs soul screams as it trashes and shoves and splits, stabbing and scratching and killing to get out.
Jason Todd, beloved son and brother, full of fire and full of life
with all his young years and fire thrumming in his veins, like he owns the world and Bruce, as well, with it
The morning Bruce has to come home and let Alfred and M/n know that Jason wonât be home for dinner tonight or any other night, the sun shines on a clear sky. It smiles upon the Wayne lands, over the gardens and the pond. M/n is there with the flowers, reading a book. âThe three musketeersâ the title reads. Does M/n enjoy reading? Maybe he does. Bruce isnât around enough to figure out a pattern.
M/nâs eyes raise from the pages, smile a bright one, as the sun above them with a glint in his eyes and hair tussled with sleep and the ends of dreams.
Bruce must look all the wiser and the better and the all powerful because his sonâs smile becomes smaller with what Bruce can only read as surprised⌠a little concern as well.
âWelcome back, dad.â The boy speaks, voice carried by the breeze and the petals of the flowers.
Bruce says nothing. He canât bring himself to. Because how can you ever begin. How⌠How do you tell your son his brother has died before they even had the chance to make up after an argument? How do you let your son know, he will be in a quiet house yet again? How do you tell your son youâve killed his brother?
M/nâs smile falters yet again. And he must sense something because he looks around. Behind Bruce, to the gate, to the flowers and to the door where no one but Alfred stands.
âWhere is Jason?â His smile is gone by now, replaced by something akin to curiosity. âDid he get lost?â A small laugh bursts at that.
M/n locks eyes with Bruce again.
Bruce isnât smiling. His lips havenât even twitched. In fact, Bruce thinks he is getting worse by the second and it must be showing in some way because M/n forces himself to keep a smile on as he struggles to get up with the help of a crutch. He almost falls twice, but stands almost straight soon, book closed in hand, a finger inside to keep the page. The boy is pretty far into the book. Bruce doesnât know if itâs the first, the second or the third volume.
âDad⌠are you alright?â His son asks him with those alight eyes that speak the language of the sun and the moon. He looks around again, maybe he hopes to see the brother he so is annoyed by. There is no annoyance in his eyes. âWhere is Jason, dad? I didnât see him go inside.â
Thereâs a shake in Bruceâs eyes, a tremor of the lips. M/n pushes himself forward on the crutch. It gets stuck in the grass for a second, but it does not stop the son from approaching the bat with no suit, no protection.
A shove closer, half a stumble backwards.
â⌠dad?â Bruce lets his son see his head fall down, down, down, looking at the grass next to his shoes. Bruce thinks he shook his head somewhere in between the burn of the sun on his neck and the thud of âThe three musketeersâ by Alexandre Dumas, fallen to the earth. For a moment, Bruce imagines the volume as his own head, rolling on the too green grass, blood dried and burned by the sun.
âM/n⌠Why do you hate me?â
ââŚâ
âHave I⌠done something that wrong? I know I can be annoying and loud and sometimes want attention, but I donât mean what I say to you. I never do, not the bad stuff at least.â
âI⌠I donât hate you, Jason. How could I? Youâre everything I wish I was.â
âWhy?â
âAha⌠I think I say all I say and blame you all the time because, not so deep down, Iâm envious of you.â
âEnvious? How could you possibly be envious of me? Youâre older and youâre smart⌠and you donât get into trouble with the teachers.â
âHa, well, I suppose Iâm envious because dad is close to you, the way he isnât with me. And⌠and because you are with him the way I could never manage.â
âBut⌠itâs really not that hard. Just talk to dad, Iâm sure itâs gonna be alright.â
âArenât you wise.â
âHa ha. Iâm serious, M/n. If you want something, just do it.â
âSee? Thatâs why Iâm envious of you.â
⌠or maybe I admire you for it. Is what M/n imagines late at night, a conversation that could have been between Jason and him, especially close after the funeral, when Dick drinks in his room and their dad drinks in his study and Alfred cleans up the dinner none of them really taste any more, but only eat as unfeeling corpses coveted in a quiet house.
Part 2:
I made my last weeks Katara sketches into a collage of sortsđ
This movie is a childhood favourite of mine and I LOVE that it's finally getting some recognition!!!!