They are also considered as almost living entities : they have a voice and are baptized like children.
At Easter, when they are silent, “they’ve gone on a trip to Rome.”
In the 16th century, J. Wier tells us that the common people are convinced that the devil knocks down the bells that have not been baptized, while those that have been baptized drive out demons and storms.
Father Thiers will explain that they are not baptized but simply blessed, even if they are given, as is the custom, a godfather and a godmother.(…)
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In one of her letters (April 1680) a nun from the convent of Loudun recounts that a bell wheel broke while the bell was ringing for the burial of the “Mother of the Cross”. This was immediately taken to be “an omen of some affliction which was to befall the community” à sand indeed, a fortnight later, the mother prioress died [while] in good health.
In the Côtes-d'Armor, the more or less harmonious sound of the bells reveals to a young mother who has just given birth whether her first child will live or die ; for the omen to be favorable, she must succeed in placing the words of a song on the melody that she seems to hear in the ringing of the bells. (this one is for you @hillsarehollow 🧡)
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“During the storms, one runs immediately to the bells and one makes them ring with all force and with all their might, as if they were a sovereign remedy…” (Wier, 1569)
In Vosges, they say that you have to act as soon as the first rumbles of thunder strike, because if you ring them too late, they tear up the clouds and cause hail to fall.
The bells are also rung at certain times of the year to protect the territory of the parish from the evil spells of the devil and sorcerers.
Father Thiers relates that a bell must be rung for 24 hours on the eve of Saint John at dawn. (Haute-Marne, Moselle, Vosges, Rhône.)
The bells are also rung on the night of Saint Agatha (February 5) to scare away the witches running around that night.
It should be noted that the protective virtue of bells extends to cowbells and other bells that are suspended from the neck of cattle, against disease, lightning and evil spells.
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[ Miscellaneous outputs from Sébillot, Van Gennep, and M. Delmas]
(& a solstice gift @toverijennspokerij, @graveyarddirt, @poemsandmyths) 🧡
When you sing a hymn, a chant, a dua, a line from the bible, or if yu recite a Dharani, a Mantra, a scripture - know that it's not just you. There are all the leaves on the trees, all the stones, all the twigs. There are the insects on the floor, the worms, the caverns. There are the spirits of the air, the devas, the asuras, the spirits of the wandering dead. There are the organisms of your body, that reside on your skin and in your gut.
There are the spirits of trees, the spirits of the animals. Whenever you recite, know that you are praying in front of thousands upon thousands of powers and forces. They begin to sing, and they impact thousands of powers and forces. The seeds for awakening are placed in them.
Magic circles were originally cast with flour. From Wikipedia: Zisurrû, meaning “magic circle drawn with flour was an ancient Mesopotamian means of delineating, purifying and protecting from evil by the enclosing of a ritual space in a circle of flour. The choice of flour was crucial to the purpose of the ritual, with šemuš-flour reserved (níĝ-gig) for repelling ghosts, wheat-flour for rituals invoking personal gods and šenuḫa-barley to encircle beds, presumably to counter disease-carrying demons.
Like to charge reblog to cast
When I first got into paganism and witchcraft, I did what I think a lot of people do and took a very hard turn in to “fuck Christianity!” The literature and discourse of the early and mid 2000′s didn't help this mindset either. There was a lot of talk about how Wicca (I was an eclectic wiccan at the time) was the survival of an ancient pre-Christian religion and that Christianity stole its practices, holidays, and pretty much everything else, from paganism.
Needless to say my religious baggage went unpacked for YEARS?
That was until i left my more Wicca-inspired practice and found “traditional witchcraft”. In these spaces i found something that i had been lead to believe was impossible: Witchcraft and Christianity coexisting. Not only coexisting, but a style of witchcraft created by almost biblical teachings on their heads and pulling out the magic. Lucifer and Azaezel being sources of witch-power, Cain being the first Sorcerer, the witch’s horned one as the Devil! Seeing the witch-trials as not simply a tragedy, but pulling wisdom and magic from the confessions. All of this was new and exciting!
Beginning my research into this amazing new avenue was the first step in healing my heart and soul from the hitherto ignored scars left by my time in the Church. The more I walked this strange and crooked path, the more I found value in heresy. Calling to the Man in Black at a crossroads, flying from my body to the Witch’s Sabbath, reciting the Lord’s Prayer backwards. All of these were powerful in ways I never thought they could be. I laughed at myself. If you had told me at 18 that in 5 years id be dancing with the Devil, I would have raged about there being no Devil in the Craft. While I understand now why the 90s-2000s were so “anti-devil” and “love and light” I’m glad that we can now look at witchcraft and its history with a more nuanced lens.
Now in some ways I've come full circle. I am not a Christian, and I don't think i ever will be, but I pray to saints, I have a growing interest in Mary, I use psalms and bible verses in my spell work, i craft rosaries as a devotional act to the spirits I serve and honour. My patron goddess has even started to come to me with Marian imagery and titles.
In Fayerie Traditionalism/Fayerism we’re encouraged (sometimes outright told) to avoid and expunge all Abrahamism from our lives and certainly from our Sorcery. We’re told that there is no magic or value in Abrahamic traditions. This has been my biggest hurdle with this path. For me, i find so much power in using folk magic that would be deemed “witchcraft” by the Church, regardless of how much scripture is in it. I think to continue this idea of “there's no place for Christianity in witchcraft” does such a disservice to the history of witchcraft in Europe and the US. So many practices would not exist if our ancestors had not learned to synchronize and hide in plain site. I’m not calling on God when I use a psalm to heal, I'm speaking words of power that have been spoken for centuries by other healers and workers. When I pray the rosary, I do it to honor my ancestors who found comfort in it.
For me, the catholic folk magic and heretical aesthetics do not deter me from path of Fayerie Traditionalism, it is simply another avenue to the same goal. The spirits of this tradition have not shown any ill-will to how I work. Gwynn still comes when I call him “Devil” or “Master” and Gwynnevar herself told me to call her “Our Lady Down Below” or “Our Lady of the Mound/Hill” Taking back my power from Christianity and seeing the Wisdom in its heresy has made me a better person and a stronger sorcerer. I have not lost my faith in the Fayerie People but have come closer to them.
All this is to say:
Be free
Be powerful
Be a Heretic
Nema
I carved a Sutekh icon for my altar from the same blackthorn branch that I carved Eris. He is stained with an 18-year-old red wine bequeathed to me by a dead bus driver (praise be to Albert! May he live forever!), blackberry and fig liqueurs, and icon. The black stain is part char from my stove, and part a mixture of ritual ash and Stuart Semple's Black 2.0. The gold is ol' Stuart's goldest gold, which I can't recommend enough really, and gold leaf. The red is a crimson alcohol ink I bought last year and immediately forgot I had. Turns out, it stains unsealed wood really well, and can be blended out with neat isopropyl alcohol on a paintbrush. This would ordinarily make me worry about drying out the wood, but beeswax and neem oil solves all problems.
"[A theme of sacrifice can] be found in folk traditions relating to the scarecrow as the spirit of the harvest or corn king. In several English counties the scarecrow was known as a mawkin, an old dialect name for a ghost or ghoul. In Yorkshire, Warwickshire and Devon it was called a mummet or mommet meaning a spirit that walks at night. In Old Cornish a bucca can refer to a scarecrow, ghost or goblin and in northern England and Scotland it was known as a tatty-bogle. Tatty means potato and bogle is derived from bogey meaning any evil spirit or malicious faery, hence the bogeyman used to scare naughty children.
In Shakespeare's play The Merry Wives of Windsor the scarecrow is called a Jackalent or Jack of Lent. This refers to the old and rather curious custom of pelting any stranger visiting the area with sticks and stones. By the 19th century a puppet or scarecrow had replaced a human victim. It was beaten with sticks in a folk ritual to increase the fertility of the fields and ensure there was a good harvest. Originally the mawkin was the name for a bundle of rags on a stick used to clean out bakery ovens. After use it was placed in the fields to symbolically promote the growth of the grain used to bake the bread. When it was windy the rags fluttered in the breeze and were seen to scare off crows and other birds attacking the new crops.
Sometimes in the old days a man desperate for any work was hired to be a human scarecrow and stand all day in the field warding off the birds. Some folklorists trace this custom and indeed the origin of the scarecrow back to human sacrifices in pagan times to protect the crops and livestock from disease and bring a fertile harvest. In this respect it could be a more socially acceptable and civilised substitute for the divine king ritually murdered so his blood fertilised the land.
Dr Jacqueline Simpson of the Folklore Society believes the scarecrow may have originated in the ugly or aggressive effigies once placed in the fields to drive away evil spirits. She has linked them to the puppets in European folk customs that were destroyed in spring fertility rites as symbolic representations of winter and death. After the coming of Christianity, farmers in Brittany in northern France placed a life-sized wooden image of the crucified Jesus in the fields instead of these puppets, as they believed it would produce a good harvest.
Everywhere in folklore there is evidence of the association of scarecrows with the supernatural, ghosts and the spirits of the dead. In North America there was a folk belief that scarecrows came alive on the night of Hallowe'en (October 31st) and roamed the countryside. The popular American author Nathaniel Hawthorne wrote a short story based on this belief, which was common knowledge in his home village of Salem, famous for its witch-trials. In the story, which is similar to the Italian fairy tale of Pinocchio, an old witch called Mother Rigby made a scarecrow from a broomstick and used a spell and a tune played on a pipe to bring it alive."
Chapter 9: 'Michaelmas'
by Michael Howard
Goldfish breeds and other aquarium fishes, their care and propagation, 1908
Triangle and sigil cloths prepared and concentrated for use is scrying.
Thrjár by Maéna Paillet
if you blow out candle you BLOW AWAY the MAGIC and ur spell goes pllphfphphphhhhhhbbb into the wind and WON'T WORK