“No place like home, no place like her.”
— (Mh.)
GOD IS SILENT; GOD IS EATEN
Margaret Atwood, ‘Eating Snake’, Interlunar K-Ming Chang, ‘Roast duck elegy’ Anne Sexton, ‘The Civil War’ The Seventh Seal (1957), dir. Ingmar Bergman Margaret Atwood, ‘Crow Song’ Wolf Alice, ‘Silk’, My Love Is Cool Yves Olade, ‘Belovéd’
i think my body is falling in pieces i think my blood is passing me by
Micah Nemerever These Violent Delights / I.B. Vyache Excerpt 07.01.21 / Silas Denver Melvin excerpt from Grit: A Poetry Collection / Christa Wolf excerpt from Cassandra: A Novel and Four Essays / Ethel Cain Family Tree (Intro) / unknown / Fiona Apple Left Alone / Richard Siken The Worm King's Lullaby / Gwen Benaway Holy Wild
i. Micah Nemerever, These Violent Nights
[ "I don't think you've ever felt anything that didn't hurt you. / We've found each other, out of everyone else in the world. Does that hurt, too?" ]
ii. I.B. Vyache, Excerpt 07.01.21
[ "It's time to forgive my hands for being hands. I'm going to hate myself a little less tomorrow. I'm going to hate myself a little less tomorrow." ]
iii. unknown
[ "have you shot a gun? is your blood authentic? is your blood authentic? is your blood authentic? can you prove it to me?" ]
iv. Christa Wolf, Cassandra: A Novel and Four Essays
[ "You looked at me / (did you still see me?)" ]
v. Ethel Cain, Family Tree (Intro)
[ "The fate's already fucked me sideways / Swinging by my neck from the family tree / He'll laugh and say, 'You know I raised you better than this' / Then leave me hanging so they all can laugh at me" ]
vi. unknown
[ "I fight. I resist. It doesn't even matter what I resist; there is simply something in me that tends to resist things as they are. I have been fighting since I was very small." ]
vii. Fiona Apple, Left Alone
[ "[Chorus] / How can I ask anyone to love me / When all I do is beg to be left alone?" ]
viii. Richard Siken, The Worm King's Lullaby
[ "Someone has to leave first. This is a very old story. There is no other version of this story." ]
ix. Gwen Benaway, Holy Wild
[ "I am tired of explaining the fire, / it burns because it must." ]
portrait of a lady on fire, dir. céline sciamma // doubt comes in, hadestown // eurydice, sarah ruhl // metamorphoses: book x, ovid trans. anthony kline // “eurydice”, ocean vuong // talk, hozier
[IDs not found in alt text:
image 4: Text from Metamorphoses: Book X by Ovid that reads: “They took the upward path, through the still silence, steep and dark, shadowy with dense fog, drawing near to the threshold of the upper world. Afraid she was no longer there, and eager to see her, the lover turned his eyes. In an instant she dropped back, and he, unhappy man, stretching out his arms to hold her and be held, clutched at nothing but the receding air. Dying a second time, now, there was no complaint to her husband (what, then, could she complain of, except that she had been loved?). She spoke a last ‘farewell’ that, now, scarcely reached his ears, and turned again towards that same place.”
image 6: Screenshot of lyrics from “Talk” by Hozier that reads: “I’d be the voice that urged Orpheus / When her body was found / I’d be the choiceless hope in grief / That drove him underground / I’d be the dreadful need in the devotee / That made him turn around / And I’d be the immediate forgiveness / In Eurydice / Imagine being loved by me”.
// End ID]
Ada Limón, "In the Country of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign of the Zodiac" // Gregory Orr, "To Be Alive" // Dino Ahmetović // Siniša Simon, Magic Dance // Mary Oliver, Devotions: The Selected Poems of Mary Oliver // Vladimir Nabokov, Letters to Véra (trans. Olga Voronina & Brian Boyd) // Mary Oliver, "Toad" // 木苏里, 全球高考 (Global Examination)
― Billy-Ray Belcourt, A History of My Brief Body
[text ID: To love someone is firstly to confess: I'm prepared to be devastated by you.]