Trans Activist Jamison Green's Passport Photos Before And After HRT. Left He's Age 32 (1980) Right Age

hey Elvis is the glass half full or half empty to you?

Woah mama it depends on whether you're filling or emptying

characters who are so inauthentic. characters who only show what they want other people to see of them. characters who simply must have control over every part of themselves. do you even get it

Orin Scrivello's Lost Head Prop: A Masterpost

Written and researched by Calliope Avery

Content Warning: Very very mild and low quality special effects gore, implied violence, uncanny valley stuff(?), Orin Scrivello's face.

Little Shop of Horrors (1986) has an unfortunate reputation of leaving a lot of really cool things on the cutting room floor. The most infamous would be the movie's original ending, a beautiful and impressive sequence of puppetry that ended up completely scrapped. However, today we're talking about a prop that never made it into the final movie in any form:

Orin Scrivello's Decapitated Head!!!

Pictured above are the only 2 photos of the prop in its original state that I can find at the moment. The left photo was taken for promotion and advertising purposes, and the right image is actually a Topps trading card! (Which I have a physical copy of, hehe!)

To put it bluntly, I am slightly (very) obsessed with this prop head. There's so much mystery around it, and everything I've managed to dig up both fascinates me and makes me very upset. So much thought and hard creative work was put into the creation of this thing, and it was left completely left out and forgotten! I desperately want more people to be aware of this, so here is my big and (hopefully) well organized masterpost on everything for your learning pleasure. Alright, let's talk about some heads!!!!!!!!!

Forming a Timeline

The earliest mention of the head can be found in an early draft of the movie script, dated February 14th, 1985. There's plenty of concepts in this script that never seemed to get past this draft, but the severed head concept was not one of them. Here, take a look!

source

This section, found on page 66 of the script, not only established the existence of the head, but also establishes the facial expression it will later take on! Clearly, this concept was good enough to be held onto once actual production started, which is good for us! If it wasn't, then this post would be a lot shorter.

Early production of the prop began after the actors were cast, as face molds of Steve Martin were created as bases for the head.

source for the left image - source for the right image

Oooo, check these guys out!!! The left one is made of plaster, and the right one is made of rubber. The website sourcing these images included a quote from Steve Martin about the casting process. Here's the full provided quote:

"These molds were taken of my head for Little Shop of Horrors. It was cast on the lot at Pinewood Studios outside of London, and I got exceedingly claustrophobic during the casting. My entire head was covered with plaster and two straws were placed in my nose for breathing. Argh." - Steve Martin

I unfortunately don't have much information about the crafting process of the prop. I'm currently trying to track down anyone who could've worked on it, but the few people I've managed to contact haven't responded to me yet. So I can't say anything concrete about who worked on it and what went into creating it. The only thing I can assume somewhat confidently is that the creation of the prop happened around the same time as filming for Orin's scenes. It would allow them to make the face molds and also match up Martin's post-mortem Orin face with the facial expression of the prop.

Here's where it starts going downhill. From what I've found, the prop was never filmed with its face toward the camera. In the workprint that I accessed from the Internet Archive, the prop appears for 2 shots, and both of them only show the back of the head. Take a look:

source - timestamp: 1:02:59

[Video description: a low quality, slightly green tinted video depicting a deleted scene from Little Shop of Horrors (1986) where Seymour is feeding the decapitated head of the dentist, Orin Scrivello, to the plant. The video starts with a man in glasses reaching into a garbage can and pulling out a dark-haired decapitated head, holding it upside-down by the fabric on its neck. The head is faced away from the camera, so only the back of its hair is visible. There are vines flailing in the foreground of the shot. The video cuts to a shot of the plant puppet laughing silently. The video cuts again to a shot of the man slowly shuffling forward while dangling the head in front and away from himself. The plant is seen on the left side, still laughing and flailing its vines. Throughout the video, there are brief flashes of light that resemble lightning. The video's audio only consists of thunder noises and an unidentifiable sound that resembles chewing noises. End ID.]

My best guess for this choice is maybe it isn't as convincing when filmed? In the photos it looks really well made and realistic, but perhaps it didn't come across that way during shots. Regardless, the head was still in the film at this point, so that counts for something!

But as you and I both know, those 2 shots were left on the cutting room floor, completely removed from the final product. The prop was left completely unused and unspoken of... except for one instance.

Remember the trading card I mentioned at the beginning? It's a part of a full set of trading cards that were made and distributed by the brand Topps. Back when the movie first came out, you could buy a pack of 5 mystery Little Shop of Horrors themed trading cards, along with a stick of bubblegum. This 44-card set is notable for featuring a lot, and I mean a LOT of images from cut movie scenes. There's photos of the original ending, there's photos from the cut sequence The Meek Shall Inhereit, and of course there's also the card featuring the prop head! However, those 2 sequences would later be rediscovered, cleaned up, and then added into the Director's Cut rerelease of the movie. The prop head wouldn't get this treatment, staying obscured, unknown, and unmentioned.

Fast forward about 30 years. A certain unused movie prop would be offered in an auction, allowing us to not only see high-quality photos of said prop in its current state, but also to allow us to know the exact materials it was made of! Without further ado, I present Orin Scrivello's decapitated head, circa 2018:

source

This absolute freak of a guy was up for auction at the "Profiles in History: Icons and Legends of Hollywood" auction on June 5th, 2018. No one ended up buying it (I would. I need to buy it actually. Please sell it to me.), but the auction gives us some absolutely divine information about the prop, such as what it's made of and its dimensions! Here's a quote from the auction website describing its materials:

"Vintage original hollow cast resin character head painted in realistic flesh tones with brown eyebrows and eyes. The 13 x 8 x 9 in. head has been polyfoam filled for stability. Exhibiting cracks to the crown, which is brittle and with other wear and age. A striking likeness of Steve Martin. In vintage good condition."

How neat! The high-resolution images allow us to see the detailed sculpting of the prop, which is still evident and impressive with its age and missing parts! The creases on the forehead, and around the mouth and eyes, the realistically colored teeth, this was clearly sculpted with a lot of attention to detail. I would've loved to have an image like this back in the prop's prime, back when it still had hair and a fresh coat of paint.

Why was it Scrapped?

This is entirely just me theorizing, but I have a feeling it's for the same reason the original ending got snubbed.

If you take the time to watch the archived workprint, you'll find a lot of cuts and changes were made that changed the tone of the whole finished project. Orin's death and dismemberment scenes got edited down a lot. Shots of him struggling and knocking things down as he falls to the ground got cut, the voiceline where he begs Seymour for help is gone. The shot where Orin's legs jolt when Seymour brings down the axe is gone too.

It's not just Orin-related scenes either! Mushnik no longer cries out for Seymour when being killed and eaten, and that's ignoring how different the scene happens in the stage musical. And obviously, the entire ending got changed so that Audrey and Seymour survive, leading to the cut of the magnificent ending sequence where all the Audrey II's destroy New York. In a way, the film got murdered and gutted of any of its real horror, with attempts to cover up any of the blood they couldn't scrub out.

In the movie's later quest to rebrand as a softer version of itself, it only makes sense that 2 shots of a decapitated head wouldn't make it. The appearance of the dismembered leg made it through, probably because it's less gruesome, but a head is... different. I obviously think it should've been kept it in, along with almost everything they trimmed from the workprint, but alas.

Tldr, they cut the head off of the movie because it wasn't funny enough.

Conclusion

This is where the information I have ends, unfortunately. I do have more research routes I would like to take, but one of them involves desperately contacting random people who I suspect could've been involved (I've tried this, I've gotten no responses from those who I've managed to find an email for), and the other route involves taking a road trip to the actual goddamn Library of Congress, which is not something I can do right now or even in the near future. So this is probably as far as I'm getting!

However! If I find anything new, this post will be updated and/or remade again, depending on how big or little the info is. For now, I think this is good enough to share, and maybe letting people know will encourage others to research this prop as well! It'll probably be easier if it's not just me, y'know.

I'll finish by saying that I think research and preservation of art like this is very important. While it's common for cool artistic things to end up cut from movies, I think preserving that those cool things existed in the first place is something worth doing. Even though this prop head was a very small part of the movie, it's clear a lot went into creating it! I feel bad that I'm not able to credit any person or people for their work, but I hope getting the word out about it will do some justice.

If you've read this whole thing, thank you so much! I appreciate your interest and I thank you for taking the time to read all this. I hope you found it as interesting and fascinating as I do!

Oh, by the way, if this post looks familiar at all, you've probably seen the original version of this post I made awhile ago. I wasn't happy with the formatting of that post, and I ended up making too many discoveries to just continue updating it. I'll keep the original up to preserve it, but reblogs will be off for it, as I want this version to be the one to go around. Thanks!

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Getting your teeth cleaned can be fun!

American Dental Association poster (1954)

Sometimes it feels like you've lived your whole life in a house that's always a little bit on fire. Like it's usually just in one room and you make sure to wet the walls around it so it doesn't spread and that usually works. You were expected to take more responsibility over fire containment when you were like seven because it's not like you can expect your parents to always be 100% on guard about making sure the whole house doesn't catch fire, and you figure that's just how things are like.

And sometimes as a kid you visit your friends' homes and some of then whisper to you - grimacing with embarrassment - about how they're not supposed to tell anyone this, but there's a whole room in their house that's currently on fire. And you're like yeah it's ok I'm not supposed to tell people about the way our house is a little bit on fire all the time, too. And then you visit some other friend's house and there's no trace of fire anywhere, and you think "wow, these people are really good at hiding their house fire."

And one day you show up to work like "hey sorry I'm late, I forgot to wet the walls before going to bed last night and my whole house burned down", and you're startled by the way people react, acting like that must be the worst thing that has ever happened to you. And you're just like "chill, it's been years since the last time this happened, and it wasn't even that bad this time", and that just makes people more shocked, acting like that's the weirdest and most concerning thing they've ever heard anyone say, which only confuses you more.

And then someone tries to explain to you that people aren't supposed to have an ongoing house fire. Most people actually never experience a house fire in their lives. Like not even once. Not even a little bit. The normal amount of having your house be currently on fire is zero.

I'm not saying when my boyfriend grabbed a commercial household drill and said "Hold still, Seymour!" It did something for me…but!

~~~

If you are thinking of going to college to study an instrument, whether you are an education or performance major, start developing a healthy relationship to practicing now.

When you get to college, you will be expected to practice way more than you currently do. You may be the best musician at your current school; that will likely change in college. You won’t be the only person who is practicing daily anymore.

Your band directors and your private lesson instructors will want you to practice as much as possible. You may see your peers practicing 4+ hours per day. You will feel a lot of pressure to practice more no matter how diligent you already are.

Practicing is a skill that you need to learn. There are a lot of aspects to practicing that you will learn for yourself; however, from a health perspective, these are the three main skills you should learn.

All of these are from the perspective of a band kid. These may or may not apply to strings, piano, etc.

Make sure you have good playing posture

If you didn’t have a private instructor, it is very likely that you learned to play your instrument from a director who played something else. To avoid stress injuries, it is essential that you perfect your posture before you go to music school.

No matter what instrument you play, you need to have a relaxed posture with no tension. Your shoulders should be down and back; you should sit straight up without straining; you should not be gripping your instrument any tighter than you need to support it. I have a tendency to push my clarinet up and out from my body while I’m playing, and I grip it very tightly during technical passages. These issues led to me getting carpal tunnel twice in two semesters.

Along with this, look up some back and wrist stretches to do before and after playing to relieve pain and prevent injury.

Motivate yourself to practice without shaming yourself

You cannot bully yourself into wanting to practice. Shaming yourself for not being a good enough musician, worrying that you’re falling behind, comparing yourself to your peers, all of these things will cause you an immense amount of stress and make you dread practicing. It will become a chore and a punishment, not something that you do because you love playing and want to improve.

It’s similar to how motivating yourself to exercise just to lose weight is an unhealthy and, often, ineffective strategy. You’re thinking of exercise as a punishment for not having the body you want, rather than something you do because you love yourself. I was never able to make myself work out until I started doing it because it improves my mental health, rather than because I thought I needed to lose weight. And even if the shame does motivate you to work out, it will be hard to give yourself a break if you need it because “I have to do this.” It’s the same with practicing.

Learn to practice because it is time spent on something you love, not because you’re a failure without it. Practicing is absolutely essential to a music degree, but it doesn’t have to be a source of stress and shame.

Know your limits

You do not have to push yourself as hard as you possibly can to be a good musician. Steady progress is far more beneficial for your musicianship and your overall health than burning yourself out or getting injured from over-practicing.

I cannot consistently practice for more than two hours per day. Whether I practice all at once or break it up into multiple sessions, that is my physical and mental limit. Your limit may be higher or lower than that; that is perfectly okay. Practice for an amount of time that you can be consistent with every single day. When you know how much time you are going to spend practicing, you can design your practice sessions to fit your goals within that time frame.

However, it’s also important to give yourself breaks when you need them. There are going to be days where you just cannot get yourself to practice; you are allowed to take days off. While consistency is key, everyone needs breaks once in a while. You should also watch out for signs of pain or frustration while you’re already practicing. If you are in pain or getting frustrated, distracted, and tired, you can (and should) stop. “No pain, no gain” is a lie. Take breaks before your body takes matters into its own hands.

My strategy for figuring out if I genuinely can’t practice or if I’m just having executive dysfunction is to give myself a short warmup that I play every day - in my case, all the major and minor scales (I alternate between NM, HM, and MM each day). It takes about 10 minutes.

If the issue is that starting things is hard, I’ll get invested in practicing and I’ll continue my session. If I still don’t want to practice after doing scales, I take that as my sign that something is wrong and I need to take the day off.