Carol Kane In "Les Jeux De La Comtesse Dolingen De Gratz" (dir. Catherine Binet - 1981)

Carol Kane In "Les Jeux De La Comtesse Dolingen De Gratz" (dir. Catherine Binet - 1981)
Carol Kane In "Les Jeux De La Comtesse Dolingen De Gratz" (dir. Catherine Binet - 1981)
Carol Kane In "Les Jeux De La Comtesse Dolingen De Gratz" (dir. Catherine Binet - 1981)
Carol Kane In "Les Jeux De La Comtesse Dolingen De Gratz" (dir. Catherine Binet - 1981)
Carol Kane In "Les Jeux De La Comtesse Dolingen De Gratz" (dir. Catherine Binet - 1981)

Carol Kane in "Les jeux de la comtesse Dolingen de Gratz" (dir. Catherine Binet - 1981)

More Posts from Nitemarefairy and Others

3 years ago

i need to fuck jack black right now i am not joking

3 years ago
image

Octavia Butler’s list of concepts that are sexy, via LA Review.

3 years ago

schitt’s creek is inherently lynchian i will die on this hill

3 years ago
Was Watching An Amy Winehouse Documentary And Just Found She Knows The Truth About Pisces
Was Watching An Amy Winehouse Documentary And Just Found She Knows The Truth About Pisces
Was Watching An Amy Winehouse Documentary And Just Found She Knows The Truth About Pisces

Was watching an Amy Winehouse documentary and just found she knows the truth about Pisces

3 years ago
Thierry Mugler’s Macbeth Costumes
Thierry Mugler’s Macbeth Costumes
Thierry Mugler’s Macbeth Costumes
Thierry Mugler’s Macbeth Costumes

thierry mugler’s macbeth costumes

3 years ago
Anya Krugovoy Silver, From "Turban", Saint Agnostica

Anya Krugovoy Silver, from "Turban", Saint Agnostica

3 years ago
There is a burgeoning aesthetic movement influenced by traditional camp but directed by gay women. It features a lot of hands.

Writing in the Journal of Lesbian Studies in 2016, Elly-Jean Nielsen, a Ph.D student at the University of Saskatchewan, declared that lesbian camp more commonly followed three themes: erotic, classic, and radical. Eight years before, Annamari Vänskä, a professor of fashion research at Aalto University in Finland, nodded to Serbian Eurovision singer Marija Šerifović, who in 2007 performed in a tuxedo surrounded by five “femininely coded” women. But both seemed less interested in the qualities of dyke camp for dyke camp’s sake and more interested in pairing it with camp as we know it.

Dyke camp overlaps with camp in some areas, certainly. But in others it is completely different; it has its own electric vision. If camp is the love of the unnatural, dyke camp is the love of the ultra-natural, of nature built up and reclaimed, of clothes that could be extensions of the body, of desire made obsessive, of lesbian gestures or mannerisms maximized by a thousand.

Rather than drag, which parodies what is real, dyke camp takes the real and magnifies it, so that it becomes absurd or funny or simply attractive in its own right.


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3 years ago

gay af to crucify jesus. you want to nail the messiah? 

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nitemarefairy - In The Sense That, Like, Chekhov Is Comedy?
In The Sense That, Like, Chekhov Is Comedy?

supposed confessions of a second-rate sensitive mind20 year old hag

146 posts

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