why did we even question the mclennon sharing clothes thing?? guys, it was right in front of our faces the whole time đ€ŻÂ this is how they exchange clothesÂ
Paul: When you told me John: When you told me Paul: You didn't need me anymore John: You'll never leave me Paul: You know, I nearly broke down and die
John and Paul: we did not have this conversation before. This song is totally fictional and not about us breaking up at all.
This soulful jamming reminds me of their "Oh Johnny, Johnny" "improvisations". Also John proceeds to talk about Yoko's divorce, sticking it in where it hurts. (Chap really knows how to rub it in).
there's no escape â
hi! how is it going? you said that your gsect epiphany was connected with my sister lover which is of course super cool and valid
but I think it is lock all the doors that spilled all the tea. like I even tried to interpret it in another way, like it is about some girl or whatever
it doesn't fit at all. ok, maybe some girl noel used to love might have had a star shaped tambo, but what all this "forbidden feeling vibe" for? like chill man no one is going to condemn or kill you if they found out that you are having sex with your gf lmao
long story short I really want you to elaborate on this issue. thanks xx
bestieee ive been saving this one for whenever i had the time and now im stuck in the house cuz miss rona finally got me soo đ
lock all the doors is super interesting! its a song that's been with him for a very long time and one that, at least in its most recent iteration, he likes enough to at least put it on his best of comp.
i think where u gotta start with this âđ€š is to look at the original demo from 1992 (or 93? ive seen people say both. either way very very early oasis.) that originally sat unused until 96 or 97 when noel took p much everything but the chorus, wrote the monstrosity that is my sister lover around it, and set that loose into the world. lock all the doors was the same situation but opposite parts and 20 years later. BUT if you ignore my sister lover existing for a second. ik it's hard but hear me out. i think the original lock all the doors was incredibly revealing just as it was. before he wrote the absolutely ham handed chorus that is "you're my lover, i'm your brother", the 2 parts meshed together really well in that original demo i think. they have a very similar vibe abt like. something secret! about not wanting to be discovered. "you never notice you are blind/the dream i have can never be" v similar vibe of not wanting to be seen/noticed, or having something that must be kept secret, and knowing it will only ever be this way, you can't ever have more. and then the lock all the doors chorus brings that theme of like. escapism and running from everyone's view to be alone together in hiding. i think they fit super well together.
but anyways this aint about the demo or my sister lover and i kno ppl have discussed those to death there's really nothing else to be said about my sister lover besides. god what an incredibly bizarre song. i want to force him to acknowledge it at least once and explain. it's like a personal fantasy. anyways
lock all the doors (2015 âïžđ) is very inchersting cuz why would he be taking lyrics about that feeling of being with someone and having to hide it away or keep it secret and reworking them to release so many years after that time had passed? i know he'll still release a song if it's good even if it's about something that isnt really relevant anymore but this one is weird because he clearly wrote new and Liam Centric lyrics just for it, that many years afterward,
like OBVIOUSLY we all kno "she wore a star shaped tambourine/prettiest girl i'd ever seen", it haunts me every waking moment, rent free etc etc. noel taking a song he wrote the chorus for when liam actually had that tambourine, and then writing that version of liam into the song like 22 years later im SICK. i do not need to mention just how many times noel made jokes about liam being a girl, wishing liam was a girl, wishing he had a sister instead. not even gonna get into that cuz that is its entire own insanity deep dive. but đ€ makes u think !
"i tried to catch her every night/dancing on the road in her candlelight/but i can't seem to reach her anymore" babeee ur longing and loneliness is showing! this paired with the opening line of the song, and ALSO knowing just how old this song is, really makes me feel like he's longing for a past version of liam or even how they used to be together. it's just filled with nostalgia to me. he's trying, or did try, to reach that past version of liam and how they used to be but it just wasn't the same and they couldn't connect the same way anymore and he's still longing for it.
thinking about noel writing this chorus when he did in the early 90's is so đ„ș. it's such a desperate wish for something that you couldn't ever hope to have in any real sense. you just aren't allowed. but sometimes love doesn't work that way and it's so incredibly sad for that reason lol. every time he writes about that wish to escape the world's view with someone and just be with them, alone together, it kills me. it's so sad :(
i think either this chorus was simply just good enough for him to reuse all those years later or, i would imagine to some degree even after all that time you would still wish for a perfect world where you could escape and hide away together and never be found. since that's essentially what caused 80% of the problems in the first place. again i think it's brought back up by nostalgia and a wish for things to be how they used to be. even if they were hiding and only together in secret behind locked doors with the lights off, at least they were together.
also i think the side by side of growing up sharing a bedroom with your brother, falling in love with him probably in said bedroom, and then writing a song about locking doors and getting down on the floor is very inchersting. makes me wonder if their door had a lock đ€
this is where it gets juicy! and yes i had to edit this bc genius had the wrong lyrics! or at least i think so bc i dont own the album and am pure pissed abt that because i was halfway out of bed to get it and look when i realized i dont even fucking own it! anyways!
this part is super wack to me bc instead of speaking About this person like he has been, he starts speaking directly To them. the "She" he mentions then becomes someone else entirely, i rlly dont wanna go there but you can make your own conclusions. no matter how toxic and terrible it is between them, i don't think anyone will ever understand either of them the way they understand eachother so i get why he wrote a line like that, "she never hears me when i speak/i gotta find out where that magic sleeps" it doesn't mean he's like pining for liam over his wife or something, i think he's just nostalgic for that level of understanding and being known that he really can't get anywhere else.
"and i can feel you underneath my skin" YESS you are entwined forever neither of you will ever escape the other ur constantly followed by the thought or memory of him and vice versa. pining and longing for somebody to the point where they live so rent free in your head that you can feel them under your skin.
"and if we take our love inside" back to being hidden inside/behind closed doors with someone, because at least you have them at all! i think it's inchersting how noel's common view of his solo career being his ultimate freedom and happiness is contrasted here by a line like "cause i don't wanna sail on the ocean wide/cause we might never live to meet again" which sounds more like loneliness and the fear of him never getting this thing back that he's clearly missing. he obviously knows that they don't have forever if he does plan on fixing that at all. maybe being trapped inside, behind locked doors is better than being all by yourself and alone because at least you're locked in there with the person you love.
i don't think this song, or him bringing it back and releasing it this way, is a real true wish for that at all. more like a fantasy. when you're in a relationship like that for so long i can imagine it becomes a comfort and anything else might seem lonely/overwhelming or make you long for it, even if in hindsight it was much worse. it's just kind of all you know.
anyways yea in conclusion lock all the doors and thinking abt why it was originally written makes me very very sad let there be love etc etc
âAnother great van story was when George and Paul were both planning to drive the van; George got into the driving seat and Paul had the keys, and there was no way one was going to help the other. We couldnât go anywhere. We sat there for two hours.â - Ringo Starr
âGoing through Wales we got a ride on a truck. The trucks didnât have passenger seats in those days so I sat on the engine cover. Paul was sitting on the battery. He had jeans with zippers in the back pockets and after a while, he leapt up screaming. His zipper had connected the positive and negative on the battery, got red hot, and burned a big red zipper mark across his arse. When we eventually got to Butlins, we couldnât get in. It was like a German prisoner-of-war camp - Stalag 17 or something. They had barbed-wire fences to keep the holiday-makers in. So we had to break in.â - George Harrison
â[âŠ] we had to go and see the film, just for the title song. I could just about scrape through the sixteen barrier. Even though I was baby-faced, I was just about able to bluff it in the grown-up world; but George couldnât. He had all the attitude, but he was really young-looking. I remember going out into his back garden and getting a bit of soil and putting it on his lip as a moustache. It was ridiculous, but I thought, âHe looks the part - weâll get in.â And we did.â - Paul McCartney
âIâve been meeting Paul again, you know, Paul McCartney. We drifted off away from each other, suing, suing, sue you blues stuff. Iâve just met Paul and I just know that whatever weâve been through, thereâs always been something there to tie us together. - George Harrison
"The thing is, I knew George longer than any of the other guys in The Beatles. Doesnât mean I knew him any better, mind, but I knew him longer. He was the kid in the school uniform with the big quiff who got on the bus stop after mine. And sometimes heâd sit down next to me and weâd start talking rock 'nâ roll. We shared our records, we learnt chords together, we even tried to make a guitar together. We did the whole teenage bonding thing, trying to pull birds, hitchhiking to Harlech, all the formative stuff. I canât quite believe itâs over.â - Paul McCartney
âYeah. That line was a joke, you know. That line was put in partly because I was feeling guilty because I was with Yoko, and I knew I was finally high and dry. In a perverse way, I was sort of saying to Paul, âHere, have this crumb, have this illusion, have this stroke⊠because Iâm leaving you.ââ
- John, when asked about the lyric âThe walrus was Paulâ in âGlass Onionâ. (Playboy Interview, 1980)Â
PAUL: As long as youâre this close all day, something grows. And then when youâre not this close all day, just physically, something goes.
(Talking about the infamous Madison Square Garden night and *purposely * swapping âfiancĂ©â to âfriendâ )⊠âtee heeâ.. smirk
(Rocketman 2019 Biopic)
(Err, is this relevant to the scene? Elton: âYES! (tee heeâ)
Taken from âMEâ: Elton John Official Autobiography
(Umm, if this is meant to be about the filthy escapades the Beatles got up to in Hamburg, why is framed in a way that *only* John & Paul were the ones messing up the sheets?) Elton: âtee hee, letâs see if anyone gets this jizz jokeâ
#theyâre all as bad as each other
#elton is an honorary filthy beast
#keep it coming Elton, give it all youâve got đ
Paulâs message to his most loyal Spotify listeners, 2023
âI luv ya. AndâŠyou love me! So, thanks a lotâ
Could any warm-hearted mclennon truther tell me what happened at 00:37 omg
English is not my language so i caaaannnnt understand it well.đ„Č