Children’s Book Week, U.S. Information Center, Paris, 11/12/1950

Children’s Book Week, U.S. Information Center, Paris, 11/12/1950
Children’s Book Week, U.S. Information Center, Paris, 11/12/1950

Children’s Book Week, U.S. Information Center, Paris, 11/12/1950

Series: Photographs of Information Center Service Activities in Foreign Countries, 1948 - 1954

Record Group 306: Records of the U.S. Information Agency, 1900 - 2003

Image description: A table display in a library, with posters that say “MAKE FRIENDS WITH BOOKS” and sections for “FURRY FRIENDS” “SERIOUS FRIENDS” and “MYSTERIOUS FRIENDS”. 

Image 2: A closeup of the poster, which features an animal (could be a fox, could be an anteater?) wearing a fancy tailcoat, cravat, and fur cape. The animal is holding a book titled “CHILDREN STORIES”. At the bottom of the poster is “BOOK WEEK / NOVEMBER 12-18, 1950”. 

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NEWLY DISCOVERED: Suspects and Witnesses, NARA ID 653047. By Miriam Kleiman, Public Affairs

Mary Tyler Moore's Mary Richards shattered TV gender norms. Unapologetically strong, bright, capable, and funny, she was a role model to me and others.

The heart of the show is her often-challenging relationship with grumpy-but-kindhearted boss Lou Grant, played by Ed Asner who died yesterday (whom she called "Mr. Grant" for all 7 seasons).

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I carry guilt because I didn’t vote for Jimmy Carter in the 2nd election. I voted for John Anderson. I thought it would be a nice break from supporting a Democrat automatically. But I had met Jimmy Carter. I liked what I saw... What he’s done since leaving the office of the presidency has been ideal. He’s acted like a great man. I thought he was a good president. I don’t know why I decided to vote for John Anderson, other than as a way to break my habit. I realized later that the votes Anderson got might have been enough bring Carter on par with Ronald Reagan. I regretted that. That’s why I never went for another 3rd party candidate after that. Ed Asner, Kansas City Star, 2016.

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Image: The Baltimore Museum of Art Caption: The Baltimore Museum of Art will only buy works by women next year, as part of a yearlong series exhibiting art by women. Amy Sherald’s Planes, rockets, and the spaces in between (2018) is among the 3,800 works by women in the museum’s collection

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