Yes, Yes, I Love This Dynamic So Much! I Love Both When It's Incredibly Sweet, And Also When It Causes

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Love the idea of having a diary for a character, and this is so beautifully written!

5/2

The death of winter is the birth of spring. There’s a certain melody to spring that I can’t quite capture. Is it the hum of the insects leaving their hiding spots I’ve not yet found? The chirps and caws of the animals greeting the still frigid morning? Or could it be the wind that no longer bites at my skin with a deathly cold but instead carries new life: seeds. The scenery is foreign to me now. I had grown used to the blank, muted world, where only the orange from the flames in my hearth broke through the colorless world. Spring comes every year, and yet, I grow no less used to this continuing cycle of life. I am always surprised by the way life continues after tragic deaths.

This book had sat on my desk, untouched for months. It had gathered a thick layer of dust. I stared at it many nights, knowing I had much on my mind. Still I did not write. I have grown comfortable speaking in my own head. Holding the pen is uncomfortable, the ink drips in the pages as I hesitate with my words. I will write, and need to practice what I am not used to. Before I had learned this skill I was ashamed of my incompetence. And yet, having now learned, I find many excuses not to write. My friend would find this humorous. I know that very well. But I love to see his laugh.

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Speaking of which, hey, I have a song recommendation blog for those who are interested.

Songs For Your OCs

Hi hi! This is a blog run by @moremysteries to help you find songs for your original blorbos and original works. Please review the information below, and happy requesting.

Ask Rules

I am not comfortable with minors interacting, so begone minors!

Always assume I am not familiar with your OCs and give the relevant information for whatever you are requesting. If you plan to send me a character bio, awesome! But please point me in the right direction so I know which parts are most relevant for whatever you are requesting. (EX: Can you read the section on their teen years and give me song recs that fit?)

Yes, you can request songs for NSFW scenes. Just please do not request songs for assault scenes, as I find that too triggering. Outside of that, please let me know the vibes of the scene or the character dynamics so I know what kind of songs you're looking for.

I will rec songs for abusive relationships, but please don't send in requests asking me to do so through a romanticized lens. I am also not comfortable giving song requests for CSA or incest, sorry.

I am fine with people sending multiple requests, but please limit yourself to six requests max. I will take my time on requests, so don't pressure me.

I reserve the right to not complete any request that makes me feel uncomfortable for any reason.

What you can request

Recs for songs that fit your OCs or a certain aspect of your OC.

Recs for songs that fit a certain scene.

Recs for songs your OC might listen to based on their tastes.

Recs for songs that fit a relationship between your OCs.

Recs for songs that fit the vibes or a certain aspect of your WIP.

Recs for songs based on a playlist you already have, a song you strongly associate with the OC, wip, scene, and so on, a moodboard, etc.

Just always remember the more relevant details you give me, the more accurate the recommendations will be. For instance, "my OC is named Bill and loves dogs". That's sweet, but will their love of dogs help me find songs that suit them? I personally doubt it. A sentence like, "my OC is named Bill, and he's a sweetheart that works at the local dog shelter because he loves animals," is much more informative. This is just an example of a helpful sentence, but please give me more than just that sentence. 😅

y'know it is possible to hold all the following to be true at once:

'abled' and 'neurotypical' are constructs, rather than a specific group of individuals. every human body and mind has a range of things it can do and cannot do, and the lines we draw between 'abled' and 'disabled' are largely arbitrary

some of us are Disabled and unavoidably so, and this has real and continued impacts to the way we live our lives. the things we aren't able to do are hard and unchangeable limits. disabled people like us have always existed and always will

people are rewarded for proximity to the abled standard, where the better you are at imitating 'abledness' the more you're rewarded, both implicitly and explicitly

the process of hiding your disability or attempting to imitate abledness is difficult, stressful, and has adverse impacts on a persons health and well-being, and it is certainly not the preferred way for a person to have to live their entire life

and we have to get better at letting all of these truths sit side by side without falling into the pit-falls of "everyone's a little bit disabled" vs "you have to be This disabled to count". also worth saying that all of this Must sit alongside a genuine commitment to listen to & respect & advocate alongside people with higher support needs

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masterpost of horror lists

here are all my horror lists in one place to make it easier to find! enjoy!

sub-genres

action horror

analog horror

animal horror

animated horror

anthology horror

aquatic horror

apocalyptic horror

backwoods horror

bubblegum horror

campy horror

cannibal horror

children’s horror

comedy horror

coming-of-age horror

corporate/work place horror

cult horror

dance horror

dark comedy horror

daylight horror

death games

domestic horror

ecological horror

erotic horror

experimental horror

fairytale horror

fantasy horror

folk horror

found footage horror

giallo horror

gothic horror

grief horror

historical horror

holiday horror

home invasion horror

house horror

indie horror

isolation horror

insect horror

lgbtqia+ horror

lovecraftian/cosmic horror

medical horror

meta horror

monster horror

musical horror

mystery horror

mythological horror

neo-monster horror

new french extremity horror

paranormal horror

political horror

psychedelic horror

psychological horror

religious horror

revenge horror

romantic horror

dramatic horror

science fiction horror

slasher

southern gothic horror

sov horror (shot-on-video)

splatter/body horror

survival horror

techno-horror

vampire horror

virus horror

werewolf horror

western horror

witch horror

zombie horror

horror plots/settings

road trip horror

summer camp horror

cave horror

doll horror

cinema horror

cabin horror

clown horror

wilderness horror

asylum horror

small town horror

college horror

plot devices

storm horror

from a child’s perspective

final girl/guy (this is slasher horror trope)

last guy/girl (this is different than final girl/guy)

reality-bending horror

slow burn horror

possession

pregnancy horror

foreign horror or non-american horror

african horror

spanish horror

middle eastern horror

korean horror

japanese horror

british horror

german horror

indian horror

thai horror

irish horror

scottish horror

slavic horror (kinda combined a bunch of countries for this)

chinese horror

french horror

australian horror

canadian horror

decades

silent era

30s horror

40s horror

50s horror

60s horror

70s horror

80s horror

90s horror

2000s horror

2010s horror

2020s horror

companies/services

blumhouse horror

a24 horror

ghosthouse horror

shudder horror

other lists

horror literature to movies

techno-color horror movies

video game to horror movie adaption

video nasties

female directed horror

my 130 favorite horror movies

horror movies critics hated because they’re stupid

horror remakes/sequels that weren’t bad

female villains in horror

horror movies so bad they’re good

non-horror movies that feel like horror movies

directors + their favorite horror movies + directors in the notes

tumblr’s favorite horror movie (based off my poll)

horror movie plot twists

cult classic horror movies

essential underrated horror films

worst horror movie husbands

religious horror that isn’t christianity 

black horror movies

extreme horror (maybe use this as an avoid list)

horror shorts

I love how on Tumblr, "media literacy" has become "Um, just because someone writes about this doesn't mean they're endorsing this. I hate all these media puritans ruining everything."

I'm sad to inform you that knowing when and whether an author is endorsing something, implying something, saying something, is also part of media literacy. Knowing when they are doing this and when they're not is part of media literacy. Assuming that no author has ever endorsed a bad thing is how you fall for proper gander. It's not media literacy to always assume that nobody ever has agreed with the morally reprehensible ideas in their work.

Sometimes, authors are endorsing something, and you need to be aware when that happens, and you also need to be aware when you're doing it as an author. All media isn't horny dubcon fanfic where you and the author know it's problematic IRL but you get off to it in the privacy of your brain. Sometimes very smart people can convince you of something that'll hurt others in the real world. Sometimes very dumb people will romanticize something without realizing they're doing it and you'll be caught up in it without realizing that you are.

Being aware of this is also media literacy. Being aware of the narrative tools used to affect your thinking is media literacy. Deciding on your own whether you agree with an author or not is media literacy. Enjoying characters doing bad things and allowing authors to create flawed or cruel characters for the sake of a story is perfectly fine, but it is not the same as being media literate. Being smug about how you never think an author has bad intentions tells me you're edgy, not that you're media literate. You can't use one rule to apply to all media. That's not how media literacy works. Sorry! Sorry! Sorry! Aheem heem. Anyway.

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I'm the same way. Creative work is like a puzzle to me. Getting into the meat of that puzzle helps me fully appreciate it. I can see everything the creator did, and even if the work isn't for me, I have a huge respect for the work and effort that went into it. It's why I love watching analysis videos so much (so long as they aren't overly uncharitable).

i find it so interesting how people act like "critically examining a piece of media" is the opposite of "enjoying that piece of media." rip to you but i actually find it really enjoyable and compelling to dissect and think through the art i engage with

writing the book was the easy part.

nobody told me how gutting it would be to actually ask people to read it.

to say “this means something to me, will you look?” and sit in the silence after. and then do it again. and again. and again.

i didn’t expect how much of this would feel like screaming into a void in a party dress — trying to be charming, clever, vulnerable, marketable, when all i really want is to tell stories and have someone care.

it’s exhausting. it’s lonely. it’s weirdly intimate.

but i still want it. gods help me, i want it so bad.

Why "No One Talks Like That" Is Unhelpful

I've been thinking about some unhelpful critiques I have been given in the past and what made them so unhelpful, which lead me to sort of wanting to deconstruct why "no one talks like that" is such a bad critique.

So, things to consider before you give the critique "no one talks like that", which will likely reveal what you're actually trying to say:

Conversational conventions are often different in fictional worlds.

Just because something is normally "uncouth" or "strange" to say in reality, that does not mean the same can be said about fictional worlds. I personally got the "no one talks like that" critique because one of my characters was, supposedly, too blunt about their marriage proposal. This was in a fantasy world where marriage was treated in an extremely practical fashion, the same way someone would treat buying a new house. I got treated as the "person who constantly interrupts people giving critiques because they can't handle it" for simply trying to give my teacher some much needed context. This type of critique is not helpful to anyone, because it completely fails to understand or even attempt to understand author intent. "No one in real life talks like this", yes, and that is the point. To actually give helpful critiques to fantasy dialogue, you need to first understand how that fantasy culture differs from the ones you are accustomed to, and judge the dialogue based on it.

2. When you say "no one talks like that", who are you really referring to? The general population, or the people specifically within your social circle, area, or culture? Because you will likely find it is the latter.

I don't think it's necessarily bad for people to draw from their experiences when giving critiques, but I do think it's important to analyze one's biases in doing so. Before you say, "no one talks like that", always sit down to analyze why exactly you think that, and consider having a proper discussion with the writer about what experiences they are drawing from. As one examples, a straight person who is unfamiliar with queer culture may feel inclined to say "no one talks like that" about queer characters using terms or addressing topics like gender, sexuality, etc. in ways they are not accustomed to. It's not because no one truly talks like that, it's because they are completely unfamiliar with it.

3. Always, always, always consider context.

This ties into the fictional world idea, but goes beyond that. "No one talks like that" can feel extremely tone deaf as a critique if the person isn't properly engaging with the context of a scene or a character. "No one talks like that," okay, but this particular character is stressed and running on adrenaline, they're not exactly meant to be talking normally. "No one talks like that," this is a literal demon from Hell, why should they talk like we do? "No one talks like that," this character is neurodivergent, and it makes complete sense for them to talk like that. Also, keep in mind the genre and the style of the story. Not all stories are trying to have realistic dialogue. You wouldn't criticize a story set in wonderland for having unrealistic dialogue, as this is very much the point. Now, unrealistic does not mean meaningless, which is why considering the context of a story helps you give more specific and helpful critiques when it comes to dialogue.

4. Does nobody talk like that, or is it just socially unacceptable to talk like that? There is a difference.

I mentioned neurodivergent characters, so let me expand on that issue here. There's this attitude I think really needs to be squashed that characters must talk in a neurotypical fashion or else they are badly written, because neurotypical individuals find this easier to understand and see it as more "proper". And it expands to this general attitude I've seen that, if characters are not following certain social rules or etiquette, then the dialogue is badly written. This puts so many constraints on character dialogue that doesn't actually help with character writing.

Sure, not everyone is going to go out to a parking lot and scream profanities to see the shock and horror of those passing by, but this shit stain character I created absolutely would. "But characters need a good reason to break this etiquette", not everyone cares about social etiquette, and characters are absolutely the same way. So long as their character has been established as such, this is fine. Also, reactionary responses like, "no one would talk to their parents that way!", in response to a character severly breaking a social rule or greatly going against a certain social value, are not actually helpful critiques. It is an emotional reaction that reflects what you view as proper, not if the action is accurate to the character or not.

5. Is it true that nobody talks like that, or do you just not understand the dialogue?

If dialogue is confusing, you need to delve deeper into why that is, and consider whether this is intentional or not. Just because the dialogue does not personally resignate with you, that does not mean it is poorly written. Same goes for dialogue that is meant to be confusing at first, and is given further context later. Have a conversation with the writer to see if this dialogue is meant to be confusing, or if there's been a miscommunication. It's also important you reflect on whether a project is for you when critiquing. If you hate dialogue full of rhymes, then you probably shouldn't critique a story where everyone talks in rhymes.

6. Is the issue the way they are talking, or the way they are talking about something in the specific context of the story?

When analyzing why dialogue doesn't sit well with you, is it because the characters' reactions feel off or out of character? For instance, is the character that is well established to hate sweets now ranting and raving about how good milk chocolate is? The issue then isn't that "no one talks like that", the issue is, "it feels out of character for them to address (topic) like that". Yes, it could be argued no one hates sweets one second and then praises milk chocolate the next, but phrasing it as "no one talks like that" doesn't actually get to the meat of the issue. As a more serious example, is the character who hates all magic being oddly casual when actually confronted with a mage? Of course, some inconsistencies are done on purpose, and, as I said above, context matters.

Conclusion

Going through this, I think a lot of people will find "no on talks like that" is not actually what they want to say. Rather, they likely want more context, think a conversation needs better build up, believe the dialogue feels inconsistent with the characters/world, or may outright just be a bad fit for that particular project. So before you say, "no one talks like that," consider why you feel that way and find a way to word this critique that is more productive.

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Writing Update 5/22/2025

I am continuing to work on Every Hero Needs a Villain and I am super happy to announce that I'm actually making great progress when it comes to both hero and villain descriptions. Each category has six, with each hero having a villain and vice versa. I hope I've gotten a good spattering of personalities for people to enjoy this way.

Here's a snippet from Straight Shooter's, a cowboy object head:

He can inspire a state of restfulness depending on the color of his scarf. Red is for physical restfulness, purple is mental restfulness, blue is emotional restfulness, green is spiritual restfulness, yellow is instinct restfulness, and sometimes he has a rare rainbow of all these colors. Yet, to do so, he too must also achieve this restfulness for himself.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

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