You’re not ready for this edit
officially been severancepilled
but seriously i think learning about nature is Hard for many people, especially adults, because you have to rationalize the symbiotic experience youre having next to the contemptuous and abusive way we treat the land. I think USAmericans fear nature as a way of making sense of the fact that we're waging war against nature, with our lawns and our suburbs and our landscaping and our cosmetic use of pesticides.
There was a post on facebook my mom was showing me where someone found a salamander and was asking what it was. thankfully half the comments were like "that's a SALAMANDER they are SPECIAL and a BLESSING and you must PROTECT it"
but the other half were things like..."I don't know, but I think it's time to move" "Burn the house down" "Kill it with fire" "I would scream if i saw that"
this is why i have such specific preferences in horror fiction that nothing seems to really hit: for me, horror is not about bad things happening, horror is about fear. So occasionally I find these really satisfying stories that are about fear of the unknown thing and the experience of fear, but the unknown thing being harmless is generally seen as a "twist" rather than a perfectly sensible and satisfying outcome.
on the face of it: why would you be afraid of a tiny creature weighing only grams, whose body is so delicate and frail? it's heartbreaking, but it's not unexplainable. What kind of a childhood makes someone an adult who is totally unprepared to comprehend the idea of something both unexpected and good?
a bizarre universe to try and place myself in, where a salamander is more likely to be...what? a mutated fetus of a brain-sucking alien? rather than one among the thousands of gentle creatures that you can marvel at, forever, for free.
It's the same way with bugs: people argue with the simple fact that nearly all insects cannot harm you, and I think it's because it's so difficult to reconcile with how liberally and carelessly we use insecticides with proven harms to humans and pets, and how we treat and speak about these creatures in general. If that weird bug almost certainly would not have harmed you, that means you killed a living thing because you didn't understand it, and that's a troubling thought.
need to string together my thoughts more on this but reeeeeally interesting to see the influx of media - severance, the substance, mickey 17 - centered on the idea of a double/expendable iteration of yourself.
the dehumanization of workers by the way of non-livable wages, unsafe working conditions, and identity based discrimination (and the current removal of dei initiatives), all drive a wedge between our personhood and the value we are prescribed as a member of the workforce. something something the effects of ai and deepfakes already putting people in danger, the way we live and present our lives online vs in reality, there’s a lot to unpack here. but it’s fascinating to see this trope so widely translated as a storytelling vehicle for these ideas, and that this is the story that people are interested in telling.
My train was late. AGAIN.
It's always so weird to come down from the biology heavens to see what the average person believes about animals, plants, ecosystems, just the world around them. I don't even mean things that one simply doesn't know because they've never been told or things that are confusing, I'm talking about people who genuinely do not see insects as animals. What are you saying. Every time I see a crawling or fluttering little guy I know that little guy has motivations and drive to fulfill those motivations. There are gears turning in their head! They are perceiving this world and they are drawing conclusions, they are conscious. And yet it's still a whole thing if various bugs of the world feel pain or if they are simply Instinct Machines that are Not Truly Aware of Anything At All????? Help!!!!!! How can you look at a little guy and think he is just the macroscopic animal version of a virus
I can be shaped by more than the things that hurt me
just she and that bob against the world
obsessed with the Helena and Irving parallel and what it says about the aspects of our identity we think are fundamental (but aren't)...
Like Outie Irving assumes his Innie is just as radically anti-Lumon as he is. He assumes his hatred of Lumon is something ingrained in his personality! That's why he stays up at night drinking coffee and making paintings, because he hopes that when his innie dreams about the testing floor, he'll say "okay bet" and start exploring. That's what Outie Irving would do, after all. But he miscalculated! His hatred of Lumon isn't inherent--- his desire for meaning and art and spirituality is inherent. That's what his hatred for Lumon is built on. But in a world where there's no meaning outside of Lumon propaganda, of COURSE his innie would become ridiculously devoted to the company.
And Helena!! She is the corporation, that's her whole identity. She presumably assumed that Helly would be just as pro-Lumon as she is. But she miscalculated too! Her devotion to the company isn't inherent, her headstrong and entitled nature is what's inherent! And in a world where she's denied any agency whatsoever, that manifests as rebellion.
It's the same dynamic flipped on its head. They both sent their innies in there with opposite intentions--- one to take down the company, one feed the company's expansion--- only to realize that rebellion and devotion aren't inherent characteristics. Their innies have become the exact opposite of their outie selves, while still being exactly the same!! Because even though your personality is inherent, the values you hold are determined circumstantially. OUGH IT'S SO GOOD.
WHAT THE HELLY