this account is six years old today! Which is so crazy because I didn't start posting here until like last month 😠but it's nice to finally be active here and build a little community of my own tysm for the support
counterfeit does NOT fuck with sea salt omg ðŸ˜
i don't know if im gonna finish this bc i don't know if i like their designs but we'll see
CRK OC !!!!! blackberry cookie of house blackberry
apples to apples
first post!!! these two are the oldest and the youngest of my mlp next gens Aj kids !!
Purée (pegesus) and Jonagold (earth pony)
This post is part of Operation Pink Tent
@ashleymilesphil reached out to me on 30/October/2024. They are a Trans refugee forced to flee from Uganda. This post shows evidence that they are who they say they are.
@vegetableomelette Uploaded a video of Ashley here
This image shows Ashley on the far right of the image with 4 other refugees.
This image shows Ashley in front of the Gormon Refugee Settlement sign, which matches the appearance of the sign in other images.
@uniqueblizzardballoon saying they know Ashley.
@kavumas-blog confirming the know Ashley and Ashley confirming they know Kavuma
As more evidence comes out this post will be updated, to view older versions of this post look at previous reblogs.
guys im about to get busy again kill me 🤕
bye this took me ages
his name rn is solo so hi everyone meet the first drafts of solo he's an alien
i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman
the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.
cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.
personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.
these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.
so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.
rarijack sketch just because