some of these came out meh BUT YOU KNOW WHAT, I SPENT AN ENTIRE MONTH ON THIS, ENJOY (also panels w/o lyrics are supposed to go with the piano beat thing, youll know what i mean)
Ana Mendieta: Creek (1974)
1. Ah Fai was a chief animator for McDull’s animated features. He’s super cool. Ultimate senpai.
2. Previous post on breakdowns right here
Some thoughts on acceleration and force
I presented this in the order of how I slowly understood the trick of delivering force - first an abstract concept of impact taught by Ah Fai, then a more complicated discovery on the acceleration pattern, last back to a more abstract concept of breakdowns.
Like I’ve previously stressed, 2D animation is everything but one single approach. There’s no one rule that rules them all, but interchangeable ideas with math, or physics, or music, etc. There’s no “perfect” animation either, but what is perceived as organic and dynamic. E.g., using the Fibonacci numbers to animate didn’t bring me a perfect animation! On the other hand, a tiny change in the pattern could already make the feeling of force so much more powerful.
Not so much of a tutorial than a personal experience. I hope you find this interesting hahaha
Stephan Sinding: ‘Adoration’ (1903)
Chloë Sevigny always serves cunt.
{Quotes:Nitya prakash/Richard siken ,crush}
But there's this moment of like, Christ on the cross, where in this last moment, where he's like, 'why have you forsaken me?' And if you sit in this moment and reflect, taking that to be true, upon the the idea that like, that there was this one moment where the embodiment of God, the incarnation of the creator of this world came down, and was an atheist for a moment.
Hozier, interviewed by Brittany Broksi
"You are and always have been penis cancer in human form."
the tortured poets department
assortment of S&M Sniper magazine covers