A CRITIQUE OF THOMAS PIKETTY’S ‘CAPITAL IN THE TWENTY-FIRST CENTURY’ – 5
CONTAINING CAPITAL – 5
Prasanna K Choudhary
Karl Marx
3. CAPITAL SOCIAL AND SELF-EXPANDING (Continued) – 3
FETISH CAPITAL
“The relations of capital assume their most externalized and most fetish-like form in interest-bearing capital. We have here M → M′, money creating more money, self-expanding value, without the process that effectuates these two extremes. ….
It is a…
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(via https://www.youtube.com/watch?v=nSal-ms0vcI)
Untitled by Ivana Stojakovic Via Flickr: <a href="https://www.facebook.com/istojakovic" rel="nofollow">www.facebook.com/istojakovic</a>
A time to engage
A week is truly a long time in politics. On Saturday, March 11, when the assembly election results of five states were declared, the Bharatiya Janata Party’s legions of supporters were awash in euphoria. Journalists and commentators ran out of superlatives to describe the party’s victory in Uttar Pradesh and Uttarakhand: stupendous, stunning, spectacular, magnificent, monumental, and, of course,…
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From Laughing Squid, 3D-Printed Paintings of Nanomolecular Structures by Shane Hope.
Shane has a pretty interesting website:
Q: Is your work deliberately trying to be opaque, and if so, what are the benefits of hyper-complexity (both conceptual and aesthetic)?
A: Many have been too hypnotized by technocratic solutionism to see that not all clarity is benevolently about accuracy and not all lack thereof should be immediately suspect. Getting obsessive-compulsive about the future can be counterproductive inasmuch as it often precludes a greater gamut of adaptability. Ambiguity, opacity, allusion, metaphor and semantic slippage can all serve as really important tools when making artwork, or realities for that matter. From the butterfly flap you choose, emerges the superstorm you deserve.
Hm.
Untitled by Ivana Stojakovic Via Flickr:
IMG_7809 by Pooja Pant
कौतुक के पर्वत का सैलानी लुडविग विट्गेन्स्टाइन की दुनिया प्रसन्न कुमार चौधरी 1. व्यक्ति और कृति संसार और जीवन एक हैं । मैं ही अपना संसार हूँ । लुडविग विट्गेन्स्टाइन (‘ट्रैक्टेटस लॉजिको-फ़िलोसॉफ़िकस’, 5.621, 5.63) । निश्चय ही यह अब तक प्रकाशित दार्शनिक कृतियों में सबसे पहेलीनुमा रचनाओं में से है : तर्कशास्त्रियों के लिए कुछ ज्यादा ही रहस्यात्मक, रहस्यवादियों के लिए कुछ ज्यादा ही तकनीकी,…
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Genesis of Capital in India
My book ‘Genesis of Capital in India’ in Kindle Edition. https://www.amazon.in/GENESIS-CAPITAL-INDIA-Prasanna-Choudhary-ebook/dp/B01MRTPPTA?_encoding=UTF8&keywords=genesis%20of%20capital%20in%20india&qid=1480937433&ref_=sr_1_1&sr=8-1
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After Dylann Roof opened fire on worshippers gathered inside the historically black Emanuel A.M.E Church in Charleston, South Carolina last month, allegedly killing nine congregants and claiming that they “rape our women” and “are taking over our country,” a disturbing image circulated online. A Facebook picture of Roof sitting on top of his car and straddling a license plate celebrating the “Confederate States of America” went viral, stoking an outrage that prompted the South Carolina government to permanently lower the Confederate flag that had long flown over the State House.
For some, however, the debate isn’t over. The Ku Klux Klan successfully petitioned to hold a pro-Confederate flag rally in Charleston last week, resulting in five arrests as white racialist groups clashed with counter-protesters such as the New Black Panther Party. Video footage from the scene shows African Americans angrily tearing up a Confederate flag, while Nazis inveighed against the government’s decision to “delete your history.”
Inside the white supremacist movement
'Naitaavad enaa, paro anyad asti' (There is not merely this, but a transcendent other). Rgveda. X, 31.8.
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