If Dr. Seuss Books Were Titled According To Their Subtexts

Anyway still the hottest couple

Chapters: ½ Fandom: Percy Jackson and the Olympians - Rick Riordan Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Annabeth Chase/Percy Jackson Characters: Annabeth Chase (Percy Jackson), Percy Jackson, Sally Jackson (Percy Jackson) Series: Part 17 of mob au Summary:

Annabeth finds that her and Sally might have more in common than she thought possible.

I have no faith in a proper investigation.

#SayHerName  #SadieRobertsJoseph

Please reblog, this is so important.

This is a summary of college only using two pictures; expensive as hell.

That’s my Sociology “book”. In fact what it is is a piece of paper with codes written on it to allow me to access an electronic version of a book. I was told by my professor that I could not buy any other paperback version, or use another code, so I was left with no option other than buying a piece of paper for over $200. Best part about all this is my professor wrote the books; there’s something hilariously sadistic about that. So I pretty much doled out $200 for a current edition of an online textbook that is no different than an older, paperback edition of the same book for $5; yeah, I checked. My mistake for listening to my professor.

This is why we download. 

 Alternatives to buying overpriced textbooks

Textbooknova 

Reddit

Bookboon 

Textbookrevolution 

GaTech Math Textbooks

Ebookee 

Freebookspot 

Free-ebooks

Getfreeebooks 

BookFinder

Oerconsortium 

Project Gutenberg

when are we gonna realize that these change dot org petitions are typically nothing more than performative activism that allows people who are unaffected (usually white people) to do the bare minimum and then pat ourselves on the back for being so involved and doing the right thing and standing up for people?

i am no orpheus

percabeth | angst with a happy ending | 4k | commissioned by @random-hallucinations 

major character death but not really

Ω

Hubris and loyalty. Fatal.

When Percy and Annabeth’s wars are won and the prophecies are about other people, it’s almost easy to forget. Hubris becomes Annabeth refusing to admit she’s wrong. Loyalty becomes Percy’s tendency to put the needs of others before his own. Peace lulls memory into rest, slowing the mind and the heart until they are fickle things. Peace itself is a fickle thing.

They still train—they are still demigods. War is in their blood, running through their veins alongside humanity and divinity. It’s never over.

Cold rain pelts Annabeth’s skin, soaking through her t-shirt and jean shorts. Her boots slip in the mud as she hauls a petrified fourteen-year-old girl toward Half-Blood Hill, brandishing her Drakon-bone sword to ward off the hellhounds in the surrounding woods. Their presence is scarce save a muddy paw print or a pair of gleaming red eyes in the treeline.

It’s not the hellhounds Annabeth is afraid of; she’s killed more of them than she cares to count. It’s the reason the hellhounds won’t move in, the looming figure shaking the slick earth with heavy footfalls.

read on AO3

PULLING YOU IN FOR A KISS WITH A SCARF

The night is warm. Annabeth’s cheeks heat with the flush of wine—by now they likely match the red of her Christmas sweater, a thick turtleneck that tickles her jaw. Charles stokes the flames at the fireplace for the first time in the new house, filling the room with the smell of oak and cedar and replacing the smell of dinner lingering in the air. An earnest Rachel chirps over Charles’ shoulder about how to interpret and “read” the flame, which he indulges with the silent amusement only he possesses. Katie and Travis are in a playful argument that will culminate in a kiss any minute, Grover is passing out hot cocoa (with extra marshmallows for Annabeth), and the others are screeching an off-key rendition of “All I Want For Christmas Is You”, which is particularly remarkable when you consider Clarisse singing along with her spiked cider raised high.

Most importantly, warmth emanates from under her where Percy sits with his arm around her waist and a soft smile on his face. He looks so serene, taken out of the moment the way one does in a flash of sudden clarity that they are currently creating a memory they will long to come back to, looking through the lens of nostalgia for a moment they are still in. Somehow Annabeth is in that moment with him, watching their friends through grainy film and hearing them as though the audio plays in the next room over. Everything is muted, glossy, and so so warm.

Percy comes back to himself and presses his lips to Annabeth’s cheek, smiling against the heat of her skin. His hand lifts from her hip to point at the reckless carolers supporting each other with firm embraces and shaky harmonies. “They’re idiots,” he says, but he says it with that smile and it sounds an awful lot like I love them.

“Yeah,” she sighs. “They really are.”

Later in the night once the idiots have been rounded up and herded out the door, Annabeth pauses in the foyer to watch them stumble gleefully, fighting over who gets shotgun in Juniper’s car (Grover) and who gets stuck in the middle seat (Connor). Snow falls softly and settles on Rachel’s curls as she tugs Clarisse’s beanie over her buzz cut and past her eyes, cackling alongside Castor and Pollux and the rest of the gang. Laughter and clinking glass echo from the kitchen where Silena and Beckendorf stayed behind.

The city is cold but the world is warm and full of people Annabeth loves, and therefore it is full of meaning. She turns to Percy, her coat rustling with the movement, and tries to hang on to this warmth, to the man who brought so much of it into her life.

She says, “Thank you,” and it sounds like I love you. It sounds like I love you and it means I love you but there is wine in her system and she’s two seconds away from crying after drinking on an ordinary day with less emotions. If he asks her, she’ll blame the wine and the holidays.

But Percy doesn’t ask her. He finishes pulling on his scarf and coat and looks at her, just looks at her, patient and understanding and in love, the way he has looked at her for the past ten years of their life. Annabeth marvels at her ability to bask in the familiarity of this love. She knows the details of him better than anything; he is the one portrait she can sketch from memory, a monument to permanence in her heart, and still her gaze catches on his freckles even in the winter months when there is no sun to change them. Just in case she misses one.

So she knows he will respond, “Of course,” in that soft tone of his, and she’s ready when his arms wrap around her bundled body. This man, her life partner who drives her crazy in the most maddening and romantic of ways, has given her more than she could ever hope to repay, and he loves her anyway. When her mind plays tricks and plants seeds of doubt, he reassures her. He shows up. Every single time, he shows up.

Their friends are long since corralled by their designated drivers, leaving Percy and Annabeth in the headlights. She pulls him in by the scarf, and they don’t say anything, but it sounds like I love you. Thank you for bringing me in from the cold. Thank you for bringing me home.

The American Hogwarts Houses