Percabeth | Godswap Au | 1500 Words | Commissioned By @zacharandom

percabeth | godswap au | 1500 words | commissioned by @zacharandom

Anger is a comfortable emotion, one that greets Annabeth at the door like an old friend—somewhere to retreat when the outside world gets too loud. Being a daughter of Ares has given her many strengths, and sometimes Annabeth feels a little too strong. Some days her heart beats like a war drum. She can feel the pressure in her veins, her pulse hammering through her body like a soldier’s march. 

Everyone knows—Annabeth, Percy, the camp, Clarisse. And they, for the most part, know to stay away. Annabeth busies herself with a punching bag or dummy in the arena for a day and comes out her usual self, no sign of her father’s blessing. 

But that takes time she doesn’t have. 

Redesigning Olympus takes its toll. After the Titan War, Annabeth is determined to make the city of the gods a fortress. No one—Titan, God, or otherwise—will be able to turn her work to rubble. She and it will live on for millennia. 

Annabeth’s spends her days locked in Cabin 5, muscles stiff as she sketches, calculates, erases, recalculates. Food appears next to her a few times a day—courtesy of Percy, no doubt. 

Silena was the only one of her siblings who could get close when these moods struck. The rest of the Ares cabin want a wide berth during these times, so that’s what they give Annabeth. She tells herself it’s what she wants too, but that doesn’t stop her from missing Silena’s steady hand on her shoulder telling her to take a break. 

Annabeth shrugs off her emotions and continues her work. 

Footsteps register from Annabeth’s right, which she chalks up to Percy coming with lunch. However, when Annabeth glances at the clock on her desk, she finds the light stings her eyes as 6:30 PM glares back at her. 

She looks over her shoulder to find Percy, but not as expected. He stands off to the side, his cotton shirt tight across his broad shoulders, sleeves straining when he crosses his arms. Add in that he’s wearing gym shorts instead of those god-awful cargo pants she’ll never admit she loves… it’s a sight she’d lean back to admire on a different day. 

She turns on her desk lamp and picks up her pencil. 

“Annabeth, take a break.” 

Keep reading

More Posts from Njkhis and Others

4 years ago
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This is the biggest news to come out of the 2020 election so far!!!!

**Two Senate runoff elections in Georgia means WE CAN STILL TAKE BACK THE SENATE!**

WE CAN THE SENATE RIGHT OUT OF MITCH MCCONNELL’S DISTURBINGLY PURPLE HANDS.

**It’s a long shot, but if Democrats win both seats, the Senate will be 50-50.**

If you live in Georgia, go to votesaveamerica.com/register to register to vote if you haven’t already. Then remind three friends to register or check their registration and VOTE AGAIN! The special election for both seats will be on January 5th. 

Everyone else, get ready to organize/volunteer/call every single voter in Georgia! Let’s take back the Senate!

4 years ago

the anatomy of a hurricane

read on ao3

or

part i: disturbance

The day they tell her the plan, Clarisse thinks it’s a joke. She actually barks out a laugh. But that was before. Before she notices how Chiron is shifting on his back hooves. That’s before she looks over at Annabeth and sees the way she’s staring pointedly at the opposite wall. That was before Athena and Hermes shimmer into the Big House.

She’s not laughing anymore.

Annabeth’s got this almost manic look in her eyes, and she’s gesticulating wildly about how ‘this is the only way’ and ‘it actually gives us a fighting chance.’ How ‘my mother is right,’ and ‘we’d be saving so many lives.’

But Clarisse knows all of it’s bullshit.

Annabeth may believe every reason she’s spouting about saving campers and preventing an all out war, but that’s not why she’s agreed to do this. She’s agreed because on the off chance everything goes right, she can save them both.

The prophecy will come true in a different way, and no one has to actually die.

Keep reading


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5 years ago
image

and they were roommates (chapter eight)

The apartment’s spotty radiator has been the bane of Annabeth’s existence all winter, but in a dog pile on the couch with her two favorite boys, the persistent draft is welcome if it means they’ll stay put. 

Percy’s voice drifts up from Annabeth’s lap, a bit too smug for her liking. “Bet you’re glad we got the big couch now, huh?” 

“I have no clue what you’re talking about,” Annabeth lies. 

A smile creeps onto Percy’s face as he taps Grover’s temple. The boys started with Percy’s feet in Grover’s lap, but Grover slid to the side during the movie marathon. Now his cheek rests on Percy’s stomach. 

“Hey, G-Man, you know Annabeth wanted a loveseat? How the hell were we gonna fit you on a loveseat?” 

Grover mumbles something sounding like “food” and sinks further into Percy. 

Annabeth bites her lip. “Grover sleeps in the woods for fun, Perce. Not sure how much support you’re gonna get on that front.” 

Percy cranes his neck to peek at Grover. “Is he drooling on me?” His head falls back on Annabeth’s leg, which has long since fallen asleep under his torso. 

Annabeth doesn’t even pretend to look before she nods her head gravely. “Oh, absolutely.”

read on AO3


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2 years ago
Ronda Slater, What I Need Is: A Contemplation Of Bisexuality, From Bi Any Other Name: Bisexual People
Ronda Slater, What I Need Is: A Contemplation Of Bisexuality, From Bi Any Other Name: Bisexual People

ronda slater, what I need is: a contemplation of bisexuality, from bi any other name: bisexual people speak out, edited by Lorraine Hutchins and Lani Kaahumanu, 1991

4 years ago
Call Me, Percy? Valentine’s Day Edition. edit By Sophii

Call me, Percy? valentine’s day edition. edit by sophii <3

This is Annabeth’s first Valentine’s day with Percy. Well, it’s actually their second, but it is the first one they will be spending together without anybody else and without having to be in school.

She has always celebrated previous ones with Hazel and Piper, going to Hazel’s mom’s restaurant and eating stupid amounts of food before watching rom coms in Hazel’s bedroom while they made themselves sick eating cookies and ice cream. She misses their love, misses being surrounded by and wrapped up in it on days like those, with chocolate smeared on cheeks and limbs crossed over underneath blankets. She hadn’t realised how much she would miss them until they were miles and miles away, making their own memories and futures just as she is.

She just misses them, is all.

“You got plans for the weekend?”

Annabeth looks over at her friend as they finish packing up from their lecture. “Percy’s coming down.”

“Right. You gonna go for dinner or something? That new italian restaurant in town is really good.”

They’re leaving the lecture hall now and Annabeth dodges a wild elbow which had been heading for her face. “Oh, um no. That’s not really our thing. We’re gonna go for a drive down the coast and probably get burgers or something.”

That earns a laugh. “Right. Y'all are cute.”

“Thank you, I think so too.”

Keep reading

4 years ago

28, gimmie your hand

sequel to this photographer percy au 

When Percy took pictures of Annabeth before they started dating, she could never tell if he was looking at her through the lens of artist or lover. Now, she’s beginning to think it’s the same thing. There’s a delicacy to his gaze, as though his smile is meant both for Annabeth and the light shining on her. His taking a picture so often looks like gratitude, like the fear of forgetting his luck in a moment so blissful. And he immortalizes her on film, takes his care to capture and develop her image. It is no small thing, being a muse. 

She envies it, sometimes. Percy gets to show Annabeth and the world exactly how he sees her, while she is left with her words, which can only ever fall short. He captures time and frames her suspended in the golden glow of sunlight, he makes her laugh moments before the flash, and he does not believe in bad photos. He photographs her bedhead, her soft stomach, her bent posture, and her chewed fingernails. He photographs her genuine laugh, her pouted lips, her pensive expression, her golden curls. Annabeth has never liked the sharp upturn of her nose, but Percy photographs her profile with such care that she can’t help but soften to it.

They’re at the beach for what feels like the last warm day of September. The Atlantic ocean is too vast to be swayed by the local weather, so they stay on the sand until they need to cool off. Percy’s camera is buried in their beach bag as they soak up the day—not every moment needs to be captured. Sometimes happiness demands to be fleeting. Nostalgia wouldn’t be as powerful if Annabeth could remember exactly how many freckles the sun kissed into Percy’s cheeks today. The longing comes from the fear of forgetting.

Sunset brings a gentle chill and sends Annabeth into Percy’s side. He pulls her bare legs into his lap and rubs his hands up and down them. It only works for a few seconds, but she’ll take any excuse to keep his hands on her. (She thinks he will too.)

One of the best parts about being in a relationship, she thinks, is not needing an excuse. There is an agreement between them that says you can touch me. I am trusting you to handle me at my best and my worst. I think that’s love. Please touch me.

Annabeth shifts her weight and straddles her boyfriend in a way that’s a bit indecent for a public beach, but the closest people are specs on the horizon and Percy is leaning back on his palms, his face to the orange sky and throat exposed. His skin looks golden, dripping in sunlight like honey, and Annabeth watches his Adam’s apple bob as she tastes. Even his smile is sweet. Annabeth is not an artist, but sometimes loving him makes her rethink that.

“Baby,” he whispers, and Annabeth opens her eyes to him chewing his lip. “You know the last thing I ever want to do is stop making out with my beautiful girlfriend on the beach, but...” He juts his chin to the sun, then to her general face. “I‘ll kick myself if I don’t get this.”

Annabeth pretends to roll her eyes as he lays back on the beach blanket with his camera in hand, but the way he looks at her is too profound for her to do much else. She’s always loved the way he looks at the world, though it wasn’t until recently that she discovered she likes the way he looks at her more. All that wonder, all that love, plus a surety that is so rare on him. There is the boyish boldness that makes her want to strangle and kiss him, plus the sly cockiness that has her leaning toward the former, but that gleam in his eyes cannot compare to this glimmer. His fingers slide along her chin, angling her kindly from  the harsh angle he captures her at.

She chuckles, gestures to his hand. “We wouldn’t get anywhere without this. Piper says I can’t pose for any camera you’re not behind.”

Percy pokes her in the side quickly, snapping a photo when she laughs. “That’s because Piper is a terrible photographer.”

“I’m sure she’d love to hear that.”

“I’m just saying, it’s more than landscapes and lighting. If you’re taking pictures of people, you should try to capture something real. Something human.”

“Her Instagram feed is very focused on humanity.”

She said it to rile him up—passionate Percy is one of her favorite versions of the boy she loves. She’s snuck more than a few photos of her own during a long-winded rant about camera lenses and color editing.

But this passion is quieter than what Annabeth is used to. Honest. Soft. Percy rests the camera on his chest and trails his fingers from Annabeth’s wrist to her elbow, his eyes following the slow migration.

“I don’t always know why you’re looking at me the way you do. I think that’s why I picked up a camera in the first place—my mom looked at me like I was the best thing that ever happened to her, and I was scared that one day she’d come to her senses. I wanted to remember that face before it disappeared.” He doesn’t look at her. Can’t, maybe. “It’s been over a decade, and that look is still there. I guess now I take pictures to try and understand it. Because I don’t— I want—“

Annabeth takes hold of his wrist. It’s then that he looks at her, propped up on an elbow. He breathes.

“You look at me like I’m a good thing.” And he’s opening his mouth like there are more words he wants to say, but they won’t come.

Annabeth kisses him, sweet and soft and a bit desperate. The lens of the camera presses into her chest, and she slides it out of Percy’s grip as she presses a kiss to his nose, his forehead. 

“Lay down for me,” she says. And, at his hesitation. “C’mon, Jackson. It’s hardly the first time I’ve had you on your back.” 

That earns a laugh, which earns the first picture. The camera may be out of Annabeth’s league, but she’s seen Percy use this thing enough to know that the big black button is all she really needs for what she’s trying to do. 

She says, “I love you,” says, “You’re everything to me,” and, “You are so beautiful,” for the sake of his smile. She sits a little lower in his lap and photographs the way his eyes darken, and his hands, still itching for the camera, busy themselves with her thighs. The sun is disappearing quickly, but Percy is glowing with the last of the New York summer. His skin is still damp from the kiss of the Atlantic, and Annabeth thinks that he was born to look like this. Love and light, gentle and summer-warm by the seaside. Percy Jackson summed up in a time, a place, a feeling. 

And Annabeth isn’t great with words, but he needs to hear them. 

“The sun is gonna set,” she leans in, throwing her shadow over his face, and sets the camera down, “and it’s gonna rise, again and again and again, and I am never gonna stop looking at you like this. Even if you never take my picture again.” She plants her hand over his shoulder to lean down. “You’re gonna spend your entire life by my side waiting for it to go away, and one day you’re going to forget to worry. Just like you help me forget to worry.” 

And then he smiles a bit sideways, a dimple pressing into his cheek. “You proposing to me, Chase?” 

She rolls her eyes, but smiles back. “As if you won’t know when I propose.” 

Percy’s hands skim up her back, where the last of the light stretches over the horizon of her skin. “Not if I beat you to it.” 

He pulls her down for a long kiss. When Annabeth comes up, it’s nearly dark out. 

“I’m pretty sure you’re not supposed to photograph your own wedding.” 

“Yeah, well.” And he’s arching up for one last kiss before they have to leave, a comma on the page of this long day turned night. “We’ll cross that bridge when we get there.” 


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11 months ago

If you love Disney, its parks, its media, and its merch, listen up.

So I work for Disneyland, and we are talking about striking very soon. So soon, in fact, that we've been hosting rallies just outside of the parks. Yesterday was the 69th birthday of Disneyland Anaheim... it was also a monumental rally.

I haven't seen anyone on tumblr talking about the impending strikes against Disney. Not even going through the Disney tags or searching tumblr for "Disneyland Strike."

Let's talk about why we're striking:

Cost of living in the immediate SoCal region is nearly 2x as much as we are getting paid.

Cast members that have worked for the company for long periods of time are still paid as mucha s new hires.

Disney has showed up to union negotiations with insulting offers, including at 25 cent raise. Most cast members make $19.90

Disney rarely schedules you. In some areas and departments, you are fighting with your fellow cast members for hours. I have heard of cast members who are only scheduled for 1 4-hour shift per week. Many of those cast members have upwards of an hour commute to and from work.

Disney Admin has told attractions castmembers [so: rides, rollercoasters, and anything fun you get to do and see at the parks] that we are losing them money, which is why they refuse to schedule us and pay us. In the words of my partner, who also works at the parks, Disney without attractions is an over glorified mall and a food court. Disney needs us, and they know it, but they do not respect us.

Disney has an unfair attendance policy. It can be very difficult to get a needed day off, even when it has been requested weeks or months in advance. When you do take a day off [with-out accrued sick or vacation time] it counts against you. You can have 3 a month, 6 in 90 days, 9 in 180 days, or 12 in a year. How do you accrue sick/vacation? Hours worked, which can be impossible with the scheduling practices mentioned above. (Most cast members trade shifts among themselves to get around this.)

Cast members feel unsafe and unsupported in the parks. Many cast members have felt threatened by entitled guests upset that they are following policy. Disney Leads and Managers have to say yes to these guests and make things happen, though. [Which only makes this behavior worse and more dangerous for cast members who are only doing their job.]

Cast members also report feeling threatened, or even being literally threatened, by management in the parks. Especially cast members who have a second job. Especially cast members who know their rights.

Further, cast members work in hazardous conditions with pay that does not reflect that. Many cast members report losses of hearing, sore throats, and severe back and shoulder pain. Cast members are also exposed to infectious diseases at a much higher rate.

Daily Pilot
The vote scheduled for July 19 could pave the way for a union coalition to call for a strike at Disney theme parks for the first time in 40

https://www.sfgate.com/disneyland/article/union-button-contract-dispute-19515296.php?fbclid=IwZXh0bgNhZW0CMTEAAR2u5o_mvU3i6jpIyHxBUZpEzD2GRSKFf5Pem4uRXqa6vKWDgZuffvINd1g_aem_AA1L0fI1phugJIluYMcDSw

4 years ago

Breonna Taylor’s petition has still not hit its goal. It takes next to no time at all to sign it. So if you haven’t, please do it and signal boost.

Petition

GoFundMe

5 years ago
Repost To Spread. (Not Really Humor)

Repost to spread. (Not really humor)

6 years ago
Bruh

Bruh


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