LES MIS LETTERS IN ADAPTATION - Entrance on the Scene of a Doll, LM 2.3.4 (Les Miserables 1925)
The last of these stalls, established precisely opposite the Thénardiers’ door, was a toy-shop all glittering with tinsel, glass, and magnificent objects of tin. In the first row, and far forwards, the merchant had placed on a background of white napkins, an immense doll, nearly two feet high, who was dressed in a robe of pink crepe, with gold wheat-ears on her head, which had real hair and enamel eyes. All that day, this marvel had been displayed to the wonderment of all passers-by under ten years of age, without a mother being found in Montfermeil sufficiently rich or sufficiently extravagant to give it to her child. Éponine and Azelma had passed hours in contemplating it, and Cosette herself had ventured to cast a glance at it, on the sly, it is true.
At the moment when Cosette emerged, bucket in hand, melancholy and overcome as she was, she could not refrain from lifting her eyes to that wonderful doll, towards the lady, as she called it. The poor child paused in amazement. She had not yet beheld that doll close to. The whole shop seemed a palace to her: the doll was not a doll; it was a vision. It was joy, splendor, riches, happiness, which appeared in a sort of chimerical halo to that unhappy little being so profoundly engulfed in gloomy and chilly misery. With the sad and innocent sagacity of childhood, Cosette measured the abyss which separated her from that doll. She said to herself that one must be a queen, or at least a princess, to have a “thing” like that. She gazed at that beautiful pink dress, that beautiful smooth hair, and she thought, “How happy that doll must be!” She could not take her eyes from that fantastic stall. The more she looked, the more dazzled she grew. She thought she was gazing at paradise. There were other dolls behind the large one, which seemed to her to be fairies and genii. The merchant, who was pacing back and forth in front of his shop, produced on her somewhat the effect of being the Eternal Father.
In this adoration she forgot everything, even the errand with which she was charged.
“The man remained silent for a moment, then said abruptly, ‘So you’ve no mother?’
‘I don’t know,’ replied the child.
Before the man had time to respond she added, ‘I don’t think so. Other people do. But I don’t.’
And after a pause she went on, ‘I think I never had one.’”
(LM 2.3.7)
everything about this exchange kills me. cosette’s simple acceptance of “I don’t” as if her existence as a motherless child is just the way it is. not a mystery, not a tragedy—she just inherently exists outside of other children’s reality.
it’s one small moment, but it encapsulates the age-old attitude that the status-quo will never change, that systems of oppression are simply a natural and unavoidable reality. and that perception squashes any potential to imagine a different way of life.
(only for valjean to show up at the inn all like “actually cosette, you are NOT inherently alone and unloveable, you are NOT destined to an existence of servitude and poverty, there IS another way of life for you and we’re going to go find it together”)
on tragic heroes and the people who'd follow them anywhere.
tumblr textpost// Anne Carson, An Oresteia// Madeline Miller, The Song of Achilles// Victor Hugo, Les Miserables// William Shakespeare, Hamlet// Anne Carson, An Oresteia
Maybe a little Titanic au(?)I’ve finally finished it.
The Dreamers
father daughter nose boops part 2 🥲
🎥 @medium-observation
what if instead of serving time 24601 served
And all that’s best of dark and bright Meet in her aspect and her eyes
Fast JehanParnasse doodle to cover emotional needs
::Guidance
first finished E/C art in sooo long ; - ;
posting just in time for @lesmisshippingshowdown I hope ' 3'
“Give to this dog son of a wolf a human face, and the result will be Javert.”
I think a lot about the folkloric story that Victor Hugo describes (or invents) in Les Mis, that uses dogs/wolves as a metaphor for that way that Inspector Javert betrays his own social class. It feels very fairytale-like, so here’s a Lotte-Reiniger style adaptation. Many thoughts, many emotions. I may animate this eventually. (And thanks to @valvertweek for the motivation!)
nel || 19 || they/them || aroace || every once in a while I scream about something other than Les Miserables || if you know me irl no you don’t
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