“Mother says there are locked rooms inside all women; kitchen of lust, / bedroom of grief, bathroom of apathy. / Sometimes, the men – they come with keys, / and sometimes, the men – they come with hammers.”
— Warsan Shire, from “The House,” Her Blue Body
Joan Tierney Why Are You Haunted? / @/oceaii (tumblr) / Liv Ullmann Changing / The Elektra Complex / Rosario Castellanos Monologue of a Foreign Woman from "Meditation on the Threshold: A Bilingual Anthology of Poetry / unknown / @/violentcherries (tumblr) / @/nutnoce (tumblr) / Jean-Paul Sartre Nausea / unknown
i. Joan Tierney Why Are You Haunted? [ "This haunting is architectural. It is not about you. It is about where you are. There are bones in the foundation. This house is a graveyard. This house is a corpse. You are inside the corpse. That makes you the maggot." ]
ii. @/oceaii (tumblr) [ Black and white illustration of a deer. The deer looks forwards in the first panel and turns back to face the audience in the second panel. "Turn and face / the person you've become." ]
iii. Liv Ullmann Changing [ "I will never forget the loneliness I knew as a child. For a period in my life I hid behind a mask. Did not want to acknowledge any longing. / Now it is a part of me-something I can share. / Both the loneliness and the longing." ]
iv. The Elektra Complex [ "If you were to peel the skin of me apart as a fig's, you would finally understand. I am my mother's daughter. From poisoned seeds sprout poisoned fruits." ]
v. Rosario Castellanos Monologue of a Foreign Woman [ "I didn't want / to be the dead star / that uses borrowed light to survive." ]
vi. unknown [ Black and white illustration of two deer. They are both labeled with words. The deer in the background says "just be." The deer in the foreground replies "just being is the hardest part." ]
vii. @/violentcherries (tumblr) [ "the environment you are not thriving in is not yours forever / IT'S OKAY TO LEAVE / ... / IT'S OKAY to abandon the things you used to love" ]
viii. @/nutnoce (tumblr) [ Black and white illustration of a scorpion doing chores. It's tail just barely curls over the front of a clothes line. Various pairs of socks hang from the clothes line. It stands before a bucket with more clothes inside. "I come from the toughest, meanest place you can imagine. / I want to be gentle, I want to die gently, but / It seems that when life gets hard / I have to get harder to match." ]
ix. Jean-Paul Sartre Nausea [ "I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar." ]
x. unknown [ "1. Man is a MORAL animal. / 2. You can get human beings to do anything - IF you can convince them it is moral. / 3. You can convince human beings that anything is moral." ]
My love, what we make of loss is a sport that kills us.
Natalie Wee, “Asami Writes to Korra for Three Years” in Wildness Journal
("I exist in two places: here and where you are")
Suzanne Buffam, "Vanishing Interior"
Sufjan Stevens, "The Only Thing"
Rene Ricard, "And Then I Tried"
“She wanted a storm to match her rage.”
— George R.R. Martin, A Feast for Crows (via wordsnquotes)
Ada Limón, "In the Country of Resurrection" // Jack Kerouac, Big Sur // Mary Oliver, "The Fourth Sign of the Zodiac" // Gregory Orr, "To Be Alive" // Dino Ahmetović // Siniša Simon, Magic Dance // Mary Oliver, Devotions: The Selected Poems of Mary Oliver // Vladimir Nabokov, Letters to Véra (trans. Olga Voronina & Brian Boyd) // Mary Oliver, "Toad" // 木苏里, 全球高考 (Global Examination)
portrait of a lady on fire, dir. céline sciamma // doubt comes in, hadestown // eurydice, sarah ruhl // metamorphoses: book x, ovid trans. anthony kline // “eurydice”, ocean vuong // talk, hozier
[IDs not found in alt text:
image 4: Text from Metamorphoses: Book X by Ovid that reads: “They took the upward path, through the still silence, steep and dark, shadowy with dense fog, drawing near to the threshold of the upper world. Afraid she was no longer there, and eager to see her, the lover turned his eyes. In an instant she dropped back, and he, unhappy man, stretching out his arms to hold her and be held, clutched at nothing but the receding air. Dying a second time, now, there was no complaint to her husband (what, then, could she complain of, except that she had been loved?). She spoke a last ‘farewell’ that, now, scarcely reached his ears, and turned again towards that same place.”
image 6: Screenshot of lyrics from “Talk” by Hozier that reads: “I’d be the voice that urged Orpheus / When her body was found / I’d be the choiceless hope in grief / That drove him underground / I’d be the dreadful need in the devotee / That made him turn around / And I’d be the immediate forgiveness / In Eurydice / Imagine being loved by me”.
// End ID]
“The sadness of the past is with me always.”
— F. Scott Fitzgerald (via therepublicofletters)
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks