Orinsaxophone - Eek!

orinsaxophone - Eek!

More Posts from Orinsaxophone and Others

3 weeks ago

invisibility is not a privilege

invisibility is a death sentence that just gets swept under the rug

1 month ago
orinsaxophone - Eek!

lets be consoled by mama

1 month ago

Everyone keeps talking about "the writer's barely disguised fetish". But I still haven't heard about "the writer's barely disguised huge ass pet peeve"

1 year ago

whys he so hot i cant handle it

Hey.

hey.

2 weeks ago
This Is Driving Me Nuts

This is driving me nuts

2 weeks ago

my most toxic trait is i fucking love work gossip. i play neutral not to be the bigger person or take the high road but to hear slander and hearsay from every side. two coworkers complained about each other to me in the same afternoon and i nearly blacked out from the rush

6 months ago

If you are thinking of going to college to study an instrument, whether you are an education or performance major, start developing a healthy relationship to practicing now.

When you get to college, you will be expected to practice way more than you currently do. You may be the best musician at your current school; that will likely change in college. You won’t be the only person who is practicing daily anymore.

Your band directors and your private lesson instructors will want you to practice as much as possible. You may see your peers practicing 4+ hours per day. You will feel a lot of pressure to practice more no matter how diligent you already are.

Practicing is a skill that you need to learn. There are a lot of aspects to practicing that you will learn for yourself; however, from a health perspective, these are the three main skills you should learn.

All of these are from the perspective of a band kid. These may or may not apply to strings, piano, etc.

Make sure you have good playing posture

If you didn’t have a private instructor, it is very likely that you learned to play your instrument from a director who played something else. To avoid stress injuries, it is essential that you perfect your posture before you go to music school.

No matter what instrument you play, you need to have a relaxed posture with no tension. Your shoulders should be down and back; you should sit straight up without straining; you should not be gripping your instrument any tighter than you need to support it. I have a tendency to push my clarinet up and out from my body while I’m playing, and I grip it very tightly during technical passages. These issues led to me getting carpal tunnel twice in two semesters.

Along with this, look up some back and wrist stretches to do before and after playing to relieve pain and prevent injury.

Motivate yourself to practice without shaming yourself

You cannot bully yourself into wanting to practice. Shaming yourself for not being a good enough musician, worrying that you’re falling behind, comparing yourself to your peers, all of these things will cause you an immense amount of stress and make you dread practicing. It will become a chore and a punishment, not something that you do because you love playing and want to improve.

It’s similar to how motivating yourself to exercise just to lose weight is an unhealthy and, often, ineffective strategy. You’re thinking of exercise as a punishment for not having the body you want, rather than something you do because you love yourself. I was never able to make myself work out until I started doing it because it improves my mental health, rather than because I thought I needed to lose weight. And even if the shame does motivate you to work out, it will be hard to give yourself a break if you need it because “I have to do this.” It’s the same with practicing.

Learn to practice because it is time spent on something you love, not because you’re a failure without it. Practicing is absolutely essential to a music degree, but it doesn’t have to be a source of stress and shame.

Know your limits

You do not have to push yourself as hard as you possibly can to be a good musician. Steady progress is far more beneficial for your musicianship and your overall health than burning yourself out or getting injured from over-practicing.

I cannot consistently practice for more than two hours per day. Whether I practice all at once or break it up into multiple sessions, that is my physical and mental limit. Your limit may be higher or lower than that; that is perfectly okay. Practice for an amount of time that you can be consistent with every single day. When you know how much time you are going to spend practicing, you can design your practice sessions to fit your goals within that time frame.

However, it’s also important to give yourself breaks when you need them. There are going to be days where you just cannot get yourself to practice; you are allowed to take days off. While consistency is key, everyone needs breaks once in a while. You should also watch out for signs of pain or frustration while you’re already practicing. If you are in pain or getting frustrated, distracted, and tired, you can (and should) stop. “No pain, no gain” is a lie. Take breaks before your body takes matters into its own hands.

My strategy for figuring out if I genuinely can’t practice or if I’m just having executive dysfunction is to give myself a short warmup that I play every day - in my case, all the major and minor scales (I alternate between NM, HM, and MM each day). It takes about 10 minutes.

If the issue is that starting things is hard, I’ll get invested in practicing and I’ll continue my session. If I still don’t want to practice after doing scales, I take that as my sign that something is wrong and I need to take the day off.

1 month ago

The older I get the less I can comprehend grown-ass adults being mean to kids, people in customer service, and especially teenagers in customer jobs. Saw some kid in a fast food place in an uniform that clearly stated "work training" and how I feel is almost exactly the same as seeing a little puppy in a harness that says "guide dog in training, do not disturb".

Like oh my god little baby has a job! Good job small baby!

4 weeks ago

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!
1 year ago

i headcanon him as having a bit of a mullet tbh

Mullet Orin Bcuz I Have A Mullet And Am Projecting

mullet orin bcuz i have a mullet and am projecting

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he/they. i am chronically offline in some ways

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