Q: "Is There A Song On Your Album 'Imagine' That Refers To Paul? Lines About A Pretty Face And The Sound

John, Julian and George

i love BDSM!! bob dylan so much

Paul McCartney, Nov. 16, 2023

photo by: Miguel Cabrera

paul crying while singing Here Today 😭😭😭😭😭😭 omg

Paul McCartney (and George Harrison’s hand) backstage at the ABC Cinema in Manchester, 20th November 1963 - part 4 (part 1, part 2, part 3, part 5)

Do you think John and Paul ever saw each other again after ‘76? Or even talked on the phone? I know Paul says they did but every so often doubt creeps in and I start wondering if Paul isn’t just making up stories to convince himself that they were still friends. Your thoughts?

Thank you for the ask! It made me look back at John's last interviews and some of Paul's earliest after the murder. I don't think Paul made up the phone calls, because he has been consistent in talking about them since the early 80s. In his interviews shortly after John's death he talks about it quite detailed and I don't think he would make something like this up. For other speculations about their last meeting I found this great blogspot post: https://mccartnet.blogspot.com/2012/04/when-was-lennon-and-mccartneys-last.html

What I do wonder is, if they maybe saw each other for the last time in 1978. John mentions in 1980 he thinks that the "turning Paul away incident" was like 2 years ago and Geoffrey Giuliano claims that John, Yoko, Paul and Linda went to see the movie "Pretty Baby" together, which was released in April 1978. (The lost Lennon diaries) - but people say he's not a reliable source... But maybe John didn't turn Paul away the day after the SNL evening (24th of April 1976), but after the movie night? But then again Sean was already a toddler in 1978...

WELL if somebody did more research on this, I would love to know, but I'll end it here, because I think in the end there won't be a really satisfying answer. And maybe the important part is that the love they had for each other never went away either way.

(Newsweek, 1982, by Jim Miller)  Q: "Did you see much of him before he died?"

PAUL: "I saw him quite a bit. Always, the problem was talking business. Whenever we got into business, we got into an argument. It wasn't a pleasant framework for a relationship. When Sean (John and Yoko's son) was first born, I visited him a few times at the Dakota (Lennon's apartment house in New York). And then it had gone snotty. I used to turn up without calling him. One time, he got annoyed with me. He said, 'Well, look, man... Why do you just keep turning up here and surprise us? Why don't you just call first?' And I took that the wrong way. After that, I don't think I did see him. I phoned a few times. As long as we were talking about family, about life, it was good. The last time I spoke to him, I got off the phone and it felt like old friends again. I've talked to Yoko since then, and she's said to me, 'You know, he really was quite fond of you.' I think we were pretty close. But, sometimes, with brothers, you argue. They can be the most intense arguments, too."

(Playboy, 1984, by Joan Goodman) PLAYBOY: "Do you remember your last conversation with John?"

PAUL: "Yes. That is a nice thing, a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn't have any kind of blowup. It could have easily been one of the other phone calls, when we blew up at each other and slammed the phone down."

PLAYBOY: "Do you remember what you talked about?"

PAUL: "It was just a very happy conversation about his family, my family. Enjoying his life very much; Sean was a very big part of it. And thinking about getting on with his career. I remember he said, 'Oh, God, I'm like Aunt Mimi, padding round here in me dressing gown' ...robe, as he called it, cuz he was picking up the American vernacular... 'feeding the cats in me robe and cooking and putting a cup of tea on. This housewife wants a career!' It was that time for him. He was about to launch Double Fantasy."

(Playboy, September 1980, by David Sheff) PLAYBOY: "Aside from the millions you've been offered for a reunion concert, how did you feel about producer Lorne Michaels' generous offer of $3200 for appearing together on 'Saturday Night Live' a few years ago?"

LENNON: "Oh, yeah. Paul and I were together watching that show. He was visiting us at our place in the Dakota. We were watching it and almost went down to the studio, just as a gag. We nearly got into a cab, but we were actually too tired."

PLAYBOY: "How did you and Paul happen to be watching TV together?"

LENNON: "That was a period when Paul just kept turning up at our door with a guitar. I would let him in, but finally I said to him, 'Please call before you come over. It's not 1956 and turning up at the door isn't the same anymore. You know, just give me a ring.' He was upset by that, but I didn't mean it badly. I just meant that I was taking care of a baby all day and some guy turns up at the door... But, anyway, back on that night, he and Linda walked in and he and I were just sitting there, watching the show, and we went, 'Ha-ha, wouldn't it be funny if we went down?' but we didn't."

PLAYBOY: "Was that the last time you saw Paul?"

LENNON: "Yes, but I didn't mean it like that." (Newsweek, 29th of September 1980, by Barbara Graustark) Q: "Paul McCartney's theory is that you became a recluse because you'd done everything - but be yourself."

JOHN: "What the hell does that mean? Paul didn't know what I was doing - he was as curious as everyone else. It's ten years since I really communicated with him. I know as much about him as he does about me, which is zilch. About two years ago, he turned up at the door. I said, 'Look, do you mind ringin' first? I've just had a hard day with the baby. I'm worn out and you're walkin' in with a damn guitar!"

Sometimes, I think about how John specifically chose to sing ‘I Saw Her Standing There’ onstage with Elton at the Madison Square Garden concert, and chose to introduce the song as being by an old estranged fiancé of his named Paul, all the while wondering what Paul would think about it, and I’m left speechless.

“On that flight back to New York, John and Elton were both excited about the show. ‘We’ll have to rehearse,’ Elton said, and we discussed which songs it would be best to play. ‘Imagine’ was suggested, but John said he didn’t want to do just the greatest hits, and because Elton was already performing ‘Lucy in the Sky with Diamonds’, it made sense not to play it. John proposed ‘I Saw Her Standing There’. There was something about performing a Paul McCartney number that got him going. He knew no one would expect him to do that.”

Tony King (The Tastemaker, 2023)

“We tried to think of a number to finish off with so I can get out of here and be sick, and we thought we'd do a number of an old, estranged fiancé of mine, called Paul. This is one I never sang. It's an old Beatle number, and we just about know it.”

John introducing “I Saw Her Standing There” at Madison Square Garden, November 1974.

ALAN: I wondered exactly how you might be feeling when you closed the set with Elton, singing ‘I Saw Her Standing There’, and your jamming with Elton John and the fellas, that you never had the other three illustrious gentlemen around you. Did you feel anything strange about that?

JOHN: Well it was double strange because I used to sing a third-part harmony underneath Paul on ‘I Saw Her Standing There’. So I never actually sang the lead vocal. It was a really strange experience singing an early Beatle song that I never really sang, and singing it with somebody else. I was actually thinking, ‘Oh, I wonder what Paul will think of this’ (laughs).

John Lennon interviewed by Alan Freeman, January 1975.

This Is Not Here Press Conference @ Everson Museum in Syracuse, NY (October 8, 1971).

Reporter: What do you think of Paul, John?

John: I’ve changed, you know, he’s still the closest friend I’ve ever had except for Yoko. So I mean I’m still close to him whatever goes on.

In terms of timeline, the next day was John’s 31st birthday, where I believe we have audio recording of John conducting a nostalgic singalong of Yesterday during the party.

the ending of Now and Then is identical to the ending of Wait

I'm going to END MYSELF

Paul singing Here Today in 2004. He repeats the "I Love You" part four times