The First Thing Any Artist Should Do When Getting Into A New Interest Is To Ponify The Characters, Of

Sketchbook pages 💥💥💥

Messing around with gradient maps and other stuff in csp :3

doodle of baby ace and luffy finding a toad by the creek bc they would sooo be creek boys :,)

Some art and doodles from messing around on magma with my bestie!

Oh yeah,

☆ Transgenders your Trafalgar Law ☆

thinking about creatures.

I wonder how those first few months truly felt for them?

Big fan of headcanons where the "successful" four Germa children's modifications have detriments. Give me Niji's electricity causing him nerve pain and spasms. Give me Ichiji needing regular grafts to the skin around his "eyes," which aren't even flesh anymore because although enhanced, his body can't handle the sheer level of heat from his lasers. Give me Yonji being in constant danger of being harmed by the amount of shrapnel that ends up in his system every time he's damaged, or being poisoned by the leaching metal. Give me Reiju not only being able to process poisons but to some extent needing to, because her biological system is so re-wired it can't produce some of the chemicals it requires. Give me consequences. Give me mortals who were never meant to be artificially pushed to this strength.

Love domestic Frobin but the reason why I ship them is because of how their character arcs complement each other. Franky has the power to create for the future. Robin has the power to decipher the past. When we first meet Franky he was the epitome of a self-made man, aggressively taking fate into his own hands and defying anything that tried to oppress him. Robin, however, had been a victim of circumstance her whole life, with her hopelessness driving her to accept whatever “fate” was assigned to her. Franky spent most of Enies Lobby trying to figure out what the deal with Robin was, he couldn’t understand why this woman would just willingly accept her death despite never having done anything wrong. Likewise, it was probably unimaginable for Robin to do what Franky did—burn the blueprints for Pluton, the only surviving artefact of his father’s creations. Robin and Franky’s meeting on the sea train was such a crucial turning point in their character trajectories. “Your existence isn’t a sin” is a rallying cry against the World Government’s dual approach to oppression: their erasure of history, and their suppression of the potential of future generations.

Doodles on the phone bleerrghhh