Terracotta Bust of Isis-Aphrodite Ptolemaic Egypt, c. 300-30 B.C.
sorry i didn't respond i had a katabasis
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The Minotaur in the Labyrinth stands as one of the ancient stories that has survived the test of time and continuously appears in mainstream entertainment. Most understand that this concept began with the story of Theseus of ancient Athens and how he navigated the labyrinth and slayed the beast within, but many donât know the inspiration of this idea.
Nearly a millennia before Classical Greece rose to the height of its power (500-350 BCE) the two leading cultures of the Aegean Sea were the Mycenaeans on the mainland and the Minoans on modern day Crete, and it is on this island that we find the labyrinthian structures of Bronze age Greece.
The Bronze Age Palace at Knossos: Plan and Sections by British archaeologist Sinclair Hood and Canadian archaeologist William E, Taylor, Jr., was published as Supplementary Volume No. 13 of The British School at Athens in 1981. It shows the archaeological remains of one of the many Minoan Palaces. Though mostly destroyed and crumbling, we can still see the complex layout of halls and rooms that twist, turn, and abruptly end. Beginning with the excavations of Sir Arthur Evans in 1900, scores of theories have been raised about the purpose of such confounding architecture, from a form of defense to a means of controlling foreign visits. Â
Besides the confusing architecture, though no depictions of minotaurs were found, Minoan Palaces such as the one at Knossos did contained several pieces of art that depicted bulls. Upon further inspection, the symbol of the Bull was quite prominent throughout the ancient culture from sports, such as bull leaping, to religious sacrifice.
When looking to those who lived in the past, one should remember that we are not the only ones who inquired about archaeological remains. These ruins wouldâve been seen by the Classical Greeks, but by that time their imaginations about the great Palaces and Bull iconography of the Minoan civilization was transformed into the myth of the Minotaur in the Labyrinth.
View more posts on Ancient Greece.
â LauraJean, Special Collections Undergraduate Classics Intern
some of the short stories from this eve that im thinking abt still... someone read them and tell me ur thoughts thank u
monsters never leave you - carlie st. george . i thought the fairytale elements were woven together nicely đ you get undead siblings, tree mothers, chosen family, forgiveness vs love etc! good stuff
call them children - wenmimareba klobah collins the monster narrative continues. their descriptions are delightful, especially in the crafting of the setting, and the ending... obsessed
my country is a ghost - eugenia triantafyllou the longing after loss that imbues this.. feel like it captures a loss of family connection when youâre not in your homeland very well imo
open house on haunted hill - john wiswell another house that loves you! adore the concept of this one, though itâs not horror vibes, more cozy and amusing! though the last line âif anything is as patient as a parent, itâs a hauntingâ so much potential Thematically there for something more sinister... please may someone write it!
Persephone and the Springtime was written by Margaret Hodges with illustrations by Arvis Stewart.
Part 2