merricat by angie hoffmeister / merricat by william teason
The Colour of Pomegranates, 1969
The costume of Medea worn by Maria Callas in Pasolini’s Medea (1969).
Source: Redefining Ancient Orphism: A Study in Greek Religion by Radcliffe G. Edmonds
FASCINATING stuff where this scholar on orphism argues that several texts on persephone explicitly (and the homeric hymn implicitly) claim that mortals pay the recompense (ποινη) for the grief (πενθος) that persephone underwent at her abduction. not hades, but mortals try to appease the goddess for her mistreatment, and in return they earn her favour and a blessed afterlife (or even next life). there's this irreconcilable problem here in that hades was culturally justified, but persephone as a goddess still warrants respect/pity/appeasement, and so mortals through rites and sacrifices console her.
love how kids are always so uncontrollably ravenous for horror. they beg you to tell them spooky stories even when they know it will give them nightmares. every school has gruesome rumours about the kid who fell off their chair or tripped onto a cloakroom peg. we used to stand in the playground of my primary school staring up at the castle looming across from us and swear we could see a ghostly figure wave before plummeting endlessly to the water below…. all of this passion and yet most kid’s horror media is complete shit. what a waste.
Persephone and the Springtime was written by Margaret Hodges with illustrations by Arvis Stewart.
Part 1
Grace Slick, formerly of Jefferson Airplane (and later Starship) who were one of Woodstock's monumental participants, has been involved in the visual arts scene lately in her life...
The Airplane, most notable for their psychedelic masterpiece 'White Rabbit', entwines the tale of Alice In Wonderland with lyrics advocating for the expansion of one's consciousness through hallucinogens as the ultimate solution; which, in opposition, dismisses the validity to the otherwise socially acceptable norm of the American pharmaceutical diet's true effectivity.
it's refreshing to see that, after many decades have passed, even though she chose to pursue a different artistic avenue than music—the thematics and probable integrity remain the very same.
included are just a few selections from her primary focal point, that eternal fascination with Wonderland; however, she has also paid homage to some of her fellow peers of the Revolution, by painting portraits of Janis Joplin, Jimi Hendrix, Jerry Garcia, amongst many others.