“Mother Says There Are Locked Rooms Inside All Women; Kitchen Of Lust, / Bedroom Of Grief, Bathroom

“Mother says there are locked rooms inside all women; kitchen of lust, / bedroom of grief, bathroom of apathy. / Sometimes, the men – they come with keys, / and sometimes, the men – they come with hammers.”

— Warsan Shire, from “The House,” Her Blue Body

More Posts from Prosemoireia and Others

1 year ago
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex /

Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex / Rosario Castellanos Monologue of a Foreign Woman from "Meditation on the Threshold: A Bilingual Anthology of Poetry / unknown / @/violentcherries (tumblr) / @/nutnoce (tumblr) / Jean-Paul Sartre Nausea / unknown

i. Joan Tierney Why Are You Haunted? [ "This haunting is architectural. It is not about you. It is about where you are. There are bones in the foundation. This house is a graveyard. This house is a corpse. You are inside the corpse. That makes you the maggot." ]

ii. @/oceaii (tumblr) [ Black and white illustration of a deer. The deer looks forwards in the first panel and turns back to face the audience in the second panel. "Turn and face / the person you've become." ]

iii. Liv Ullmann Changing [ "I will never forget the loneliness I knew as a child. For a period in my life I hid behind a mask. Did not want to acknowledge any longing. / Now it is a part of me-something I can share. / Both the loneliness and the longing." ]

iv. The Elektra Complex [ "If you were to peel the skin of me apart as a fig's, you would finally understand. I am my mother's daughter. From poisoned seeds sprout poisoned fruits." ]

v. Rosario Castellanos Monologue of a Foreign Woman [ "I didn't want / to be the dead star / that uses borrowed light to survive." ]

vi. unknown [ Black and white illustration of two deer. They are both labeled with words. The deer in the background says "just be." The deer in the foreground replies "just being is the hardest part." ]

vii. @/violentcherries (tumblr) [ "the environment you are not thriving in is not yours forever / IT'S OKAY TO LEAVE / ... / IT'S OKAY to abandon the things you used to love" ]

viii. @/nutnoce (tumblr) [ Black and white illustration of a scorpion doing chores. It's tail just barely curls over the front of a clothes line. Various pairs of socks hang from the clothes line. It stands before a bucket with more clothes inside. "I come from the toughest, meanest place you can imagine. / I want to be gentle, I want to die gently, but / It seems that when life gets hard / I have to get harder to match." ]

ix. Jean-Paul Sartre Nausea [ "I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar." ]

x. unknown [ "1. Man is a MORAL animal. / 2. You can get human beings to do anything - IF you can convince them it is moral. / 3. You can convince human beings that anything is moral." ]


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1 year ago

                                   My love,                     what we make of loss is a sport  that kills us. 

Natalie Wee, “Asami Writes to Korra for Three Years” in Wildness Journal


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1 year ago
Alexandra Christo, To Kill A Kingdom

alexandra christo, to kill a kingdom


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1 year ago
("I Exist In Two Places: Here And Where You Are")
("I Exist In Two Places: Here And Where You Are")
("I Exist In Two Places: Here And Where You Are")

("I exist in two places: here and where you are")

Suzanne Buffam, "Vanishing Interior"

Sufjan Stevens, "The Only Thing"

Rene Ricard, "And Then I Tried"


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1 year ago

“She wanted a storm to match her rage.”

— George R.R. Martin, A Feast for Crows (via wordsnquotes)


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1 year ago
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign
Ada Limón, "In The Country Of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign

Ada Limón, "In the Country of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign of the Zodiac" // Gregory Orr, "To Be Alive" // Dino Ahmetović // Siniša Simon, Magic Dance // Mary Oliver, Devotions: The Selected Poems of Mary Oliver // Vladimir Nabokov, Letters to Véra (trans. Olga Voronina & Brian Boyd) // Mary Oliver, "Toad" // 木苏里, 全球高考 (Global Examination)


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1 year ago
Sue Zhao // Dialogues On Love #4 // “Maybe I Already Do”

Sue Zhao // Dialogues on Love #4 // “Maybe I already do”


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1 year ago
ady on Fire. A woman with dark hair and light skin is facing the camera, with a caption that says, "He chooses the memory of her. That's why he turns." END ID
Screenshot of lyrics from the song "Doubt Comes In" from Hadestown: [ORPHEUS: Who do I think I am? Who am I to think that she would follow me into the cold and dark again?] END ID
Eurydice" that says: [ORPHEUS: How will you remember? EURYDICE: That I love you? ORPHEUS: Yes. EURYDICE: That's easy. I can't help it.] END ID
Portrait Of A Lady On Fire, Dir. Céline Sciamma // Doubt Comes In, Hadestown // Eurydice, Sarah Ruhl
Text from Ocean Vuong's poem "Eurydice" that reads: "Who would believe us now? My voice crackling like bones inside the radio. Silly me. i thought love was real & the body imaginary." END ID
Portrait Of A Lady On Fire, Dir. Céline Sciamma // Doubt Comes In, Hadestown // Eurydice, Sarah Ruhl

portrait of a lady on fire, dir. céline sciamma // doubt comes in, hadestown // eurydice, sarah ruhl // metamorphoses: book x, ovid trans. anthony kline // “eurydice”, ocean vuong // talk, hozier

[IDs not found in alt text:

image 4: Text from Metamorphoses: Book X by Ovid that reads: “They took the upward path, through the still silence, steep and dark, shadowy with dense fog, drawing near to the threshold of the upper world. Afraid she was no longer there, and eager to see her, the lover turned his eyes. In an instant she dropped back, and he, unhappy man, stretching out his arms to hold her and be held, clutched at nothing but the receding air. Dying a second time, now, there was no complaint to her husband (what, then, could she complain of, except that she had been loved?). She spoke a last ‘farewell’ that, now, scarcely reached his ears, and turned again towards that same place.”

image 6: Screenshot of lyrics from “Talk” by Hozier that reads: “I’d be the voice that urged Orpheus / When her body was found / I’d be the choiceless hope in grief / That drove him underground / I’d be the dreadful need in the devotee / That made him turn around / And I’d be the immediate forgiveness / In Eurydice / Imagine being loved by me”.

// End ID]


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1 year ago

“The sadness of the past is with me always.”

— F. Scott Fitzgerald (via therepublicofletters)


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1 year ago
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu

@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks


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collection of web weavings and quotes for inspo

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